WINNER of the Golden Globe® for Best TV Drama, Mr. Robot follows Elliot Alderson (Golden Globe®-nominee and Emmy® Award-winner Rami Malek), a young cybersecurity engineer who becomes involved in the underground hacker group fsociety, after being recruited by their mysterious leader (Golden Globe®-winner Christian Slater). Following the events of fsociety's 5/9 hack on multi-national company Evil Corp, the second season explores the consequences of that attack as well as the illusion of control. Special Features: Deleted Scenes Behind The Mask Careful Massacre of the Bourgeoisie 1984 VHS rip
Nigel Slater sets out to put simplicity back into cooking and inspires viewers with his passion for gardening and for the kitchen. Each episode covers a week in the life of Nigel's cooking in which he prepares memorable and delicious meals aimed at those who'd rather spend more time eating than cooking. Picked plucked and pulled from the kitchen garden the emphasis is on simple and fresh recipes. From easy snacks to sumptuous desserts Nigel creates meals for different moods and days whether it's grilled sardines on a blisteringly hot August evening or a bowl of gently aromatic stew on a rainy day in late spring. Along the way he meets people who devote their lives to producing fresh food all taken back to cook in Nigel's kitchen.
An archaic document found in a bombsite reveals that the London district of Pimlico has for centuries technically been part of France. The local residents embrace their new found continental status seeing it as a way to avoid the drabness austerity and rationing of post-war England. The authorities do not however share their enthusiasm... A whimsical and charming British film 'Passport To Pimlico' is one of the finest examples of the classic Ealing comedies.
Mr. Robot follows Elliot Alderson (Rami Malek), a cybersecurity engineer who, along with Mr. Robot (Christian Slater) and fsociety, starts a revolution to change the world. Season Four will pick up where the third season finale left off, delving into the pros and cons of Elliot hitting send on the email that could reverse Five/Nine.
Stephen Elliott (James Franco) is enjoying a moment of fame and notoriety after publishing a celebrated memoir charting his difficult childhood at the mercy of a brutalising father (Ed Harriss). Going from busy book signings to sold-out talk-sessions he is riding the crest of a wave that has hitherto been so uncharacteristic of his life s journey so far. But what goes up must come down and when his estranged father resurfaces in his life, claiming that Stephen fabricated much of the dark childhood that that fuelled his best-selling book, it comes down with a crash. Adrift in the precarious grey area of memory, prescription medication and an onset of serious writers-block Stephen is guided by a new romance with the beautiful and enigmatic Lana (Amber Heard) and the chance to write about an infamous murder trial that reminds him more than a little of his own story.
A year after the explosive events of last season, England finds itself embroiled in a devastating civil war, with the powerful, neo-fascist Raven Union, led by Lord Harwood (Jason Flemyng) threatening to control the entire country. North London remains one of the few resistance holdouts remaining.It's here in the West End Neutral Zone, that we find Alfred Pennyworth (Jack Bannon). After years in the British Army, his training with the SAS has taught him to be a cynical optimist expecting the worst, but knowing that he can handle it. Now running The Delaney, a black-market Soho club that welcomes everyone, regardless of their politics, Alfred, with his SAS mates, Bazza (Hainsley Lloyd Bennett) and Daveboy (Ryan Fletcher), is now in search of a way out... before London, and his country, burns itself to the ground. And he's got his eye on America.
It was a time of tyrants: the only way to uphold the truth was to break the law. He fought for the good of all men and for the love of just one woman. Kevin Costner brings the epic hero Robin Hood to life in a film filled with pageantry intrigue action and romance. With an outstanding cast record-breaking theme song and film production on a sweeping scale Robin Hood: Prince of Thieves has become a legend in its own right.
