ALL THREE FILMS IN STUNNING 4K Experience one of the most popular movie series of all time like never before with Back to the Future: The Ultimate Trilogy ! Join Marty McFly (Michael J. Fox), Doc Brown (Christopher Lloyd) and a time traveling DeLorean for the adventure of a lifetime as they travel to the past, present and future, setting off a time-shattering chain reaction that disrupts the space-time continuum! From filmmakers Steven Spielberg, Robert Zemeckis and Bob Gale, this unforgettable collection features hours of bonus features and is an unrivalled trilogy that stands the test of time. BONUS FEATURES OVER ONE HOUR OF ALL-NEW BONUS The Hollywood Museum Goes Back To The Future Back To The Future: The Musical Behind The Scenes An Alternate Future: Lost Audition Tapes Could You Survive The Movies? Back To The Future PLUS Tales From The Future: 6-Part Documentary The Physics of Back To The Future Deleted Scenes Michael J. Fox Q&A 8 Archival Featurettes Behind The Scenes Footage Music Videos Audio Commentaries Back To The Future: The Ride Doc Brown Saves The World! (Short Film) OUTATIME: Restoring the DeLorean And Much More!
A.I. ARTIFICIAL INTELLIGENCE is the story of David (Haley Joel Osment), the first mecha (a futuristic term for a mechanized human being) designed with the ability to love. A couple whose son is in a coma "adopts" David to help them recover from their loss. Naturally, things do not go as planned, and David is forced to leave the mother (Frances O'Connor) he's been "imprinted" to love, and make his way in the world. Traveling with Teddy, a hi-tech stuffed bear, David escapes the Flesh Fair, where angry humans destroy mechas to "purge artificiality," and unexpectedly befriends Gigolo Joe (Jude Law in a wry performance), a robot designed to pleasure women. Joe agrees to help David in his quest to become human.Director Stanley Kubrick originally developed A.I., at one point asking Spielberg to direct it. When Kubrick passed away, Spielberg took the reins. Using a treatment and thousands of drawings commissioned by Kubrick, Spielberg wrote his own screenplay (his first since 1979's CLOSE ENCOUNTERS OF THE THIRD KIND). Osment, perhaps the only pre-teen actor who can effectively convey existential angst, gives a marvelous performance, helping Spielberg create a gorgeous futuristic fairy tale that questions the very nature of what we call life.
Tautly directed and superbly photographed, this crowd-pleasing thriller from 1997 is indebted to Steven Spielberg's Duel but more closely resembles Dead Calm in its strengths and weaknesses. Kurt Russell plays a stressed-out husband whose wife (Kathleen Quinlan) disappears after their car breaks down in the desert. Tracking down her whereabouts leads to an interstate theft and kidnapping ring, and as Russell pursues--and is pursued by--a vicious redneck played to perfection by J T Walsh (in one of his final film roles), the movie succumbs to several tense but utterly conventional action sequences. That doesn't stop the movie from being an above-average nail-biter. It is so effectively directed by co-writer Jonathan Mostow that even the more surreal situations seem plausible and altogether unsettling. Russell's performance is key to the film's success--he's smart enough to be admirable and we can readily identify with his frustration, confusion and torment. Through him, Breakdown takes on the edgy quality of a wide-awake nightmare. --Jeff Shannon
Morgan Freeman and Gene Hackman star in this crime mystery about a police captain investigating an attorneys claim that he stumbled across the body of a twelve year old girl while walking his dog.
