The Definitive Dance Collection! 4 Discs of pure dancing magic... Footloose: Teenager Ren MacCormack sends ripples through Bomont a small Midwestern town that could stand some shaking up when he arrives from Chicago with his mother Ethel to settle with her relatives. The adults tend to view him with suspicion as a possible contaminant from the outer world. Some of his male peers eye him as a threat and most of the girls just plain eye him. It's a tough time for Ren
Special Features: Animatics for every episode 13 commentaries with the creators, cast, crew and more Inside the Recording Booth Origins of Rick And Morty Inside the Episodes
Sex and the City returns for a third season that is even fresher funnier and more tastefully dressed than the first two. Join Carrie and her friends Charlotte Miranda and Samantha as they do weddings funerals and Bat Mitzvahs Staten Island the meat-packing district and the Playboy Mansion. ""A-List"" celebrity guest appearances include Carrie Fisher Sarah Michelle Gellar Hugh Hefner Donovan Leitch Matthew McConaughey Alanis Morissette and Vince Vaughn. So get ready to cross the velvet ropes and enter a world of...Sex and the City.
Happily N'Ever After - Double Pack
The suspense of Miss Marple: The Body in the Library isn't the edge-of-your-seat variety; it's simply a perplexing puzzle that keeps niggling at the back of your mind. Just as one piece of the puzzle falls into place, another gap opens up, thanks to one of Agatha Christie's most intricate plots. Considering what a long film this is (150 minutes, lengthier than most Christie adaptations), it's impressive how tightly the mystery grips the viewer's attention. And not a second of Joan Hickson's marvellous performance as Miss Marple should be missed (the other performances, alas, fall short, except for Gwen Watford as Dolly Bantry, in whose library the body is found). To people meeting her for the first time, Jane Marple appears to be a sweet old dear, whose comments on the murder investigation are more likely to involve an obscure recollection of a frog jumping out of someone's coat than to have any direct bearing on the case. But as Christie fans know, beneath that dithery exterior lies one of the shrewdest minds in England. Hickson's understated portrayal reveals the humour in her character without ever making a mockery of Miss Marple and the results are delightful to watch. --Larisa Lomacky Moore, Amazon.com
Winona Ryder and Ben Chaplin star in this supernatural thriller about Satanic plans to bring the devil to earth.
I Know What You Did Last Summer (Dir. Jim Gillespie 1997): On the magic Summer's night of high school's end Julie Helen Ray and Barry get into Barry's new Beamer and drive out to celebrate their lives and hopes before them. But on the road they have a terrible accident; hit and kill a man. In the shock and panic that follow they dump the body in the sea rather than reporting the accident. As the body sinks the hand of the dead man breaks the surface in a last grasp at life then disappears into the murky depths. The four friends realise they are now guilty of murder and swear to take their secret to their graves. But now someone is stalking them someone who knows who they are knows what they did last Summer and seeks revenge... I Still Know What You Did Last Summer (Dir. Danny Cannon 1998): Remember Ben Willis? He's the fisherman who killed the boy who was driving the car when it went off the road in the fatal accident that killed his daughter Sara. He's the man in the slicker with a hook in his hand ready to exact bloody justice. Well he's back.... I'll Always Know What You Did Last Summer (Dir. Sylvain White 2006): When a seemingly harmless Fourth of July prank goes horribly wrong resulting in the death of a friend four teenagers from a small Colorado town agree to take their secret to the grave... Come the next Fourth of July the group of friends are going to find themselves fighting for there very lives as a terrifying killer stalks each and every one of them. It's a race against time to uncover the malevolent murderer before they all end up six feet under.
A young girl living with her uncle in Yorkshire discovers a secret garden where she finds new friends and happiness. Classic children's drama based on the enchanting works of Frances Hodgson Burnett.
A young woman inherits an old hotel in Louisiana where after a series of supernatural 'accidents' she learns that the building was built over one of the entrances to Hell.
A century old double murder haunts Jean a photographer who travels to the scene of the crime to investigate. The sole survivor of the slaughter was a woman whose unhappy marriage mirrors Jean's. Past and present collide when a cataclysmic storm burgeons into jealousy and suddenly it becomes clear to Jean who the real killer is...
This classic poignant BBC comedy starring Wendy Craig as the bored suburban housewife Ria looking for more from life. Ria is seemingly happy with two teenage sons but after 19 years of marriage she feels that everyone is taking her for granted and that life is passing her by.
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
The Beyond
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Sarah Silverman says what's on her mind. And no one else's. In this first season of the critically acclaimed The Sarah Silverman Program Sarah gets hepped up on cough syrup takes in a homeless man and poops her pants. With her unique perspective on life and her ability to turn just about everything into a song find out why Sarah Silverman is an American treasure. An offensive filthy-mouthed treasure.
In this inspired genre-twisting new film writer/director Sarah Polley delves into the murky waters of family histories. As each interviewee relates their story varying levels of reliability are exposed and the truth is shown as being dependant on how it is told.
A young woman inherits an old hotel in Louisiana where after a series of supernatural 'accidents' she learns that the building was built over one of the entrances to Hell.
A series that's as much about one as the other, the wonderfully funny, touching and utterly genuine Sex and the City dares to portray real adults in a thoroughly realistic environment. Filmed in and around the streets of Manhattan, the show brings New York life--and specifically singles life--alive as no other has done before. Like its HBO stablemate The Sopranos, this is TV for grown-ups: frank and non-patronising, dizzyingly well written and devastatingly accurate in its characterisations. Sarah Jessica Parker plays Carrie Bradshaw, Manhattan's "sexual anthropologist" whose weekly newspaper column gives the series its title. Kristen Davis, Kim Cattrall and Cynthia Nixon are her acerbic, cynical, thirtysomething singleton pals: gossip, sex, men, shoes, shopping, sex, designer clothes, fashion and sex dominate their affluent yet incomprehensibly empty lifestyles as they move from swanky restaurant opening to night club to art exhibition in the relentless pursuit of fulfilment and validation. Conspicuously, the men in their lives--from "toxic bachelors" to "modelisers" and beyond--fail to provide either, leaving the women to pick up the pieces after each shattered relationship. Adapted from Candace Bushnell's bestseller, in the first season Carrie embarks on her long and tortuous liaison with "Mr Big" and watches wryly as her pals seek solace with various members of the male sex, electric appliances and even, disastrously yet briefly, celibacy. On the DVD: Fortunately, 12 outstanding episodes are their own selling point here, since the presentation of these two discs leaves something to be desired. Although Region 2 encoded, inexcusably the broadcast format is American NTSC not PAL, so if you don't have a reasonably modern TV you'll have trouble playing the discs in the first place; there's a tiny promo feature and teaser trailers, plus cast biographies and synopses that pop up at the beginning of every episode. The interface lacks a "Play All" facility, forcing you to skip back and forth from the main menu after each episode. Add to that some pretty nasty packaging and this set won't win any prizes for presentation. But the shows themselves are a constant delight: anyone who's ever dated or been dumped should own this set. --Mark Walker
Recently released from prison, a former wrestling champ returns home to start afresh. However his best friend gets involved with the Russian mob and Dillon has to sign up for three cage fights to win enough money to pay back his friend’s debts.
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