Academy Award winning director and master storyteller James Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic.
Tom Selleck stars as Jimmie Rainwood an average citizen and hardworking honest man whose life becomes a living nightmare when he is framed by a pair of crooked cops and sent to prison for a crime he did not commit. Unable to prove his innocence he is thrown into a maximum security prison with a bunch of sadistic thugs and forced to endure dangerous subhuman conditions. During his incarceration Jimmy takes a crash course in prison survival from fellow inmate Virgil Cane (F. Murray
James Cameron's 1989 aquatic epic The Abyss was, quite literally, a watershed in the annals of filmmaking: not only was it the first (and only) movie to be shot almost entirely underwater, in the largest tank ever used for a movie set, and to use live dialogue from specially designed headsets, it also pushed forward the boundaries of computer animation in one gigantic leap. The famous water tentacle sequence is now regarded as the defining moment when CGI came of age; ironically perhaps, its very success has ensured that the punishing realism of the setting, which is the best thing about the movie, is likely never to be attempted again. But the impressive technical aspects aside, is the movie any good? Granted it contains any number of striking moments, from forcing a rat to breathe liquid (it really works, apparently) to resurrecting a drowned Mary Elizabeth Mastrantonio. But the story is a slim one for the running time, especially in the extended Special Edition version which plays almost half an hour longer than the theatrical cut and contains a completely excised subplot featuring much too much heavy-handed moralising: "How all the world can stop fighting and learn to get along with each other", by James Cameron esq. All you need is love, apparently. Here is one rare example of the theatrical cut being preferable to the director's. Now, if only he had cut the love story from Titanic too On the DVD: The Abyss Special Edition two-disc set has plenty of neat extra features, but is let down a little by the non-anamorphic 2.35:1 letterboxed picture. Sound, on the other hand, is vivid THX mastered Dolby 5.1. Happily, the first disc contains both the original theatrical cut and the extended special-edition version. There's a reasonably informative though inevitably rather dry text-only commentary. The principal extra on Disc 2 is a 60-minute documentary, "Under Pressure", with retrospective interviews in which cast and crew detail the extraordinary challenges involved in making the film, and more than one near-death experience. In addition there's the complete screenplay, various different pieces on the effects sequences, storyboards, artwork, DVD-ROM features--in short, plenty to keep even jaded DVD enthusiasts amused for hours. The menu interfaces for both discs are a treat and the set comes with a good 12-page booklet. --Mark Walker
In the Bronx neighborhood of Five Corners, 1964, change is in the air and unrest is in the streets. Two teenage girls are given away to a pair of delinquents; a high school teacher is shot in the back with an arrow on the way to school, and psychotic Heinz (Turturro) is released from jail only to return to stalking the object of his obsession, Linda (Foster). Fearing for her safety, Linda turns to Harry (Robbins), who previously helped put Heinz in jail. Harry soon finds himself in a morally compromising situation where violence might be the only solution. Product Features High-Definition Transfer Audio Commentary with Mike McPadden Optional English SDH Subtitles Still Gallery Trailer
A young psychotic man returns to his old neighbourhood after he is released from prison. He seeks the young lady he previously tried to rape and the young man who protected her.
A young psychotic man returns to his neighborhood after release from prison. He seeks the young lady he previously tried to rape and the young man who protected her with twisted ideas of love for her and hate for him.
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