After escaping police custody, wanted man Sam Gillen (Jean-Claude Van Damme, Universal Soldier: The Return, Maximum Risk) finds shelter with single mother Clydie (Rosanna Arquette, Desperately Seeking Susan, After Hours) and her sprog 'Mookie'(Keiran Culkin; Scott Pilgrim vs. The World, Succession). But their home is threatened by an evil developer (Joss Ackland Lethal Weapon 2, Midsomer Murders), and he'll stop at nothing to grab it. Sam can protect them but what if it means he has to go back to prison? Part written by Joe Ezterhas(Basic Instinct) and directed by Mark Harmon, director of horror classic The Hitcher, Nowhere to Run was a change of pace for The Muscles From Brussels, balancing the expertly choreographed action his fans know and love with some tender emotion - and he wears it well. Extras: [LIMITED NUMBERED SLIPCASE - 3000] [A3 Poster] HD Transfer in 1.85:1 Aspect Ratio Stereo Surround DTS-HD MA Soundtrack Optional English SDH Subtitles Original Theatrical Trailer
This likeable, feminist screwball comedy about several incidents of mistaken identity is remembered more as the film that made Madonna a movie star. She's flip, hip and energetic as Susan, the wild tramp with whom bored, suburban New Jersey housewife Roberta Glass (Rosanna Arquette) becomes obsessed after reading of her sexual conquests in the personal ads. Of course, since Madonna essentially played herself, the role's hardly a stretch. Director Susan Seidelmen presents a series of zany incidents too complicated to recount, but the result is that Roberta swaps lifestyles with her fixation to explore New Wave culture on New York's Lower East Side. It's territory Seidelmen knew well as her more offbeat, indie debut, Smithereens, revelled in the same setting. But where Smithereens took a more edgy approach to its characters, Susan is a fairy tale romantic comedy, and eventually becomes as conventional as the suburban characters it mocks by settling conflicts with predictable Hollywood formulae. Still, there's much to be enjoyed. The film's at its funniest when juxtaposing New York hip and New Jersey suburbia, like when Arquette's straight, suit-and-tie husband dances with Madonna in a punk club. The performances, too, are engaging, especially Arquette and Aidan Quinn, playing a romantic film projectionist who becomes her grubby Prince Charming. --Dave McCoy, Amazon.com --This text refers to the VHS edition of this video
Critics and audiences worldwide hailed Pulp Fiction as the star-studded motion picture that redefined cinema in the 20th century. The 7-time Oscar-nominated film (including Best Picture, 1994) is considered one of AFI's 100 Greatest American Movies of All Time and is listed on TIME magazine's ALL-TIME 100 Best Films. It has been called quite simply, the most exhilarating piece of filmmaking to come along in the decade (Owen Gleiberman, Entertainment Weekly) and (unquestionably) the most influential American movie of the 1990's (Richard Corliss, TIME ).Writer-director Quentin Tarantino (Oscar Winner, Best Original Screenplay, 1994) delivers an unforgettable cast of characters including a pair of low-rent hitmen (John Travolta and Samuel L. Jackson), their boss's sexy wife (Uma Thurman) and a desperate prizefighter (Bruce Willis) in a wildly entertaining and exhilarating motion picture adventure that both thrills and amuses. Extras: Interviews with Cast Behind-the-Scenes Footage Pulp Fiction: The Facts Featurette Production Design Featurette Siskel & Ebert At the Movies The Tarantino Generation Independent Spirit Awards Footage Cannes Film Festival Footage The Charlie Rose Show Tarantino Interview Still Galleries Trivia Track Deleted Scenes
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett (Griffin Dunne) ventures downtown for a hookup with a mystery woman (Rosanna Arquette). So begins the wildest night of his life, as bizarre occurrences-involving underground-art punks, a distressed waitress, a crazed Mister Softee truck driver, and a bagel-and-cream-cheese paperweight-pile up with anxiety-inducing relentlessness and thwart his attempts to get home. With this Kafkaesque cult classic, Martin Scorsese-abetted by Michael Ballhaus's kinetic cinematography and scene-stealing supporting turns by Linda Fiorentino, Teri Garr, Catherine O'Hara, and John Heard-directed a darkly comic tale of mistaken identity, turning the desolate night world of 1980s SoHo into a bohemian wonderland of surreal menace.