He's the star of the show but he doesn't know. Jim Carrey wowed critics and audiences alike as unwitting Truman Burbank in this marvel of a movie from director Peter Weir about a man whose life is a non-stop TV show. Truman doesn't realise that his quaint hometown is a giant studio set run by a visionary producer/director/creator (Ed Harris) that folks living and working there are Hollywood actors that even his incessantly bubbly wife is a contract player. Gradually Truman ge
It may not exactly be a disaster movie, but this terminally silly thriller is certainly disastrous, and would be pointless without the novelty of its setting in a flooding Midwestern town during a torrential rainfall. Physically impressive but idiotic in every other respect, the movie pits an armoured truck courier (Christian Slater) against a smart leader of thieves (Morgan Freeman) and a corruptible town sheriff (Randy Quaid) who are vying for possession of $3 million in cash. A waterlogged game of cat and mouse, the plot is so contrived that even the most impressive action sequences--such as a jet-ski chase through flooded high-school corridors--are robbed of their already tenuous credibility. Before long you'll be yawning as incompetent accomplices are systematically dispatched by their own stupidity, in the kind of movie where the use of power boats inevitably leads to at least one death by outboard motor. What's impressive here is the physical production itself--the effect of flooding was created by building a huge replica of downtown Huntington, Indiana, in a huge, watertight aircraft hangar in Palmdale, California! --Jeff Shannon, Amazon.com
STEALING. CHEATING. KILLING. WHO SAYS ROMANCE IS DEAD? In 1993, action movie supremo Tony Scott teamed up with a hot new screenwriter named Quentin Tarantino to bring True Romance to the screen, one of the most beloved and widely-quoted films of the decade. Elvis-worshipping comic book store employee Clarence Worley (Christian Slater) is minding his own business at a Sonny Chiba triple bill when Alabama Whitman (Patricia Arquette) walks into his life and from then on, the two are inseparable. Within 24 hours, they're married and on the run after Clarence is forced to kill Alabama's possessive, psychopathic pimp. Driving a Cadillac across the country from Detroit to Hollywood, the newlyweds plan to sell off a suitcase full of stolen drugs to fund a new life for themselves... but little do they suspect that the cops and the Mafia are closing in on them. Will they escape and make their dream of a happy ending come true? Breathtaking action set pieces and unforgettably snappy dialogue combine with a murderers' row of sensational performances from a stunning ensemble cast in Scott and Tarantino's blood-soaked, bullet-riddled valentine, finally restored in dazzling 4K with hours of brilliant bonus features.
Billy Doc and Chavez find themselves jailed in the same place and plan an escape. Together with new recruits they head for the Mexican border not knowing that Billy The Kid's one-time friend now wears a badge and is leading the posse to get them...
Derivative fluff from 1987, The Secret of My Success is made tolerable by its bawdy exuberance and an appealing performance by Michael J Fox, who was still enjoying TV stardom and the career momentum he earned by travelling Back to the Future. Here he plays a Kansas farm boy who dreams of scoring big in New York City... but reality turns out to be brutal to his ambition. When his uncle (Richard Jordan) gives him a mail-room job in the high-rise headquarters of a major corporation, Fox occupies an empty office and poses as a young executive, winning the attention of a lovely young colleague (Helen Slater) and having an affair with his boss's wife (Margaret Whitton). Sporadically amusing as a yuppie comedy and rather off-putting as a wannabe sex farce, the film's still recommendable for its lively cast and a breezy style that almost succeeds in updating the conventions of vintage screwball comedy. Whitton is a standout performer here, so you may wonder why her comedic talent has been underrated, apart from a good role in the first two Major League movies. This may be little more than a big-screen sitcom, but it's not without its charms. --Jeff Shannon, Amazon.com
From the producers of True Detective, Mr. Robot follows Elliot, a young and brilliant programmer who has perfected the art of computer hacking. Elliot suffers from a debilitating anti-social disorder, making hacking into peoples' lives his only means of human connection. He wields his skills as a weapon to protect the people he cares about from those who are trying to hurt them. Ultimately, he finds himself at the intersection between his day job at a cybersecurity firm and F-Society, an underground hacking collective that is trying to recruit Elliot to help take down the one-percent.
STEALING. CHEATING. KILLING. WHO SAYS ROMANCE IS DEAD? In 1993, action movie supremo Tony Scott teamed up with a hot new screenwriter named Quentin Tarantino to bring True Romance to the screen, one of the most beloved and widely-quoted films of the decade. Elvis-worshipping comic book store employee Clarence Worley (Christian Slater) is minding his own business at a Sonny Chiba triple bill when Alabama Whitman (Patricia Arquette) walks into his life and from then on, the two are inseparable. Within 24 hours, they're married and on the run after Clarence is forced to kill Alabama's possessive, psychopathic pimp. Driving a Cadillac across the country from Detroit to Hollywood, the newlyweds plan to sell off a suitcase full of stolen drugs to fund a new life for themselves... but little do they suspect that the cops and the Mafia are closing in on them. Will they escape and make their dream of a happy ending come true? Breathtaking action set pieces and unforgettably snappy dialogue combine with a murderers' row of sensational performances from a stunning ensemble cast in Scott and Tarantino's blood-soaked, bullet-riddled valentine, finally restored in dazzling 4K with hours of brilliant bonus features. Special Features: New 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives by Arrow Films Limited Edition packaging with reversible sleeve featuring newly commissioned artwork by Sara Deck 60-page perfect-bound collectors' booklet featuring new writing on the film by Kim Morgan and Nicholas Clement, a 2008 Maxim oral history featuring interviews with cast and crew, and Edgar Wright's 2012 eulogy for Tony Scott Double-sided poster featuring original and newly commissioned artwork by Sara Deck Six double-sided, postcard-sized lobby card reproductions 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) of both cuts Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Audio commentary by director Tony Scott Audio commentary by writer Quentin Tarantino Audio commentary by stars Christian Slater & Patricia Arquette Audio commentary by critic Tim Lucas Select scene commentaries by stars Dennis Hopper, Val Kilmer, Brad Pitt and Michael Rapaport Brand new select scene commentary by star Saul Rubinek New interview with costume designer Susan Becker New interview with co-editor Michael Tronick New interview with co-composers Mark Mancina and John Van Tongeren New interview with Larry Taylor, author of Tony Scott: A Filmmaker on Fire New interview with Daniel Storm, co-founder of the annual True Romance Fest and owner of the original Cadillac Deleted scenes with optional commentary by Tony Scott Alternate ending with optional commentaries by Tony Scott and Quentin Tarantino Electronic press kit featurettes, behind-the-scenes footage and interviews with Tony Scott, Christian Slater, Patricia Arquette, Dennis Hopper and Gary Oldman Trailers and TV spots Image galleries *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
Good weather for hanging. Billy the Kid's outlaw ingrates are penned like sows in a Lincoln County pit and the Kid is strapped in a nearby hotel. But the hangman will go home disappointed tonight. Billy cleverly breaks himself - then his gang - free. One of the West's greatest legends lives on to ride another day. Emilio Estevez, Keifer Sutherland, Lou Diamond Phillips and Christian Slater saddle up for Young Guns II, featuring Jon Bon Jovi's 1990 Oscar® - nominated* and Golden Globe® Award-winning Best Original Song ʻBlaze of Glory'. By 1879, the Lincoln County Wars have ended but bad blood endures. Billy and his men look to Mexico for haven - if they can elude Billy's one-time friend, pursuing sheriff Pat Garrett (William Petersen).
Flt.Lt Murray (David Farrar) is a pilot who fails to join the RAF during WWII and decides to join the Air - Sea Rescue instead. His boat is out in all conditions picking up drowned pilots and taking them to safety. P/O Rawlings (Ralph Michael) is a new recruit who resents joining Farrar's boat and would rather be where the action is - in the air. During a mission they run into an enemy minefield and an armed trawler... For Those In Peril presents the work of the Air-Sea Rescue in documentary terms providing the public with a glimpse of an aspect of war that tends to be overlooked. It was also the closest Charles Crichton (The Lavender Hill Mob Dead of Night The Titfield Thunderbolt) got to documentary realism during his long Ealing career. The story was written by Richard Hillary a fighter pilot in the Battle of Britain whose experiences inspired his book The Last Enemy.
Set around a London bus depot, On the Buses starred Reg Varney as Stan, an ageing bachelor and driver of the No.11 bus who still lives with his Mum (Cicely Courtneidge), his plain sister Olive (Anna Karen) and disgruntled brother-in-law Arthur (Michael Robbins). At work, he fraternises with the laddish and lecherous Jack (Bob Grant), with whom he pursues innumerable (and improbable) giggly, mini-skirted "clippies" (conductors) and cheeks the beady-eyed and punctilious bus inspector, Blakey (Steven Lewis) This first series was broadcast in black and white in 1969. Much of the comedy derives from gender role reversal--Stan and Arthur forced to do the household chores when Olive and Mum fall ill ("Family Flu"); "The Canteen", in which the busmen decide to run the canteen themselves; or "The Darts Match", in which Stan and Jack are bested at darts by--imagine--a pair of dollybird clippies. Despite its immense popularity, On the Buses hasn't dated well. Like the buses themselves, the jokes don't arrive very often and when they do, they're visible a long way off. The studio audience whoops cathartically at anything remotely alluding to sex, making you wonder at the repressed nature of British society in 1969. In later decades it would come to be treasured as somewhat creaky kitsch by audiences nostalgic for an age of politically incorrect innocence. On the DVD: On the Buses has no extra features here. The original black and white versions have scrubbed up reasonably well, although defects such as fading sound and poor dubbing have proven beyond amendment.--David Stubbs
Set around a London bus depot, On the Buses starred Reg Varney as Stan, an ageing bachelor and driver of the No.11 bus who still lives with his Mum (Doris Hare), his plain sister Olive (Anna Karen) and disgruntled brother-in-law Arthur (Michael Robbins). At work, he fraternises with the laddish and lecherous Jack (Bob Grant), with whom he pursues innumerable (and improbable) giggly, mini-skirted "clippies" (conductors) and cheeks the beady-eyed and punctilious bus inspector, Blakey (Steven Lewis) Despite its immense popularity, On the Buses hasn't dated well. Like the buses themselves, the jokes don't arrive very often and when they do, they're visible a long way off. The studio audience whoops cathartically at anything remotely alluding to sex--even a bared male nipple--making you wonder at the repressed nature of British society in 1969. In later decades it would come to be treasured as somewhat creaky kitsch by audiences nostalgic for an age of politically incorrect innocence. On the DVD: On the Buses has no extra features here. The original black and white versions have scrubbed up reasonably well, although defects such as fading sound and poor dubbing have proven beyond amendment. --David Stubbs
Please wait. Loading...
This site uses cookies.
More details in our privacy policy