Once Upon a Time in America has a chequered history, having been chopped from its original 229-minute director's cut to 139 minutes for its theatrical release. The longer edition presented here benefits from having the complete story (the short version has huge gaps) about turn-of-the-century Jewish immigrants in America finding their way into lives of crime, as told in flashback by an ageing Jewish gangster named Noodles (Robert De Niro). On the other hand, it's almost four hours long, and this sometimes-indulgent Sergio Leone film is no Godfather. Still, it is notable for the contrast between Leone's elegiac take on the gangster film and his occasional explosive action, as well as for the mix of the stoic, inexpressive De Niro and the hyperactive James Woods as his lifelong friend and rival. --Marshall Fine
Mulder and Scully return from Antarctica to discover they've been reassigned and are no longer a part of The X-Files. Their frustration turns to fear when Cassandra Spender a woman who claims to have been abducted the same night as Mulder's sister reappears with claims of an alien threat. But it is an extraterrestrial artefact found off the coast of Africa which may hold the key to the very origins of life on Earth and which has an unexplained and deadly effect on Mulder. Episod
El Dorado doesn't quite have the scope or ambition of Howard Hawks' greatest Westerns, Red River and Rio Bravo. But this relaxed picture, made near the end of Hawks' marvellous career, still shows the steady, sure hand of a master. Hawks reunites with John Wayne, playing a hired gun mixed up in a range war; Robert Mitchum is Wayne's old pal, now a sheriff in the midst of a hopeless drunken bender. James Caan, in one of his first sizable roles, plays a kid who can't shoot straight and wears a funny hat (every character in the movie makes fun of this hat). As the plot moves along, it begins to resemble Rio Bravo rather closely ("I steal from myself all the time", Hawks was fond of admitting). But in El Dorado the heroes are a bit older, their powers a bit weaker; at the end Wayne must revert to a bit of subterfuge in order to get the drop on the steely gunslinger (ice-cold Christopher George) he needs to put down. As relaxed as the movie is, Hawks and Wayne and company are in good spirits, with plenty of broad humour and easy camaraderie on display. Hawks and Wayne would make just one more film, the disappointing Rio Lobo, before ending their fruitful partnership. --Robert Horton
John Travolta returns as Chili Palmer in this sequel to 1995 comedy hit.
Director Martin Scorsese reunites with members of his GoodFellas gang (writer Nicholas Pileggi; actors Robert De Niro, Joe Pesci and Frank Vincent) for a three-hour epic about the rise and fall of mobster Sam "Ace" Rothstein (De Niro), a character based on real-life gangster Frank "Lefty" Rosenthal. (It's modelled on Wiseguy and GoodFellas and Pileggi's true crime book Casino: Love and Honour in Las Vegas.) Through Rothstein, the picture tells the story of how the Mafia seized, and finally lost control of, Las Vegas gambling. The first hour plays like a fascinating documentary, intricately detailing the inner workings of Vegas casinos. Sharon Stone is the stand out among the actors; she nabbed an Oscar nomination for her role as the voracious Ginger, the glitzy call girl who becomes Rothstein's wife. The film is not as fast-paced or gripping as Scorsese's earlier gangster pictures (Mean Streets and Good Fellas) but it's still absorbing. And, hey--it's Scorsese! --Jim Emerson, Amazon.com
Eat Pray Love: Based on the best selling book. Believing there's more to life than a husband, house and career, Liz Gilbert (Julia Roberts) finds herself with a new appetite for life in this inspiring true story, based on the best-selling book. She leaves New York and embarks on a yearlong journey - traveling to Italy, India and Bali - seeking self-discovery through good food, meditation and the prospect of finding true love. James Franco, Billy Crudup and Javier Bardem co-star in this sumptuous and uplifting adventure filled with humor and heart.Notting Hill: William Thacker (Hugh Grant), is the owner of a bookshop in the heart of Notting Hill in London. One day, by a one-in-a-million chance, the worlds most famous actress, Anna Scott (Julia Roberts), comes into his shop. He watches in amazement as she leaves and he thinks he'll never see her again. But fate intervenes - and minutes later William collides with Anna on Portobello Road. So begins a tale of romance and adventure in London W11. With a little help from his chaotic flatmate Spike (Rhys Ifans) and his friends, Max and Bella (Tim McInnerny and Gina McKee), William seeks the face he can't forget..My Best Friend's Wedding: Roberts dazzles as commitment-shy Julianne Potter, who suddenly realises she is in love with her best friend Michael (Mulroney). There's just one catch: he's about to marry someone else. Now she has to win him back, and with just four days, the help of her resourceful boss (Everett) and the benefits of an extremely devious mind, Jules will do anything to steal him back; except tell him the honest truth!
The complete second series of the popular HBO sitcom featuring all 25 episodes over five discs. Stand up comedian Ray Romano stars as Ray Barone a successful sportswriter and devoted husband to Debra who must deal with his brother and his parents who happen to live across the street. Frank and Marie love to meddle with his life while older brother Robert sometimes resents his success. Nevertheless Ray manages to keep a bright outlook and a sense of humour as he balances his f
A virus is released in Sartre Nebraska and infects the girls in an underground strip club.
A classic of shock cinema, Wes Craven's tale follows a family vacation which turns into a holiday from hell.
Ian Carmichael stars as the aristocratic detective Lord Peter Wimsey in this classic BBC adaptation of the novel by Dorothy L. Sayers. When Lord Peter goes on holiday to Scotland he is hoping to do nothing more strenuous than catch some trout. Even Wimsey's loyal servant Bunter is looking forward to taking some time off to go painting. However when Bunter notices an easel in the distance but no sign of the artist Lord Peter is called into action. The easel belongs to an unpopular local artist Campbell whose body is discovered lying on the rocks below the popular vantage point. Was it an accidental fall? Wimsey suspects not and with six possible suspects he must use all of his detective skills to determine the five red herrings and expose the murderer.
