World War I seems far away from Ireland's Dingle peninsula when Rosy Ryan Shaughnessy goes horseback riding on the beach with the young English officer. There was a magnetic attraction between them the day he was the only customer in her father's pub and Rosy was tending bar for the first time since her marriage to the village schoolmaster. Then one stormy night some Irish revolutionaries expecting a shipment of guns arrive at Ryan's pub. Is it Rosy who betrays them to the British? Wi
The Deer Hunter is an astonishing powerful and vivid epic about three men steelworkers from Pennsylvania whose lives are changed irrevocably in the tragic devastation of the Vietnam war. When Michael Steven and Nick are captured by the Vietcong they are forced to play Russian Roulette by their brutal captors who make bets on their survival. The experience of capture leaves them with terrible physical and spiritual wounds and when Michael returns to Saigon to fulfil an old vow to one of his friends he makes an unexpected horrific discovery. Director Michael Cimino's The Deer Hunter won no less than 5 Oscars in 1978 for Best Picture Best Director Best Supporting Actor Best Editing and Best Sound.
Strap on your pantaloons and prepare to travel with Jim Hawkins and Blind Pew to one of the most famous fictional islands in history, Treasure Island. Walt Disney's 1950 adaptation of Robert Louis Stevenson's swashbuckling masterpiece has held up extremely well, with action and characterisations that feel freshly minted (although it's unlikely that the Mouse of today would sanction the high level of booze flowing throughout the picture). Great fun, with nary a wasted frame and, in the character of Robert Newton's much-imitated Long John, one of cinema's most boisterously crowd-pleasing villains ever. (Proving that you can't keep a good--er, bad man down, Newton would return with director Byron Haskins for the enjoyable sequel, Long John Silver.) Watching this classic is like having a flashback to some perfect Technicolor childhood. --Andrew Wright
Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time. Special Features: LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET - An exploration of the development and production of the film as told by the cast and crew. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: I. THE PRINCIPLE OF BELIEF - Christopher Nolan talks about why he wanted to make this film and the twists he wanted to bring to the spy genre. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: II. MOBILIZING THE TROUPE - The filmmakers to talk about casting and what the actors brought to their roles. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: III. THE APPROACH - The company discusses how Nolan's filmmaking philosophies and in-camera approach applied to the challenges in this film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IV. THE PROVING WINDOW - A look at the cinematography and the unique ways they shot the movie. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: V. THE ROADMAP - Examining the ways the cast and crew kept track of the continuity across multiple perspectives and timelines. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VI. ENTROPY IN ACTION - Breaking down the complex action in the film and the stunt requirements for the actors. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VII. TRAVERSING THE GLOBE - Exploring the logistics of travelling and shooting in real locations as well as capturing the epic marine sequences in different countries around the world. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VIII. HOW BIG A PLANE? - The story of the dramatic crashing of a real 747. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IX. THE DRESS CODE - Costume Designer Jeffrey Kurland takes us through some of the iconic costumes from the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: X. CONSTRUCTING THE TWILIGHT WORLD - A look at the practical sets designed and built by Nathan Crowley's team and the techniques they used to enhance the scope and scale of the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XI. THE FINAL BATTLE - Inside the epic sequence which had the cast and crew using everything that they had learned on the film to pull it off. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XII. COHESION - Nolan discusses his approach of involving the composer and the editor early on in the pre-production and all the way through the completion of the film to truly integrate them into the creative process. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XIII. DOESN'T US BEING HERE NOW MEAN IT NEVER HAPPENED? - The cast and crew discuss the unique experience of working on the film.
A mafia boss and his family are relocated to a sleepy town in France under the Witness Protection Program after breaking the sacred code and snitching on the his crew.
A mafia boss and his family are relocated to a sleepy town in France under the Witness Protection Program after breaking the sacred code and snitching on the his crew.
