Bloody and brutal, the Crusades were meant to be the religious wars to end all others. Except they didn't, their history has been hijacked by politics and religious fervour, with both Muslim and Western world's misunderstanding the truth. This series sets out to shed new light on these legendary wars, and re-analyse the romanticised, idealised history to find out what really happened eight centuries ago. Through archaeological research, fresh scrutiny of the ancient battle sites and by re-examining the eyewitness accounts: this fascinating series presented by Dr. Thomas Asbridge takes us through a sequence of brutal events that define the Crusades and is changing the way we think about these events. Episode 1 Holy War. Traces the epic journey of the first crusaders, as they marched 3,000 miles from Europe to recapture the city of Jerusalem from Islam, enduring starvation, disease and a bloodthirsty battle to reach their sacred goal, and then unleashed an appalling tide of barbaric violence upon their Muslim enemies. Episode 2 - The Clash of the Titans examines the Third Crusade and the two renowned figures who have come to embody Crusader war: Richard the Lionheart, king of England, and the mighty Muslim sultan Saladin, unifier of Islam. Almost perfectly matched as adversaries, these two titans of holy war clashed during a year-long campaign that raged across Palestine. Both were willing to commit appalling atrocities in pursuit of victory and the ultimate prize: Jerusalem. Episode 3 - Victory and Defeat reveals that the outcome of these epic holy wars was decided not on the hallowed ground of Jerusalem, but in Egypt. As trade blossomed between Christians and Muslims and the Mongol hordes arrived from Asia, a saintly French king - afire with crusading zeal - and the most remarkable Muslim leader of the Middle Ages fought for ultimate victory in the East. Asbridge also challenges the popular misconception that the medieval crusades sparked a clash of civilisations between Islam and the West that continues to this day Utterly engaging , The Guardian
A new teen movie co-produced by MTV that stars Julia Stiles as an aspiring ballerina and Sean Patrick Thomas as her hip-hop dancing boyfriend.
In the spy-crazed film world of the 1960s, Len Deighton's antihero Harry Palmer burst onto the scene as an antidote to the James Bond films. Here was a British spy who had a working-class accent and horn-rimmed glasses and above all really didn't want to be a spy in the first place. As portrayed by Michael Caine, Palmer was the perfect antithesis to Sean Connery's 007. Unlike that of his globetrotting spy cousin, Palmer's beat is cold, rainy, dreary London, where he spends his days and nights in unheated flats spying on subversives. He does charm one lady, but she's no Pussy Galore, just a civil servant he works with, sent to keep an eye on him. Eventually he's assigned to get to the bottom of the kidnapping and subsequent "brain draining" of a nuclear physicist, all the while being reminded by his superiors that it's this or prison. Things begin to get pretty hairy for Harry. Produced by Harry Saltzman in his spare time between Bond movies, the film also features a haunting score by another Bond veteran, composer John Barry. --Kristian St. Clair, Amazon.com
When Lady' Sandra Abbott (Imelda Staunton) discovers that her husband of forty years is having an affair with her best friend, she seeks refuge with her estranged, older sister Bif (Celia Imrie). The two could not be more different - Sandra is a fish out of water next to her outspoken, serial dating, free-spirited sibling. But different is just what Sandra needs and she reluctantly lets Bif drag her along to her community dance class, where gradually she starts finding her feet... and romance. In this hilarious and heart-warming modern comedy, a colourful group of defiant and energetic baby boomers' show Sandra that retirement is only the beginning, and that divorce might just give her a whole new lease of life - and love.
In the epic conclusion to the Maze Runner saga, Thomas leads his group of escaped Gladers on their final mission. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all! Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze.
Given that Resident Evil is a Paul Anderson movie based on a computer game which was itself highly derivative (especially of George A Romero and James Cameron films), it's probably unfair to complain that it hasn't got an original idea or moment in its entire running time. In the early 1980s, Italian schlock films such as Zombie Flesh Eaters and Zombie Creeping Flesh tried to cram in as many moments restaged from American originals as possible, strung together by silly characters wandering between monster attacks. This is a much-improved, edited, photographed and directed version of the same gambit. As amnesiac Milla Jovovich remembers amazing kung fu skills and anti-globalist Eric Mabius mutters about evil corporations, a gang of clichéd soldiers with nary a distinguishing feature between them (except for Michelle Rodriguez as a secondary tough chick) are trapped in an underground scientific compound at the mercy of a tyrannical computer--which manifests as a smug little-girl-o-gram--fending off flesh-eating zombies (though gore fans will be disappointed by the film's need to stay within the limits of the 15 certificate) and CGI mutants, not to mention the ever-popular zombie dogs. It's tolerably action-packed, but zips past its borrowings (Aliens, Cube, Deep Blue Sea) without adding anything that future schlock pictures will want to imitate. On the DVD: Resident Evil on disc has the expected trailers, both teaser and theatrical; a half-hour making-of; zombie make-up tests; featurettes on music (with Marilyn Manson), production design and costume. A lively commentary track features Anderson, Jovovich, Rodriguez and producer/zombie Jeremy Bolt--Jovovich upbraids Anderson for talking about different gradings of film stock over her nude scene and everyone else talks about how much she hurt them by punching them out during action sequences. Anderson mentions an alternate commentary track with visual effects designer Richard Yuricich, but it isn't included. --Kim Newman
A young lad finds friendship with a gang of skinheads in this tough and gritty movie from director Shane Meadows.