Enzo (Jean Reno L''on The Da Vinci Code) and Jacques (Jean-Marc Barr Breaking the Waves Dogville) have known each other for a long time. Their friendship started in their childhood days in the Mediterranean where they shared a love for diving. After Jacques' father dies in a diving accident the two lose contact. Now an adult Enzo is living in Sicily where for six years he has been the uncontested free diving world champion. He sends for Jacques who is living in the Peruvian Andes and insists that he competes for the title. Jacques comes to Sicily and easily beats Enzo. The competition mounts as each man dive at increasingly life-threatening depths. But when Jacques' girlfriend Johana (Rosanna Arquette After Hours Crash) arrives from New York and pleads for the risk-taking to stop events takes an unexpected turn leading to an unforgettably dark mysterious and torturously beautiful conclusion...
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett (Griffin Dunne) ventures downtown for a hookup with a mystery woman (Rosanna Arquette). So begins the wildest night of his life, as bizarre occurrences-involving underground-art punks, a distressed waitress, a crazed Mister Softee truck driver, and a bagel-and-cream-cheese paperweight-pile up with anxiety-inducing relentlessness and thwart his attempts to get home. With this Kafkaesque cult classic, Martin Scorsese-abetted by Michael Ballhaus's kinetic cinematography and scene-stealing supporting turns by Linda Fiorentino, Teri Garr, Catherine O'Hara, and John Heard-directed a darkly comic tale of mistaken identity, turning the desolate night world of 1980s SoHo into a bohemian wonderland of surreal menace.
Technology and sexuality meet in a head-on collision in Crashdirector David Cronenberg's controversial adaptation of writer J.G. Ballard's hugely transgressive 1973 novel starring James Spader and Holly Hunter. Spader stars as James Ballard, a film producer whose deviant sexual desires are awakened by a near fatal automobile accident with Dr. Helen Remington (Hunter). Soon the pair, alongside Ballard's wife Catherine (Deborah Kara Unger), are drawn into an underground world of car crash fetishism presided over by renegade scientist Vaughan (Elias Koteas). Danger, sex and death become entwined as eroticism and technology join together in a disturbing, deadly union. Awarded the Special Jury Prize at the 1996 Cannes Film Festival for originality, daring and audacity, Crash remains an incredibly subversive and confrontational piece of cinemaCronenberg himself describes it as a dangerous filmnow refurbished in a stunning 4K restoration. Special Features 4K restoration of the uncut NC-17 version, supervised by director of photography Peter Suschitzky and approved by director David Cronenberg High Definition Blu-rayTM (1080p) presentation 5.1 and 2.0 Stereo DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary with film scholar Adrian Martin Interviews with Suschitzky, executive producer Jeremy Thomas, composer Howard Shore and casting director Deirdre Bowen 2019 Q&A with Cronenberg and actor Viggo Mortensen at TIFF 1996 Q&A with Cronenberg and source novel writer J.G. Ballard at the National Film Theatre in London Behind-the-scenes footage and contemporary press interviews Architect of Pain: The Cronenberg Project video essay by Caelum Vatnsdal on Cronenberg's use of architecture and location Crash! (1971, 18 mins) short film originally broadcast as part of the BBC's Review series, starring J.G. Ballard and loosely adapted from his 1970 novel The Atrocity Exhibition Two short films inspired by Ballard and the novel Crash: Nightmare Angel (Zoe Beloff, 1986, 33 mins) and Always (crashing) (Simon Barker and Jason Wood, 2016, 14 mins) Two Cronenberg short films: The Nest (2013, 10 mins) and At the Suicide of the Last Jew in the World in the Last Cinema in the World (2007, 4 mins) Original Trailers Reversible sleeve featuring original and newlycommissioned artwork by Gilles Vranckx
