From the arrival of Agent John Doggett in 'Within' and Mulder's miraculous resurrection in 'Deadalive' to the birth of Scully's baby in 'Existence' these Season Eight episodes are a must for every X-Files fan! Episodes comprise: 1. Within 2. Without 3. Patience 4. Roadrunners 5. Invocation 6. Redrum 7. Via Negativa 8. Surekill 9. Salvage 10. Badlaa 11. The Gift 12. Medusa 13. Per Manum 14. This Is Not Happening 15. DeadAlive 16. Three Words 17. Empedocles 18. Vienen 19. Alon
Three times Oscar nominated Clifton Webb, Robert Flemying and Oscar winner Gloria Grahame star in this highly acclaimed 1956 British war film, based on an incredible true story. In 1943, two intelligence officers from the Royal Navy (Clifton Webb, Robert Flemying) attempt to pull off the most daring espionage mission of the Second World War. The Allies are about to invade Sicily - but the Germans must be convinced that their real target is Greece. A briefcase containing plans for the fake invasion is attached to a body dressed as a British major and given an elaborate false identity. The 'man who never was'is then left at sea for the Germans to find. However, Nazi intelligence believes that the find may be just too good to be true – and a desperate cat-and-mouse game begins in the heart of war torn London... Special Features: Theatrical Trailer Stills Gallery
A sleeper hit when released in 1992, this romantic fantasy works as a comedic adventure and a gentle tearjerker thanks to Mel Gibson's appealing performance. He plays Daniel, a daring test pilot who is deeply distraught by the apparent death of his girlfriend, Helen, in 1939. Feeling little reason to live, he volunteers for a pioneering cryogenics experiment and is thawed out 50 years later by two young boys. They bring the confused pilot home to Nat's single mom, Claire (Jamie Lee Curtis). There's a hint of romance, but Daniel desperately needs to know if Helen really died in 1939, and he discovers that love has a way of surviving a half-century leap in time. The premise of Forever Young is hokey and certain plot details are conveniently ignored, but Gibson, Curtis, and Elijah Wood (as Nat) hold it together with irresistible charm and just the right balance of fantasy and drama. --Jeff Shannon
Academy Award-winner Paul Newman (1986 - Best Actor The Color Of Money) scorches the screen in this hilarious sexy comedy from the creator of Bull Durham. Newman stars as a fiery eccentric governor who falls head over heels in love with the dazzling Blaze Starr (sensational Lolita Davidovich) an innocent New Orleans stripper with a heart of gold. Forced to choose between the office he holds and the woman he loves he chooses both...igniting an outrageous scandal full of trouble
The sequel to the worldwide smash hit Olympus Has Fallen begins in London, where the British Prime Minister has passed away under mysterious circumstances. His funeral is a must-attend event for leaders of the western world. But what starts out as the most protected event on earth, turns into a deadly plot to kill the world's most powerful leaders, devastate every known landmark in the British capital, and unleash a terrifying vision of the future. Only three people have any hope of stopping it: the President of the United States (Aaron Eckhart), his formidable secret service head (Gerard Butler), and an English MI-6 agent who rightly trusts no one.
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
The con is on! Hustle follows the fortunes of a gang of five expert con artists let loose on the streets of London. From rare comic books to antique banknotes they are specialists in the way of the grifter and all are keen to liberate cash from the amoral and undeserving... Gold Mine: Mickey Danny Albert Ash and Stacie return from a well-earned break to discover that old time grifter Harry Holmes (Ronald Pickup) has been banged up. After attempting to con ruthless
Marlon Brando in his breakthrough and most iconic role as Johnny Strabler, ruthless leader of the Black Rebels motorcycle gang who terrorise a small town. Based on real-life events, the film was considered so shocking and inciteful of delinquent behaviour at the time, it was banned in the UK until 1967. Special Features High Definition remaster Original mono audio Audio commentary by author and film historian Jeanine Basinger The Wild One and the BBFC (2017, 25 mins): ex-BBFC examiner Richard Falcon discusses the film's history with the British censor Introduction to the film by Karen Kramer (2007, 1 min) Hollister, California: Bikers, Booze and the Big Picture (2007, 28 mins): a look back at the real life events that inspired the film Brando: An Icon Is Born (2007, 19 mins): a documentary exploring the life and career of the legendary actor Super 8 version (1973, 19 mins): original cut-down home cinema presentation with unique narration Original theatrical trailer Image gallery New and improved English subtitles for the deaf and hard-of-hearing
Woody Wilkins (Michael Crawford) an inventive comic book writer turns into a bumbling spy and is catapulted on a jet-setting trip around the world as Condorman the comic book hero he created. The problems - and the hilarity - start when Woody falls in love with a Russian agent Natalia (Barbara Carrera) and sets about helping her defect to the United States. However Natalia's old flame KGB agent Krokov (Oliver Reed) isn't about to let his prize get away. Krokov has every one of his agents on the run trying to prevent ""Condorman"" from aiding Natalia's escape. Crazy disguises high-tech gadgets and hair-raising fun abound in this light-hearted comic adventure. Available on DVD for the first time.
Something rotten is brewing beneath the industrial mecca know as Raccoon City. Unknow to its millions of residents, a hug underground bioengineering facility known as The Hive has accidentally unleashed the deadly and mutating T-virus, killing all of its employees. To contain the leak, the governing supercomputer, Red Queen, has sealed all entrances and exits. Now a team of highly-trained super commandos including Rain (Michelle Rodriguez The Fast and the Furious, Girlfight), Alice (Milla Jovovich The Fifth Element) and Matt (Eric Mabius Cruel Intentions) must race to penetrate The Hive in order to isolate the T-virus before it overwhelms humanity. To do so, they must get past the Red Queen's deadly defenses, face the flesh-eating undead employees, fight killer mutant dogs and battle The Licker, a genetically mutated savage beast whose strength increases with each of its slain victims.
With a company of American soldiers trapped by the Germans during The Battle of the Bulge their captain is an abject psychopathic coward who has a record of exposing his men to danger. When his cowardice turns to sheer panic during combat it becomes necessary for the enlisted men to take things into their own hands...
After being shot down over Nazi occupied Holland an RAF bomber crew attempt to make their way back to England with the help of the Dutch resistance.
Wild Things is the kind of lurid, trashy thriller that you'll either dive into with unabashed pleasure or turn away from in prudish disgust; it's entirely your choice, but we suggest the former option since it's obviously much more fun. The plot's so convoluted it's hardly worth describing, except to say that it's set in humid Florida and involves a respected high school teacher (Matt Dillon--yes, Matt Dillon as a teacher!) who is faced with accusations of rape by a student (Denise Richards, from Starship Troopers) who had been giving him the kind of attention most people would consider improper for such a "nice" young lady. Another student (Neve Campbell) raises a similar charge against the teacher, and that's when a police officer (Kevin Bacon) begins to investigate the allegations. Just when you think the movie's gone overboard with its shameless sex and absurdly twisted plot, in drops Bill Murray as an unscrupulous lawyer (of course) to spice things up with insurance scams and welcomed comic relief. As directed by John McNaughton (who has a way of making just the right moves with this kind of film noir melodrama), Wild Things is a bona fide guilty pleasure--the kind of movie you may be ashamed to enjoy, but what the heck, you'll enjoy it anyway. --Jeff Shannon
The world's most renowned fictional lawyer is back on the case in this exciting HBO series that tells the origin story of master criminal defence attorney Perry Mason. Set in 1932 Los Angeles, this edgy, noirish update puts a new spin on the iconic character created by Erle Stanley Gardner and made famous by the classic TV show that ran from 1957 to 1966. The series begins with Mason (Matthew Rhys) living paycheck to paycheck as a low-rent private investigator who's haunted by his wartime experiences and managing the fallout of a broken marriage. During eight twisty, cliff-hanger episodes, Mason is determined to do what's righteven when it's not necessarily legalas he digs into a controversial and politically loaded case, exposing a fractured city and a possible police coverup. The stellar cast includes John Lithgow, Tatiana Maslany, Juliet Rylance, Chris Chalk and Shea Whigham.
