Trapped in his mother's Lower East Side apartment sixteen-year-old Finn (Anton Yelchin) wants nothing more than to escape New York and spend the summer in South America studying the Iskanani Indians or Fierce People with the anthropologist father he's never met. But Finn's dreams are shattered when he is arrested in a desperate effort to help his drug-dependent mother Liz (Diane Lane) who scrapes by by working as a masseuse. Determined to get their lives back on track Liz moves the two of them into a guesthouse on the vast country estate of her ex-client the aging aristocratic billionaire Ogden C. Osbourne (Donald Sutherland). In Osbourne's close world of privilege and power Finn and Liz encounter a tribe fiercer and more mysterious than anything they might find in the South American jungle: the super rich. While Liz battles her substance abuse and struggles to win back her son's love and trust Finn falls in love with Osbourne's beautiful granddaughter Maya (Kristin Stewart) befriends her charismatic older brother Bryce (Chris Evans) and even wins the favor of Osbourne himself. But when a shocking act of violence shatters Finn's ascension within the Osbourne clan the golden promises of this lush world quickly sour. And both Finn and Liz caught in a harrowing struggle for their dignity discover that membership always comes at a price...
Shot in glorious Technicolor by award-winning cinematographer Christopher Challis (The Tales of Hoffmann, A Dandy in Aspic, Villain), this classic Gothic melodrama stars the then real-life husband and wife acting team of Stewart Granger and Jean Simmons in the tale of a murderous London businessman and the scheming housemaid who shares his dark secret. Special Features High Definition remaster Original mono audio Josephine Botting on ˜Footsteps in the Fog' (2018): an exploration of Hollywood's fascination with Victorian England by the film expert and BFI curator Steve Chibnall on Belinda Lee (2018): a new appreciation of the tragic star by the film expert and author of British Horror Cinema Kat Ellinger on ˜Footsteps in the Fog' (2018): Diabolique magazine's editor-in-chief explores the film's Gothic origins Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard of hearing
Running for three decades The Bill was one of the most successful programmes ever made for British Television. Constantly in the top ten ratings and winner of numerous awards (including a BAFTA for Best Continuing Drama in 2009) the ongoing drama of Sun Hill police station remained must-see programming throughout its run. This series of volumes takes you back to the beginning in order and features fan favourite characters Sgt. Cryer WPC Ackland Ted Roach Jim Carver and Christopher Ellison as the irascible DI Burnside. The thirteen episodes in this set feature prisoner abuse dead bodies undercover operations and corruption allegations - it's all in a day's work for the men and women of The Bill.
On a remote Caribbean island, in the shadow of a volcano, the world's biggest recording artists made music and myth that defined an era. Includes extra trailer.
Hollywood's best-loved star teams up with America's favourite director to create one of the world's most popular films.
A documentary which focuses on the director John Ford and his interest in the western film. Featuring insights from the actors who so often starred in his westerns; James Stewart John Wayne and Henry Fonda.
The complete fifth season of Buffy's vampire vanquishing adventures. Episodes comprise: 1. Buffy Vs. Dracula 2. Real Me 3. The Replacement 4. Out Of My Mind 5. No Place Like Home 6. Family 7. Fool For Love 8. Shadow 9. Listening To Fear 10. Into The Woods 11. Triangle 12. Checkpoint 13. Blood Ties 14. Crush 15. I Was Made To Love You 16. The Body 17. Forever 18. Intervention 19. Tough Love 20. Spiral 21. The Weight Of The World 22. The Gift
This new CGI comedy tells the simple story of a 10 year-old boy... his robot dog... battling evil... rescuing his parents... saving the Earth... and returning home in time for dinner!
The marriage of Princess Diana and Prince Charles has long since grown cold. Though rumours of affairs and a divorce abound, peace is ordained for the Christmas festivities at the Queen's Sandringham Estate. There's eating and drinking, shooting and hunting. Diana knows the game. But this year, things will be profoundly different. Spencer is an imagining of what might have happened during those few fateful days.
MARLENE DIETRICH (Blonde Venus) and JAMES STEWART (Vertigo) ride high in this superb comedic western, both a boisterous spoof and a shining example of the genre it is having fun with. As the brawling, rough-and-tumble saloon singer Frenchy, Dietrich shed her exotic love-goddess image and launched a triumphant career comeback, while Stewart cemented his amiable everyman persona, in his first of many westerns, with a charming turn as a gun-abhorring deputy sheriff who uses his wits to bring law and order to the frontier town of Bottleneck. A sparkling script, a supporting cast of virtuoso character actors, and rollicking musical numbers - delivered with unmatched bravado by the magnetic Dietrich - come together to create an irresistible, oft-imitated marvel of studio-era craftsmanship. Special Features: New 4K digital restoration by Universal Pictures in collaboration with The Film Foundation, with uncompressed monaural soundtrack on the Blu-ray New interview with critic Imogen Sara Smith New interview with Donald Dewey, author of James Stewart: A Biography New video essay featuring excerpts from a 1973 oral-history interview with director George Marshall, conducted by the American Film Institute Lux Radio Theatre adaptation of the film from 1945, featuring actors James Stewart and Joan Blondell PLUS: An essay by critic Farran Smith Nehme
The Filth and the Fury is an irreverent, shocking portrait of the most notorious rock group of all time.