A mysterious meteor shower occurs above a field in Cornwall, and a team of scientists led by Dr. Curtis Temple (Robert Hutton) is sent in to investigate. The scientists and local bystanders soon find themselves possessed by an alien force which wants to enslave them. No one is immune from the invasion except for Dr. Temple, who is shielded from the meteor's influence by a metal plate that was inserted to protect his skull after a recent accident. He discovers that an alien race on the moon seeks to use the manipulated scientists for secret purposes. But, as Temple learns more about the invaders, he realises that they may not be as evil as he once thought. Extras: Audio commentary with Film Historian David Del Valle and Filmmaker David DeCoteau Original UK Theatrical trailer
From the 'Master of Suspense' this box set features many of his very best films. Titles comprise: 1. Vertigo 2. The Birds 3. Rear Window 4. Marnie 5. Frenzy 6. Topaz 7. The Trouble With Harry 8. Torn Curtain 9. Psycho: Special Edition (includes the Bonus disc the Hitchcock legacy) 10. Family Plot 11. Saboteur 12. Shadow Of A Doubt 13. The Man Who Knew Too Much 14. Rope For individual synopses please refer to the individual products.
Marvel Studios presents the global phenomenon Marvel's Avengers: Age of Ultron. Good intentions wreak havoc when Tony Stark (Robert Downey Jr.) unwittingly creates Ultron (James Spader), a terrifying A.I. monster who vows to annihilate humanity. Now, Iron Man, Captain America (Chris Evans), Thor (Chris Hemsworth) and The Hulk (Mark Ruffalo)alongside Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner) and Nick Fury (Samuel L. Jackson) must reassemble to defeat Ultron and save mankind if they can!
Humphrey Bogart (The Harder They Fall) and John Derek (The Family Secret) star in Knock on Any Door, a hard-hitting amalgam of film noir, social commentary, and courtroom drama. Nick Romano (Derek) is a young criminal whose motto is 'live fast, die young, and leave a good-looking corpse'. But, when Nick faces the death penalty for killing a police officer, hotshot lawyer Andrew Morton (Bogart) defends him, arguing that the killer is merely a product of his environment. Based on the controversial novel by Willard Motley and directed by the great Nicholas Ray (In a Lonely Place), Knock on Any Door is an often-shocking indictment of the poverty that blights America's slums. Product Features High Definition remaster Original mono audio Audio commentary with writer and film historian Pamela Hutchinson (2022) Nobody Knows How Anybody Feels (2022, 20 mins): appreciation by critic and film programmer Geoff Andrew Tuesday in November (1945, 17 mins): documentary short about the democratic process in America, made as part of the Office of War's The American Scene series and boasting Nicholas Ray as assistant director Theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
This box set features a collection of Powell And Pressburger finest films. Includes: 1. The Tales of Hoffman (1951) 2. Black Narcisus (1946) 3. A Matter of Life & Death (1946) 4. The Life & Death of Colonel Blimp (1943) 5. A Canterbury Tale (1944) 6. I Know Where I am Going (1945) 7. 49th Parallel (1941) 8. The Battle of the River Plate (1956) 9. Ill Met By Moonlight (1957) 10. They're A Weird Mob (1966) 11. The Red Shoes (1948)
The 1956 screen adaptation of Carousel, like its immediate predecessor Oklahoma!, boasted then state-of-the-art widescreen cinematography, stereophonic sound, a starring romantic duo with on-screen chemistry, and the Rodgers & Hammerstein imprimatur. Adding to its promise was a source (the venerable Ferenc Molnar play Liliom) that had already been filmed three times. Contributing to the lustre are the coastal Maine locations where 20th Century Fox filmed principal photography. Yet unlike the original Broadway production, and despite evident craft, Carousel proved a box-office disappointment. Why? Hindsight argues that movie-goers of the 1950s may have been unprepared for its tragic narrative, the sometimes unsympathetic protagonist, and a spiritual subtext addressing life after death. Whatever the obstacle, Carousel may well be a revelation to first-time viewers. The score is among the composers' most affecting, from the glorious instrumental "Carousel Waltz" to a succession of exquisite love songs ("If I Loved You"), a heart-rending secular hymn ("You'll Never Walk Alone"), and the expectant father's poignant reverie, "Soliloquy". Top-line stars Shirley Jones (as factory worker Julie Jordan) and Gordon MacRae (as Billy Bigelow, the carnival barker who woos and weds her) achieve greater dramatic urgency here than in the more successful Oklahoma!. MacRae in particular attains a personal best as the conflicted Billy, whose anxiety and wounded pride after losing his job are crucial to the plot. It's Billy's impatience to support his new family that drives him to an ill-fated decision, which transforms the fable into a ghost story. --Sam Sutherland, Amazon.com
