Vanessa Redgrave plays Clarissa Dalloway an MP's wife whose life is thrown into crisis when a lover she rejected 30 years ago makes an unexpected appearance at a party she is hosting at her elegant London home prompting bittersweet memories of her youth. Marleen Gorris the Oscar winning director of Antonia's Line brings to life Virginia Woolf's groundbreaking 1925 novel which itself inspired Michael Cunningham's Pultizer Prize-winning novel 'The Hours'. Beautifully filmed in
Widely considered the greatest sequel ever made, this visionary Oscar® winner expanding the legacy of the Corleone family. Director Francis Ford Coppola brings to PART II a two-part tale-the roots and rise of a young Don Vito, played with uncanny ability by Robert De Niro in an Oscar®-winning performance, and the ascension of Michael (Al Pacino) as the new Don. Product Features Commentary by Francis Ford Coppola
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
It started with The Winds of War , now the gripping emotional saga of the Henry Family continues with this epic near-on 22 hour mini-series. War and Remembrance sweeps back the pages of history, bringing alive the turmoil and the tragedy, the madness, the glory and the horrors of a world at war. Against this dramatic panorama of world events, war and remembrance chronicles the lives of the Henry family and their friends. Scattered to the four corners of the globe, they find themselves thrust into the fury of battle and drawn to the places that were to become historic milestones: Midway, Guadalcanal, Yalta, Auschwitz, Stalingrad, El Alamein, the Battle of the Bulge, Iwo Jima and Hiroshima. Amidst these triumphs and atrocities that will change the face of the world forever, the head of the family, US Naval Officer Victor Pug Henry and the beautiful English woman Pamela Tudsbury find their love for each other tested by the horrors that surround them. Filmed lavishly on location around the world, war and remembrance stars an astonishing array of talent including: ROBERT MITCHUM JANE SEYMOUR VICTORIA TENNANT IAN McSHANE SIR JOHN GIELGUD SHARON STONE STEVEN BERKOFF TOPOL ROBERT HARDY JOHN RHYS-DAVIES BRIAN BLESSED and ROBERT MORLEY
The Longest Day is Hollywood's definitive D-day movie. More modern accounts such as Saving Private Ryan are more vividly realistic, but producer Darryl F Zanuck's epic 1962 account is the only one to attempt the daunting task of covering that fateful day from all perspectives. From the German high command and front-line officers to the French Resistance and all the key Allied participants, the screenplay by Cornelius Ryan, based on his own authoritative book, is as factually accurate as possible. The endless parade of stars (John Wayne, Henry Fonda, Robert Mitchum, Sean Connery, and Richard Burton, to name a few) makes for an uneasy mix of verisimilitude and Hollywood star-power, however, and the film falls a little flat for too much of its three-hour running time. But the set-piece battles are still spectacular, and if the landings on Omaha Beach lack the graphic gore of Private Ryan they nonetheless show the sheer scale and audacity of the invasion. --Mark Walker
Earning a nomination at the Academy Awards for Best Animated Short Film in 1998 this collection of nine animated tales is cleverly and faithfully adapted from one of the most audacious and astonishing works in English literature. Via cel animation clay animation and impressionistic drawings the viewer is transported on a vivid journey to medieval times taking in chivalry love lust the Black Death rape deception and chickens. Introducing a group of men and women from various st
Something to Talk About is a well-intentioned but strangely cold tale that concerns an emotionally repressed Southern belle (Julia Roberts) who separates from her husband (Dennis Quaid) after discovering he is an unabashed philanderer. Pressed by her dominating father (Robert Duvall) into reconciling with her spouse, Roberts's character chafes against so much male control over her destiny. Defended by a fiercely independent sister (a catchy performance by Kyra Sedgwick), the heroine develops the nerve to plot her own course in life while her mother (Gena Rowlands) finds the gumption to throw her own mate out of the house. The script by Callie Khouri (Thelma & Louise) is intelligent but hardly clear, and direction by Lasse Hallström (Once Around) can't keep Khouri's unfocused scenes and uncertain purpose from dissolving like sand castles in the rain. --Tom Keogh, Amazon.com
Bess a young girl falls in love with an oil-rig worker called Jan. In a short space of time they marry and have a brief physical relationship before Jan returns to his rig. When an accident paralyses Jan he encourages Bess to take a lover...
High school buddies Joe ""Coop"" Cooper & Doug Remer (""South Park"" creators Trey Parker & Matt Stone) invent a driveway game a combination of baseball and basketball. As they move into adulthood their increasingly popular game goes big-time with the help of eccentric billionaire Theodore Denslow (Borgnine) the founder of the National BASEketball League and owner of the Milwaukee Beers. After Denslow chokes to death on a hot dog the team is left in Coop's hands. The future of the ga
When David is found bruised beaten and stumbling down a secluded road the Police try to piece together the puzzle of what happened. We learn of the relationship between Jenny the love of David's life and Alan David's best friend and the love triangle that instigated the confrontation. Was it love jealousy or the pre-meditated scheme of a deranged psychotic?
In this horror sequel a young film student makes a movie about urban legends, only to find her friends and crew start dying...
The fourth in the hilarious Bob Hope/Bing Crosby 'Road To...' series is a blizzard of laughs with Bob and Bing playing turn-of-the-century vaudevillians who search for Klondike gold - and find the beautiful Dorothy Lamour instead! After stealing the map to a gold mine from two Alaskan ne'er-do-wells Hope and Crosby assume the identities of the bad guys swagger into Skagway and meet saloon singer Lamour. A series of misadventures ensues as the boys Lamour the criminals and other c
All the episodes from the fourth, fifth, sixth and seventh series of the British drama which follows events at James Herriot (Christopher Timothy)'s rural veterinary practice in the Yorkshire Dales. Series 4 episodes are: 'One of Nature's Little Miracles', 'Barks and Bites', 'The Bull With the Bowler Hat', 'The Pig Man Cometh', 'Hail Caesar!', 'Only One Woof', 'Ace, King, Queen, Jack', '...The Healing Touch', 'City Slicker' and 'For Richer, for Poorer'. Season 5 episodes are: 'Against the Odds', 'Place of Honour', 'Choose a Bright Morning', 'The Playing Field', 'When Dreams Come True', 'A New Chapter', 'A Present from Dublin', 'The Salt of the Earth', 'Cheques and Balances', 'The Female of the Species', 'The Jackpot' and 'Two of a Kind'. Series 6 episodes are: 'Here and There', 'The Course of True Love', 'The Call of the Wild', 'The Nelson Touch', 'Blood and Water', 'Where Sheep May Safely Graze', 'The New World', 'Mending Fences', 'Big Fish, Little Fish', 'In Whom We Trust', 'The Rough and the Smooth' and 'The Best Time'. Season 7 episodes are: 'The Prodigal Returns', 'Knowin' How to Do It', 'If Music Be the Food of Love', 'A Friend for Life', 'Spring Fever', 'Out With the New', 'Food for Thought', 'A Cat in Hull's Chance', 'A Grand Memory for Forgetting', 'Old Dogs, New Tricks', 'Hampered', 'Promises to Keep' and 'Brotherly Love'.
This classic war film features the talents of Robert Mitchum and Robert Wagner. Mitchum is Major Cleve Saville and Wagner is Lt. Ed Pell two pilots with differing demeanors. Mitchum is more reserved while Wagner is cockier. Amidst the drama of war romance rears its head giving the soldiers more than they can handle. Based on the novel by James Salter.
Six classic films from six iconic directors including Anatomy Of A Murder, Oliver!, Taxi Driver, Stripes, Sense And Sensibility (1995), and The Social Network. Experience these essential films from Columbia Pictures like never before, now fully remastered and debuting on 4K Ultra HD. With films driven by bold and impassioned characters and with stories deftly told by master filmmakers and with hours of special features and an exclusive 80-page book with unique insights and production detail about each of the included films this second volume of the Columbia Classics 4K Ultra HD Collection is truly the best way to watch these treasured cinematic favourites! Includes filmmaker & historian commentaries, anniversary reunions, documentaries, deleted scenes, archival featurettes and much more! Also includes an exclusive Blu-ray⢠bonus disc featuring a curated collection of 20 short films from the Columbia Pictures library.