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Includes the feature-length episodes 'Care & Protection' 'Not With Kindness' and 'Conclusions'. David Jason is the gritty and dogged Detective Inspector Jack Frost a man who has little time for paperwork or the orthodox approach. This release features all the episodes from Series One of A Touch of Frost.
In 1970, The Goodies unleashed their legendary blend of surreal storylines, strikingly topical satire, slapstick and general lunacy on an unsuspecting viewing public. Capturing the irreverent and rebellious flavour of the decade, this phenomenally popular, award-winning series spread its mischief over twelve years, making household names of creators, writers and performers Bill Oddie, Graeme Garden and Tim Brooke-Taylor. Recorded in June 2018 at the Leicester Square Theatre, An Audience with The Goodies reunited Tim, Bill and Graeme on stage for a very special one-night-only event! Talking to writer/performer/comedian Stewart Lee and writer/archive television expert Dick Fiddy, the three Goodies discuss their career and the enduring popularity of the series - as well as taking questions from the audience!
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Hailed by critics and fans alike as one of the greatest films ever made, Citizen Kane continues to influence filmmakers and astound viewers 80 years later. Nominated for nine 1941 Academy Awards, with a win for Best Original Screenplay, Orson Welles' controversial masterpiece uses innovative flashbacks and ground-breaking cinematography to follow the epic rise and fall of wealthy newspaper magnate. For any fan of films, this is an essential viewing experience. 4k Ultra HD Collector's Edition Includes: Feature Film on 4k and Blu-ray 48-Page Book 20-Page Souvenir Programme Reprint of Press Release Excerpts Two-Sided Poster 5 Collectable Art Cards 3 Photo Stills Special Features on Blu-ray: Separate Commentaries by Roger Ebert and Peter Bogdanovich Interviews with Ruth Warrick and Robert Wise Opening: World Premiere of Citizen Kane Still Photography with Commentary by Roger Ebert and More
Henry Rollins stars as an immortal, cannibalistic loner that has withdrawn from society in order to protect both himself and others. He Never Died is a 2015 Canadian/American comedic horror fi lm that was written and directed by Jason Krawczyk. It had its critically-acclaimed world premiere on 17 March 2015 at South by Southwest.
The Man from Laramie is the last of five remarkable Westerns Anthony Mann made with James Stewart (starting with Winchester '73 and peaking with The Naked Spur). Only John Ford excelled Mann as a purveyor of eye-filling Western imagery, and Mann's best films are second to no one's when it comes to the fusion of dynamic action, rugged landscapes and fierce psychological intensity. This collaboration marked virtually a whole new career for Stewart, whose characters are all haunted by the past and driven by obsession--here, to find whoever set his cavalry-officer brother in the path of warlike Indians. The Man from Laramie aspires to an epic grandeur beyond its predecessors. It's the only one in CinemaScope, and Stewart's personal quest is subsumed in a larger drama--nothing less than a sagebrush version of King Lear, with a range baron on the verge of blindness (Donald Crisp), his weak and therefore vicious son (Alex Nicol) and another, apparently more solid "son", his Edmund-like foreman (Arthur Kennedy). There are a few too many subsidiary characters, and the reach for thematic complexity occasionally diminishes the impact. But no one will ever forget the scene on the salt flats between Nicol and Stewart--climaxing in the single most shocking act of violence in 50s cinema--or the final, mountain-top confrontation. For decades, the film has been seen only in washed-out, pan-and-scan videos, with the characters playing visual hopscotch from one panel of the original composition to another. It's great to have this glorious DVD--razor-sharp, fully saturated (or as saturated as 50s Eastmancolor could be) and breathtaking in its CinemaScope sweep. --Richard T Jameson, Amazon.com
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
God Save The Queen ; Big Country - In The Big Country ; Suzanne Vega - Marlene On The Wall ; Level 42 - Hot Water ; Elton John - Your Song ; Phil Collins - In The Air Tonight ; Tina Turner - Better Be Good To Me ; Eric Clapton And Tina Turner - Tearing Us Apart ; Midge Ure - Call Of The Wild ; Mark Knopfler and Sting - Money For Nothing ; Paul Young - Every Time You Go Away ; Joan Armatrading - Reach Out ; Howard Jones - No One Is To Blame ; Rod Stewart - Sailing ; Elton John - I'm Still Standing ; Paul Young And George Michael - Every Time You Go Away ; Paul McCartney And Ensemble - Long Tall Sally ; Paul McCartney And Ensemble - Get Back.
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