Director Martin Scorsese reunites with members of his GoodFellas gang (writer Nicholas Pileggi; actors Robert De Niro, Joe Pesci, and Frank Vincent) for a three-hour epic about the rise and fall of mobster Sam "Ace" Rothstein (De Niro), a character based on real-life gangster Frank "Lefty" Rosenthal. (It's modeled after on Wiseguy and GoodFellas and Pileggi's true crime book Casino: Love and Honor in Las Vegas.) Through Rothstein, the picture tells the story of how the Mafia seized, and finally lost control of, Las Vegas gambling. The first hour plays like a fascinating documentary, intricately detailing the inner workings of Vegas casinos. Sharon Stone is the stand out among the actors; she nabbed an Oscar nomination for her role as the voracious Ginger, the glitzy call girl who becomes Rothstein's wife. The film is not as fast paced or gripping as Scorsese's earlier gangster pictures (Mean Streets and GoodFellas), but it's still absorbing. And, hey--it's Scorsese! --Jim Emerson
Richard Brooks's In Cold Blood is a faithful 1967 screen adaptation of Truman Capote's extraordinary non-fiction book about the course of two killers in this world--their lives, their senseless slaughter of an entire family, and their executions. Robert Blake and Scott Wilson are remarkable as the murderers, but what has kept this film special over the decades is Brooks's blunt, clearheaded, and non-sensational approach to the story. (The term "semi-documentary" has been applied to Brooks's style on this film, and it's an entirely fair description.) The experience of watching In Cold Blood is naturally unsettling, but the director--as with Capote--leaves final judgments about justice to the beholder. --Tom Keogh
In what many enthusiasts consider to be 'the ultimate martial arts movie' Bruce plays the fictional character of Chen Jun a student of legendary real-life martial artist Fok Yun Gap. In an epic tale of national rivalries Lee is a true force of nature as he battles against Japanese Imperialist forces determined to subjugate his people. In the most electrifying performance of his career Bruce Lee demonstrates complete mastery of his art in scene after scene of the most realistic and
Hugh Grant stars in this satire of American identity, in which the President becomes a guest judge on the reality TV show.
A fantastic box set featuring a quartet of beauties from Ealing Studios. Includes: 1. Whisky Galore (Dir. Alexander Mackendrick 1949) 2. Champagne Charlie (Dir. Alberto Cavalcanti 1944) 3. The Maggie (Dir. Alexander Mackendrick 1954) 4. It Always Rains on Sunday (Dir. Robert Hamer 1947)
A television series broken down into 13 separate 60-minute films from premiere horror writers and directors.
Based on the acclaimed bestseller, WATER FOR ELEPHANTS presents an unexpected romance in a uniquely compelling setting.
Two years after 20th Century Fox released its melodramatic disaster film Titanic in 1953, Walter Lord's meticulously researched book A Night to Remember surprised its publishers by becoming a phenomenal bestseller. Lord had an intuition that readers craved the reality of the Titanic disaster and not the romantically mythologised translations (like Fox's film, starring Barbara Stanwyck), which relied on fictional characters to "enhance" the world's worst maritime disaster. Lord's book proved that the truth was far more compelling than fiction, outlining the many "if onlys" (if only the iceberg had been spotted a few minutes earlier, etc.) that lent sombre irony to the loss of 1,500 Titanic passengers. Three years after Lord's book appeared, it was brought to the screen with the kind of riveting authenticity that Lord had insisted upon in his own research. The 1958 British production of A Night to Remember remains a definitive dramatization of the disaster, adhering to the known facts of the time and achieving a documentary-like immediacy that matches (and in some ways surpasses) the James Cameron epic released 39 years later. The film erroneously perpetuates the once-common belief that the Titanic sunk in one piece (instead of breaking in half as its bow began to plunge), but many other misconceptions are accurately corrected, and the intelligent screenplay by thriller master Eric Ambler is a model of factual suspense. By making Titanic the star of the film, director Roy Baker emphasises the excessive confidence of the booming industrial age and creates an intense you-are-there realism that pays tribute to Walter Lord's tenacious quest for truth. --Jeff Shannon
The Lakes brought writer Jimmy McGovern and actor John Simm a great deal of critical praise in 1997. Following a particularly dry period for British TV drama, the show's realistic characterisations and their painfully honest decisions hit audiences hard. Simm is a twentysomething trapped in a life of compulsive gambling, theft and being on the dole in Liverpool. On a whim he heads north to the Lake District. He expects to find the countryside quietude where his hidden poetical leanings might find a home, but instead gets caught up in a community like any other. Lies, temptation and tragedy beset every household just as much as the big city. The focus of Series 1 is Danny's relationship with Emma (Emma Cunniffe) and the consequences of having a child. As time races by, his link to the Lakes becomes an exercise in torment when the eyes of blame fall easily upon him after the accidental deaths of four schoolgirls. Stoking the flames of a series of secondary explosions in waiting are a pair of affairs, one adulterous, the other complicated by religion. On the DVD: The Lakes Series 1 comes with two separate commentary tracks for the very first episode. In interviews, John Simm fondly recalls how cold the lake water was and director David Blair recalls putting him in it. It's a shame the two weren't recorded together. It's also a shame that's all there is in this package. Even a few cast biographies would have been welcome. Picture is 4:3 and stereo sound is as you'd expect from 1990s UK TV. --Paul Tonks
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