A new 8-disc set celebrating the 60th anniversary of Woodfall Films. Includes eight iconic films (many newly restored and available on Blu-ray for the first time) that revolutionised British cinema and launched the careers of the likes of Albert Finney, Tom Courtenay and Rita Tushingham. Features: Look Back in Anger (Tony Richardson, 1959) The Entertainer (Tony Richardson, 1960) Saturday Night and Sunday Morning (Karel Reisz, 1960) A Taste of Honey (Tony Richardson, 1961) The Loneliness of the Long Distance Runner (Tony Richardson, 1962) Tom Jones (Tony Richardson, 1963) (New 4K digital restorations of the original theatrical version of the film and the 1989 director's cut) Girl with Green Eyes (Desmond Davis, 1964) The Knack...and how to get it (Richard Lester, 1965) Special Features: Presented in High Definition All films newly remastered for this release, excluding Saturday Night and Sunday Morning and The Loneliness of the Long Distance Runner Extras TBC
Irresistible BBC drama featuring Richard Gere in his first major television role for 30 years. From bestselling author and Emmy-nominated writer Tom Rob Smith. Max (Richard Gere) owns one of the world's most influential media empires. Information is his trade: he holds dark secrets on everyone, and uses his power ruthlessly. His son Caden (Billy Howle) is editor of Max's mouthpiece, The National newspaper. But Caden is crumbling under the pressure of his father's expectation, numbing his pain with cocaine and intense anonymous sex. When Caden's excess causes a massive stroke, he's left like a helpless child. For Kathryn (Helen McCrory) Max's estranged wife this is a chance to reconnect with the sensitive boy Max ripped away from her. As Max and Kathryn fight for the soul of their son, another fight is about to begin, a fight for the heart of the nation. Because Caden knows secrets that could bring Max's empire crashing down. And Caden's silence can't be bought. Starring: Richard Gere (Chicago, Pretty Woman); Helen McCrory (Peaky Blinders, Harry Potter); Billy Howle (The Witness for the Prosecution); Sarah Lancashire (Happy Valley); Sinéad Cusack (Call the Midwife); Paul Ready (Motherland); Pippa Bennett-Warner (Harlots); Danny Sapani (Black Panther); Joseph Mawle (Game of Thrones) Created & Written By: Tom Rob Smith (London Spy; The Assassination of Gianni Versace: American Crime Story) Bonus Features: Introducing Motherfatherson Creating Motherfatherson Becoming Caden London
Richard Greene stars as television s most famous Robin Hood in ITV's first smash-hit series from the very early days of British commercial television. First seen in 1955, The Adventures of Robin Hood ran for 143 episodes and its worldwide success gave rise to a whole strand of swashbuckling heroes, including Sir Lancelot, William Tell and The Buccaneers. Still shown around the world and highly regarded more than 50 years later, this series more than any other established a tone and style for the half-hour adventure format series, influencing every series that came after. This set contains the complete run of 143 episodes over 18 discs.
Meet Frankenstein: The world of freight handlers Wilbur Grey and Chick Young is turned upside down when the remains of Frankenstein's monster and Dracula arrive from Europe to be used in a house of horrors. Dracula awakens and escapes with the weakened monster who he plans to re-energize with a new brain. Larry Talbot (the Wolfman) arrives from London in an attempt to thwart Dracula. Dracula's reluctant aide is the beautiful Dr. Sandra Mornay. Her reluctance is dispatched by Dracula's bite. Dracula and Sandra abduct Wilbur for his brain and recharge the monster in preparation for the operation. Chick and Talbot attempt to find and free Wilbur but when the full moon rises all hell breaks loose with the Wolfman Dracula and Frankenstein all running rampant. Meet The Mummy: In Egypt Peter and Freddie find the archaeologist Dr. Zoomer murdered before they can return to America. A medallion leads them to a crypt where a revived mummy provides the terror.
