Placid Lake isn't your average rebel.... He wants to work on insurance. Placid Lake has always been very different. His crayon eating scientific genius of a best friend Gemma also has a few issues with 'blending in'. As an odd fish in a sea of mediocrity his brilliant ideas are bound to get him into more trouble than success. So when he finds himself flying off the school roof and breaking every bone in his body on graduation night Placid decides to make a bid for the elusive nor
Bound by tragedy and blood to a dangerous otherworldly mission twobrothers travel from the Colorado wilderness to the Nebraska farmlands and on to the isolated Wisconsin lakes encountering creatures that mostpeople believe only exist in folklore superstition and nightmares. As they follow clues in their father's journal the brothers realize that he has passed on to them all the knowledge he accumulated during the past 20 years. They take up the mantle of his crusade and crisscross the lonely and mysterious back roads of the country in their '67 Chevy Impala searching for their missing father - and hunting down every evil supernatural force they encounter along the way (to a rip-roaring rock soundtrack).
The ultimate songwriter's songwriter Townes Van Zandt had a profound impact on generations of musicians from Bob Dylan to Norah Jones yet he avoided the commercial success enjoyed by many of his own fans. Be Here To Love Me: A Film About Townes Van Zandt provides an intimate portrait of the legendary artist's haunting music and life. Margaret Brown's critically acclaimed documentary Be Here To Love Me combines interviews with friends and family with never seen footage of Townes Van Zandt from rare performance and interview footage to intimate portraits shot in Van Zandt's own home throughout the years. It also includes appearances by many famous musicians including Willie Nelson Lyle Lovett Kris Kristofferson Steve Earle and Emmylou Harris. Tracklist: 1. What A Song Is All About 2. A Cult Figure 3. A Privileged Youth 4. Wild Crazy Things 5. Houston In The '60's 6. Wandering 7. A Genius 8. Addiction 9. Here For The Music 10. Cutting Records 11. Home And Family 12. Flyin' Shoes 13. If I Needed You 14. Pancho & Lefty 15. Marie 16. Normal Life 17. Rake 18. End Credits
A performance of the Rameau opera which follows the tale of Queen Alphise who is contemplating abdication rather that an arranged marriage.
A gay detective who always gets his man... Chad Allen stars as gay detective Donald Strachey in this gritty series of crime stories based on the popular novels by author Richard Stevenson. In Third Man Out Strachey is commissioned to protect gay activist John Rutka known for ""outing"" prominent citizens. Strachey abandons bodyguard duty when he feels that Rutka is staging the threats against him. When Rutka turns up dead Strachey is faced with an extensive list of enemies all with enough motive to kill.
When hard boiled private eye Donald Strachey (Chad Allen) finds his latest client dead an apparent suicide Strachey smells a rat and decides to take matters into his own hands. With the help of his straight-laced but adoring husband (Sebastian Spence) and his occasionally too-eager assistant (Nelson Wong) Strachey's investigation leads him on a dark and dangerous trail into the world of gay conversion therapy - a twisted mix of psychology and religion designed by Dr.Trevor Cornell (Michael Woods) to turn homosexuals straight.
When Freddie Dumay holds a glamorous party at her family's vineyards to announce the release of a fabulous new Merlot everything is going wonderfully. Until that is her business partner's wife Constance is found dead. But when Constance's distraught husband Thomas Shipman quickly sets up home with his mysterious French assistant Arabella Freddie realises that Constance's death may not be as innocent as first thought...
Joshua and Penelope are survivors of a deadly infection that laid waste to humanity 25 years ago. When they encounter fellow survivor Abira, their lives are forever changed as they fight off the remnants of the infected souls that roam the now desolate streets. Their fight for survival is tormented further by the shear destruction that surrounds them.
Crazy Moon
In New York young curator Samantha Gaines awaits the breastplate worn by Attila The Hun thousands of years ago. The drawings on the breastplate are directions on how to find the Attila's sword and any person to ever possess this sword would become invincible. When the sword is removed from the tomb by a gang of thieves it unknowingly unleashes a one thousand year old three headed dog with the tail of a serpent named Cerberus who ends up out in the Romanian streets reeking havoc and viciously slaughtering the innocent. It is up to Samantha and whoever is tough enough to survive to end it... and the only way to do so is with the sword.
Enormously popular and influential in its time, Meyerbeer's L'Africaine has become a rarity--the conventions of grand opera which it embodies so thoroughly are only familiar as adapted by Verdi and Wagner, so this work usefully reminds us of how radical they were. Meyerbeer and his librettist Scribe give us a five-act plot full of confrontations and threats of death, a shipwreck and the suicide of the Indian heroine Selika and her rejected suitor by inhaling the poisonous aromas of a deadly tree. The expedition of Vasco Da Gama round the Cape of Good Hope and up to the spice ports of India becomes less a story about the crusade for profit and more a matter of messy triangular love affairs. Heavy fathers, Brahmin priests and Grand Inquisitors are handled with much facility and no intensity. What L'Africaine really amounts to is a singers' display piece, and the two principals here--Shirley Verrett as Selika and Placido Domingo as Vasco--are entirely up to its demands. Domingo reminds us that Vasco's Act 4 aria "Oh Paradis" was for decades a standard tenor showstopper. The other principals, Ruth Ann Svenson and Justino Diaz, are entirely admirable and Marco Arena and the San Francisco Opera give the work as a whole both the grandeur it certainly possesses and rather more subtlety than one might have expected. On the DVD: The DVD, presented in 4:3 ratio, and in PCM stereo, has no features apart from instructions and subtitles in French, German, English and Spanish. This failure to provide extras, or even an especially informative leaflet, becomes especially regrettable with a work whose conventions are now far out of the operatic mainstream. --Roz Kaveney
A no holds barred take on 21st century love, sex, and emotional baggage.
