From Robert Eggers, the visionary director of The Witch and The Northman, comes The Lighthouse, a hypnotic and hallucinatory tale of two men teetering on the edge of sanity. Two wickies - one inexperienced (Robert Pattinson, Tenet), the other a grizzled veteran (Willem Dafoe, To Live and Die in LA) - arrive on a remote New England island in the 1890s for a four-week stint maintaining the local lighthouse. But as isolation and personal differences take their toll, both men slowly succumb to their inner demons and to the strange, otherworldly allure of the lighthouse itself... Featuring virtuoso performances by its two leads, striking and period-authentic monochrome photography, and shot through with wickedly dark humour, The Lighthouse is an intense, claustrophobic experience like no other that cements Eggers' status as one of the most exciting filmmakers of our time. Product Features 4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible), approved by director Robert Eggers Original lossless 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by authors Guy Adams and Alexandra Benedict Audio commentary by cowriter/ director Robert Eggers Art of Darkness - an in-depth documentary on the film, its production, themes and influences, featuring interviews with co-writer/director Robert Eggers, director of photography Jarin Blaschke, production designer Craig Lathrop, costume designer Linda Muir and authors Guy Adams and Alexandra Benedict The Lighthouse Next Door: The Consuming House Tale of Robert Eggers' The Lighthouse - a visual essay on The Lighthouse and its folklore influences by author and critic Kat Ellinger The Lighthouse: A Dark & Stormy Tale - a three-part documentary on the making of the film Deleted scenes Two theatrical trailers Image gallery Reversible sleeve featuring original and newly commissioned artwork by Jeffrey Alan Love
3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com
Ken Russell's flamboyant treatment of The Who's rock opera about a deaf dumb and blind boy who develops an extraordinary ability at pinball. Under his sinister stepfather's influence he achieves fame and a cult following but his almost messianic status also spells the beginning of his destruction... Featuring musical contributions from a host of rock stars including Elton John Eric Clapton and Tina Turner.
After a botched bank robbery lands his younger brother in prison, Constantine Connie Nikas (Robert Pattinson) embarks on a twisted odyssey through the city's underworld in an increasingly desperateand dangerousattempt to get his brother Nick (Benny Safdie) out of jail. Over the course of one adrenalized night, Connie finds himself on a mad descent into violence and mayhem as he races against the clock to save his brother and himself, knowing their lives hang in the balance.
From the writer of "Being John Malkovich" comes the tale of a couple - Jim Carrey and Kate Winslet - who attempt to erase their memories of their tumultuous relationship.
A hijinks romantic comedy about next-door neighbours who find themselves in a very strange place: each other's bodies.
A Nazi strike force plots to assassinate Winston Churchill while he is resting in a desolate Norfolk village. Colonel Radl masterminds the plot which if successful would change the outcome of the war. He enlists the help of Colonel Steiner and Liam Devlin. Disguised as Polish airmen German paratroopers land in England. Radl's plan appear to be going smoothly until an unforeseeable incident exposed the Germans. But the kidnap continues and Steiner Luger in hand approaches the unmistakable figure of Churchill...
James Bond (Roger Moore) may have met his match in Octopussy (Maud Adams) an entrancing beauty involved in a devastating military plot to destroy detente. From the palaces of India to a speeding circus train in Germany and a mid-air battle on the wing of a high-flying jet only Agent 007 can stop the nightmarish scheme!
