One of Clint Eastwood's two most important filmmaking mentors was Don Siegel (the other was Sergio Leone), who directed Eastwood in Dirty Harry, Coogan's Bluff, Two Mules for Sister Sara and this enigmatic, 1979 drama based on a true story about an escape from the island prison of Alcatraz. Eastwood plays a new convict who enters into a kind of mind game with the chilly warden (Patrick McGoohan) and organises a break leading into the treacherous waters off San Francisco. As jailbird movies go, this isn't just a grotty, unpleasant experience but a character-driven work with some haunting twists. --Tom Keogh
Accidentally left behind when his family rushes off on a Christmas vacation, eight-year-old Kevin McCallister (Macaulay Culkin) embarks on a hilarious, madcap mission to defend the family home when two bumbling burglars (Joe Pesci and Daniel Stern) try to break in--and find themselves tangled in Kevin's bewildering battery of booby traps. Special Features: Feature audio commentary with Director Chris colombus & Macaulay Culkin 1990 Press Featurette Mac Cam: Behind the scences with Macauley Culkin How To Burglar- Proof Your Home: The stunts of Home Alone Home Alone Around The World Where's Buzz Now? Angels with Filthy Souls Blooper Reel Deleted Scenes/Alternate Takes
Steven Spielberg directs this heartwarming romantic adventure USA Today calls a ""winner"". Pete Sandrich (Richard Dreyfuss) is a legendary pilot with a passion for daredevil firefighting. However Dorinda (Holly Hunter) the woman he loves and Al (John Goodman) Pete's best friend know that legends can't take risks forever. After sacrificing himself to save Al the ace pilot faces his most challenging mission: helping Dorinda move on with her life. Breathtaking cinematography and exhilarating aerial choreography highlight this compelling adventure that co-stars Brad Johnson and features a special appearance by Audrey Hepburn.
It isn't difficult to imagine why this 1988 retelling of the Crucifixion story was picketed so vociferously on its release in the US--this Jesus bears little resemblance to the classical Christ, who was not, upon careful review of the Gospels, ever reported to have had sex with Barbara Hershey. Heavily informed by Gnostic reinterpretations of the Passion, The Last Temptation of Christ (based rather strictly on Nikos Kazantzakis's novel of the same name) is surely worth seeing for the controversy and blasphemous content alone. But the "last temptation" of the title is nothing overtly naughty--rather, it's the seduction of the commonplace; the desire to forgo following a "calling" in exchange for domestic security. Willem Dafoe interprets Jesus as spacey, indecisive and none too charismatic (though maybe that's just Dafoe himself), but his Sermon on the Mount is radiant with visionary fire; a bit less successful is method actor Harvey Keitel, who gives the internally conflicted Judas a noticeable Brooklyn accent, and doesn't bring much imagination to a role that demands a revisionist's approach. Despite director Martin Scorsese's penchant for stupid camera tricks, much of the desert footage is simply breathtaking, even on small screen. Ultimately, Last Temptation is not much more historically illuminating than Monty Python's Life of Brian, but hey, if it's authenticity you're after, try Gibbon's. --Miles Bethany
Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house overnight! Accidentally left behind when his family rushes off on a Christmas vacation Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in and Kevin's rigging a bewildering battery of booby traps to welcome them! Written and produced by John Hughes this madcap slapstick adventure features an all-star supporting cast including Catherine O'Hara and John Heard as Kevin's parents Joe Pesci and Daniel Stem as the burglars and John Candy as the Polka King of the Midwest.