Not to be confused with the various retellings of Poe's famous tale, Black Cat is a high-octane Hong Kong action thriller that provides a hugely entertaining pre-curser to the likes of Tarantino's Kill Bill Vol 1 (2003) and south Korean cult classic, The Villainess (2017). When Catherine (Jade Leung), a mentally disturbed young woman, is detained by the police after accidentally killing a truck driver, she finds herself part of a covert training system. Programmed as an assassin, having learned a host of new deadly skills, she becomes a lethal government weapon, codenamed Black Cat. Director Steven Shin (Brotherhood, Easy Money, Black Cat 2), had initially intended to make a straight up remake of Luc Besson's La Femme Nikita (1990) but when Disney bought out the rights he was forced to rethink. His solution was Black Cat, a slick, action packed gun toting thrill ride. Features: Stunning New 2K Restoration presented in original 1.85:1 Aspect Ratio 2.0 English Mono 2.0 Cantonese Mono with English Subtitles 2.0 Cantonese Mono with English SDH Audio commentary with Asian cinema experts Mike Leeder and Arne Venema Audio commentary with Asian cinema expert Frank Djeng Interview with Actress Jade Leung English opening and closing Original Hong Kong Trailer English Trailer Newly-Reconstructed Trailer Tai Seng Reconstruction Trailer Reversible sleeve with HK poster art
Part of what was touted as a late-1980s revival of Westerns (and you can see how long that lasted), this good-looking, empty-brained film was like a spurs-and-chaps version of a Joel Schumacher movie, filled with pretty faces, prettier imagery, and absolutely no new ideas. Young Guns sees an idiotically grinning Emilio Estevez cast as Billy the Kid, who slowly accumulates a gang of Brat Pack buddies (Lou Diamond Phillips, Kiefer Sutherland, Dermot Mulroney) and fashions them into a group of male models with six-guns. The action is confused and the script is trite, though Terence Stamp is intriguing as the old reprobate who helps the gang get its act together. This is followed by an even worse sequel. --Marshall Fine
Stalingrad - a name forever associated with the horrors of war at their most unimaginable and traumatic. Survivors from both sides describe their harrowing experiences and provide some of the last eyewitness accounts that will ever be recorded. Gripping reports from people close to the Center of power alternate with these moving testimonies. Particularly chilling are excerpts from 8 mm films shot by soldiers during the siege. Russian archives opened their doors to the filmmakers granting them exclusive access to documents and rare footage of Stalingrad. Archival film was digitally restored and scanned in HD with some colouration of b/w material. Finally 3-D animation helped recreate the city of Stalingrad and document its destruction in the course of the trilogy.
Getting back was only the beginning. A visit by Marty and Doc Brown to the year 2015 seems to resolve a few problems with the future McFly family. However when they return home they discover someone has tampered with time and Hill Valley 1985; they must once again get back to 1955 to save their future.....
When it was released in 1994 Four Weddings and a Funeral quickly became a huge international success, pulling in the kind of audiences most British films only dream of. It's proof that sometimes the simplest ideas are the best. In terms of plot, the title pretty much says it all. Revolving around well, four weddings and a funeral (though not in that order), the film follows Hugh Grant's confirmed bachelor Charles as he falls for visiting American Carrie (Andy McDowell), whom he keeps bumping into at various functions. But with this most basic of premises, screenwriter Richard Curtis has crafted a moving and thoughtful comedy about the perils of singledom and that ever-elusive search for true love. In the wrong hands, it could have been a horribly schmaltzy affair, but Curtis' script--crammed with great one-liners and beautifully judged characterisations--keeps things sharp and snappy, harking back to the sparkling Hollywood romantic comedies of the 1930s and 1940s. The supporting cast, including Kristin Scott Thomas, Simon Callow and Rowan Atkinson (who starred in the Curtis-scripted television show Blackadder) is first rate, at times almost too good--John Hannah's rendition of WH Auden's poem "Funeral Blues" over the coffin of his lover is so moving you think the film will struggle to re-establish its ineffably buoyant mood. But it does, thanks in no small part to Hugh Grant as the bumbling Charles (whose star-making performance compensates for a less-than-dazzling Andie MacDowell). Though it's hardly the fault of Curtis and his team, the success of the Four Weddings did have its downside, triggering a rash of inferior British romantic comedies. In fact, we had to wait until 1999's Notting Hill for another UK film to match its winning charm (scripted, again, by Curtis and also starring Grant). --Edward Lawrenson
The Expanse is a thriller set two hundred years in the future, after mankind has colonised the solar system. A hardened detective (Thomas Jane) and a rogue ship's captain (Steven Strait) come together for what starts as the case of a missing young woman and evolves into a race across the solar system to expose the greatest conspiracy in human history. Includes subtitles for the Hard Of Hearing
The Expanse is a thriller set 200 years in the future, after mankind has colonized the solar system. A hardened detective (Thomas Jane) and a rogue ship's captain (Steven Strait) come together for what starts as the case of a missing young woman and evolves into a race across the solar system to expose the greatest conspiracy in human history.
