Amy Mitchell (Mila Kunis) puts her family first, second, and third. But her man-child husband, high-maintenance kids and idiot boss are taking a toll. She gives and gives, and gives and gives, and then gives a little more, but it s never enough. When the alpha moms (Christina Applegate, Annie Mumolo and Jada Pinkett Smith) at her kids school push her too far, Amy finally snaps. Good Amy becomes Bad Amy really fast and she doesn t go alone. Teaming up with two other misfit moms (Kathryn Hahn and Kristen Bell), Amy gets a jolt of freedom that shakes up her life and might even make her a better mom. So call a sitter, put on your comfy pants, and pour yourself a double Chardonnay, because these moms are about to get bad. SPECIAL FEATURES: Deleted Scenes Interviews with the Moms Gag Reel A Bad Moms Christmas: A BAD MOMS CHRISTMAS follows our three under-appreciated and over-burdened moms (Amy, Kiki, and Carla) as they rebel against the challenges and expectations of Christmas in hopes of creating a more perfect holiday for their families. And if that was hard enough, they have to do all of that while hosting and entertaining their ultimate holiday foes: their own mothers. By the end of the journey, our moms have redefined how to make the holidays special for their families and it ends up bringing them closer to their own moms. SPECIAL FEATURES: Deleted Scenes Gag Reel
Based on the memoirs of party-girl-turned-conservationist Kuki Gallman, I Dreamed of Africa never comes close to living up to its title; the mood is more prosaic travelogue than oneiric wonderment. After a car accident warns Kuki of her mortality, she resolves to grow up, a process that mysteriously involves marrying a man she barely knows and moving with him and her young son to the wilds of South Africa. There she learns new beau Paolo is less reliable than she thought, but also that the sun-baked plains and roaming beasts of Africa speak to her in a way the nightlife of Italy did not. (We learn of her blossoming humanity because she introduces herself to the servants; a probing study of interpersonal relationships this isn't.) Kim Basinger obviously feels connected to the role--she can stride across a room with a majestic self-righteousness that the film should have drawn upon more--but she's defeated by a script composed of repetitive vignettes that have no cumulative effect and a director (Hugh Hudson) who keeps the film's emotional impact curiously flat and diffuse except for the crass, manipulative moments every 20 minutes or so. Sure the photography's lovely, but really, how hard is it to get a nice shot of flamingoes at dawn? --Bruce Reid, Amazon.com
While "rock musical" remains a phrase used by sadistic parents to give their offspring nightmares the genre does occasionally throw up the odd gem, Purple Rain being perhaps the shiniest example. Given the theatricality of Prince's stage shows, it was only a matter of time before the diminutive pop potentate found himself a big-screen vehicle but few could have predicted that Purple Rain would become nothing less than a cultural phenomenon. The story, co-written by one-time Starsky & Hutch scripter William Blinn, may be a somewhat hackneyed tale with His Purpleness overcoming a troubled background and musical rival Morris Day to achieve his dreams of rock stardom. However, the cast, which also includes Prince protegée Appollonia, rises above the clichés to hand in a set of performances which, while never likely to trouble the Oscars, prove that all concerned can at least play a rough approximation of themselves with minimal difficulty. What really helped push the film's box-office receipts through the roof, however, was its soundtrack featuring a clutch of hit singles--notably "When Doves Cry"--and which cemented our pint-sized hero's position as one of the globe's premiere performing artists. Sadly, subsequent attempts to re-bottle this particular brand of lightning with Under a Cherry Moon and Graffiti Moon would prove substantially less successful but Purple Rain still looks--and, more importantly sounds--rarely less than funktastic. --Clark Collis
Future. Present. Past. Everything is connected. From the creators of the Matrix trilogy and the director of Run Lola Run. An exploration of how the actions of individual lives impact one another in the past present and future as one soul is shaped from a killer into a hero and an act of kindness ripples across centuries to inspire a revolution. The story is a time-shifting weave of six interlinking narratives with diverse settings from the savagery of a Pacific Island in the 1850s to a dystopian Korea of the near future. Based on the best-selling novel Cloud Atlas written by David Mitchell.