Director Sam Raimi (The Evil Dead) tries gamely to recapture the exotic mysteries of spaghetti Westerns in this stylish but empty film, which stars Sharon Stone as a stranger who comes to the town of Redemption in time for an annual shooting contest. Her real motivations for being there are the stuff that might have found their way into a film by Sergio Leone--in fact, much of this film is a pastiche of Leone's greatest hits, including A Fistful of Dollars and Once upon a Time in America--but one can't quite believe Stone in the role. Gene Hackman gives a predictably solid performance as the town tyrant, and Leonardo DiCaprio is good as a lucky young gunslinger who gets to kiss the heroine. But not even the cast can help this failed project. Raimi brings a lot of razzle-dazzle to his camera work, but it doesn't make the film any more substantial. --Tom Keogh
One of Clint Eastwood's two most important filmmaking mentors was Don Siegel (the other was Sergio Leone), who directed Eastwood in Dirty Harry, Coogan's Bluff, Two Mules for Sister Sara and this enigmatic, 1979 drama based on a true story about an escape from the island prison of Alcatraz. Eastwood plays a new convict who enters into a kind of mind game with the chilly warden (Patrick McGoohan) and organises a break leading into the treacherous waters off San Francisco. As jailbird movies go, this isn't just a grotty, unpleasant experience but a character-driven work with some haunting twists. --Tom Keogh
Released in 1977, Close Encounters of the Third Kind was that year's cerebral alternative to Star Wars. It's arguably the archetypal Spielberg film, featuring a fantasy-meets-reality storyline (to be developed further in E.T.), a misunderstood Everyman character (Richard Dreyfuss), apparently hostile government agents (long before The X-Files), a sense of childlike awe in the face of the otherworldly, and a sweeping feel for epic film-making learned from the classic school of David Lean. Contributing to the film's overall success are the Oscar-winning cinematography from Vilmos Zsigmond, Douglas Trumbull's lavish effects and an extraordinary score from John Williams that develops from eerie atonality à la Ligeti to the gorgeous sentiment of "When You Wish Upon a Star" over the end credits. Not content with the final result, Spielberg tinkered with the editing and inserted some new scenes to make a "Special Edition" in 1980 which ran three minutes shorter than the original, then made further revisions to create a slightly longer "Collector's Edition" in 1998. This later version deletes the mothership interior scenes that were inserted in the "Special Edition" and restores the original ending. On the DVD: CE3K is packaged here with confusing documentation that fails to make clear any differences between earlier versions of the film and this "Collector's Edition"--worse, the back cover blurb misleadingly implies that this disc is the 1980 "Special Edition" edit. It is not. A gorgeous anamorphic widescreen print of Spielberg's 1998 "Collector's Edition" edit occupies the first disc: this is the version with the original theatrical ending restored but new scenes from the "Special Edition" retained. The second disc rounds up sundry deleted scenes that were either dropped from the original version or never made it into the film at all--fans of the "Special Edition" can find the mothership interior sequence here. The excellent "making-of" documentary dates from 1997 and has interviews with almost everyone involved, including the director speaking from the set of Saving Private Ryan. Thankfully the superb picture and sound of the feature make this set entirely compelling and more than compensate for the inadequate packaging. --Mark Walker
Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton
Close Encounters Of The Third Kind is a mesmerizing movie about earth's encounter with spaceships and alien beings as experienced by one ordinary man.
Anybody who has written him off because of his string of stinkers--or anybody who's too young to remember The Goodbye Girl --may be shocked at the accomplishment and nuance of Richard Dreyfuss's performance in Close Encounters of the Third Kind. Here, he plays a man possessed; contacted by aliens, he (along with other members of the "chosen") is drawn toward the site of the incipient landing: Devil's Tower, in rural Wyoming. As in many Spielberg films, there are no personalized enemies; the struggle is between those who have been called and a scientific establishment that seeks to protect them by keeping them away from the arriving spacecraft. The ship, and the special effects in general, are every bit as jaw-dropping on the small screen as they were in the theater (well, almost). Released in 1977 as a cerebral alternative to the swashbuckling science fiction epics then in vogue, Close Encounters now seems almost wholesome in its representation of alien contact and interested less in philosophising about extra-terrestrials than it is in examining the nature of the inner "call." Ultimately a motion picture about the obsession of the driven artist or determined visionary, Close Encounters comes complete with the stock Spielberg wives and girlfriends who seek to tether the dreamy, possessed protagonists to the more mundane concerns of the everyday. So a spectacular, seminal motion picture indeed, but one with gender politics that are all too terrestrial. --Miles Bethany, Amazon.com
Home Alone: Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house overnight! Accidentally left behind when his family rushes off on a Christmas vacation Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in and Kevin's rigging a bewildering battery of booby traps to welcome them! Home Alone 2 - Lost In New York: Kevin McCallister (Macaulay Culkin) is back. But this time he's in New York City - with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits Harry and Marv (Joe Pesci and Daniel Stern) still smarting from their last encounter with Kevin are bound for New York too plotting a huge holiday heist. Home Alone 3: International crooks hide a top-secret computer chip inside a toy car but an airport mix-up lands it in the hands of eight-year-old Alex Pruitt who's home alone with the chicken pox. Madness and mayhem kick into high gear as the pint-sized hero defends his house against the bumbling bad guys armed with an outrageous array of ambushes and booby traps. Home Alone 4: Kevin McCallister's parents have split up. Now living with his mom he decides to spend Christmas with his dad at the mansion of his father's rich girlfriend Natalie. Meanwhile robber Marv Merchants partners up with a new criminal to hit Natalie's mansion with only Kevin left inside to fend them off in any devious and destructive way he can!
