... but I like you! After cheating the Mafia out of a fortune comedy conman Dick Emery trusts his partner to stash the loot in a Swiss bank. As the number of the account is tattooed on the rear of one of his girlfriends a cheeky undercover operation begins. The bottom line is to photograph the evidence for posterity or he'll make a complete ass of himself. And Dick Emery butting in with all his other impersonations could mean another bum rap!
The twist of private-eye show Randall & Hopkirk Deceased is that in the first episode, gumshoe Marty Hopkirk (Kenneth Cope) is killed off by the villains, only to pop up in an immaculate white suit as a ghost visible only to his hardboiled partner Jeff Randall (Mike Pratt). In theory, the supernatural streak--which meant a complex set of rules about Marty's appearances and effects on the physical world--should lead the show into wilder territory, but most episodes squander the team's unique abilities on ordinary cases about blackmail and murder-for-profit. A persistent subplot has the living Jeff getting cosy with the dead Marty's widow Jean (Annette Andre) to the discomfort of her late husband. The elementary effects and the nice underplaying of the leads have a certain period charm, and the show could afford a high calibre of special guest villains and dolly birds. A 1990s remake with Vic Reeves and Bob Mortimer hasn't obliterated memories of the original. --Kim Newman
"It's far too pleased with itself. I wince when I see it now", director John Schlesinger observes of his 1965 film, Darling. You can tell why he's embarrassed. Looking back, his swinging 60s' satire about a model (Julie Christie) so keen to get ahead that she ditches her husband and betrays a succession of boyfriends looks hideously dated. With its self-consciously hip dialogue and unnecessary voice-over, the screenplay by Frederic Raphael (who also wrote Kubrick's Eyes Wide Shut) doesn't help. Most of the men Christie encounters, whether Laurence Harvey's slick businessman (who can't pass a mirror without preening himself in it) or Dirk Bogarde's neurotic TV pundit (who has delusions of literary grandeur), are as narcissistic as she is. Although this seems to be a cautionary tale about slick, superficial London media and fashion folk, it's obvious that the filmmakers are half in love with the world they're pretending to lampoon. The visual gags--rich, society matrons at a charity event gorging themselves on food or Christie's poster being plastered over an image of a starving child--are heavy-handed in the extreme. Still, Christie is tremendous in the role which established her as an international star (she won an Oscar). However shallow and selfish her character seems, we can't help but warm to her. --Geoffrey Macnab
"It's far too pleased with itself. I wince when I see it now", director John Schlesinger observes of his 1965 film, Darling. You can tell why he's embarrassed. Looking back, his swinging 60s' satire about a model (Julie Christie) so keen to get ahead that she ditches her husband and betrays a succession of boyfriends looks hideously dated. With its self-consciously hip dialogue and unnecessary voice-over, the screenplay by Frederic Raphael (who also wrote Kubrick's Eyes Wide Shut) doesn't help. Most of the men Christie encounters, whether Laurence Harvey's slick businessman (who can't pass a mirror without preening himself in it) or Dirk Bogarde's neurotic TV pundit (who has delusions of literary grandeur), are as narcissistic as she is. Although this seems to be a cautionary tale about slick, superficial London media and fashion folk, it's obvious that the filmmakers are half in love with the world they're pretending to lampoon. The visual gags--rich, society matrons at a charity event gorging themselves on food or Christie's poster being plastered over an image of a starving child--are heavy-handed in the extreme. Still, Christie is tremendous in the role which established her as an international star (she won an Oscar). However shallow and selfish her character seems, we can't help but warm to her. --Geoffrey Macnab
Terry and June Medford are both middle aged and beginning to find the trials of life are more difficult as they try to succeed in their daily lives. The couple have just moved to Purley south-east London... Aunt Lucy and the mynah bird had disappeared as had the occasionally visiting daughters. Terry and June now mixed with a friendly next door neighbour Beattie; Terry's chatty work colleague Malcolm; and their gruff boss Sir Dennis Hodge. Otherwise things were much as before wi
A beautiful but amoral model sleeps her way to the top of the London fashion scene at the height of the Swinging Sixties
After cheating the Mafia out of a fortune comedy conman Dick Emery trusts his partner to stash the loot in a Swiss bank. As the number of the account is tattooed on the rear of one of his girlfriends a cheeky undercover operation begins. The bottom line is to photograph the evidence for posterity or he'll make a complete ass of himself. And Dick Emery butting in with all his other impersonations could mean another bum rap!
Gideon Harlax a successful young novelist of the paranormal and unexplained thinks he has found the material for a new book. But as Gideon coldly exploits human tragedies angry powers from mans ancient past are gathering.
The twist of private-eye show Randall & Hopkirk Deceased is that in the first episode, gumshoe Marty Hopkirk (Kenneth Cope) is killed off by the villains, only to pop up in an immaculate white suit as a ghost visible only to his hardboiled partner Jeff Randall (Mike Pratt). In theory, the supernatural streak--which meant a complex set of rules about Marty's appearances and effects on the physical world--should lead the show into wilder territory, but most episodes squander the team's unique abilities on ordinary cases about blackmail and murder-for-profit. A persistent subplot has the living Jeff getting cosy with the dead Marty's widow Jean (Annette Andre) to the discomfort of her late husband. The elementary effects and the nice underplaying of the leads have a certain period charm, and the show could afford a high calibre of special guest villains and dolly birds. A 1990s remake with Vic Reeves and Bob Mortimer hasn't obliterated memories of the original. --Kim Newman
One of ITC's best-loved series, Randall and Hopkirk (Deceased) took the standard private eye formula that the company excelled in and turned it on its head... by making one of the partners a ghost! Starring Mike Pratt as the rugged, down-to-earth Jeff Randall and Kenneth Cope as his late partner Marty Hopkirk, the glamour is supplied by Annette Andre as Marty's wife, Jean. Newly remastered in HD from the original 35mm film elements for this Blu-ray edition, Randall & Hopkirk (Deceased) has been given a new lease of (after) life!
The complete episodes of Randall And Hopkirk Deceased starring Mike Pratt as Jeff Randall Kenneth Cope as his ghostly partner Marty Hopkirk and Annette Andre as Marty's widow Jean Hopkirk. Episodes Comprise: 1. My Late Lamented Friend 2. A Disturbing Case 3. All Work and No Pay 4. Never Trust a Ghost 5. That's How Murder Snowballs 6. Just for the Record 7. Murder Ain't What it Used To Be 8. Whoever Heard of a Ghost Dying? 9. The House on Haunted Hill 10. When Did You Start to Stop Seeing Things? 11. The Ghost Who Saved The Bank At Monte Carlo 12. For The Girl Who Has Everything 13. But What A Sweet Little Room 14. Who Killed Cock Robin? 15. The Man From Nowhere 16. When The Spirit Moves You 17. Somebody Just Walked Over My Grave 18. Could You Recognise the Man Again? 19. A Sentimental Journey 20. Money To Burn 21. The Ghost Talks 22. It's Supposed To Be Thicker Than Water 23. The Trouble With Women 24. Vendetta To A Dead Man 25. You Can Always Find A Fall Guy 26. The Smile Behind The Veil
Paranormal novelist Gideon Harlax is drawn into a battle between the forces of good and evil. On one side is the alien angel Helith and the other his evil brother Asrael. Harlax unwittingly becomes drawn into a tussle that may ultimately result in the destruction of the planet...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy