Melissa McCarthy is masterful in the captivating account based on a true story of Lee Israel, a best-selling celebrity biographer in the 1970s and '80s. When Lee (McCarthy) comes to the realisation that she's no longer en vogue, she spins her art form into a perilous web of lies, deceit and outright crime to get back on top.
When Robert an inanimate tire discovers his destructive telepathic powers he soon sets his sights on a desert town; in particular a mysterious woman becomes his obsession.
From the writer and star of "My Big Fat Greek Wedding" comes a modern-day "Some Like It Hot" as two female singers are forced to go undercover as drag queens in L.A.
Innocuous, innocent and somewhat idiotic, Disney's bubbleheaded road-movie comedy Bubble Boy plays as a farcical remake of the 1976 cult TV-movie melodrama The Boy in the Plastic Bubble. Jake Gyllenhaal is the good-hearted innocent raised in a sort of human Habitrail of plastic rooms and rubber tunnels. To win back the girl of his dreams (Marley Shelton), he steps out of his indoor greenhouse and into a homemade Ziplock bubble suit. It's the usual story: naive innocent bounces down the highway like a beach ball with legs and wins over the wacky supporting cast of soft-hearted bikers, zombie-like teenage cultists and orphaned "freaks" through purity and pluck. The premise wears thin after a while, but Gyllenhaal keeps the film bounding along with goofy innocence and energetic eagerness. Swoosie Kurtz costars as his religious-zealot clinging mom. Watch for Fabio in an inspired cameo. --Sean Axmaker On the DVD: Bubble Boy contains a surprising amount of special features for what is essentially a B-movie comedy. These include a long winded multi-interview about the main star of the film, the Bubble suit itself; a director's diary, charting the events around the time of filming the movie; a "Production Design Gallery" including intricate pencil drawings and a story board of the Niagara Falls sequence. Along with this, director Blair Hayes and Jake Gyllenhaal offer a gabbled conversation rather than a commentary. --Nikki Disney
Bruce Willis is The Jackal - the greatest assassin in history - out to eliminate a top U.S. government official. Declan Mulqueen an imprisoned underground operative is the only man who can stop him. Now the Deputy Director of the FBI is taking the biggest risk of all . . . he's releasing one criminal to stop another in this terrifically explosive totally intrigueing suspense thriller.
He's a composite of some 200 personalities each and every one a notorious killer. He's Sid 6.7 a virtual reality creation designed to put L.A. police officers to the test. But Sid isn't playing games anymore. He's escaped the bounds of cyberspace. And if you think he's unconquerable in the world of bits and bytes wait till you see what Sid has in store for a world of flesh and blood. Denzel Washington and Russell Crowe square off on opposite sides of the law and on both sides of
When Robert an inanimate tire discovers his destructive telepathic powers he soon sets his sights on a desert town; in particular a mysterious woman becomes his obsession.
In 1847, the United States was a land of pioneers, of gold-starved Americans making their way west.
The Jackal is filmmaking by numbers: take two huge stars, Richard Gere and Bruce Willis, and pit them opposite each other in a plot that's already been audience tested. That director Michael Caton Jones' film is based not on Frederick Forsyth's novel but on the script for the 1973 original starring James Fox is the first clue that something here is amiss. Fred Zinneman's The Day of the Jackal was a genuinely taut and claustrophobic thriller; the remake is like a Rocky & Bullwinkle take on international terrorism disguised as an action movie. Dashing IRA terrorist, Declan Mulqueen (Richard Gere), is sprung from jail to help the FBI Deputy Director Carton Preston (Sidney Poitier) track down The Jackal, an amoral international terrorist who is a master of disguise. The FBI believes he is about to assassinate a US political bigwig and is engaged in a race against time to discover exactly who the target is and where they will be felled. Throughout the film Gere sports an Irish accent as ill-fitting and phoney as the bushy lip-wig that Willis adopts at one point as a disguise. The usually warm-hearted Willis plays the steel-jawed terrorist with a cool reserve, but he doesn't have much character development to work with (apart from a misguided attempt to introduce a gay subtext). At over two hours of running time with plenty of exposition and precious few action sequences, this film is a test of will for the audience as well as the protagonists.On the DVD: The DVD includes a lengthy "making of" featurette, several deleted scenes and an alternate ending with some small dialogue changes. There is also an exceedingly dry director's commentary by Michael Caton Jones which muses on such mind-numbingly dull details as the colour of the subway platform in the film's climactic sequence. The film is presented in a clear print in 2.35:1 anamorphic format with 5.1 Dolby Digital sound. --Chris Campion
When the founder of a community center dies of AIDS old friends family and lovers come out of the woodwork to do anything they can for their lost loved one and his grieving partner. An intersting mix of his ex-wife (Lea Thompson) homophobic brother (Vincent Spano) and his parents find themselves in the adventure of their life as they join a 450 mile long bike trip across California to scatter the man's ashes and raise money for AIDS.
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