Have a little patience with The Whole Nine Yards, an agreeably convoluted caper, and in the end you'll find it a modestly entertaining yarn. But forbearance is necessary because, truthfully, the first half-hour of the movie promises a train wreck of epic proportions. Matthew Perry stars as a mild-mannered Montreal dentist, married to a French-Canadian shrew (Rosanna Arquette), whose new next-door neighbour (Bruce Willis) just happens to be a notorious mob hit-man out on parole. The wife, catching the whiff of easy money and probably just hoping to put hubby in harms way, orders her hen pecked spouse to rat out the gunman to his former employers, who have many compelling reasons to want him dead. Needless to say, complications--and plenty of them--ensue. Perry is serviceably harried as the beleaguered Everyman whom, as nice as everyone around him agrees that he is the person, just about everyone, wants to kill. Willis, much as he did in The Sixth Sense, gets better mileage out of not trying so hard; his irksome smirk is almost held in check. Amanda Peet has some funny scenes as a hit-man groupieit's when her true role in the proceedings is revealed that the film finally kicks into comic gear. Michael Clarke Duncan is fine as yet another hit man to cross Perry's path; however, Arquette seems to be in a contest with Kevin Pollak (playing a mob boss) to see who can uncork both the most ludicrous accent and the most obvious performance. That kind of unevenness ensures that the pleasures that do exist within The Whole Nine Yards remain fairly minor. --David Kronke, Amazon.com
Side One Programme Start Teaser Billie Jean Beat It Liberian Girl Smooth Criminal 1995 MTV Video Music Awards Performance Thriller Side Two Scream Childhood You Are Not Alone Earth Song They Don't Care About Us Stranger in Moscow Blood on the Dance Floor Brace Yourself
A hit in Europe but a flop in the US--where it was trimmed, rescored, and given a new ending--Luc Besson's The Big Blue has endured as a minor cult classic for its gorgeous photography (both on land and underwater) and dreamy ambiance. Jean-Marc Barr is a sweet and sensitive but passive presence as Jacques, a diver with a unique connection to the sea. He has the astounding ability to slow his heartbeat and his circulation on deep dives, "a phenomenon that's only been observed in whales and dolphins until now," remarks one scientist. Kooky New York insurance adjuster Joanna (Rosanna Arquette at her most delightfully flustered and endearingly sexy best) melts after falling into his innocent baby blues, and she follows him to Italy, where he's continuing a lifelong competition with boyhood rival Enzo (Jean Reno in a performance both comic and touching). Besson's first English-language production looks more European than Hollywood, and it suffers from a tin ear for the language. At times it feels more like an IMAX undersea documentary than a drama about free divers, but the lush and lovely images create a fairy tale dimension to Jacques's story, a veritable Little Merman. More dolphin than man, he's so torn between earthly love and aquatic paradise that even his dreams call him to the sea (in a sequence more eloquent than any speech). Besson has expanded the film by 50 minutes for his director's cut, which adds little story but slows the contemplative pace until it practically floats in time, and has restored Eric Serra's synthesizer-heavy score, a slice of 1980s pop that at times borders on disco kitsch. Most importantly, he has restored his original ending, which echoes the fairy tale he tells Joanna earlier in the film and leaves the story floating in the inky blackness of ambiguity. --Sean Axmaker, Amazon.com
