Robert Downey Jr. returns as billionaire Tony Stark in this thrilling sequel to the worldwide blockbuster. Now that his Super Hero secret has been revealed Tony's life is more intense than ever. Everyone wants in on the Iron Man technology whether for power or profit... but for Ivan Vanko (Whiplash) it's revenge! Tony must once again suit up and face his most dangerous enemy yet but not without a few new allies of his own. Co-starring Mickey Rourke Gwyneth Paltrow Don Cheadle and Scarlett Johansson Iron Man 2 is Even better than the first It's a complete blast! Special Features: Commentary by Director Jon Favreau
Wagner's passionate opera about a medieval minstrel torn between the temptations of sacred and profane love is seen here. A distinguished cast is headed by Richard Cassilly who was perhaps the leading exponent of Tannhauser at this time; Eva Marton is the radiant Elisabeth; Tatiana Troyanos a musically and dramatically stunning Venus.
Steeped in the bohemian cool of Chicago's 1990s Black creative scene, love jonesthe smart, sexy, and stylish debut feature of writer-director THEODORE WITCHERis a love story for anyone who has ever wondered: How do I know when I've found the one? LARENZ TATE (Menace II Society) and NIA LONG (The Best Man) have magnetism and chemistry to burn as the striving, artistically talented twentysomethingshe's a poet, she's a photographerwho spark over their love of literature and jazz, but whose mutual reluctance to commit to a relationship leaves them both navigating an emotional minefield of confusion, jealousy, and regrets. Velvety cinematography; an unforgettable, eclectic soundtrack; sophisticated dialogue; and refreshingly low-key, naturalistic performances by an ensemble cast that also includes ISAIAH WASHINGTON, LISA NICOLE CARSON, BILL BELLAMY, BERNADETTE SPEAKES, and LEONARD ROBERTS come together in an intoxicating, seductively moody romance that engages both the heart and the mind. Special Features New 4K digital restoration, supervised by director Theodore Witcher, with 5.1 surround DTS-HD Master Audio soundtrack New interview with Witcher and film scholar Racquel J. Gates New interview with music scholars Mark Anthony Neal and Shana L. Redmond on the soundtrack Panel discussion featuring Witcher and members of the cast and crew Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Danielle A. Jackson
The critics and public agree. Brian De Palma's The Untouchables is a must-see masterpiece – a glorious, fierce, larger-than-life depiction of the mob warlord who ruled Prohibition-era Chicago... and the law enforcer who vowed to bring him down. This classic confrontation between good and evil stars Kevin Costner as federal agent Eliot Ness, Robert De Niro as gangland kingpin Al Capone and Sean Connery as Malone, the cop who teaches Ness how to beat the mob: shoot fast and shoot first. Special Features: The Script, The Cast Production Stories Reinventing the Genre The Classic Original Featurette: The Men Theatrical Trailer
Brilliant brain surgeon Banzai has just made scientific history. Shifting his Oscillation Overthruster into warp speed he's the first man ever to travel to the Eight Dimension...and come back sane! But when his sworn enemy the demented Dr. Lizardo devises a plot to steal the Overthruster and bring an evil army of aliens back to destroy Earth Buckeroo goes cranium to cranium with the madman in an extra-dimensional battle that could result in total annihilation of the universe.
