Carol Lipton is a bored housewife who becomes convinced that her next door neighbour has commited a murder. When her sceptical husband Larry rejects the idea Carol turns to a flirtatious friend to help her search for clues. And as their entusiasm for the case grows so does their interest in each other. Spurred on by jealousy - and by a seductive writer who's also excited by the mystery - Larry reluctantly joins the chase only to learn that much more than his marriage is at stake. A
When Doctor Martin arrives for a job interview at a secluded asylum for the incurable insane, he must prove himself by listening to the macabre tales of four inmates and deducing which is the former head of the facility who suffered a breakdown. One of the most chilling anthologies of terror from Amicus starring Peter Cushing, Robert Powell, Herbert Lom and Britt Ekland. Special Features: Audio Commentary with Director Roy Ward Baker and Camera Operator Neil Binney 'Two's a Company': 1972 On-set BBC report featuring interviews with Producer Milton Subotsky, Director Roy Ward Baker, Actors Charlotte Rampling, James Villiers, Megs Jenkins, Art Director Tony Curtis and Production Manager Teresa Bolland Screenwriter David J. Schow on Writer Robert Bloch Fiona Subotsky Remembers Milton Subotsky 'Inside The Fear Factory' Featurette with Directors Roy Ward Baker, Freddie Francis and Producer Max J. Rosenberg Theatrical Trailer Reversible sleeve subtitles for the hearing impaired
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Vault of Death", "The Mighty Atom", "City of Fire" and "The Imposters". Amazon.com
Airport (Dir. George Seaton 1970): Take a non-stop flight with an all-star cast to a world of tension-filled human drama in this trend-setting box office blockbuster. Based on Arthur Hailey's runaway best seller the emotion-charged adventure stars Burt Lancaster as the manager of a glamorous international airport who must juggle personal crisis with professional responsibilities as he attempts to keep his blizzard torn facility open to rescue a bomb-damaged jetliner. The la
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "The Man from MI5", "Cry Wolf", "Danger at Ocean Deep" and "Move and You're Dead".
Over a sixty year career Gerry Anderson created some of the world's most beloved children's television series including Thunderbirds, Stingray, Captain Scarlet, Space:1999, Terrahawks and Space Precinct. In a fitting tribute to this television and film pioneer Gerry Anderson: A Life Uncharted uses a wealth of intimate audio archive combined with cutting-edge AI deepfake technology to allow Gerry to tell his own story on screen for the first time. It is presented here as a brand-new, extended director's cut with additional footage. With exclusive access to previously unpublished interviews alongside new contributions from family, friends and colleagues, this emotionally charged and deeply personal documentary shares the untold stories that defined his life and body of work. From a poverty-stricken childhood, raised by a Jewish father and an antisemitic mother, through a lifetime of personal struggles, this documentary maps Gerry's previously uncharted journey to puppetry pioneer, science fiction master and legendary creator. Product Features Making Of featurette Trailer
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "Edge of Impact", "Day of Disaster", Thirty Minutes After Noon" and "Desperate Intruder".
This is the definitive documentary telling the story of the unique puppetry and animation technique developed by Gerry and Sylvia and their team and deployed in all their programmes throughout the 1960s including Stingray Captain Scarlet and most famously Thunderbirds. Directed and co-produced by Stephen La Rivière and hosted by Lady Penelope and Parker themselves Filmed in Supermarionation is a screen adaptation of his book of the same name and features a wealth of previously unseen archive footage brand new interviews with the surviving casts and crews and clips from the shows themselves. A highlight of the film are ingenious and accurate recreations of the pioneering techniques used in the productions. Bonus Features: Deleted scenes: a selection of material that did not appear in the final documentary. Filming in Supermarionation: filming the effects and puppets for the documentary Special effects reel: an unedited reel of special effects shots created for the documentary Gerry and Sylvia in America: colour footage shot by Barry Gray of Gerry and Sylvia at the 1965 World's Fair in New York Tomorrow's World: full Video Assist report Something for the Children: Sylvia Anderson archive interview Parade: colour behind-the-scenes Thunderbirds footage Lord Mayor & Thunderbird 3 (silent reel)
The true nature of the nefarious Tall Man is revealed in an epic battle between the forces of good and evil. Thirteen years after the original nightmare began, Mike (A. Michael Baldwin) must travel through dark dimensions of time and space to discover his origins and those of his nemesis, the evil Tall Man. With only his loyal friend Reggie (Reggie Bannister) at his side, and the spirit of his dead brother to guide him, Mike must finally confront The Tall Man and his deadly chrome spheres to ...