Let's admit it right away, The Tribe may just be the best kids' TV show ever. To be precise, it's for older children and teenagers (and their parents will find it insightful, too), the very age group that occupies all the roles in this post-apocalyptic tale. Mixing the scenario of Lord of the Flies (except there are, y'know, girls in it as well) with the visual imagery of Mad Max and the angst-ridden psychodrama of Sweet Valley High, The Tribe tells of a near-future in which the world's adult population has been wiped out by a virus. Of course, society's infrastructure has gone, too, so the youthful survivors not only have to deal with all the usual trials and tribulations of childhood and adolescence but must also develop some form of functioning society of their own, without any form of adult intervention and with only the barest amount of technology. What happens, of course, is that all the social ills of the old world, from bullying to teenage pregnancy, are writ 10 times larger in the new. The ways in which the characters cope (or fail to cope) with these issues are both exasperating and deeply moving. --Roger Thomas
In his penultimate opera based on text adapted from Homer's Odyssey Monteverdi ventures further than ever before into the depths of human emotion. In this 'dramma in musica' human frailty falls victim to time fortune and love. Gods and humans comic and intensely serious characters and spectacular scenic effects are brought together in a wonderfully rich and effective texture. Pierre Audi's highly stylised and timeless production is captured here in a live recording from Het Muziektheater Amsterdam in 1998.
Lets admit it right away, The Tribe may just be the best kids TV show ever. To be precise, its for older children and teenagers (and their parents will find it insightful, too), the very age group that occupies all the roles in this post-apocalyptic tale. Mixing the scenario of Lord of the Flies (except there are, yknow, girls in it as well) with the visual imagery of Mad Max and the angst-ridden psychodrama of Sweet Valley High, The Tribe tells of a near-future in which the worlds adult population has been wiped out by a virus. Of course, societys infrastructure has gone, too, so the youthful survivors not only have to deal with all the usual trials and tribulations of childhood and adolescence but must also develop some form of functioning society of their own, without any form of adult intervention and with only the barest amount of technology. What happens, of course, is that all the social ills of the old world, from bullying to teenage pregnancy, are writ 10 times larger in the new. The ways in which the characters cope (or fail to cope) with these issues are both exasperating and deeply moving. --Roger Thomas
Musical drama in three acts.
Lets admit it right away, The Tribe may just be the best kids TV show ever. To be precise, its for older children and teenagers (and their parents will find it insightful, too), the very age group that occupies all the roles in this post-apocalyptic tale. Mixing the scenario of Lord of the Flies (except there are, yknow, girls in it as well) with the visual imagery of Mad Max and the angst-ridden psychodrama of Sweet Valley High, The Tribe tells of a near-future in which the worlds adult population has been wiped out by a virus. Of course, societys infrastructure has gone, too, so the youthful survivors not only have to deal with all the usual trials and tribulations of childhood and adolescence but must also develop some form of functioning society of their own, without any form of adult intervention and with only the barest amount of technology. What happens, of course, is that all the social ills of the old world, from bullying to teenage pregnancy, are writ 10 times larger in the new. The ways in which the characters cope (or fail to cope) with these issues are both exasperating and deeply moving. --Roger Thomas
Wendy (Rosanna Arquette) is an incurable romantic trapped in the body of a bored and timid housewife. Her marriage is failing and her days are spent working in a dead-end job. She yearns for the adventure and sensuality found within the pages of her romance novels but her husband Ronnie (Bruce Spence) just doesn't fit the bill. His only dream is to make a success of his sweets business and open a shop of his very own. Enter the mysterious Jake (Hugo Weaving) - handsome passionate the very man dreams are made of. Jake proves to be everything she has ever wanted fulfilling her every wish but can Wendy change Ronnie to become the man she craves?
Title Comprise: Finding Nemo: Nemo an adventurous young clownfish is unexpectedly taken to a dentist's office aquarium. It's up to Marlin (Albert Brooks) his worrisome father and Dory (Ellen DeGeneres) a friendly but forgetful regal blue tang fish to make the epic journey to bring Nemo home. Their adventure brings them face-to-face with vegetarian sharks surfer dude turtles hypnotic jellyfish hungry seagulls and more. Marlin discovers a bravery he never knew but will he be able to find his son? Finding Nemo's breakthrough computer animation takes you into a whole new world with this undersea adventure about family courage and challenges. Winner of the Best Animated Feature Film at the 2004 Oscars. Monsters Inc:Monsters Inc. is the largest scare factory in the monster world and the top Kid-Scarer is James P. Sullivan (John Goodman) a huge intimidating monster with blue fur large purple spots and horns known as ""Sulley"" to his friends. His Scare Assistant best friend and roommate is Mike Wazowski (Billy Crystal) a lime green opinionated feisty monster. And visiting from the human world is Boo a tiny girl who turns the monster world upside down and teaches Sulley and Mike that laughter is more powerful than a scream.
An off-beat love story about a hearty guy with retro tastes for big band music bow ties and a free-spirited deaf salesgirl. Together they overcome their fears and find love as he encourages her to speak and she helps him overcome his fear of water.
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