Olympus Has Fallen When a group of heavily armed and meticulously trained extremists launch a daring daylight ambush on the White House, the President (Aaron Eckhart, The Dark Knight) and his staff are taken hostage inside an impenetrable underground bunker. But as the Oval office and its environs sustain an aerial and ground attack, a disgraced former U.S. Secret Service agent, Mike Banning (Gerard Butler,300), finds his way into the besieged building to do the job he has trained for all his life: to protect the president - at all costs. With tension rising, the Acting President (Morgan Freeman, The Dark Knight Rises) and US national security team must rely on Banning to rescue the President before the terrorists can unleash their ultimate, terrifying plan. From visionary director, Antoine Fuqua (Training Day),Olympus Has Fallen is an electrifying, and inspired action thriller that will keep your heart pounding from start to finish! London Has Fallen The sequel to the worldwide smash hit Olympus Has Fallen begins in London, where the British Prime Minister has passed away under mysterious circumstances. His funeral is a must-attend event for leaders of the western world. But what starts out as the most protected event on earth, turns into a deadly plot to kill the world's most powerful leaders, devastate every known landmark in the British capital, and unleash a terrifying vision of the future. Only three people have any hope of stopping it: the President of the United States (Aaron Eckhart), his formidable secret service head (Gerard Butler), and an English MI-6 agent who rightly trusts no one.
Thunder Mountain: Returning to his Arizona homestead, Marvin Hayden lands in the middle of an age-old feud between the Haydens and the Jorths, both families accusing the other of murder. The feud, however, has been engineered by someone else entirely. Under the Tonto Rim: Brad Canfield runs a highly successful stagecoach company, but it s constantly targeted by bandits. One robbery goes too far when the gang kills one of the drivers and Canfield must take matters into his own hands. West of Pecos: Col. Lamberth travels west to his Texas hacienda accompanied by his headstrong daughter Rill. En route, they witness the killing of a stagecoach driver, that s been blamed on Pecos Smith. Rill and Smith fall in love, initiating war on the hacienda.
It's wartime Germany and a group of kids calling themselves the Swing Kids get together at their local dance and swing to the sounds of the American 30's...
From its stunning opening sequence, featuring Georgina Hale (who plays the wife of Gustav Mahler in this Ken Russell film) isolated in full mummy wrap and writhing with erotic yearning to the lush strains of her husband's music, Mahler distinguishes itself as the most poetic and archetypal of Russell's great-composer works. A kind of cinematic response to Luchino Visconti's 1971 adaptation of Death in Venice, in which Dirk Bogarde plays a Mahler-esque composer in search of beauty in the plague-filled city, Mahler stars Robert Powell as the great Jewish romantic from 19th-century Vienna, drafting enormous symphonic works in the midst of rising anti-Semitism. Converting to Christianity as a means of survival, Mahler carries on with his work but experiences an erosion of his health and sense of identity. Meanwhile, his self-effacing spouse represses her own creative drives to keep the resident genius afloat, plugging every leak and receding all but invisible into the woodwork. While the film is the least ostentatious of Russell's movies about music, it is hardly conventional--a mix of lyrical tableaux and comic fantasy that adds up to a stirring, dream-like experience. --Tom Keogh
Director and co-star Danny DeVito spins David Mamet's literate screenplay into an unforgettable biopic starring Jack Nicholson as Jimmy Hoffa the legendary Teamster boss whose mysterious disappearance has never been explained. The film traces Hoffa's passionate struggle to shape the nation's most influential labor union his relationship with the mob and his subsequent conviction and prison term at the hand of Robert Kennedy...
From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. --Jeff Shannon
By the time the first public performance of Beethoven's Symphony No. 3 (Eroica) took place in Vienna in 1805 a privileged few had already heard the work at a private play-through at the Lobkowitz Palace. Nick Dear's award-winning period drama starring Ian Hart as Beethoven brings to life the momentous day that prompted Haydn to remark 'everything is different from today'.
Director John Carpenter presents a romantic science fiction odyssey starring Jeff Bridges in his Oscar(R)-nominated role as an innocent alien from a distant planet who learns what it means to be a man in love. When his spacecraft is shot down over Wisconsin, Starman (Bridges) arrives at the remote cabin of a distraught young widow, Jenny Hayden (Karen Allen), and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona, explaining that if he isn't picked up by his mothership in three days, he'll die. Hot on their trail are government agents, intent on capturing the alien, dead or alive. En route, Starman demonstrates the power of universal love, while Jenny rediscovers her human feelings for passion.