Nowhere To Run (1993): Action superstar Jean Claude Van Damme has nowhere to run and nothing to lose! An escaped prisoner hiding from the authorities Sam Gillen (Van Damme) always manages to be in the wrong place at the right time. Risking his hard-fought freedom he aids a beautiful young widow Clydie (Rosanna Arquette) and her children against a ruthless developer who's trying to drive them off their land. Hunted by both the police and the developer's hired killers Sam pulls no punches in his furious fight for survival - he'll do anything to protect the family who are protecting him. The result is more hard-hitting high kicking Van Damme action than you've ever seen! Hard Target (1993): The thrill of the hunt. It's the ultimate drug and the more intense the rush the higher the price. International superstar Jean-Claude Van Damme teams up with world-famous action director John Woo for this electrifying thriller that WGN Radio hails as 'Easily one of the year's best films!' Van Damme is the target of an evil mercenary (Lance Henriksen) who recruits homeless combat veterans for the 'amusement' of his clients - bored tycoons who will pay a half a million dollars to stalk and kill the most challenging prey of them all: Man. Laced with dark humour and slam-packed with electrifying action Hard Target is a must see for action fans. Knock Off (1998): Jean-Claude Van Damme stars in an explosive thriller set in Hong Kong's shady manufacturing scene during the 1997 handover to China. When a shipment of jeans to the US proves counterfeit Marcus Ray the ""King of the Knock-Offs"" (Van Damme) finds himself at the centre of a Russian Mafia plot to hold the United States' security for ransom. Thousands of tiny micro-bombs disguised within other manufactured goods are schedules for departure from Hong Kong to America. When Ray's company's jeans are found to be the housing for the explosives he's the one man the CIA can count on to prevent certain disaster! In a territory where loyalty can change hands overnight Marcus Ray's survival will depend on him knowing the fakes from the real thing!
New York Stories comprises three views of life in the city of all cities, with segments directed by Woody Allen, Francis Coppola, and Martin Scorsese. The best of the three is Scorsese's "Life Lessons", about an artist (played by Nick Nolte) who uses his hyper-success to lure beautiful, young, aspiring artists to serve as his assistant/lovers. It's an astute portrait of the nature of the New York art world. In "Life Without Zoe", Coppola portrays the life of the privileged daughter of a world-renowned flautist, whose adventures on the Upper East Side (in the upper echelons of society) play like something approaching a cartoon. Woody Allen finishes up the film with his "Oedipus Wrecks", a typical Allen number about a successful New York lawyer who's still hounded by his mother--the title tells you all you need to know. Though stronger segments to complement Scorsese's would have made the movie as a whole much more interesting and enjoyable, it does at least provide an accurate glimpse of life in the Big Apple. --James McGrath, Amazon.com
Enzo (Jean Reno L''on The Da Vinci Code) and Jacques (Jean-Marc Barr Breaking the Waves Dogville) have known each other for a long time. Their friendship started in their childhood days in the Mediterranean where they shared a love for diving. After Jacques' father dies in a diving accident the two lose contact. Now an adult Enzo is living in Sicily where for six years he has been the uncontested free diving world champion. He sends for Jacques who is living in the Peruvian Andes and insists that he competes for the title. Jacques comes to Sicily and easily beats Enzo. The competition mounts as each man dive at increasingly life-threatening depths. But when Jacques' girlfriend Johana (Rosanna Arquette After Hours Crash) arrives from New York and pleads for the risk-taking to stop events takes an unexpected turn leading to an unforgettably dark mysterious and torturously beautiful conclusion...
There goes the neighborhood - in a pine box. When hit man Jimmy The Tulip Tudeski moves into a comfy suburb everyone's suddenly in danger of pushing up daisies. And it's not all Jimmy's doing either. Jonathan Lynn directs and a top cast packs heat in this manic comedy about life love and plenty of ammo. Bruce Willis is Jimmy whose arrival sparks a chain reaction in which just about everybody wants to clip somebody else...