Thunderbird 6 was the second feature spin-off from the hit Gerry Anderson puppet-animation TV series Thunderbirds, and revolved around a new addition to the line-up of International Rescue's five emergency craft. The plot sees Lady Penelope, Alan, Tin-Tin and Parker as the only passengers on the maiden, round-the-world flight of a futuristic airship, which is hijacked in a bid to capture Thunderbirds 1 and 2. From the moment Alan arrives on a Bond-style jetpack, the film veers away from the TV show into espionage adventure territory, and while the only people International Rescue rescue are their own members, they kill a fair number of baddies. The global tour means there are more locations than ever, and though the story takes a long time developing, the Die Hard-on-an-airship finale delivers the most explosive set piece of Gerry Anderson's career. As for Thunderbird 6, opinion remains divided as to whether it's an ingenious twist or a disappointing gimmick, but the movie's blend of model and live-action footage results in two superbly staged stunt sequences. Predecessor Thunderbirds Are Go (1968) is also available, and the Andersons would make one further feature film, Journey to the Far Side of the Sun (1969). On the DVD: The anamorphically enhanced 2.35:1 ratio image is sharp, full of detail and boasting well-saturated colours, only the briefest moments of damage and some graininess revealing the age of the print. The film was shot in ultra-wide Techniscope, and there are moments were it is very obvious that parts of the original 2.74:1 picture have been cropped at the sides. The mono sound is powerful with no hint of distortion. Extras are the original trailer, galleries of behind the scenes photos and promotional artwork, though the highlight is the highly informative commentary by Sylvia Anderson and director David Lane where they note how they made this film and worked on Captain Scarlet simultaneously.--Gary S Dalkin
The International Rescue team is back in another action packed adventure! The combined efforts of the entire team is at full stretch, they'll need to be on top form with cunning assistance of Lady Penelope and Parker to defeat the ring of terrorist who've targeted International Rescue for destruction! The 2015 remake of the TV series is back on UK screens now, this enduring classic is presented on BluRay for the first ever in the UK.
It travels through space and under the sea - and it can journey anywhere... Intrepid pilot Mike Mercury takes to the skies once more in the first series of Gerry Anderson's Supercar. With Professor Popkissmanning the console and the eccentric Dr. Beaker providing his customary - ah - blend of - em- erudition and genius the stage is set for an adventure series that blends adventure humour and charm in equal measure. Presented here is the entire series of 39 episodes digitally remastered and restored to a superb level of quality. This ground-breaking children's series will appeal to people who Gerry Anderson's other puppet series (Thunderbirds Captain Scarlet Stingray) and archive television fans.
Another successful collaboration between British screen sweetheart Anna Neagle and her director-producer husband Herbert Wilcox My Teenage Daughter stars Neagle as a woman who widowed during the War struggles to keep her infatuated seventeen-year-old daughter out of trouble; Sylvia Syms is the rebellious young woman whose heart defiantly rules her head. Boasting a first-class supporting cast this 1956 drama is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Magazine editor Valerie Carr lives in London with her two daughters – Jan aged seventeen and Poppet thirteen. When Jan is invited to a party at the Savoy she meets dashing young Tony Ward Black – mad about jive owner of a Bentley and supposedly running through a legacy. Attracted to the daring young man she rejects Mark a young farmer who is in love with her. But it soon becomes apparent to everyone but Jan that neither Tony’s fortune – nor even his name – may be his own and her association with him will lead her into delinquency and danger... Special Features: Image Gallery Original Script PDF
There's no director like Jean Rollin, the French horror fantasist who mixes the poetry of Jean Cocteau with the emotionless performances of Robert Bresson in his erotic vampire films. Lips of Blood is one of his best, an Oedipal tale of a young man haunted by visions of a forgotten childhood when he spies a poster of a coastal castle at a party. Jean-Louis Philippe, a hopelessly bland and flat performer, wanders through the deserted piazzas and fountains of his suddenly odd and alien hometown, eerily lit up in the dead of night. He's a man lost in a world where a woman in white silently materialises like a supernatural muse, gunmen appear from the inky-black night, and four naked vampire girls prowl the streets for blood and watch over him like dark angels. It's a tale of blood, sex, and haunting desire full of nudity and death and told in an austere, surreal style born of forced budgetary austerity. Rollin is slipshod with his action scenes and stiff with performers, but once he leaves the confines of the "real" world (where he's oddly uncomfortable) his style creates a trancelike mood to complement the beauty of his poetically macabre vision. The film our hero watches early in the picture is Rollin's own Shiver of the Vampires. --Sean Axmaker
An adaptation of a story by Guy de Maupassant which tells the tale of a young girl on an idyllic country picnic who leaves her family and fiance for a while and embarks on an all to brief romance. Includes discarded takes and screen tests. Shot on location on the banks of two small tributaries of the Seine Renoir's sensuous tribute to the countryside - and to the river - has seldom been surpassed. In its bittersweet lyricism its tenderness and poetic feel for nature its tolera
Punch & Judy Man: Tony Hancock is a melancholy Punch and Judy man trying to establish himself as an important citizen in the seaside town where he works. When his snobbish wife is taught a lesson at an important social event it looks like the British comic genius may just get the new lease of life of which he's always dreamed... (Dir. Jeremy Summers 1963) The Rebel: Tony Hancock portrays a bored city clerk who has ambitions of becoming an artist in France. (Dir. Robert Day 1961)
A star-studded cast heads this Agatha Christie story about the efforts of Hercule Poirot (Peter Ustinov) to fathom the mysterious death of a capricious star in a Mediterranean resort hotel...
Neil's stag night turns into a nightmare when he is flown drugged to a remote Scottish island and left naked and penniless. Now he has only three days to get to London for his wedding...
Drama based on the Catherine Cookson novel which tells the story of a young girl who discovers that her whole life has been based on a lie...
Please Note: Some customers have experienced problems playing this disc on their Wharfdale and Samsung 709 DVD players. We advise that you do not make this purchase if you are unsure of playability. 2065 Marineville. The World Aquanaut Security Patrol (WASP) fight against the evil Titan and the Aquaphibians grotesque undersea warriors in the quest for world peace. WASP's most powerful asset is the sleek and deadly underwater craft STINGRAY captained by Intrepid Troy Tempes
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