Footballers' Wives plays rather like a dramatisation of the worst bits of Heat magazine, fuelling our obsession with worshipping at the celebrity altar. In essence it's Dynasty set in the world of premiership football, though you shouldn't be fooled by the title: this is definitely not a "game of two halves". For the first time in history, men may leave the room at the mention of football to let the women gorge themselves on a surfeit of bad fashion, affairs, drug habits, long-lost children and the gratuitous disposal of excessive wealth. There are more than a few recognisable characters--the foreign manager, the glamour-model wife, the smouldering Italian mid-fielder--whose presence only adds to the (intended) impression that this just might be fact thinly disguised as fiction (though it's unlikely that any real footballer's wife would almost kill the chairman of the club in a fit of rage, as Tanya does in the first episode). Unsurprisingly Footballers' Wives was created by the same team that produced the trash-fest that was Bad Girls and despite never being a contender for best drama it offers a perfect opportunity to become a voyeur in a world with more glitz and leg action than most. On the DVD: Footballers' Wives is presented with an ordinary TV transfer. The special features are nothing to get excited about, just standard interviews and photo galleries. --Nikki Disney
When veteran detective, Danny Frater (played by James Nesbitt), turns up at a hospital mortuary for what he thinks is a routine ID check on a young woman's body, he gets a devastating shock; the corpse turns out to be his estranged daughter, Christina (played by Imogen King). Danny is traumatized by the news that according to the post-mortem report, she's taken her own life. Danny and Christina had a complicated father-daughter relationship in recent years, but he refuses to accept that she would have ended her own life. He sets out on a mission for the truth, retracing her last days and hours, in an agonising crusade to discover what really happened to his only child.
In the neverending high-tech war against crime Detective Constables Bob Louis and David Briggs are the Scud missiles of the police arsenal: inefficient unreliable and utterly aimless! Episodes Comprise: 1. D.C. Of Love 2. Flash 3. Art Attack 4. On Thin Ice 5. Between A Rock And A Hard Place 6. Twitchers
The Sean Connery Collection. The Untouchables: Brian De Palma's 'The Untouchables' is a must-see masterpiece: set to a classic Ennio Morricone score this is the glorious and fierce depiction of the larger than life mob warlord who ruled Prohibition-era Chicago - and the law enforcer who vowed to bring him down. This classic confrontation between good and evil stars Kevin Costner as federal agent Eliot Ness Robert De Niro as gangland kingpin Al Capone and Sean Connery
1: Pilot (Feature length) Police Officer Michael Long is shot and left for dead. A metal plate in his head from a previous injury deflects the bullet. Dying millionaire Wilton Knight provides Michael with a new name a new face and a new car. In return Michael must help the Foundation for Law and Government bring criminals to justice - criminals who operate beyond the reach of the law. 2: Chariots of Gold Bonnie is accepted into an elite society for brilliant thinkers only to
Missile to the Moon: An expedition to the moon arrives to find a sinister female presiding over a race of moon-women. A remake of 'Cat Women of the Moon'. Earth Vs The Flying Saucers: Aliens travel to Earth to seek help for their dying planet. However when they arrive at a U.S Army base the Army mistakenly greet them with gunfire... Planet Outlaws (aka Destination Saturn): The re-edited version of the 1939 Universal serial 'Buck Rogers'. Buck and his comrade Buddy are released from suspended animation after 500 years on ice. The world which they once knew is now under the control of Killer Kane a terrifying mobster. Needless to say the duo quickly get onboard a plan to take down the criminal mastermind and his band of futuristic assasins.
Taken from a long-running DC Comics strip, Wonder Woman was made into a popular television series between 1978 and 1981, starring former Miss America, Lynda Carter. Capturing the hearts of TV audiences with her sexy outfit as much as her superheroine abilities, Wonder Woman quickly became a kitsch icon, battling the forces of evil with the unforgettably camp "garb of justice", including bullet-proof bangles, a golden lasso and the belt of strength built into her corset. She had an invisible plane, too. Originally Princess Diana of Paradise Island (an uncharted land of Amazon women in the Bermuda Triangle), Wonder Woman is sent as an emissary to the outside world to protect the human race from the forces of evil. And so she becomes Diana Prince, the geeky, bespectacled assistant to Steve Trevor of the Inter Agency Defence Command in Washington, whose father she assisted against the Nazis in the 1940s. --Laura Bushell
