Charlie Babbitt (Tom Cruise) expects a vast inheritance after his father dies. But the entire fortune is left to Raymond (Dustin Hoffman) his older brother, an 'autistic Savant' Charlie never even knew existed.
Brand new restoration of David Lynch's iconic surrealist mystery-drama. Celebrating its 20th anniversary, MULHOLLAND DRIVE is considered by many as one of the greatest films of the 21st century. Los Angeles, city of angels. Amnesiac and wounded, a mysterious femme fatale wanders on the sinuous road of Mulholland Drive. She finds shelter at Betty's house (Naomi Watts),an aspiring actress just arrived from her hometown and in search of stardom in Hollywood. Initially intrigued by the stranger who calls herself Rita (Laura Elena Harring), Betty discovers that her handbag is full of dollar bundles. The two women get to know each other better and decide to investigate in order to discover Rita's true identity... This slick, sinister, psycho-sexual thriller comes from the darkest recesses of Hollywood, a Los Angeles of strange dreams, unrequited love and a jealous burning rage. Special Features: Back to Mulholland Drive On the Road to Mulholland Drive Interview with Laura Harring Interview with Mary Sweeney Interview with Angelo Badalamenti Introduction by Thierry Jousse In the Blue Box
After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabee actress.
After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabee actress.
William Thacker (Hugh Grant) is the owner of a bookshop in the heart of Notting Hill. One day by a one-in-a-million chance the worlds most famous actress Anna Scott (Julia Roberts) comes into the shop. He watches in amazement as she leaves and he thinks he'll never see her again. But fate intervenes - and minutes later William collides with Anna on Portobello Road. So begins a tale of romance and adventure in London W11...
The second series of Red Dwarf is, as Danny John-Jules says in the accompanying DVD commentary, "the one where it really went good". First broadcast in the autumn of 1988, these six episodes showcase Rob Grant and Doug Naylor's sardonic, sarcastic humour to perfection. The writing has matured, no longer focussing solely on SF in-jokes and gags about bodily functions, instead allowing the humour to develop from the characters and their sometimes surprisingly poignant interactions: Lister's timeless love for Kochanksi, for example, or Rimmer's brief memory-implanted love for one of Lister's ex-girlfriends. The cast had gelled, too, and there's even more colour this year as the drab sets are spiced up, a little more money has been assigned to models and special effects, and the crew even go on location once in a while. "Kryten" introduces us to the eponymous house robot (here played by David Ross), although after this first episode he was not to reappear until Series 3, when Robert Llewellyn made the role his own. Then in "Better Than Life" the show produced one of its all-time classic episodes, as the boys from the Dwarf take part in a virtual reality game that's ruined by Rimmer's tortured psyche. Other highlights include "Queeg", in which Holly is replaced by a domineering computer personality, the baffling time travel paradox of "Stasis Leak", the puzzling conundrum of "Thanks for the Memory", and the astonishingly feminine "Parallel Universe". On the DVD: Red Dwarf, Series 2 has another chaotic and undisciplined group commentary from the cast, all clearly enjoying the opportunity to reminisce. The second disc has a host of fun extras, including an "A-Z of Red Dwarf", outtakes, deleted scenes, a Doug Naylor interview, model shots, and the full, unexpurgated "Tongue Tied" music video. As with the first set, the animated menus are great fun and the "Play All" facility is the most useful little flashing button ever created. --Mark Walker
All 24 episodes from the third season of the spin-off crime drama starring Scott Bakula and Lucas Black. In the Crescent City, Special Agent Dwayne Cassius Pride (Bakula) heads up a team of agents for the Naval Criminal Investigative Service as they investigate crimes involving the US Navy and Marine Corps. The episodes are: 'Aftershocks', 'Suspicious Minds', 'Man On Fire', 'Escape Plan', 'Course Correction', 'One Good Man', 'Outlaws', 'Music to My Ears', 'Overdrive', 'Follow the Money', 'Let It Ride', 'Hell On the High Water', 'Return of the King', 'Pandora's Box: Part II', 'End of the Line', 'The Last Stand', 'Swift, Silent, Deadly', 'Slay the Dragon', 'Quid Pro Quo', 'NOLA Confidential', 'Krewe', 'Knockout', 'Down the Rabbit Hole' and 'Poetic Justice'.
