Jack Nicholson stars in this chilling and classic horror from director Stanley Kubrick.
Jack Torrance (Jack Nicholson) becomes the winter caretaker at the isolated Overlook Hotel in Colorado, hoping to cure his writer's block. He settles in along with his wife, Wendy (Shelley Duvall), and his son, Danny (Danny Lloyd), who is plagued by psychic premonitions. As Jack's writing goes nowhere and Danny's visions become more disturbing, Jack discovers the hotel's dark secrets and begins to unravel into a homicidal maniac hell-bent on terrorizing his family.
Jack Nicholson stars in this chilling and classic horror from director Stanley Kubrick.
Cold austere Presbyterian Churh is just another small mining town in the turn-of-the-century Pacific Northwest - and a perfect place for John Q McCabe and Constance Miller to bring a touch of 'civilazation'. He's a small time gambler who dreams of running a big time bordello; she's a madam from Seattle who arrives to make that dream come true...
The sailor man with the spinach can! The legendary beloved anvil-armed sailor of the seven seas comes magically to life in this delightful musical starring Robin Williams as Popeye who meets all challenges with the unshakable philosophy 'i yam what I yam and that's all that I yam'. Shelley Duvall is Popeye's devoted long-limbed sweetie Olive Oil one of the familiar and loveable characters who joins Popeye in his adventures in the harbour town of Sweethaven. Meet Wimpy an
Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson
A milestone in American cinema and of the key films of the 1970s Robert Altman's Nashville is one of the most influential and dazzling films ever made. Weaving together the stories and interactions of twenty-four major characters with astonishing fluidity this audacious epic vision of America circa 1975 has lost none of its freshness or excitement. Taking place over five days in the nation's music capital Nashville Tennessee the film follows two-dozen characters struggling for fulfilment both personal and professional amongst a backdrop of country and gospel musicians outsider political campaigning and the peripheries of life in between building from one encounter at a time to create a wide-ranging tapestry of rich drama and human comedy. Featuring an exhilarating central vein of musical performances (written in character by many of the actors themselves) and a phenomenal cast including Ned Beatty Karen Black Keith Carradine Geraldine Chaplin Shelley Duvall Scott Glenn Jeff Goldblum Michael Murphy and Lily Tomlin. The Masters of Cinema Series is proud to present this iconic work for the first time ever on home video in the UK. Special Features: New 1080p high-definition restoration More on-disc extras to be announced closer to release! 36- Page Booklet with a new essay vintage stills and more!
In 1987, almost 100 years after its first production, the romantic story of Cyrano de Bergerac found new life in a winsome film written by Steve Martin. Roxanne updates the tale with a smart 80s' spin, yet writer-star Martin stays close to the old-fashioned heart of the matter. He plays a small-town fireman named CD Bales, whose otherwise unremarkable existence is crowned by an amazingly long nose. He falls for the world's most beautiful astronomer (Daryl Hannah), but he is embarrassed by the size of his proboscis and prefers to stay on the sidelines. Like Cyrano, the shy CD instead helps a handsome friend (Rick Rossovich) woo the fair lady by providing flowery sentiments and soulful poetry. Not only does the story still work, but director Fred Schepisi captures a dreamy grace in his visual design for the film (some of which will be lost without the widescreen format). Set in Washington State, but filmed in the hilly ski resort of Nelson, British Columbia, the location seems like a fairy-tale town, nearly as unreal as Steve Martin's nose. --Robert Horton, Amazon.com
An evil warlord discovers that a witch called Wendy is more powerful then he so he sends his minions to capture her and send her to a magical abyss but he doesn't count on the intervention of Casper...