A tale of intrigue adventure and romance. This enchanting BBC dramatization captures the spirit and wit of Austen's classic novel Northanger Abbey. The setting is eighteenth-century Bath a society of decadence and deceit into which Catherine Morland arrives bursting with freshness integrity and a passion for macabre Gothic novels. In a time when materialism not love governs marriage Catherine's head is full of fantasy and fiction of maidens being abducted to sinister c
Los Angeles which lives by the automobile has begun to die by it. A homicidal maniac the Skull has been terrorizing the city killing motorists at random with his death car. But when Rick's little brother is killed Rick becomes part Guardian Angel part crusader and part warrior with one thing on his mind - revenge.
Something to Talk About is a well-intentioned but strangely cold tale that concerns an emotionally repressed Southern belle (Julia Roberts) who separates from her husband (Dennis Quaid) after discovering he is an unabashed philanderer. Pressed by her dominating father (Robert Duvall) into reconciling with her spouse, Roberts's character chafes against so much male control over her destiny. Defended by a fiercely independent sister (a catchy performance by Kyra Sedgwick), the heroine develops the nerve to plot her own course in life while her mother (Gena Rowlands) finds the gumption to throw her own mate out of the house. The script by Callie Khouri (Thelma & Louise) is intelligent but hardly clear, and direction by Lasse Hallström (Once Around) can't keep Khouri's unfocused scenes and uncertain purpose from dissolving like sand castles in the rain. --Tom Keogh, Amazon.com
Throughout the 1930s Jessie Matthews was Britain's best-loved musical film star her dynamism and gamine charm captivating audiences on both sides of the Atlantic. With a string of box-office hits spotlighting her unique talent it's easy to see how she became so popular – and why she remains so to this day. Showcasing some the era's finest cinema talent – including directors Victor Saville and (in a change from his normal fare) Alfred Hitchcock actors Robert Young and Esmond Knight as well as comedy star (and Matthews' husband) Sonnie Hale – the two films on this volume are presented as transfers from the original film elements in their as-exhibited theatrical aspect ratios. It's love again! A young actress secretly seizes the chance to play the part of an imaginary socialite invented by a gossip columnist. The enigmatic beauty becomes famous but the columnist is mystified when his fictional star appears in person! Waltzes from Viennna A pretty girl works in the bakery in which aspiring composer Johann Strauss is also forced to work by his father. Can she help him achieve his dreams despite his father's objections?
Peter Fry (Dean Stockwell - Quantum Leap) is a boy with no hair who refuses to speak to child psychologist Dr Evans (Robert Ryan) as to why he has been found lost and completely bald. But when the doctor shares his hamburger with him Peter tells his incredible story expect doubting that the doctor will believe him. Peter a typical American boy is orphaned when his parents are caught in the London Blitz. With no one wishing to tell him of his parents' fate Peter is shuttled from one selfish relative to the next ending with Gramp (Pat O'Brien) a kindly ex-vaudevillian. Peter learns from his teacher Miss Brand (Barbara Hale) that he is a war orphan and the very next morning his hair turns green! But other kids jeer at him; adults are perturbed and even the kindly milkman turns against him. The absurd over-reactions of stupid people make his life a misery and drive him away. The Boy With Green Hair is Joseph Losey's film parable of tolerance and pacifism that was way ahead of its time.
A performance of Richard Strauss' opera 'Die Frau Ohne Schatten' performed at the Salzburg Festival in 1992.
Barney Sloan (Frank Sinatra) is a cynical down-on-his-luck musician who reluctantly agrees to help his composer friend Alex Burke (Gig Young) with a new comedy he is working on. However Barney gains a new perspective on life and love when he meets Alex's irrepressibly perky fiancee Laurie (Doris Day) - and promptly falls in love with her! A musical remake of the 1938 film 'Four Daughters' with Sinatra offering definitively gloomy renditions of 'Someone to Watch Over Me' and 'One More for My Baby' before Day manages to put a smile on his face featuring a superb score written by Cole Porter and George and Ira Gershwin.
A coming-of-age tale following the comedic adventures of an introverted 14-year-old packed off to spend the summer with a pair of cranky, eccentric great-uncles.
Available for the first time on DVD. Ken Russell's unusual film biography of the Austrian composer whose unique compositional style altered the evolutionary course of western music. Jealousy over his attractive wife the insanity of a fellow music student his conversion from the Jewish to the Catholic faith the tragic death of his young daughter his own ill health - these are just some of the elements chosen for this symbolic visualisation of Mahler and his music. The flow of t
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