A serious film on a serious subject, Dead Man Walking (1995) is enriched by two excellent performances: Sean Penn as a murderer and rapist facing execution on Death Row, and Susan Sarandon as a nun who visits and befriends him. Tim Robbins, the writer and director of the film (and Sarandon's husband), based the film on a true story, and there's not much narrative tension since it's obvious Penn will not escape his fate. But the film is a clear-eyed look at the realities of capital punishment and its grisly rituals, which at the same time never sentimentalises the people or the issues. There is no shying away from the evil of the murderer's acts and their effects on the victims' families, but this is balanced against the heartlessness and cynicism of those in the prison system and their political masters. It's hard to say whether the film is ultimately against capital punishment; it certainly encourages you to think for yourself. On the DVD: The image and sound quality is excellent, in widescreen ratio 16:9. There's a theatrical trailer and a TV commercial for the film, which also has language tracks in English, French and Spanish and subtitles in English, French, Spanish, Dutch and Hungarian. There's also an audio commentary on the film by director Tim Robbins which gives valuable insights into the political background of the film and the shooting process. --Ed Buscombe
Oscar winner Ben Affleck (Argo) directed and stars in the dramatic crime thriller Live by Night. Affleck also wrote the screenplay, based on the award-winning best-seller by Dennis Lehane; it marks the second collaboration for the fellow Boston natives, following the acclaimed drama Gone Baby Gone.What you put out into this world will always come back to you, but it never comes back how you predict. Taking fatherly advice is not in Joe Coughlin's nature. Instead, the WWI vet is a self-proclaimed anti-establishment outlaw, despite being the son of the Boston Police Deputy Superintendent. Joe's not all bad, though; in fact, he's not really bad enough for the life he's chosen. Unlike the gangsters he refuses to work for, he has a sense of justice and an open heart, and both work against him, leaving him vulnerable time and againin business and in love. Driven by a need to right the wrongs committed against him and those close to him, Joe heads down a risky path that goes against his upbringing and his own moral code. Leaving the cold Boston winter behind, he and his reckless crew turn up the heat in Tampa. And while revenge may taste sweeter than the molasses that infuses every drop of illegal rum he runs, Joe will learn that it comes at a price.Click Images to Enlarge
Titles Comprise: Four Weddings & A Funeral: Charles (Grant) is witty and charming but at the age of 32 is looking like a serial monogamist. His life has been full of girlfriends but he just can't commit to any of them. The more weddings he and his close circle of friends attend the less they want to get married themselves. Until one particular Saturday at one particular wedding Charles meets Carrie (MacDowell)... Instantly smitten Charles begins to pursue her only to learn that she is ready to take the plunge with someone else! Charles tries very hard not to fall in love with her and finally finds himself standing at the altar on his own wedding day. At last he knows who he wants to spend the rest of his life with...but is it the woman standing next to him in the white dress? Full Monty: Dole queue Job Club domestic discord - the world is falling apart for six unemployed Sheffield steelworkers. But one of them has had enough. Determined to beat the system Gaz (Carlyle) hatches a plan that will make him and his friends serious rich - and quickly! He convinces them that a strip routine will bring in the punters especially when that act reveals the ultimate - the Full Monty! As our local heroes prepare for the big night word gets round that a very special act is about to storm the clubs of steel city. Director Peter Cattaneo combines black comedy roaring hilarity and all the absurdity heartache and pathos of six men trying to keep body soul and dignity together. Well just about! The most successful British film of all time The Full Monty also boasts a superb soundtrack with hits by Hot Chocolate and Tom Jones. Jack And Sarah: Jack (Richard E. Grant) has it all - a perfect marriage a successful career and a dream home. But his world crumbles when his wife dies giving birth to their daughter Sarah. Even though he is struggling to cope with his broken heart and a newborn baby Jack rejects the offers of help from his family (Judy Dench and David Swift) in a bid to prove his independence. Instead he builds a quirky family of his own when he takes on a down-and-out (Ian McKellen) to be his housekeeper and American waitress Amy (Samantha Mathis) to be his nanny. Once Amy moves in life becomes a series of mishaps and conflicts with touchingly funny moments as the mis-matched characters learn to live with each other. But when Jack's female boss begins to show more than a professional interest in him the tension mounts as Amy and Jack begin to realise their true feelings for each other....