Robin Williams and Annabella Sciorra star in this visually stunning metaphysical tale of life after death. Neurologist Chris and artist Annie had the perfect life until they lost their children in an auto accident; they're just starting to recover when Chris meets an untimely death himself. He's met by a messenger named Albert (Cuba Gooding Jr.) and taken to his own personal afterlife--a freshly drawn world reminiscent of Annie's own artwork, still dripping and wet with paint. Meanwhile a depressed Annie takes her own life, compelling Chris to traverse heaven and hell to save Annie from an eternity of despair. The multitextured visuals seem to have been created from a lost fairy tale. Heaven recalls the landscape paintings of Thomas Cole and Renaissance architecture complete with floating cherubs, while hell is a massive shipwreck, an upside-down cathedral overgrown with thorns and a sea of groaning faces popping out of the ground (one of those faces is German director Werner Herzog). Williams is the perfect actor to play against the imaginative computer-generated imagery--he himself is a human special effect. But the lack of chemistry between Williams and Sciorra is painfully apparent, and the flashback plot structure flattens the story's impact despite its deeply felt examinations of the heart and the spirit. Still, there's no denying Eugenio Zanetti's triumphant production design and the Oscar-winning special effects, which create a fully formed universe that is at once beautiful, eerie, and a unique example of movie magic. --Shannon Gee
The Technicolor expressionism of Douglas Sirk (All That Heaven Allows) reached a fever pitch with this operatic tragedy, which finds the director pushing his florid visuals and his critiques of American culture to their subversive extremes. Alcoholism, nymphomania, impotence, and deadly jealousythese are just some of the toxins coursing through a massively wealthy, degenerate Texan oil family. When a sensible secretary (The Big Sleep's Lauren Bacall) has the misfortune of marrying the clan's neurotic scion (To Be or Not to Be's Robert Stack), it drives a wedge between him and his lifelong best friend (Magnificent Obsession's Rock Hudson) that unleashes a maelstrom of psychosexual angst and fury. Featuring an unforgettably debauched, Oscar-winning supporting performance by Dorothy Malone (Man of a Thousand Faces) and some of Sirk's most eye-popping mise-en-scène, Written on the Wind is as perverse a family portrait as has ever been splashed across the screen Special Edition Features New 2K digital restoration, with uncompressed monaural soundtrack Acting for Douglas Sirk, a 2008 documentary featuring archival interviews with Sirk; actors Rock Hudson, Robert Stack, and Dorothy Malone; and producer Albert Zugsmith New interview with film scholar Patricia White about the film and melodrama Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by filmmaker and critic Blair McClendon
This offbeat Australian comedy is based on the real life events of 1969, when a huge satellite dish in the middle of a sheep paddock in Australia was used to pick up the TV signals from the first moon landing!
The third series of Red Dwarf introduced some radical changes--all of them for the better--but the scripts remained as sharp and character-focussed as ever, making this a firm candidate for the show's best year. Gone were the dull metallic grey sets and costumes, gone too was Norman Lovett's lugubrious Holly, replaced now by comedienne Hattie Hayridge, who had previously played Hilly in the Series 2 episode "Parallel Universe". New this year were custom-made costumes, more elaborate sets, the zippy pea-green Starbug, bigger special effects and the wholly admirable Robert Llewellyn as Kryten. The benefits of the show's changes are apparent from the outset, with the mind-bending hilarity of "Backwards", in which Kryten and Rimmer establish themselves as a forwards-talking double-act on a reverse Earth. After a modest two-hander that sees Rimmer and Lister "Marooned", comes one of the Dwarf's most beloved episodes, "Polymorph". Here is the ensemble working at its best, as each character unwittingly has their strongest emotion sucked out of them. Lister loses his fear; Cat his vanity; Kryten his reserve; and Rimmer his anger ("Chameleonic Life-Forms. No Thanks"). "Body Swap" sees Lister and Rimmer involved in a bizarre attempt to prevent the ship from self-destructing. "Timeslides" delves deep into Rimmer's psyche as the boys journey haphazardly through history. Finally, "The Last Day" shows how completely Kryten has been adopted as a crewmember, when his replacement Hudzen unexpectedly shows up. On the DVD: Red Dwarf, Series 3 two-disc set maintains the high standard of presentation and wealth of extra material established by its predecessors. Among other delights there are the usual "Smeg Ups" and deleted scenes, plus another fun commentary with the cast. There's a lengthy documentary, "All Change", specifically about Series 3, a tribute to costume designer Mel Bibby, Hattie Hayridge's convention video diary, and--most fascinating--the opportunity to watch "Backwards" played forwards, so you can finally understand what Arthur Smith's backwards-talking pub manager actually says to Rimmer and Kryten in the dressing room. --Mark Walker
Charlie Babbitt (Tom Cruise) expects a vast inheritance after his father dies. But the entire fortune is left to Raymond (Dustin Hoffman) his older brother, an 'autistic Savant' Charlie never even knew existed.
A young girl tries to cope with her mother's suicide in her own way in this chiller - but things soon turn nasty.