Prostitute party girl perjurer bad-check passer petty criminal. She's all this and more but is she a murderer? Susan Hayward's Oscar-winning performance will leave you breathless with suspense! Arrested for fatally beating an elderly widow Barbara Graham (Hayward) at first goads the police refusing to answer their questions. But when an alleged accomplice turns state's evidence Graham insists that she's innocent. Condemned by the press and the public Graham is found guilty
Neurotic New York film critic Allan Felix (Woody Allen) has just broken up with his wife Nancy (Susan Anspach) causing him to spiral into a deep depression and look for solace in the classic movies that he loves particularly the romantic saga 'Casablanca'. Allan begins to have conversations with the fantasy ghost of the film idol Humphrey Bogart (Jerry Lacy) who gives him advice on romance and masculinity. Allan's married friends Linda and Dick (Diane Keaton Tony Roberts)
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
A deliriously violent medieval epic from genre master Paul Verhoeven (Robocop, Total Recall), Flesh + Blood sees a savage and amoral band of mercenaries take revenge on the noblemen who betrayed them. In Western Europe, 1501, a small army of mercenaries led by the charismatic and mercurial Martin (Rutger Hauer; Blade Runner, The Hitcher) reclaim a heavily fortified castle for its owner Arnolfini, who then betrays the band and ejects them from the city by force. Swearing revenge, Martin leads a violent assault on the nobleman and ends up accidentally kidnapping the beautiful Agnes (Jennifer Jason Leigh The Hateful Eight), the fiancée of Arnolfini's son Steven, who in turn pledges to wipe out the mercenary group once and for all. With its vision of a brutal and morally bereft Medieval Europe, the film shocked audiences who had become used to the highly romanticised depictions of the era commonly seen on the big screen. Originally censored in the UK due to its extreme amounts of sex and violence, Eureka Classics is proud to present Flesh + Blood fully uncut, and on Blu-ray for the first time in the UK in a special Dual Format edition. Features: Limited Edition O-Card slipcase (first print run only) 1080p presentation of the film on Blu-ray, with a progressive encode on the DVD. Uncompressed LPCM audio (on the Blu-ray) Optional English subtitles for the deaf and hard-of-hearing Audio commentary by director Paul Verhoeven Paul Verhoeven in the Flesh (21 mins) Verhoeven Versus Verhoeven A documentary on the iconic director, covering the entirety of his career and featuring extensive interviews with the man himself (45 mins) Audio interview with actor Rutger Hauer (24 mins) Interview with screenwriter Gerard Soeteman (17 mins) Interview with composer Basil Poledoris Original theatrical trailer A collector's booklet featuring new writing on the film (first pressing only)
C.S.Lewis' classic children's tale is brought to life by leading animator Bill Melendez known for his work on Fantasia and for his classic Charlie Brown and Snoopy features in this magical animated film adaptation of The Lion The Witch and The Wardrobe. The first published and arguably best loved tale in C.S. Lewis' acclaimed ""Chronicles of Narnia"" 'The Lion The Witch And The Wardrobe' is the adventure-filled tale of two brothers and two sisters who cross through
On his way to the store to buy wood glue, Jeff looks for signs from the universe to determine his path. However, a series of comedic and unexpected events leads him to cross paths with his family in the strangest of locations and circumstances.