Starring Dominic West and Emily Watson this is the story of Fred & Rosemary West told through Janet Leach (the Appropriate Adult). Janet Leach was an ordinary housewife who volunteered to help an illiterate prisoner. The man was Britain's worst serial sex killer and he confessed his darkest secrets to her - she even accompanied the killer when he was taken to reveal the burial grounds of some of his victims outside of his Cromwell Street house. It provides a unique insight into the police investigation which led to the conviction of Fred and Rose West and the crucial role Janet Leach played as the appropriate adult and focuses on the time between Fred's arrest and his suicide on New Year's Day 1995. Award-winning actress Emily Watson plays Leach who sat in on more than 40 interviews over many months and listened to 'the most harrowing and horrifying details' of West's crimes.
Features the DVD's Midlife Christmas All The Trimmings and Victoria Wood Sold Out Live.
Robert Redford directs and stars in this powerful and gripping story that digs behind the news, the politics and a nation divided to explore the human consequences of a complicated war.
David Lynch's Lost Highway is one of the most puzzled over movies of the 1990s. After Twin Peaks and Wild at Heart audiences were prepared for more questions than answers. But this mystery is without doubt the most sinister and disturbing of all his work, which is to say it's arguably the most worthy of puzzling out. Bill Pullman goes to jail for murdering his wife Patricia Arquette the Brunette. He metamorphoses into Balthazar Getty who falls for Patricia Arquette the Blonde. They're involved in many bad things. Getty morphs back to Pullman who's left with neither girl, but a lot of explaining to do about how Robert Loggia was involved with both and who/what on earth Robert Blake is. There are no straight answers. It might just be possible to twist the film into a Moebius strip and work out half the chronology, but that would be missing the point. Lynch makes paintings that move and if they happen to tell a tale (thank you The Straight Story), that's just a happy by-product. This film is "about" a lot of things: obsession, the impossible notion of owning a partner, why tailgating is wrong. Beyond that, it's about nothing more than enjoying just how sensually delicious everything looks and sounds on Lynch's Highway. On the DVD: Lost Highway is presented on disc in Lynch's preferred 2.35:1 ratio (anamorphically enhanced), even if it isn't the cleanest of transfers. Sound however, is only two channel stereo, whereas 5.1 mixes do exist elsewhere. The teaser trailer is hardly worth the effort. --Paul Tonks
Alan Davies (Bob And Rose Jonathan Creek) stars as Henry Farmer a criminal practice barrister engaged in an ongoing fight for justice in the courtroom. Henry's life is dominated by chaos he has a huge workload debt and alimony payments to meet...and all this whilst being in love with the wife of a prominent politician who won't leave her husband for him! The Brief is an engaging blend of courtroom drama suspense intrigue and humour.
Based on the Pulitzer Prize winning novel, Kevin Spacey stars as a man who moves to his family's ancestral home in Newfoundland after a tragedy. Slowly, he starts to put his life back together.
With the advent of satellite broadcasting resurrecting the art of the TV movie, films like the invigorating The Boondock Saints are becoming more frequent. Made for Sky, the movie eschews big-screen production values but is still good value for money. Although the story of two Irish-American brothers who set out on a believed divine mission to wipe out the worst of the criminal element of Boston at times seems like an imitation of the superb Dogma, both films were actually made in the same year. The film is not without its faults, notably the poor performances of Sean Patrick Flanery and Norman Reedus as the two brothers--both of whom adopt ludicrous Irish accents. Far better is Willem Dafoe, who steals the show as FBI agent Smecker, and the manic David Della Rocco. Still, The Boondock Saints is highly watchable and keeps the viewer interested throughout with a strong story, frequent black humour and arresting visuals. And there aren't many places where you will come across Billy Connolly as a Mafia contract killer. --Phil Udell
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barrelled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man, while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set-piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker
Nothing, and no one, is as it seems, in this adaptation of Graham Greene's classic and prophetic story of love, betrayal, murder and the origin of the American war in Southeast Asia.
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