Based on James Herriot's autobiographical best sellers 'If Only They Could Talk' and 'It Shouldn't Happen to a Vet' the long running TV series 'All Creatures Great and Small' continued to satisfy the Herriot hysteria of the British public. Episode titles: 'Tricks Of The Trade' 'Pride Of Possession' 'The Name Of The Game' 'Puppy Love' 'Ways And Means' 'Pups Pigs And Pickle' 'A Dog's Life' 'Merry Gentlemen'.
Two of the worlds finest actors Robert De Niro and Meryl Streep are brought together again in this touching romance about two people who are quite simply falling in love. Set against the backdrop of Manhattan New York City Frank and Molly are two commuters who literally bump into each other in a busy book store during the Christmas rush. Their parcels are sent scattering over the floor. Giggling they collect themselves and their shopping bags and reluctantly head their sep
A low-level mafioso battles with his guilty conscience as he tries to save his misfit friend from the same world of crime that he was born into. Product Features Dual format edition including both UHD and Blu-ray with main feature and bonus features on both discs New 4K restoration supervised and approved by Director Martin Scorsese and Collaborator Thelma Schoonmaker Restored original mono audio New audio commentary by Demetrios Matheou (author of BFI Classics Mean Streets) and David Thompson (Co-Editor of Scorsese on Scorsese) Scene specific audio commentary with Martin Scorsese and Actor Amy Robinson Keep Moving Forward: a new interview with Producer Jonathan T Taplin Saints and Sinners: Dr Catherine Wheatley on Mean Streets 2011 Film at Lincoln Center screening introduction, interview and Q&A with Martin Scorsese Mardik: Baghdad to Hollywood feature-length documentary Archive featurette: Back on the Block Archive featurette: Home Movies Trailer
When three fugitives fresh off a casino heist stop for gas at the Six Corners Cafe in Death Valley they encounter an unexpectedly hostile breakfast crowd. Gunshots erupt. An explosion destroys the gas station. As the fire burns down people are missing. Only six seem to have survived - a sheriff and his son two of the criminals a female doctor and a young waitress. It's a volatile and eclectic combination of survivors - the Godd the Bad and the Cute. The fire department never arrives. The highway is deserted. No one comes to help. No one living that is. The survivors discover they are trapped in an in between world in a supernatural plane between night and day light and dark the living and the dead. And they are not alone. Horribly mutilated dead people mysteriously appear and warn of an inescapable killer - an evil trailing a sickening force of decay and rot. In order to see another day the survivors must unite set their differences aside and combine their skills and resources to fight off the source of these deaths - the soul collecting terrifying killing machine known as the Reeker.
Strauss: Elektra (Levine Metropolitan Opera Orchestra)
When a mass hysteria of unknown origin causes parents in a quiet suburban town to turn violently on their own children, Carly Ryan (Anne Winters) and brother Josh (Zackary Arthur) have to fight to survive a vicious onslaught from the very people who brought them into this world (Nicolas Cage and Selma Blair). From the director of Crank, and featuring one hell of a cast, including Nicolas Cage (Face Off, Con Air), Selma Blair (Hellboy, Cruel Intentions) and Lance Henriksen (The Terminator, Aliens), Mom and Dad is one of the great jet-black comedies about suburbia (Variety) that sees Cage play one of the most viciously berserk characters of his career!
Director John Carpenter presents a romantic science fiction odyssey starring Jeff Bridges in his Oscar(R)-nominated role as an innocent alien from a distant planet who learns what it means to be a man in love. When his spacecraft is shot down over Wisconsin, Starman (Bridges) arrives at the remote cabin of a distraught young widow, Jenny Hayden (Karen Allen), and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona, explaining that if he isn't picked up by his mothership in three days, he'll die. Hot on their trail are government agents, intent on capturing the alien, dead or alive. En route, Starman demonstrates the power of universal love, while Jenny rediscovers her human feelings for passion.
Thanks to its focus on more single-case episodes, the second half of CSI's second series is an even more highly concentrated dose of forensic puzzle-solving from the Vegas science sleuths. With the whole team working together on one puzzle crime (or series of crime puzzles), the group dynamic is elaborated and the audience drawn deeper into each investigation. The first three episodes are all single cases: "Identity Crisis" sees the return of Grissom's nemesis, serial killer Paul Millander; in "The Finger", Catherine is caught up in an elaborate kidnap plot; while in "Burden of Proof", a stray body in a "body farm" leads to a difficult case of child abuse. After a brief return to the two-investigation-per-episode format, the team unite once more for one of their most intriguing cases, "Chasing the Bus", in which they must unravel the mystery of a bus crash in the desert. "Stalker" is possibly the show's most terrifying episode to date, with a woman found murdered behind the safely locked doors of her apartment. The season concludes with "Cross Jurisdictions", a rather unsubtle way of introducing the spin-off show CSI: Miami and, finally, "The Hunger Artist", a somewhat strained attempt to comment on our society's obsession with glamour and self-image, which is most notable for Grissom's devastating discovery that his hearing problems are not only congenital, but irreversible. --Mark Walker
Add a splash of colour to your outfit with these gorgeous high heeled court shoes from Principles by Ben de Lisi. Simple yet stylish, they come in red patent with a round toe.
