It's a diabolical thing about curses: Just as one is broken, another, even more sinister than the first, inevitably emerges to wreak further havoc.... Experience the heart-pounding action and tantalizing suspense of ABC Studios' Once Upon a Time: The Complete Third Season. The stakes are higher than ever following a narrow escape from the nightmare of Neverland and Peter Pan. A year after their amazing adventure, Emma and Henry are living in New York with no awareness of their past history until Hook shows up and jogs Emma's memory with a magic potion. Once again, the Saviour is called back to Storybrooke when a legendary villainess arrives in disguise to curse the town anew and exact an unspeakably cruel vengeance. Now, with Regina and Emma working together, the stage is set for an epic showdown between the Evil Queen and the Wicked Witch of the West! Add Season 3 to your Once Upon a Time collection and relive all 22 captivating episodes. Each time you watch, you'll fall deeper under the spell of this irresistible series.
This rousing romantic adventure Robert Redford plays ex-world champion cowboy reduced to huckstering breakfast food in a suit studded with flash lights. Jane Fonda is a chic sharp member of the electronic media a TV newswoman who'll do anything to get a good story. When Redford rides out of Las Vegas casino into the desert astride his sponsor's living symbol a multi-million dollar racehorse Jane is determined to discover why. She does one step ahead of a posse of pursuing police. But by the time they reach a remote rendezvous high in the Utah mountains she is in love with both the Cowboy and his convictions...
Walter Hill's Classic take on the western follows the exploits of the infamous Jesse James/ Cole Younger gang; the brothers all famously played by real-life siblings the keachs carradines quaidsand Guests. In post-Civil war America this legendary band of outlaws blaze a trail across the west culminating in the infamous Northfield Minnesota bank raid and of the most acclaimed and explosive climaxes ever committed to film. With stunning cinematography an evocative Ry Cooder soundtrack and inspiration drawn from John Ford to Sam Peckinpah Walter Hill's The Long Riders is an elegiac portrait of a bygone era and one of the last great westerns of the 20th Century. Special Features: Outlaw Brothers: The making of the Long Riders with Walter Hill James Keach and Robert Carradine. The Northfield Minnesota Raid: Anatomy of a scene with Walter Hill James Keach and Robert Carradine Slow Motion: Walter Hill on Sam Pekinpah
William Thacker (Hugh Grant) is the owner of a bookshop in the heart of Notting Hill in London. One day by a one-in-a-million chance the worlds most famous actress Anna Scott (Julia Roberts) comes into his shop. He watches in amazement as she leaves and he thinks he'll never see her again. But fate intervenes - and minutes later William collides with Anna on Portobello Road. So begins a tale of romance and adventure in London W11. With a little help from his chaotic flatmate Spike (Rhys Ifans) and his friends Max and Bella (Tim McInnerny and Gina McKee) William seeks the face he can't forget..
1950s British comedy in which a petty criminal attempts to pass some counterfeit notes. After stealing a briefcase of money, Willie Frith (Ian Carmichael) realises the notes are fake. However, in an attempt to win the affections of barmaid Gloria (Belinda Lee) Willie begins spending the money. Meanwhile, the man whose briefcase was stolen is out to seek the culprit...
Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man". Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T-rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the century. Kong making his last stand atop the Empire State Building is one of the film's most indelible and iconic images. --Donald Liebenson, Amazon.comOn the DVD: Although a little light on extras, this is happily the Director's Cut, restoring scenes that were censored after the film's original 1933 run, including Kong peeling off Fay Wray's clothes like a banana, and our hirsute hero using unfortunate natives as dental floss. The ratio of 4:3 is correct for a film of this age; the picture and (mono) sound are perfectly acceptable without being revelatory. The 25-minute "making of" documentary from 1992 is a 60th anniversary tribute to the film, which details all of Kong's many ground-breaking contributions to cinema, from Willis O'Brien's use of stop-motion and rear projection effects to Max Steiner's music score. There are contributions from film historians, modern admirers of the film including composer Jerry Goldsmith--who admits that Steiner created a template that Hollywood composers are still following--and a few surviving participants such as sound effects man Murray Spivak. Apparently, director Merian C. Cooper's original idea was to capture live gorillas, transport them to the island of Komodo and film them fighting the giant lizards! Thanks to Willis O'Brien's pioneering effects work good sense prevailed and a cinema classic was born. --Mark Walker
What does a stray cat have in common with a radical technique to quit smoking the window ledge of a sky scraper and an evil goblin? Three of Stephen King's most imaginatively terrifying tales brought to life in this chilling trilogy of short stories...