Far too many film versions of the The Four Feathers have been made over the years, which is especially surprising considering that this 1939 Korda brothers production is surely definitive. The film simultaneously celebrates and pokes fun at British imperialism, showing the kind of dogged stiff-upper-lippery that forged an empire, but also the blinkered attitudes and crass snobbishness of the ruling classes (and those plummy accents--did people ever really talk like that?). Whatever political subtext may or may not be read into it, though, the film is best celebrated for its magnificent vistas: partially made on location in the Sudan, as well as at the famous Denham Studios, this is British cinema from the days when it thought to rival Hollywood for sheer spectacle. Vincent Korda's production design and the glorious early colour cinematography are helped greatly by fellow Hungarian émigré Miklos Rozsa's epic score. John Clements is the notional hero, the man who is determined to show the world he is not a coward after resigning his commission (even though it would surely have saved everyone a lot of bother if he had just stuck with it) but the film is stolen by Ralph Richardson, magnificent as an officer struck blind and led to safety by Clements' Harry Faversham. The latter scenes when Richardson's Captain Durrance realises the truth and its implications are the most poignant and emotionally truthful in the film. C Aubrey Smith is delightful as the old buffer who relives his battles on the dinner table; to a modern audience, however, the "blackface" casting of John Laurie as the Khalifa strikes a discordant note. But adjusting some expectations for its vintage, this is a triumph of derring-do and far and away the most gripping version of this oft-told story on film. --Mark Walker
Jack Walsh (Robert De Niro) is a tough ex-cop turned bounty hunter. Jonathan ""The Duke"" Mardukas (Charles Grodin) is a sensitive accountant who embezzled $15 million from the Mob gave it to charity and then jumped bail. Jack's in for a cool $100 000 if he can deliver the Duke from New York to L.A. on time. And alive. Sounds like just another Midnight Run (a piece of cake in bounty hunter slang) but it turns into a cross-country chase. The FBI is after the Duke to testify - the Mob is after him for revenge - and Walsh is after him to just shut up. If someone else doesn't do the job the two unlikely partners may end up killing each other in this hilarious action-filled blockbuster from producer-director Martin Brest (Beverly Hills Cop).
The Deer Hunter is an astonishing powerful and vivid epic about three men steelworkers from Pennsylvania whose lives are changed irrevocably in the tragic devastation of the Vietnam war. When Michael Steven and Nick are captured by the Vietcong they are forced to play Russian Roulette by their brutal captors who make bets on their survival. The experience of capture leaves them with terrible physical and spiritual wounds and when Michael returns to Saigon to fulfil an old vow to one of his friends he makes an unexpected horrific discovery. Director Michael Cimino's The Deer Hunter won no less than 5 Oscars in 1978 for Best Picture Best Director Best Supporting Actor Best Editing and Best Sound.
Francis Ford Coppola took some of the deep background from the life of Mafia chief Vito Corleone--the patriarch of Mario Puzo's bestselling novel The Godfather--and built around it a stunning sequel to his Oscar-winning, 1972 hit film. Robert De Niro plays Vito as a young Sicilian immigrant in turn-of-the-century New York City's Little Italy. Coppola weaves in and out of the story of Vito's transformation into a powerful crime figure, contrasting that evolution against efforts by son Michael Corleone to spread the family's business into pre-Castro Cuba. As memorable as the first film is, The Godfather II is an amazingly intricate, symmetrical tragedy that touches upon several chapters of 20th-century history and makes a strong case that our destinies are written long before we're born. This was De Niro's first introduction to a lot of filmgoers, and he makes an enormous impression. But even with him and a number of truly brilliant actors (including maestro Lee Strasberg), this is ultimately Pacino's film and a masterful performance. --Tom Keogh
A precocious 16-year-old girl discovers that she is the princess of a small European country after her mother confesses to a one-night fling with a member of the royal family. As heir to the throne she's pressed into taking princess lessons from her gran.
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