Womanising stockbroker Ryan Turner used to be a Wall Street hot shot until insider trading lands him in hot water. Now he's lost his job his apartment and even his girlfriend Cindy. Ryan's luck changes when Cindy's boss Page Henson a no-nonsense newspaper editor calls demanding Cindy's advice column. Suddenly Cindy is suffering from 'Brazilian Flu' and Ryan is writing her column and cashing her paychecks. At first his self-centered advice sucks but as he gets better the 'Ask
Poor Rosanna Arquette ended up in this Van Damme potboiler about an escaped convict who moves onto the farm of a widow (Arquette) and her two kids. Stuff happens: a cop who likes her gets jealous and beats up the Muscles from Brussels (but only after handcuffing him), there's a fire in the barn, bad guys are trying to drive her away, etc. The story was first developed by screenwriter Joe Eszterhas (Basic Instinct) and the late director Richard Marquand (Eye of the Needle). Eszterhas wrote the script, but who knows what direction this story was originally going? Van Damme's best film is still Timecop, and this is a long way from the quality of that.
In Bed With Madonna: This movie reveals her as she really is on stage and off--den mother to her family of dancers sex goddess to her millions of fans businesswoman singer dancer. The biggest star in the world of music. Join her and experience an intimate backstage look at her ""Blonde Ambition"" tour. From her hotel room to her dressing room from her stage show to her boudoir here is Madonna - outrageous hilarious uninhibited. Desperately Seeking Susan: If you know what to look for you can find almost anything in the personal ads...including the love of your life! Rosanna Arquette is irresistible and in her first starring role pop star Madonna gives a marvelously comic performance in this delightful madcap comedy about mistaken identity. Bored New Jersey housewife Roberta (Rosanna Arquette) fills her days by reading the personal ads and following an ongoing romance between Jim (Robert Joy) and Susan (Madonna) a mysterious drifter who appears to lead the kind of free-spirited life about which Roberta can only dream. And dream she does until the day she actually shows up at the couple's pre-arranged rendezvous in New York City... and after a bump on the head a bout of amnesia turns Roberta into Susan and opens the door to intrigue laughter and love! Body Of Evidence: Seductive gallery owner Rebecca Carlson (Madonna) is accused of a unique crime - using violent sex to murder a wealthy businessman. Frank Dulaney (Willem Dafoe) is the lawyer trying to defend her helpless to resist her extraordinary brand of lovemaking...
Nominated for the Best Picture Academy Award 1995, this boldly inventive and expertly orchestrated crime saga is now available as a two disc DVD set that includes such extras as deleted scenes, interviews and a documentary.
Adapted from the controversial novel by J.G. Ballard, Crash will either repel or amaze you, with little or no room for a neutral reaction. The film is perfectly matched to the artistic and intellectual proclivities of director David Cronenberg, who has used the inspiration of Ballard's novel to create what critic Roger Ebert has described as "a dissection of the mechanics of pornography". Filmed with a metallic colour scheme and a dominant tone of emotional detachment, the story focuses on a close-knit group of people who have developed a sexual fetish around the collision of automobiles. They use cars as a tool of arousal, in which orgasm is directly connected to death-defying temptations of fate at high speeds. Ballard wrote his book to illustrate the connections between sex and technology--the ultimate postmodern melding of flesh and machine--and Cronenberg takes this theme to the final frontier of sexual expression. Holly Hunter, James Spader and Deborah Unger are utterly fearless in roles that few actors would dare to play, and their surrender to Cronenberg's vision makes Crash an utterly unique and challenging film experience. --Jeff Shannon, Amazon.com
There are two sides to every lie... James Wayland (Roth) is not a typical murder suspect: he's fabulously wealthy a Princeton graduate and has the I.Q. level of a genius. But Detectives Braxton (Chris Penn) and Kennesaw (Michael Rooker) sense that there's more than meets the eye when they interrogate him for the brutal killing of a beautiful call girl (Zellweger). As their search for the truth takes a suddenly dangerous turn Braxton and Kennesaw realize that Wayland is a master m
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