Mulder continues his search for a cure for Scully's illness even as her genetically altered DNA takes her to the brink of death. Scully's DNA comes into play once again when it proves that she is somehow the mother of a little girl named Emily an incident that could only be related to her abduction years earlier. But in the end it is a young boy named Gibson Praise whose body may actually contain the elusive proof Mulder has been searching for so desperately. Episodes comprise:
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
Detective Nancy Devlin, a good cop with a dark secret, finds her professional and personal life colliding when she becomes too deeply involved in a murder investigation in her hometown of Brighton. Karla Crome, Noel Clark, Laura Haddock and Amanda Burton star in this gripping crime drama.
Picking up immediately after the events in Resident Evil: Retribution, humanity is on its last legs after Alice is betrayed by Wesker in Washington D.C. As the only survivor of what was meant to be humanity's final stand against the undead hordes, Alice must return to where the nightmare began - Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse. In a race against time Alice will join forces with old friends, and an unlikely ally, in an action packed battle with undead hordes and new mutant monsters. Between regaining her superhuman abilities at Wesker's hand and Umbrella's impending attack, this will be Alice's most difficult adventure as she fights to save humanity, which is on the brink of oblivion. Click Images to Enlarge
When American businesswoman Angela Barrows (Constance Cummings) is sent by her company to Edinburgh to look into potential export markets, she meets Robert MacPherson (Robert Morley), a company manager who has just inherited his father's textile business and wants her advice on updating it to modern standards. Before long Angela is introducing all sorts of newfangled ideas and the employees, scandalised that they have to work under a female boss, turn to Mr Martin (Peter Sellers), who promises to lead the fight against the interloper. Presented in High Definition and Standard Definition ***FIRST PRESSING ONLY*** Fully illustrated booklet with new writing on the film and full film credits Extras TBC
An A & R man working at the height of the Britpop music craze goes to extremes in order to find his next hit.
Liz Gilbert (Julia Roberts) had everything a modern woman is supposed to dream of having - a husband, a house, a successful career - yet like so many others, she found herself lost, confused, and searching for what she really wanted in life.
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked businessmen. The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.
War veteran Luke Doolin returns home to the family business of transporting illegal moonshine through the mountains whilst dodging the local police. But soon the bootleggers are having a new threat in the shape of Kogan a businessman who is buying up the stills. If they refuse to hand over their profits to Kogan he will take them by force and starts by shooting one of the drivers. With the police taxmen and the gangsters on his trail will Luke survive? This action packed Mitch
1950s sci-fi horror produced by Howard Hawks. After an unknown spacecraft crashes near a remote scientific outpost in the Arctic, a US Air Force crew is dispatched from Alaska to investigate. They frantically begin to recover the craft, which is encased in ice, and find a frozen body buried nearby. They take it back to their base and, while they argue over how to proceed with their discovery, the alien life form escapes and begins feeding on any living creature it can find...
Less Than Zero is adapted from the dreary, pointless late-80s novel by literary poseur Bret Easton Ellis, which focused on listless, shiftless, drug-sniffing, sex-swapping, dead-end California teens with too much money and time on their hands--though the movie is not nearly as interesting as that. This is mostly due to the ridiculously cleaned-up script and lifeless direction, which whitewashes the baser depravity and replaces it with perversion-lite and fashion shows. It doesn't help that director Marek Kanievska is saddled with Brat Pack lesser (make that least) lights Andrew McCarthy and Jami Gertz. The only things that lift this film above the muck are the performances by James Spader as a particularly heinous drug dealer and Robert Downey Jr as a rich-kid addict with no self-control. --Marshall Fine
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