Disney scored an unexpected hit with this goofy live-action remake of Jay Ward's Saturday-morning cartoon, a zippy Tarzan parody with topical references and absurd gags. Disney's big-screen version, George of the Jungle starring Brendan Fraser as the sweet, hopelessly inept jungle hero, puts the emphasis on slapstick and silly fun. The klutzy hero, still swinging into trees and stray boulders, saves a lost Los Angeles socialite (Leslie Mann) on safari and, completely smitten, leaves behind his tree-house home and simian best friend (an Oxford-accented ape voiced by John Cleese) to accompany the socialite back to the concrete jungle of LA, much to the frustration of her conniving fiancé (Thomas Haden Church). Fraser's enthusiastic performance enriches our hunky hero with endearing innocence and energetic pluck. The humour is spotty and consistently more juvenile than the original cartoon, but the unending parade of visual gags (including George's pet elephant Shep, transformed into an overexcited six-tonne puppy by inventive digital effects) keeps the tone light, frothy and winningly fun. --Sean Axmaker
During the early days of World War II, with the fall of France imminent, Britain faces its darkest hour as the threat of invasion looms. As the seemingly unstoppable Nazi forces advance, and with the Allied army cornered on the beaches of Dunkirk, the fate of Western Europe hangs on the leadership of the newly-appointed British Prime Minister Winston Churchill (Academy Award nominee Gary Oldman). While maneuvering his political rivals, he must confront the ultimate choice: negotiate with Hitler and save the British people at a terrible cost or rally the nation and fight on against incredible odds. Directed by Joe Wright, DARKEST HOUR is the dramatic and inspiring story of four weeks in 1940 during which Churchill's courage to lead changed the course of world history.
Made-for-television film adaptation of Edith Nesbit's classic novel. When their father (Michael Kitchen) is imprisoned after being falsely accused of spying young Bobbie Peter and Phyllis are forced to move to Yorkshire with their mother (Jenny Agutter who played Bobbie in the 1968 film version). The local railway provides a useful focus for them and they strike up a friendship with an elderly gentleman (Richard Attenborough) who vows to help them prove their father's innocence
In this critically acclaimed and award winning duo of films, The Inbetweeners boys Will, Simon, Jay & Neil go on a lads holiday to Malia for two weeks of sun, sea and, who knows, maybe even some sex. Then the guys travel to Australia to meet up with Jay on his mental gap year where there's singing round the camp fire, disgrace at a water park and a trip into the outback... will they survive?
A young lad finds friendship with a gang of skinheads in this tough and gritty movie from director Shane Meadows.
During the early days of World War II, with the fall of France imminent, Britain faces its darkest hour as the threat of invasion looms. As the seemingly unstoppable Nazi forces advance, and with the Allied army cornered on the beaches of Dunkirk, the fate of Western Europe hangs on the leadership of the newly-appointed British Prime Minister Winston Churchill (Academy Award nominee Gary Oldman). While maneuvering his political rivals, he must confront the ultimate choice: negotiate with Hitler and save the British people at a terrible cost or rally the nation and fight on against incredible odds. Directed by Joe Wright, DARKEST HOUR is the dramatic and inspiring story of four weeks in 1940 during which Churchill's courage to lead changed the course of world history.
This digitally re-mastered version of the classic World War 2 film tells the story of the Battle of Arnhem of 1944. The film was produced in 1945 and is unique amongst War films in that it was filmed entirely without the use of studios or sets or actors. The film cleverly weaves original footage with re-enactments shot on location in Arnhem featuring the men from the Airbourne Regiment who actually fought in the Battle. After sweeping through France and Belgium in the summer of 1944 the allies were poised to enter Holland. Field Marshall Montgomery favoured a single thrust north over the Rhine to attack the Ruhr with the aim of winning the War by the end of 1944. To achieve their objective the allies launched Operation Market Garden on 17th September 1944 but from the start the plan ran into difficulties. The paratroopers encountered fierce German resistance and suffered heavy casualties before finally being withdrawn in 9 days later. This film is a tribute to every man who fought at Arnhem and an everlasting memorial to those who gave their lives.
Blake's 7 was the hit BBC space opera launched in the wake of Star Wars, though with a grittier sensibility and produced on a fraction of the budget. Over 13 episodes the first series introduced freedom-fighter Blake (Gareth Thomas) as he escaped from the Orwellian Federation, gathered a crew of low-life rebels, salvaged an alien starship called the Liberator, and began striking back against the forces of Supreme Commander Servalan (sultry Jacqueline Pearce). The effects were cheap, and alien planets were represented by a disused quarry or an industrial complex, but the strong characters and cynical storylines created by Doctor Who veteran Terry Nation remain involving. The perfect foil for Blake was Paul Darrow's Avon, a near psychopathic criminal mastermind who only fought to save his skin. The cowardly Vila (Michael Keating) was almost as memorable, while the female leads were Jenna (Sally Knyvette), a smuggler and pilot, and determined Auron telepath Cally (Jan Chappell). Also on board was Gan (David Jackson), inhibited from violence by a brain implant. With even the good guys being criminals, including murderers, this was a galaxy far, far away from previous screen space opera. Though undeniably dated, the show is still vintage TV SF, right from the opening three-parter "The Way Back / Spacefall / Cygnus Alpha" to the cliff-hanging shocker "Orac", which introduces the final member of the un-magnificent seven. On the DVD: Blake's 7, Series 1 presents the 13 episodes across five DVDs so as to maximise picture quality. Following the BBC's Doctor Who DVDs the 4:3 images are as strong as one could expect from a 1970s TV show shot partly on video (interiors) and 16 mm film (exteriors). Film shots have some grain and vary considerably in quality while the video material shows occasional minor tearing and flaws in the tape. Otherwise these are as good as Blake's 7 is ever going to look. The same is true of the mono sound, which is clear and undistorted. Each DVD is introduced with a CGI reincarnation of the series' famous logo and three episodes are offered with a commentary. These are "Spacefall" (Sally Knyvette, Michael Keating and producer David Maloney), "Seek-Locate-Destroy" (Keating, Jacqueline Pearce and Stephen Greif) and "Project Avalon" (Knyvette, Pearce and Greif). The chat ranges from high-school reunion playfulness, including singing the title music, to some more serious insights into making the show, to an amusing running debate as to whether Glynis Barber appears in "Project Avalon". Other extras are "2 out takes, a missing scene, 1 robot, 2 flat feet and a blooper". These are exactly what they say: an extract from Blue Peter in 1978 with Lesley Judd making a Blake's 7 bracelet; nine clip compilations introducing the main characters; a synopsis for each episode; and a trailer for the Series 2 DVDs. --Gary S Dalkin
In this critically acclaimed and award winning duo of films The Inbetweeners boys Will Simon Jay & Neil go on a ‘lads’ holiday to Malia for two weeks of sun sea and who knows maybe even some sex. Then the guys travel to Australia to meet up with Jay on his mental gap year where there’s singing round the camp fire disgrace at a water park and a trip into the outback… will they survive? Bonus Features: The Inbetweeners Movie: The Making Of Joe Thomas Dangerman Things We Did Instead of Rehearsing Deleted Scenes Bloopers London Premiere Skye Premiere Sims™ Parody The Inbetweeners 2: Audio Commentary with writer / directors Iain Morris & Damon Beesley Audio Commentary with Simon Bird James Buckley Blake Harrison & Joe Thomas Behind the Scenes Featurette Deleted Scenes Blooper Reel
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