A collection of classic Shirley Temple films! Heidi (1937) When her aunt tires of caring for her orphan Heidi is taken into the Swiss mountains to live with her gruff grandfather (Jean Hersholt) a hermit who comes to adore her. But the aunt returns to steal Heidi away selling her to a family whose invalid daughter (Marcia Mae Jones) needs a companion. Bullied by an evil governess (Mary Nash) Heidi still charms the entire household and never stops trying to returnito her
1950s sci-fi horror produced by Howard Hawks. After an unknown spacecraft crashes near a remote scientific outpost in the Arctic, a US Air Force crew is dispatched from Alaska to investigate. They frantically begin to recover the craft, which is encased in ice, and find a frozen body buried nearby. They take it back to their base and, while they argue over how to proceed with their discovery, the alien life form escapes and begins feeding on any living creature it can find...
Once Upon a Time in America has a chequered history, having been chopped from its original 229-minute director's cut to 139 minutes for its theatrical release. The longer edition presented here benefits from having the complete story (the short version has huge gaps) about turn-of-the-century Jewish immigrants in America finding their way into lives of crime, as told in flashback by an ageing Jewish gangster named Noodles (Robert De Niro). On the other hand, it's almost four hours long, and this sometimes-indulgent Sergio Leone film is no Godfather. Still, it is notable for the contrast between Leone's elegiac take on the gangster film and his occasional explosive action, as well as for the mix of the stoic, inexpressive De Niro and the hyperactive James Woods as his lifelong friend and rival. --Marshall Fine
Before Hollywood had entirely typecast Alfred Hitchcock as the master of suspense, with Mr & Mrs Smith he was allowed to fashion an elegant romantic trifle starring Robert Montgomery and Carole Lombard. It probably won't replace Rear Window or Psycho in your affections, but the film is more than a curious footnote to the director's career. The two leads play David and Ann Smith, a devoted but endlessly squabbling couple who discover their three-year marriage isn't legal. When he unexpectedly hesitates to arrange a second wedding, she storms out in a huff and soon begins dating his solid, dependable business partner Jeff (Gene Raymond). The rest follows the formula laid down by such previous screwball comedies as The Awful Truth (1937) and Bringing Up Baby (1938): David employs fair means or foul to win back Ann's heart, causes all sorts of complicated mischief, then... well, three guesses what happens in the end. The intriguing thing about the movie is how Hitchcock takes Norman Krasna's paper-thin script and adds sly undercurrents of menace. You may note, for instance, that the ostensibly happy Smiths treat each other with subtle sadism right from the start, and that David's tactical pursuit of his ex-wife (spying on her and deliberately offending Jeff's parents) involves them both in humiliations that are really quite sinister and ugly. Violence seems about to erupt in the recurring scenes where Ann shaves her husband (suggestively holding a razor up to his throat)--and make what you will of our hero's symbolic nosebleeds. There's a touch of Vertigo in one scary moment when a jammed amusement park ride leaves two characters dangling helplessly high above the ground--and a touch of shall we say relief for Hitchcock's well-known love of toilet humour in another oddball sequence. Montgomery and Lombard keep the mood acceptably frivolous, while indicating the flawed nature of the marital relationship. From the evidence of this one-off, Hitchcock might have been among the best comedy directors in the business, had he so wished. --Peter Matthews
Jesse Mach, an ex-motorcycle cop injured in the line of duty - now a police trouble shooter, has been recruited for a top secret government mission to ride Street Hawk, an all terrain attack motorcycle designed to fight urban crime, capable of incredible speeds of up to 300 miles an hour and immense firepower.Mach and his deadly super-powered bike use their unorthodox ways to wage war on a notorious drug ring. Christopher Lloyd stars as a drug baron who organises the hijacking of confiscated cocaine shipments.Only one man, Norman Tuttle, knows Jesse Mach's true identity.The Man, The Machine...Street Hawk.
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