Michael Faraday (Jeff Bridges) and his 10 year old son Grant (Spencer Treat Clark) are both trying to come to terms with the loss two years earlier of Michael's wife Grant's mother. When they befriend a family from across the road things seem to get a little better for them. However as the families become closer Michael starts having misgivings about Oliver and Cheryl Lang (Tim Robbins Joan Cusack) and begins investigating them. He soon realises that the Langs are definitely no
The Sean Connery Collection. The Untouchables: Brian De Palma's 'The Untouchables' is a must-see masterpiece: set to a classic Ennio Morricone score this is the glorious and fierce depiction of the larger than life mob warlord who ruled Prohibition-era Chicago - and the law enforcer who vowed to bring him down. This classic confrontation between good and evil stars Kevin Costner as federal agent Eliot Ness Robert De Niro as gangland kingpin Al Capone and Sean Connery
Look who grew up: in Our Lips Are Sealed Mary-Kate and Ashley Olsen, once the sleepy-eyed preschoolers in the hit TV sitcom Full House, wake to find themselves ready for their first day of high school. But the day doesn't shape up as ultra-fantastically as in their dreams. A series of bizarre circumstances force them into a life-threatening situation in which only the FBI Witness Protection Program can help. It turns out that Mary-Kate and Ashley are their own worst enemies; the girls continually blow their cover until finally they're booted down under to the warm and sparkling recreation mecca of Sydney, Australia. Here the challenge to keep a secret takes second fiddle to the bigger challenges of fitting in with the popular group, learning Aussie lingo, and (apparently) changing into a new set of adorable clothes and accessories in almost every scene. Fans from the ages of 6 to 13 will probably enjoy the daft antics of the Olsens, their adventures with cute boyfriends, and their ability to thwart the goofy bad guys. Also, their acting ability--although crippled by yet another bubblehead script--continues to improve. To the parental crowd, the film plays somewhat like a New Age beach-blanket movie with plenty of surfer parties, flower-power fun, overblown story points, mild potty humour, and lots of belly buttons (LOTS of belly buttons). The movie also has some inexplicable references (to such grown-up phenomena as The Blair Witch Project and The Sopranos) that are bound to go way over the target audience's heads but it's absolutely clean fun that fans will eat up. --Liane Thomas, Amazon.com
As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualise the public's collective dream of Chicago gangsters". In other words, this lavish reworking of the vintage TV series is a rousing pot-boiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the film pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper Caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia) and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment and the train-station shootout partially modelled after the "Odessa steps" sequences of the Russian classic Battleship Potemkin. It's thrilling stuff, fuelled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the film gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, The Untouchables may very well strike you as a classic. --Jeff Shannon, Amazon.com
A Nightmare on Elm Street 2: Freddy's Revenge was a quick follow-up no one was exactly happy with. However this deserves some credit for trying to extend rather than repeat the original storyline. As opposed to the resourceful heroines of all the other Elm Street films, this is the one about the troubled male teenager worried that Freddy is out to possess his body and make his way back to reality. It's shot through with a heavy handed gay subtext, with male bodies ogled and sliced (for a change), stuck with a few truly ridiculous moments (the exploding budgie) and lapses into incoherence, but it opens with a great school bus sequence and makes the most of the infernal boiler room of Freddy's soul. With Clu Gulager and Hope Lange. Directed by Jack Sholder (The Hidden). -- Kim Newman
What does a stray cat have in common with a radical technique to quit smoking the window ledge of a sky scraper and an evil goblin? Three of Stephen King's most imaginatively terrifying tales brought to life in this chilling trilogy of short stories...
Broadcast journalist Edward Murrow looks to bring down Senator Joseph McCarthy.
When American businesswoman Angela Barrows (Constance Cummings) is sent by her company to Edinburgh to look into potential export markets, she meets Robert MacPherson (Robert Morley), a company manager who has just inherited his father's textile business and wants her advice on updating it to modern standards. Before long Angela is introducing all sorts of newfangled ideas and the employees, scandalised that they have to work under a female boss, turn to Mr Martin (Peter Sellers), who promises to lead the fight against the interloper. Presented in High Definition and Standard Definition ***FIRST PRESSING ONLY*** Fully illustrated booklet with new writing on the film and full film credits Extras TBC
The story highlights an investigation which unleashes the evil in the basement of the world's most haunted house. A magazine writer's investigation into a s''ance turns to horror when an abandoned well beneath the basement floor turns out to be the gateway to Hell.
Originally made for American TV, Switching Goals stars Mary-Kate and Ashley Olsen as super-identical twins who are actually total opposites. OK, it's not the freshest concept in the universe, but the teen divas (who also exec produce--as they did in their Passport to Paris) are an undeniable favourite with little girls. Here, they're Sam, the athletic one, and Emma, the fashion-conscious one. Their indulgent dad (Eric Lutes) coaches a soccer team and their workaholic mother (Kathryn Greenwood) is a psychologist. Look for a switch, the truth to be revealed, and all to end well. This TV movie should appeal to girls between 4 and 10, especially if any of them are handy on the soccer pitch.--N.F. Mendoza, Amazon.com
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
An all new collection of some of the best Sci-fi B movies ever made. From Steve McQueen s gooey film debut in the The Blob , to the monster movies The Deadly Mantis , The Creature Walks Among Us , The Beast with 1,000,000 Eyes and Reptilicus to the Sci-Fi adventures of The Man from Planet X , The Time Travelers, The Angry Red Planet and Doctor Cyclops . This 9 DVD set will transport you back to a diffferent time in film-making, where big ideas did not need big budgets.
John Baxter (Tony Roberts), an investigator of psychic frauds for Reveal magazine, unmasks a fake medium racket operating in the Amityville house. Baxter then discovers the property is going cheap due to the house's reputation and buys it, sceptical of its history. But once moved in, he is hard pressed to find explanations for a series of supernatural events. Before long the evil in the basement awakens to claim even more innocent victims. Is the Amityville house really the gateway to hell?
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