Look who grew up: in Our Lips Are Sealed Mary-Kate and Ashley Olsen, once the sleepy-eyed preschoolers in the hit TV sitcom Full House, wake to find themselves ready for their first day of high school. But the day doesn't shape up as ultra-fantastically as in their dreams. A series of bizarre circumstances force them into a life-threatening situation in which only the FBI Witness Protection Program can help. It turns out that Mary-Kate and Ashley are their own worst enemies; the girls continually blow their cover until finally they're booted down under to the warm and sparkling recreation mecca of Sydney, Australia. Here the challenge to keep a secret takes second fiddle to the bigger challenges of fitting in with the popular group, learning Aussie lingo, and (apparently) changing into a new set of adorable clothes and accessories in almost every scene. Fans from the ages of 6 to 13 will probably enjoy the daft antics of the Olsens, their adventures with cute boyfriends, and their ability to thwart the goofy bad guys. Also, their acting ability--although crippled by yet another bubblehead script--continues to improve. To the parental crowd, the film plays somewhat like a New Age beach-blanket movie with plenty of surfer parties, flower-power fun, overblown story points, mild potty humour, and lots of belly buttons (LOTS of belly buttons). The movie also has some inexplicable references (to such grown-up phenomena as The Blair Witch Project and The Sopranos) that are bound to go way over the target audience's heads but it's absolutely clean fun that fans will eat up. --Liane Thomas, Amazon.com
Still the most expensive movie ever made, Cleopatra nearly bankrupted 20th Century Fox. It also scandalised the world with the very public affair of its two major stars, Elizabeth Taylor and Richard Burton. But Joseph L Mankiewicz's 1963 epic deserves to be remembered for more than its off-screen troubles. An extravagantly elaborate production, the sets and costumes alone are awe-inspiring; Mankiewicz's own literate screenplay draws heavily on the classics and Shakespeare; while the supporting cast, led by Rex Harrison as Caesar and Roddy McDowall as his nephew (and future emperor) Octavian, are all first-rate thespians and generally put in more convincing performances than either of the two leads. Mankiewicz's original intention was to make two three-hour films: the first being Caesar and Cleopatra, the second Antony and Cleopatra. But before the films completion, and following a boardroom coup worthy of Ancient Rome itself, legendary mogul Darryl F Zanuck took back control of Fox and insisted that Cleopatra be cut to a more economical length. A heartbroken Mankiewicz was forced to trim his six-hour vision down to four. This was the "roadshow" version shown at the films premiere and now restored here for the first time. Then following adverse criticism and pressure from cinema chains Zanuck demanded more cuts, and the final released version ran a mere three hours--half the original length. Capitalising on the feverish publicity surrounding Burton and Taylor, the shortened version played up both their on- and off-screen romance. This longer four-hour roadshow version allows for a broader view of the film, adding some depth to the politics and manipulation of the characters. But the directors original six-hour edit has been lost. Perhaps one day it will be rediscovered in the vaults and Mankiewiczs much-maligned movie will finally be seen the way it was meant to be. Until then, Cleopatra remains an epic curiosity rather than the complete spectacle it should be. On the DVD: this handsome three-disc set spreads the restored four-hour print of the movie across two discs. The anamorphic widescreen print looks quite magnificent and Alex Norths wondrous score comes up like new in Dolby 5.1 sound. Theres a patchy and only intermittently revealing commentary from Chris Mankiewicz, Tom Mankiewicz, Martin Landau and Jack Brodsky. Much better is the comprehensive two-hour documentary that occupies disc three, which tells in hair-raising detail the extraordinary story of a film production that became totally out of control. This is accompanied by some short archival material, but the documentary alone is a compelling reason to acquire this set. --Mark Walker
Set in Wyoming in 1881 during the sunset years of the Wild West, 1992's Unforgiven was directed by and starred Clint Eastwood, and is generally considered to be the towering achievement of his twilight years. Eastwood plays William Munny, once a vicious, whisky-swilling bounty hunter, brought to heel by his marriage to a good woman. When she dies, he must raise two children and run a hog farm alone, something which we see him make a comically poor fist of doing. Then, in a twist of fate, a young outlaw called the Schofield Kid trots up to his farm and invites him to collect on a $1,000 reward raised by a group of prostitutes. However, Clint must not only face up to his own somewhat rusty skills as a gunslinger, but also to genial-but-psychopathic lawman Little Bill Daggett (Gene Hackman in superb form). Unforgiven ultimately conforms to the expectations of the genre, while subverting quite a few of them on the way. There's brooding on the consequences of violence ("It's a hell of a thing to kill a man"), as Munny's ineptitude with a rifle is matched by his feelings of penitence for his younger wrongdoings. Finally, however, Eastwood casts aside age and inhibition in a chillingly ruthless shootout, his powers miraculously (improbably?) restored, in what could also be seen as an assertion on the part of the ageing Eastwood of his own potency as a major player in Hollywood. On the DVD: Unforgiven is presented in this Special Edition release in a 2.35:1 widescreen transfer that gives due emphasis to what critic David Thomson described as the "drained, wintry" feel of the movie. There are numerous bonus features in addition to the original trailer. Eastwood official biographer Richard Schickel offers a particularly copious and detailed audio commentary which touches on all aspects of the film. The 64-minute 1997 documentary Clint on Clint offers a detailed if inevitably worshipful account of Eastwood's career. Finally, there's a 47-minute 1959 episode of Maverick, the old James Garner TV series, guest-starring a 29-year-old Clint, several years away from his big Hollywood break. --David Stubbs