She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright, Amazon.com
Home Alone: Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house overnight! Accidentally left behind when his family rushes off on a Christmas vacation Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in and Kevin's rigging a bewildering battery of booby traps to welcome them! Home Alone 2 - Lost In New York: Kevin McCallister (Macaulay Culkin) is back. But this time he's in New York City - with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits Harry and Marv (Joe Pesci and Daniel Stern) still smarting from their last encounter with Kevin are bound for New York too plotting a huge holiday heist.
Celebrate the 40th Anniversary of Steven Spielberg's scifi blockbuster, now fully restored in 4K. Richard Dreyfuss stars as cable worker Roy Neary, who experiences a close encounter of the first kind witnessing UFOs soaring across the sky. Meanwhile, government agents have close encounters of the second kind discovering physical evidence of extraterrestrial visitors in the form of a lost fighter aircraft from World War II and a stranded military ship that disappears decades earlier only to suddenly reappear in an unusual place. Roy and the agents follow the clues that have drawn them to reach a site where they will have a close encounter of the third kind contact. Includes All 3 Versions of the Film: Theatrical Version, Special Edition & Director's Cut - all restored in 4K.
Roy Neary, an Indiana electric lineman, finds his quiet and ordinary daily life turned upside down after a close encounter with a UFO, spurring him to an obsessed cross-country quest for answers as a momentous event approaches.
Hell hath no Fury...like Christine. She was born in Detroit on an automobile assembly line. But she is no ordinary automobile. Deep within her chassis lives an unholy presence. She is Christine a red and white 1958 Plymouth Fury whose unique standard equipment includes an evil indestructible vengeance that will destroy anyone in her way. She seduces 17-year old Arnie Cunningham (Keith Gordon) who becomes consumed with passion for her sleek rounded chrome-laden body. She demands
Real-life Wisconsin serial killer Ed Gein inspired many distinguished films including Psycho The Silence of the Lambs and The Texas Chain Saw Massacre but none is quite as disturbing as Deranged. Roberts Blossom gives an alarmingly convincing performance as rural eccentric Ezra Cobb whose mother's death unhinges him to the point where he not only lovingly preserves her corpse in the living room but also goes out to find 'friends' to keep her company – not all of whom are dead when he finds them! Perversely Ezra's more worried about what mother would say about his various activities than he is about the prospect of being found out. Indeed like Gein he's cheerfully open about his activities when visiting friends but no-one believes him. Like Carnival of Souls and The Honeymoon Killers this is one of American horror cinema's great one-offs an eerie genuinely unsettling but also darkly comic experience. Special Features: High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the unrated version featuring the infamous ‘brain-scooping scene’ available uncut in the UK for the first time! Optional English SDH subtitles for the deaf and hard of hearing Audio commentary with special effects artist Tom Savini Introduction to the film by Savini A Blossoming Brilliance: Scott Spiegel (Intruder Evil Dead II) speaks about Deranged star Roberts Blossom and the lasting legacy of this gore-soaked gem Ed Gein: From Murder to Movies - Laurence R. Harvey (The Human Centipide II) discusses the lurid legacy of the Wisconsin serial killer and the secrets of portraying a cinematic psychopath Original Trailer Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh Collector’s booklet featuring new writing on the film by Stephen Thrower author of Nightmare USA and an archive interview with producer Bob Clark by Calum Waddell illustrated with original archive stills and posters And more to be announced!
Please wait. Loading...
This site uses cookies.
More details in our privacy policy