Classic version of Hugo's tragic tale of unrequited love. Quasimodo is the deformed bellringer of Notre Dame taunted and brutalised by the townspeople because of his repellent appearance. Despite his outward appearance however Quasimodo has a tender heart as he demonstrates when he falls in love with beautiful gypsy girl Esmerelda.
A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Extras: Intro by Francis Ford Coppola Audio Commentary by Director Francis Ford Coppola An Interview with John Milius A Conversation with Martin Sheen and Francis Ford Coppola Fred Roos: Casting Apocalypse Featurette The Mercury Theatre on the Air: Heart of Darkness November 6, 1938 The Hollow Men Featurette Monkey Sampan Lost Scene Additional Scenes Destruction of the Kurtz Compound End Credits The Birth of 5.1 Sound Featurette Ghost Helicopter Flyover Sound Effects Demonstration The Synthesizer Soundtrack Article by Bob Moog A Million Feet of Film: The Editing of Apocalypse Now Featurette Heard Any Good Movies Lately? The Sound Design of Apocalypse Now Featurette The Final Mix Featurette 2001 Cannes Film Festival: Francis Ford Coppola Featurette PBR Streetgang Featurette The Color Palette of Apocalypse Now Featurette Disc Credits Hearts of Darkness: A Filmmaker's Apocalypse (with Optional Audio Commentary by Francis and Eleanor Coppola) NEW: Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW: Never-Before-Seen B-Roll Footage NEW: Apocalypse Now Dolby featurette (HD) NEW: A history of Apocalypse Now on Home Video (HD) John Milius Script Excerpt with Francis Coppola Notes (Still Gallery) Storyboard Collection Photo Archive ⪠Unit Photography ⪠Mary Ellen Mark Photography o Marketing Archive ⪠1979 Teaser Trailer ⪠1979 Theatrical Trailer ⪠1979 Radio Spots ⪠1979 Theatrical Program ⪠Lobby Card and Press Kit Photos ⪠Poster Gallery ⪠Apocalypse Now Redux Trailer
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--Brazil is the sort of outrageously dystopian satire one could easily imagine him making. In fact it was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek government clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. It's not a software bug but a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets squashed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unravelling this bureaucratic tangle, he himself winds up labelled as a miscreant. The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --Jim Emerson On the DVD: Brazil comes to DVD in a welcome anamorphic print of the full director's cut--here running some 136 minutes. Disappointingly the only extra feature is the 30-minute making-of documentary "What Is Brazil?", which consists of on-set and behind-the-scenes interviews. There's nothing about the film's controversial release history (covered so comprehensively on the North American Criterion Collection release), nor is Gilliam's illuminating, irreverent directorial commentary anywhere to be found. The only other extra here is the ubiquitous theatrical trailer. A welcome release of a real classic, then, but something of a missed opportunity. --Mark Walker
Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in Heat, an intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, Heat qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon
Failing singer/actor Frank Elgin (Crosby) has the chance to make a comeback when director Bernie Dodds (Holden) offers him the lead role in a new musical. Georgie (Kelly) Frank's wife finds herself coping with everything as her husband turns to alcohol in an attempt to shield his insecurities. Georgie decides to team up with Bernie in an attempt to boost Frank's self-esteem. Some fantastic performances especially from the three leads; Grace Kelly won an Oscar for her performance
After destroying a huge asteroid that was on a rapid collision course with Earth, a group of astronauts discover they have accidentally returned to their space station with an alien slime creature that feeds on radiation and can reproduce rapidly from its own blood.
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