Maverick filmmaker Robert Altman continued a stunning run of celebrated work that included McCabe and Mrs Miller The Long Goodbye and Nashville with 3 Women a dreamy masterpiece that would fend off the titanic Star Wars as Roger Ebert’s best film of 1977. In a California resort town shy and impressionable Pinky (Sissy Spacey Badlands Carrie) strikes up a friendship with her fellow nurse ‘Thoroughly Modern’ Millie (Shelley Duvall Nashville Thieves Like Us). As the two spend more time together Pinky becomes dependent on Millie adopting aspects of her personality and appearance things take an unusual and darker turn as Pinky discovers Millie with a man a local bar owner whose wife forms the third of the title’s three women. Based on a series of dreams and influenced by Ingmar Bergman’s Persona Robert Altman famously cut the deal for 3 Women with 20th Century Fox in a matter of minutes and the remarkable faith of the studio would produce one of the most striking works of the period. Bonus Features: High Definition Blu-ray (1080p) presentation Original uncompressed PCM mono audio Optional English subtitles for the deaf and hard of hearing New video interview with David Thompson editor of 'Altman on Altman' and producer of the BBC’s 'Robert Altman in England' Archive interview with Shelley Duvall from the Cannes Film Festival - The actress describes working with Altman his methods and how she started acting Galleries featuring behind-the-scenes photos the Cannes Film Festival press conference and promotional images Trailer Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh Booklet featuring new writing on the film by critic David Jenkins and excerpts from Altman on Altman illustrated with original stills
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
With Time Bandits, only his second movie as director, Terry Gilliam's barbed humour and hyperactive visual imagination got themselves gloriously into full gear. Sketched out in a matter of weeks over Michael Palin's kitchen table while Gilliam struggled to get his dream project Brazil off the ground, this is a children's film made by a director who "hates kid films" and all the "mawkish sentimental crap" that goes with them. The 11-year-old hero, Kevin, finds himself lugged out of his suburban bedroom and off through a series of wormholes in time and space by a gang of rapacious, bickering midgets in search of loot, en route encountering (and casually despoiling) a gallery of eminent historical figures that include Agamemnon, Napoleon and Robin Hood, along with assorted ogres, giants and monsters. As co-screenwriters, Gilliam and Palin cheerfully filch ideas from everyone from Homer and Jonathan Swift to Lewis Carroll and Walt Disney, while the sets--as always with Gilliam--ingeniously work towering miracles on puny budgets. "The whole point of fairy tales", according to Gilliam, "is to frighten the kids" and Time Bandits taps into some archetypal nightmare imagery. But the whole farrago is much too good-humoured to be seriously scary. Not least of the movie's pleasures are a series of ripe cameos from the likes of Ian Holm as an irascible Bonaparte, Sean Connery good-humouredly spoofing his own image as Agamemnon, John Cleese's version of Robin Hood as inanely condescending minor royalty ("So you're a robber too! Jolly good!"), David Warner hamming it up gleefully as the Evil Genius, and the great Ralph Richardson playing the Supreme Being as a tetchy public-school headmaster. On the DVD: Time Bandits on disc comes with a generous wealth of extras. Along with the expected trailer--sent up Python-style by a disaffected voice-over--we get excerpts from Gilliam's storyboard and notated script, filmographies for Gilliam, Palin, Connery and David Rappaport (the leader of the vertically challenged gang), stills, production shots, a scrapbook with cast photos and drawings, notes on the film and plenty more background data, plus a cheerfully relaxed 27-minute interview with Gilliam and Palin. There's also an informative and appealingly unpretentious full-length commentary shared between Gilliam, Palin, Cleese, Warner and Craig Warnock, who played Kevin. The transfer, clean and crisp, is in the original full-width ratio, and there's a choice of Dolby Stereo or Dolby 5.1 sound. --Philip Kemp
Nicole Kidman is Isabel Archer a young woman of daring independence and equally fierce desires. But her headstrong innocence is no match for the manipulations of her duplicitous friend Madame Merle (Barbara Hershey in an Oscar-nominated performance) and the devious Gilbert Osmond (John Malkovich). Adapted from the novel by Henry James.
Celebrating the 40th Anniversary of the Kubrick Classic, this limited edition set includes: 4K UHD Extended Cut, Blu-ray Extended and Theatrical Cuts, Exclusive Booklet, Letter from Stanley Kubrick to Saul Bass, Saul Bass Early Design Illustrations, Behind-the-Scenes Imagery, and a Replica Theatrical Poster. Academy Award winner Jack Nicholson and Shelley Duvall star in director Stanley Kubrick's adaptation of Stephen King's disturbing blockbuster horror novel. Writer Jack Torrance (Nicholson), a former alcoholic, accepts a job as the writer caretaker for a hotel high in the Rocky Mountains, isolating him, his wife (Duvall) and their psychic young son until spring. But when the first blizzard blocks the only road out, the hotel's store energy from evil past deeds begins to drive Jack insane...and there may be no escape for his family in this haunting story of madness, memory and violence. Special Features: Commentary by Steadicam Inventor/Operator Garrett Brown and Historian John Baxer (on 4K and Blu-ray) Vivian Kubrick's Documentary The Making of The Shining with Optional Commentary 3 Mesmerizing Featurettes: View from the Overlook: Crafting The Shining, The Visions of Stanley Kubrick and Wendy Carlos, Composer
A collection of the colour episodes from season 2 of The Twilight Zone.