Last time it landed in the jungle. This time it's chosen Los Angeles. Ravaged by open warfare between rival drug gangs L.A. is the perfect killing ground for the Predator who is drawn by heat and conflict. When the police find mutilated bodies Lieutenant Mike Harrigan (Danny Glover) thinks it's the work of the feuding gangs. Then a mysterious government agent (Gary Busey) arrives and orders him to stay off the case. Instead Harrigan sets out to learn what is really going on and
Timothy Dalton's second and last James Bond assignment in Licence to Kill is darker and harder-edged than anything from the Roger Moore years, dropping the sometimes excruciating in-jokes that had begun to dominate the series in favour of gritty, semi-realistic action. When CIA colleague and close friend Felix Leiter (David Hedison) gets married immediately after arresting villainous drug baron Franz Sanchez (with a little help from Bond), the crime lord's retribution is swift and terrible. Bond goes on a personal vendetta against Sanchez after his licence to kill is revoked. There are plenty of spectacular stunt scenes, of course, but the meaty story of revenge is this film's distinguishing feature. Dalton's portrayal of the iconic hero as tough but flawed was a brave decision that the producers subsequently retreated from after Licence to Kill's relatively poor box-office showing. On the DVD: Timothy Dalton's insistence that Bond was a man not a superhero, and "a tarnished man" at that encouraged the producers to redefine Bond with a tougher edge more in keeping with Fleming's original conception of the character. Licence to Kill is Bond's darkest assignment. The production team experienced their usual difficulties in bringing it to the screen, the "making-of" documentary reveals, including a haunted road in Mexico and a mysterious flaming hand that appeared out of the fire during the climactic tanker explosion. There are two commentaries here, both montage selections of interviews from cast and crew. The first features director John Glen and many of the actors; the second has producer Michael G Wilson and the production team. Gladys Knight pops up in the first music video, Patte La Belle in the second ("If You Asked Me To"). There are the usual trailers, gallery of stills and a feature on the Kenworth trucks specially adapted for the movie's stunt work. --Mark Walker
How far would you go to unlock the truth? Set in Cairo during World War II, The Key to Rebecca follows a German spy as he tries to infiltrate the British high command during General Rommel's advance on Egypt. The stakes are high as the relentless struggle for victory is at hand. Based on the best-selling novel.
Episodes Comprise: 1. Plenty to Grouse About 2. Charity Begins at Home 3. Every Dog His Day... 4. Hair of the Dog 5. If Wishes Were Horses 6. Pig in the Middle 7. Be Prepared 8. A Dying Breed 9. Brink of Disaster 10. Home and Away 11. Alarms & Excursions 12. Matters of Life and Death 13. Will to Live 14. Big Steps and Little 'Uns
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations.But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim NewmanOn the DVD: The individual episode discs have a small selection of deleted scenes, foreign language clips and behind-the-scenes footage, but the bulk of the extra material is on the final disc. There's not a lot to get to grips with, but what there is consists of a 14-minute documentary about the making of Season Two, with contributions from Chris Carter, various directors, writers and actors (but not the two principals); Carter talking briefly about each episode in turn; a series of short TV spots and pieces about the show's FX and secondary characters; and three very short behind-the-scenes glimpses, one of which has the self-explanatory title "Gillian eats a cricket". There's also a DVD-ROM utility with Web links and a game. --Mark Walker
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
Guncrazy
How far will you go to protect your family?
John Thaw stars in this critically acclaimed BBC drama based on the wartime career of Sir Arthur 'Bomber' Harris the Commander in chief of Bomber Command from 1942-1945.
In 1847, the United States was a land of pioneers, of gold-starved Americans making their way west.
Based on the internationally best-selling novel by Jonas Jonasson the unlikely story of a 100-year-old man who decides it's not too late to start over. After a long and eventful life Allan Karlsson ends up in a nursing home believing it to be his last stop. The only problem is that he's still in good health and in one day he turns 100. A big celebration is in the works but Allan really isn't interested and decides to escape. He climbs out the window in his slippers and embarks on a hilarious and entirely unexpected journey.
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