Notoriously, and entirely appropriately, the original outline for Doug Naylor and Rob Grant's comedy SF series Red Dwarf was sketched on the back of a beer mat. When it finally appeared on our television screens in 1988 the show had clearly stayed true to its roots, mixing jokes about excessive curry consumption with affectionate parodies of classic SF. Indeed, one of the show's most endearing and enduring features is its obvious respect for the conventions of SF, even as it gleefully subverts them. The scenario owes something to Douglas Adams's satirical Hitch-Hiker's Guide, something to The Odd Couple and a lot more to the slacker SF of John Carpenter's Dark Star. Behind the crew's constant bickering there lurks an impending sense that life, the universe and everything are all someone's idea of a terrible joke. Later series broadened the show's horizons until at last its premise was so diluted as to be unrecognisable, but in the six episodes of the first series the comedy is witty and intimate, focusing on characters and not special effects. Slob Dave Lister (Craig Charles) is the last human alive after a radiation leak wipes out the crew of the vast mining vessel Red Dwarf (episode 1, "The End"). He bums around the spaceship with the perpetually uptight and annoyed hologram of his dead bunkmate, Arnold Rimmer (Chris Barrie, the show's greatest comedy asset) and a creature evolved from a cat (dapper Danny John Jules). They are guided rather haphazardly by Holly, the worryingly thick ship's computer (lugubrious Norman Lovett). On the DVD: Red Dwarf I arrives in a two-disc set, with all six episodes on the first disc accompanied by an excellent group commentary from Craig Charles, Chris Barrie, Danny John Jules and Norman Lovett. (There's also a bonus commentary on "The End" with the two writers and director Ed Bye.) The 4:3 picture is unimpressive, but sound is decent stereo. The second disc has an entertaining 25-minute documentary on the genesis of the series with contributions from the cast, writer Doug Naylor and producer Paul Jackson. Navigate the animated menus to find a gallery of extra features, including isolated music cues, deleted scenes, outtakes ("Smeg Ups"), a fun "Drunk" music montage, model effects shots, Web links, audiobook clips, the original BBC trailer and even the entire first episode in Japanese. --Mark Walker
The great improvisational comedy team of Mike Nichols and Elaine May reunited to (respectively) direct and write this update of the French comedy La Cage Aux Folles. Robin Williams stars as a gay Miami nightclub owner who is forced to play it straight and ask his drag-queen partner (Nathan Lane) to hide out when Williams's son invites his prospective--and highly conservative--in-laws and fiancée to a meet-and-greet dinner party. Gene Hackman and Dianne Wiest play the straight-laced senator and his wife, and Calista Flockhart (from television's Ally McBeal) plays their daughter in a culture-clash with outrageous consequences. May's witty screenplay incorporates some pointed observations about the political landscape of the 1990s and takes a sensitive approach to the comedy's underlying drama. Topping off the action is Hank Azaria in a scene-stealing role as Williams's and Lane's flamboyant housekeeper, "Agador Spartacus." --Jeff Shannon
Beldar and Prymaat are emissaries from Remulak a planet within the Cone Nebula 26 light years from Earth. They belong to a civilisation intent on expanding its empire by enslaving the populations of other worlds. The Coneheads' mission: conquer the Earth. When a wrong turn at Machu Pichu crash-lands them in the middle of New York's East River Beldar and Prymaat find themselves stranded and forced to assimilate into mainstream America. With INS agents in hot pursuit of these most
Rock's premier metalmen Led Zeppelin whose blend of gutsy blue and scathing rock catapulted them into the music world's pantheon take you on a spellbinding journey of song and imagination. This high-impact movie captures the group's legendary 1973 Madison Square Garden concert and uncorks a freewheeling mix of scenes showing group members at home and in elaborate fantasy settings. Robert Plant's raw lead vocals Jimmy Page's explosive riffery and the sonic-boom rhythm wall of bassist John Paul Jones and drummer John Bonham all swirl clash and collide - on classic tunes like Stairway to Heaven Dazed and Confused Whole Lotta Love and many others. No one goes down heavier than Zep!
Rock's premier metalmen Led Zeppelin whose blend of gutsy blue and scathing rock catapulted them into the music world's pantheon take you on a spellbinding journey of song and imagination. This high-impact movie captures the group's legendary 1973 Madison Square Garden concert and uncorks a freewheeling mix of scenes showing group members at home and in elaborate fantasy settings. Robert Plant's raw lead vocals Jimmy Page's explosive riffery and the sonic-boom rhythm wall of bassist John Paul Jones and drummer John Bonham all swirl clash and collide - on classic tunes like Stairway to Heaven Dazed and Confused Whole Lotta Love and many others. No one goes down heavier than Zep!
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