This superb nine-disc Stanley Kubrick Box Set contains all the late director's work from 1962's Lolita to Kubrick's final film, the highly controversial Eyes Wide Shut (1999). There's also the excellent and highly informative two-hour documentary: Stanley Kubrick: A Life in Pictures, narrated (a little drably) by Tom Cruise. It isn't exactly a warts-and-all portrait of Stan the Man, which is not surprising, really, given that it's directed and produced by Kubrick's brother-in-law Jan Harlan, and that Kubrick's widow Christine was closely involved in the making of it. But it does give a detailed and revealing portrait of a brilliant, demanding and often infuriating man, airing rare footage that goes right back to his earliest years as a brash youngster in the Bronx, already playing to camera with a frightening degree of self-awareness. Six of the eight movies (all but Dr Strangelove and Eyes Wide Shut) have been digitally restored and remastered, and almost all (barring Strangelove again and Lolita) now boast Dolby Digital 5.1 stereo sound remixes. For some bizarre reason, Kubrick insisted on mono sound for the 1999 set, which he approved shortly before his death. Visually the improvement over the often grainy, scratchy prints previously on offer--The Shining (1980) was notoriously messy--is immense. All the features are presented in their original ratios, which in the case of Strangelove means the changing ratios in which it was originally shot, and for 2001: A Space Odyssey (1968) the full glorious 2.21:1 expanse of the Cinerama screen.So what don't you get? Essentially, the early Kubrick--the work of the young, hungry director before he moved to England and started to gather all the controlling strings into his own hand: most notably the tough, taut thriller The Killing (1956) and the icily furious war film Paths of Glory (1957). Too bad Warners couldn't have negotiated the rights for those too. But what we have here is the culminating phase of Kubrick's filmmaking career--the final 27 years of one of the great masters of cinema. On the DVDs: Besides the visual and sonic improvements mentioned above, each of the eight features includes the original theatrical trailer and multiple-language subtitles. The DVD of Dr Strangelove also gives us filmographies of the principal players, plus theatrical posters and a photo gallery, while Eyes Wide Shut includes interviews (taped after Kubrick's death) with Tom Cruise, Nicole Kidman and Steven Spielberg, plus a couple of 30-second TV spots. And with The Shining we get a fascinating 34-minute documentary made by Kubrick's then 17-year-old daughter Vivian, plus--just to add a further layer--Vivian's present-day voice-over commentary on her film. --Philip Kemp
Salem's Lot (1979) - Sinister events bring together a writer (David Soul), a suave antiques dealer (James Mason) and the dealer's mysterious, pale-skinned partner (Reggie Nalder) in this bloodcurdling shocker. The Shining (1980) - Jack Nicholson plays Jack Torrance, a writer acting as off-season caretaker for the Overlook Hotel with his wife (Shelley Duvall) and son (Danny Lloyd), in this ghostly time warp of madness and murder. Stephen King's IT (1990) - Seven children face an unthinkable horror which appears in various forms, including murderous clown Pennywise (Tim Curry). Years later, those who survived vow to stop a new killing spree, this time for good. Extras: Salem's Lot - Commentary and Trailer The Shining - Commentary, Making-of Documentary with Optional Commentary, Three Featurettes and a Trailer. Stephen King's IT - Commentary
Jack Torrance (Jack Nicholson) becomes the caretaker of the Overlook Hotel up in the secluded mountains of Colorado. Jack being a family man takes his wife and son to the hotel to keep him company throughout the long and isolated nights. During their stay strange things occur when Jack's son Danny sees gruesome images powered by a force called ""The Shining"" and Jack is heavily affected by this. Along with writer's block and the demons of the hotel haunting him Jack has a complete mental breakdown and the situation takes a sinister turn for the worse.
All the dreams you've ever had.... and not just the good ones. The first of three Terry Gilliam films collectively referred to as his Trilogy of the Imagination (along with Brazil and The Adventures of Baron Munchausen) Time Bandits is a wonderfully inventive fantasy with a massive cult following and universal appeal. A sleeper hit in 1981 the film grossed well over eight times its million budget. Co-written by Gilliam and fellow Monty Python veteran Michael Palin (who also appears in the film) Time Bandits tells the story of Kevin (Craig Warnock) a young imaginative boy kidnapped by a band of mischievous dwarves who have stolen a map of the universe detailing the locations of holes in the space-time continuum from the Supreme Being (Ralph Richardson). The dwarves with Kevin in tow set off on a bizarre journey back and forth though time with the intention of looting the fortunes of history's rich and famous. Along the way they meet the likes of King Agamemnon (Sean Connery) Robin Hood (John Cleese) and Napoleon (Ian Holm) among others and even get to sail on the Titanic moments prior to its unfortunate encounter with an iceberg. Unknowingly the diminutive bandits are being watched by the spectre of Evil Genius (David Warner) who wants the map for his own typically wicked purposes...
The Exorcist (Dir. William Friedkin 1973): The belief in evil - and that evil can be cast out. From these two strands of faith author William Peter Blatty and director William Friedkin wove The Exorcist the frightening and realistic story of an innocent girl inhabited by a malevolent entity. Academy Award winner Friedkin who introduces the film and supervised this new video transfer from restored picture and audio elements gets effective performances from Linda Blair Ellen Burstyn Jason Miller Max von Sydow and Lee J. Cobb. The Exorcist remains 25 years later one of the most shocking and gripping movies ever made. The Shining (Dir. Stanley Kubrick 1980): Think of the greatest terror imaginable. Is it a monstrous alien? A lethal epidemic? Or as in this harrowing masterpiece from Stanley Kubrick is it fear of murder by someone who should love and protect you - a member of your own family? From a script he co-adapted from the Stephen King novel Kubrick melds vivid performances menacing settings dreamlike tracking shots and shock after shock into a milestone of the macabre. In a signature role Jack Nicholson plays Jack Torrance who's come to the elegant isolated Overlook Hotel as off-season caretaker with his wife (Shelley Duvall) and son (Danny Lloyd). Torrance has never been there before - or has he? The answer lies in a ghostly time warp of madness and murder.
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