Bafta-winning TV adaptation of the classic children's novel by Clive King. Barney (Thomas Sangster) is a shy ten-year-old who's spending the summer holidays with his grandparents. One day, while out walking, he is chased by the village bullies and tumbles down an overgrown quarry. There, on the quarry floor, he encounters an apparently humanoid figure with thick shaggy hair and two bright eyes. This creature turns out to be Stig (Robert Tannion), a caveman who is hundreds of thousands of years old. Gradually he and Barney learn to communicate with other. Together they forage through the rubbish dump at the bottom of the quarry, using the things the villagers throw away to improve Stig's cave. So begins a very special friendship, and a tale which has charmed children and adults alike ever since it was first published in 1963.
The hotly anticipated follow up to the UK's most successful comedy film of all time, THE INBETWEENERS 2 sees our favourite foursome visit Australia.
Set in an English stately home in 1932 Robert Altman's award winning film follows the goings on above and below stairs over one busy shooting weekend, culminating in a mysterious murder.
A decade after Zombieland became a hit film and a cult classic, the lead cast (Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and Emma Stone) have reunited with director Ruben Fleischer (Venom) and the original writers Rhett Reese & Paul Wernick (Deadpool) for Zombieland: Double Tap. In the sequel, written by Rhett Reese & Paul Wernick and Dave Callaham, through comic mayhem that stretches from the White House and through the heartland, these four slayers must face off against the many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.
The three films in this Terry Thomas Collection--The Naked Truth, Too Many Crooks and Make Mine Mink--are each an unalloyed delight from beginning to end. Though produced on slim budgets they possess witty scripts by Michael Pertwee, deft direction in two instances by Mario Zampi, inventive music scores and marvellous casts featuring two generations of British actors, from Athene Seyler to a young Kenneth Williams. Individually and as an ensemble these players are a pleasure to watch. But of course Terry Thomas, the catalyst of the collection, runs the gamut with a plethora of facial expressions, body language and verbal repartee that contribute so much to the unbuttoned joy of each film. In the earliest of them, The Naked Truth (1957), TT plays a dodgy peer of the realm being blackmailed in the company of Peter Sellers, Peggy Mount and Shirley Eaton by a gutter press journalist, Dennis Price ("Don't try to appeal to my better nature, because I haven't one"). The moments of slapstick are brought off to a tee as when the larger-than-life Peggy Mount attempts a suicide drop from her window to be saved by an awning on a shop front. Too Many Crooks (1959) has TT being blackmailed once again, this time for the hoards he's stashed away as a renowned tax dodger. Look out for the very funny court scene, where TT makes three appearances on separate charges, before a bemused magistrate, John Le Mesurier. Make Mine Mink (1960), the odd one out in this collection, was adapted from a West End stage farce, Breath of Spring. TT leads a gang of middle-aged biddies who decide to brighten up "the dullness of the tea time of life", by staging a series of robberies on furriers, then donating the proceeds to charitable concerns. The splendid cast includes Hattie Jacques and Kenneth Williams. On the DVD: The Terry Thomas Collection comes in an attractive box containing the three discs. All are 4:3 ratio and with mono sound. The only extras are a trailer for each film which, in the instance of Make Mine Mink, is introduced by Terry Thomas himself, who presents us to his gang of fur thieves as the voice on the soundtrack announces him as "fur, fur funnier than you've seen him before". --Adrian Edwards
A gang of ex-cons - including Kevin Costner, Kurt Russell and Christian Slater - rob a casino during Elvis convention week.
"17 Again" offers the question; what if you could go back and do things a little differently? Well, a man heading nowhere fast wishes exactly that and one morning wakes up as his 17-years-old self with a chance at rewriting history!
In Season 11 of Criminal Minds, the FBI's Behavioral Analysis Unit (BAU) braves a relentless enemy that jeopardizes their professional lives and demands unprecedented personal sacrifices. Tackling a network of cunning, cutthroat hitmen linked by the darknet, special agents Aaron Hotchner (Thomas Gibson), David Rossi (Joe Mantegna), Derek Morgan (Shemar Moore), Jennifer J.J. Jareau (A.J. Cook), Dr. Spencer Reid (Matthew Gray Gubler), technical analyst Penelope Garcia (Kirsten Vangsness), and a new crew member, forensic psychologist Dr. Tara Lewis (Aisha Tyler), delve into the depths of the dark weband put their lives in peril like never before. While taking down other serial killers along the way, the team can never rest easy and they pay a price from which there's no coming back. The twists keep unraveling in all 22 spine-tingling episodes, proving that when you face the worst of the worst, the BAU is the best of the best.
A decade after Zombieland became a hit film and a cult classic, the lead cast (Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and Emma Stone) have reunited with director Ruben Fleischer (Venom) and the original writers Rhett Reese & Paul Wernick (Deadpool) for Zombieland: Double Tap. In the sequel, written by Rhett Reese & Paul Wernick and Dave Callaham, through comic mayhem that stretches from the White House and through the heartland, these four slayers must face off against the many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.
Decades after the first, fateful encounters between elite American forces and the extra-terrestrial Predators who hunt humans for honour and sport, Special Forces Captain Quinn McKenna (Boyd Holbrook) encounters a Predator marooned in the Mexican wilderness. But soon after the captive Predator becomes the centrepiece of a top-secret study under evolutionary biologist Casey Brackett (Olivia Munn), a deadly new breed of Predator arrives on Earth, with plans that could threaten the entire planet's future. Now Brackett, McKenna, his son, and a squad of military misfits have to band together to fend off both the alien threat and a human conspiracy - making surprising allies in the process.
Kathryn and Sebastian, two wealthy, manipulative teenage stepsiblings from Manhattan's uppercrust, conspire in Cruel Intentions, a wickedly entertaining tale of seduction and betrayal.
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