Morecambe and Wise are special agents 00 oh oh! in this hilarious spy caper. James Bond has nothing to fear when Eric and Ernie get mixed up with Colonel Grant MI5 and the KGB. Their task: to protect the Ballerina Madam Petrovna the idol of the Russian people and God help Madam Petrovna. Her life is in the hands of two of the world's most incompetent spies dressed as Ballerina's and one of them showing off his short fat hairy legs. Intelligence work has never been so funn
To try and please all the fans of JK Rowling's novel was a challenge that the makers of Harry Potter and the Philosopher's Stone met head on. The result of their efforts is one of the most lavish, beautiful and magical cinematic treats to hit our screens in years. Director Chris Columbus and screenwriter Steven Kloves (thankfully with the help of Rowling herself) prove that although you can't translate everybody's reading of this much-loved book onto the cinema screen--maybe Fluffy was a bit more Fluffy in your imagination or Hagrid (superbly played by Robbie Coltrane) a little more giant-like--it is nevertheless possible to transfer Harry's adventures with fidelity as well as superb energy and excitement. If there is a downside it's that the performances of the child leads tends to verge on the Sylvia Young-tastic in places. Nonetheless, the three young stars are both likable and watchable, showing great potential to grow into the parts as the adventures continue. The main disappointment is the substantial cutting of the ghost scenes and what promised to be a fine comic turn by John Cleese as Headless Nick, though with more Potter films on the way the ghosts will surely assume their rightful prominence later. There are, of course, some areas of the story that may frighten smaller children--such as the entrance of the evil Voldemort--and undoubtedly for any true Potter fan that cinematic entrance cannot live up to the images created in their imagination. All in all, though, Harry Potter and the Philosopher's Stone is what it should be: an unmissable treat for the whole family. On the DVD: Harry Potter and the Philosopher's Stone really is a magical experience in this lavish two-disc set. Disc one offers the film in all its surround-sound glory along with trailers and links to the Harry Potter Web site, but, disappointingly, there's no commentary. Disc two is where the real wizardry can be found, with a vast and beautifully designed selection of special features. Entering the Great Hall a mysterious voice invites you to explore and find the secret hidden within (though it's frustrating that in some cases you have to re-enter the Hall after viewing a feature). Various options let you tour around Harry's world: from Diagon Alley to a virtual 360-degree tour of Hogwarts. The interactive component is excellent, with real thought having been put into ensuring that, instead of just the standard behind-the-scenes stuff, there is material aplenty to keep children and adults alike entertained for hours. Throughout the emphasis is on the disc's educational value: yes there are insights to be had from the film crew, but it's in the Classroom where you will find the real precious stones! --Nikki Disney "Widescreen" vs. "Full Screen" Widescreen preserves the original theatrical picture ratio of the film (Panavision 2.35:1), which will appear in "letterboxed" format on a normal TV screen. Full Screen (or "pan and scan") crops the theatrical picture to 4:3 ratio (i.e., 4 units wide by 3 units tall), which is the shape of a standard (non-widescreen) TV screen. There is no letterboxing, but up to a third of the original picture is lost.
US gay-themed drama written and directed by Doug Spearman. The film follows Peter Logsdon (Darryl Stephens), who has a history of pursuing married men, as he becomes romantically involved with Jack (Scott Bailey), who has been married for 12 years and has two kids. While Peter finally confronts his fear of intimacy and commitment, Jack must settle his inner conflict over his sexuality after his wife discovers his affair.
As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualise the public's collective dream of Chicago gangsters". In other words, this lavish reworking of the vintage TV series is a rousing pot-boiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the film pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper Caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia) and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment and the train-station shootout partially modelled after the "Odessa steps" sequences of the Russian classic Battleship Potemkin. It's thrilling stuff, fuelled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the film gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, The Untouchables may very well strike you as a classic. --Jeff Shannon, Amazon.com
Admiral Koltchak was the most formidable commanding officer the world had ever seen. Choosing to fight for a country mired in war and revolution, Koltchak took on a mighty enemy and defeated them with invention, cunning and tactical genius.
When The Legends Die
Please wait. Loading...
This site uses cookies.
More details in our privacy policy