Kramer vs. Kramer: Kramer vs Kramer is the box office smash that gathered 5 Oscars including Best Picture Best Actor for Dustin Hoffman and Best Supporting Actress for Meryl Streep. Returning home late from work one night a career-obsessed Ted Kramer is told by his wife that she is leaving him. After a life of being 'somebody's daughter' or 'somebody's wife ' she's going off to find herself - leaving Ted to care for their 6 year-old son. Ted while trying to hold down his job gets to really know his son: cooking his meals taking him to the park understanding every need and fear. For the first time in his life he feels like a fulfilled parent. But then Joanna returns. And she wants her son back... Born Free: A New Adventure: Set in the heart of Africa Elsa the Lioness tranforms the lives of two American teenagers struggling to come to terms with a family move from downtown Chicago. Lorenzo's Oil: A five-year-old boy Lorenzo Odone is diagnosed as having a brain disease known as ALD a condition so rare that no medical body has undertaken to research the ailment and develop a cure. Desperate Lorenzo's parents (Nolte and Sarandon) embark on a desperate search for a cure and must battle the medical establishment when they make astounding progress using humble olive oil...
Dallas: The Complete First and Second Seasons is an American equivalent to those British mini-series about historical chapters in that country's royal monarchy. Full of family in-fighting, political intrigue crossed with personal triumph or disappointment, and plenty of sensational infidelities and betrayals, Dallas is a captivating story of a wealthy oil family's power and travails. It is also uniquely fun and daringly absurd, albeit with a straight face; this hugely successful, primetime soap opera began in the late 1970s and ran 14 seasons in all, built on a handful of primary relationships that stretch credulity but never descend into self-parody. Not unexpectedly, Dallas begins with a Romeo and Juliet tale that instantly exposes an old feud between two families and strips the civilized veneer from several major characters. Bobby Ewing (Patrick Duffy), youngest of three sons of independent oilman Jock Ewing (Jim Davis), arrives at the Ewing clan's Southfork ranch just outside Dallas, Texas, with a new wife, Pam Barnes Ewing (Victoria Principal). Pam is the daughter of Digger Barnes (David Wayne), an old business rival of Jock's and one-time suitor of the Ewing matriarch, Eleanor (or "Miss Ellie", played by Barbara Bel Geddes). Pam's also the sister of a state senator, Cliff Barnes (Ken Kercheval), whose vendetta against the Ewings is played out in the legislature, imposing costly regulations on their business and holding committee investigations into questionable practices of company president J.R. Ewing (Larry Hagman). Pam's status as the newest Ewing causes an uproar in the family (besides being a Barnes, she also dated the Ewings' genial but lonely foreman, Ray Krebbs, played by Steve Kanaly) and prompts Dallas' charming villain, J.R., to make many Iago-like attempts, over the first two seasons, to drive her from Bobby's arms. Pam has a different set of problems with the other, jealous Ewing women, including J.R.'s possibly barren and alcoholic wife, Sue Ellen (Linda Gray), and teenage Lucy (Charlene Tilton), daughter of exiled Ewing son Gary (Ted Shackleford). With new and old resentments flying and everyone deeply suspicious of everyone else's motives (even the ailing Jock doesn't trust J.R.), there's plenty of drama to chew on. Still, storylines are often larger than the sum of these parts, with lots of kidnappings, marital affairs, plane crashes, and shootings ratcheting up suspense. Dallas is pure pleasure, a little guilty, perhaps, but not a sin. --Tom Keogh
Following JACK NICHOLSON's breakout supporting turn in Easy Rider, director BOB RAFELSON (The King of Marvin Gardens) devised a powerful leading role for the new star in the searing character study Five Easy Pieces. Nicholson plays the now iconic cad Bobby Dupea, a shiftless thirtysomething oil rigger and former piano prodigy immune to any sense of responsibility, who returns to his upper-middle-class childhood home, blue-collar girlfriend (Nashville's KAREN BLACK, in an Oscar-nominated role) in tow, to see his estranged ailing father. Moving in its simplicity and gritty in its textures, Five Easy Pieces is a lasting example of early 1970s American alienation. SPECIAL EDITION FEATURES Restored high-definition digital transfer, supervised by director of photography László Kovács, with uncompressed monaural soundtrack Audio commentary featuring director Bob Rafelson and interior designer Toby Rafelson Soul Searching in Five Easy Pieces, a 2009 video piece with Rafelson BBStory, a 2009 documentary about the legendary film company BBS Productions, with Rafelson; actors Jack Nicholson, Karen Black, and Ellen Burstyn; directors Peter Bogdanovich and Henry Jaglom; and others Documentary from 2009 about BBS featuring critic David Thomson and historian Douglas Brinkley Audio excerpts from a 1976 AFI interview with Rafelson Theatrical trailer and teasers PLUS: An essay by critic Kent Jones
The classic from director Barry Levinson, writer Chris Columbus and executive producer Steven Spielberg comes to Blu-rayâ¢. Following the teenage years of Sherlock Holmeswho meets and befriends his future sidekick John Watson during their first semester of boarding schoolthe adventure begins after a series of deaths occur on campus. The groundbreaking Oscar®nominated* special effects includes the very first use of a completely computer-generated character in cinema.
Crammed with astonishing action and fight sequences this enormously successful sequel to The Robe continues the story of Demetrius (Victor Mature), the Greek slave who, after the death of his master, is sentenced to train as a gladiator in the Roman arena. There, his newfound Christian faith is put to the test when he has to contend not only with the swordsmen and wild beasts of the arena, but also the evil and sensuous Messalina (Susan Hayward) and the mad emperor Caligula (Jay Robins...
If a musical sci-fi satire about an alien transvestite named Frank-n-Furter, who is building the perfect man while playing sexual games with his virginal visitors, sounds like an intriguing premise for a movie, then you're in for a treat. Not only is The Rocky Horror Picture Show all this and more, but it stars the surprising cast of Susan Sarandon and Barry Bostwick (as the demure Janet and uptight Brad, who get lost in a storm and find themselves stranded at Frank-n-Furter's mansion), Meat Loaf (as the rebel Eddie), Charles Gray (as our criminologist and narrator) and, of course, the inimitable Tim Curry as our "sweet transvestite from Transsexual, Transylvania". Upon its release in 1975, the film was an astounding flop. But a few devotees persuaded a New York cinema to show it at midnight, and thus was born one of the ultimate cult films of all time. The songs are addictive (just try getting "The Time Warp" or "Toucha Toucha Touch Me" out of your head), the raunchiness amusing and the plot line utterly ridiculous--in other words, this film is simply tremendous good fun. The downfall, however, is that much of the amusement is found in the audience participation that is obviously missing from a video version (viewers in cinemas shout lines at the screen and use props--such as holding up newspapers and shooting water guns during the storm and throwing rice during a wedding scene). Watched alone as a straight movie, Rocky Horror loses a tremendous amount of its charm. Yet, for those who wish to perfect their lip-synching techniques for movie cinema performances or for those who want to gather a crowd around the TV at home for some good, old-fashioned, rowdy fun, this film can't be beat. --Jenny Brown
Sydney Tafler is perfectly cast as a small-time blackmarketeer whose criminal ambitions lead him into new and dangerous territory while starlet Susan Shaw is the girl he is desperate to hold on to – whatever it takes. The feature-length directorial debut of BAFTA nominee Ken Hughes this acclaimed post-war crime drama is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Benny has never made the big time. He's just another petty crook making a poor and precarious living on the black market – and certainly not making enough to satisfy the demands of his girlfriend Molly a lady of expensive tastes. So when presented with the opportunity to try his hand at blackmail Benny leaps at the chance... Bonus Features: Image Gallery
Just before his daughter is to be married, a mild-mannered foot doctor discovers his in-laws are not what they seem...
Maurice Colborne (Gangsters) stars as Tom Howard recently made redundant as an aircraft designer who decides to ply his trade in the world of boats instead; taking the reigns at a run-down local construction yard. A family of considerable wealth and prestige the Howards struggle to come to terms with Tom's decision and the changing circumstances of their lives. Featuring all the episodes from Series 2.
The murder of a palaeontologist at the Natural History Museum opens the new series. The team discovers the victim was a respected but outspoken scientist with a knack for rubbing people up the wrong way - and when it comes out he was strongly opposed to the museum's sponsorship deal with a large fuel company, the cops soon have plenty of suspects.
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