Scanners (Dir. David Cronenberg 1981): Cameron Vale is living on the fringe of society self-induced due to his telepathic ability to read other people's minds. Darryl Revok has the same condition and is the head of an underground association of so-called Scanners that want world domination. When Vale is taken to Dr Paul Ruth as a result of supposed insanity he's enlisted into a program that will involve him in a battle against his fellow Scanners. Scanners 2 - The New Order (Dir. Christian Duguay 1991): In order to take over the city corrupt police commander Forrester intends to use a telepathic breed of human Scanners. To control the Scanners Forrester enlists the help of evil scientist Dr Morse who wants to conduct mind control experiments on the Scanners with a new drug. Unfortunately the side effects render the Scanners incapable so Forrester finds David Kellum a good rational Scanner who unaware of his own powers agrees to work with him. Scanners 3 - The Takeover (Dir. Christian Duguay 1992): A young lovable Scanner with extraordinary telepathic powers transforms into a murderous megalomaniac after taking one of her father's experimental drugs. After taking over his pharmaceutical drugs company the deranged Scanner runs amok on a killing spree and takes over a television company in her quest for world domination. Will her Scanner brother fresh from a spell in a Thai Monastery have the power to stop her?
Quietly tucked away in a car-collection garage, Brum is only conspicuous by his size. When the owner turns his back at the start of the day however, Brum blazes into action; ready to fight crime and do good deeds in the "big town". TV has tried lots of ideas with cars that think for themselves, but never managed to convey the charm that this series offers. Whether it's thwarting the escape of some naughty bank robbers, or saving a newlywed bride who inadvertently steps on a runaway skateboard, the little car with the big heart is always the perfect gentleman. Each episode sets up a crime to solve or dilemma to resolve, and by way of handy ramps and elevators, Brum is cheerily applauded and waved at by the town's residents. Every so often there's an outburst of song that will unite good guys and bad guys alike, and then there's always the sing-along at the end to look forward to. Warning to parents: expect a look of abject disappointment on the face of the tot who discovers their toy cars won't do any of the tricks on TV. --Paul Tonks
Horror meets the hood in Rusty Cundieff's politicallycharged horrorcomedy anthology series. Stories of abuse, corruption and racism towards the AfricanAmerican community are given the horror film treatment, as an eccentric funeral director attempts to deter a gang of drug dealers from a life of crime. Executiveproduced by Spike Lee, this cult horror favourite is presented alongside its 2018 sequel, which reunites the original creative team for more tales of terror.
Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind.
Director Ridley Scott's new cut of his 1979 sci-fi classic about a lifeform that is perfectly evolved to annihilate mankind. In space no-one can hear you scream.
Ice Cube stars in this new ensemble comedy set around a day in the life of a South Side Chicago barbershop.
Nowadays, the word "event" is thrown around all too often when describing television programmes, but back in 1983 the debut of V: The Mini Series was a television event in the truest sense. The appearance of gigantic flying saucers over the world's largest cities heralds the arrival of aliens from a distant galaxy who look human and act benevolently. Of course, things aren't exactly what they seem, and when some suspicious humans start to question the visitors' intentions they uncover a vast alien conspiracy, along with some unusual culinary habits. Soon, the visitors have enslaved the Earth under their fascist rule, and small groups of human rebels are forced underground to fight for the freedom of their entire species. But with the future of the planet still in question the epic story comes to an abrupt end, forcing the viewer to wait for the resolution in V: The Final Battle and the on-going series. That's not to say that the original V isn't worth the price of admission: in over three hours, it manages to capture the spirit of the great classic science fiction of the 1950s and 60s. The feeling of paranoia and insecurity that runs throughout the whole thing makes it feel, at times, like an expanded episode of The Twilight Zone, only shinier (hey, it was the 1980s). The special effects were impressive for their day, inspiring similarly themed films in the 90s (the gigantic flying saucers were seen again in Independence Day, and the storage area of the mothership turns up in The X Files Movie and The Matrix). What does irritate, however, is the utter lack of subtlety in the allegorical storyline. In fact, it could only have been made more obvious by demanding that the entire cast wear "This is how it was in 1930s' Germany" t-shirts. But if V occasionally doesn't live up to its own high standards, it's still a remarkably high-quality slice of epic television drama. On the DVD: The picture is an impressive widescreen 1.85:1 ratio and the soundtrack is adequate Dolby stereo. The DVD boasts a feature-length commentary by writer and director Kenneth Johnson, as well as a 25-minute "Behind the Scenes" documentary. --Robert Burrow
The Alien Quadrilogy is a nine-disc box set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here the films have been repackaged with vastly more extras and with upgraded sound and vision. For anyone who hasn't been in hypersleep for the last 25 years this series needs no introduction, though for the first time each film now comes in both original and "Special Edition" form. Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 Director's Cut is fiddling for the sake of it. Watch once then return to the majestic, perfectly paced original. Conversely the Special Edition of James Cameron's Aliens (1986) is the definitive version, though it's nice finally to have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered and finished-off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to the story. The ending is also subtly but significantly different. Alien Resurrection (1997) was always a mess with a handful of brilliant scenes, and the Special Edition just makes it eight minutes longer. On the DVD: Alien Quadrilogy offers all films except Alien3 with DTS soundtracks, the latter having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here--and there are subtitles for hard of hearing both for the films and the commentaries. Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented at 4:3 with clips letterboxed), thousands of photos, production stills and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including a Channel 4 hour-long documentary and even all the extras from the old Alien laserdisc. Exhaustive hardly beings to describe the Alien Quadrilogy, a set which establishes the new DVD benchmark for retrospective releases and which looks unlikely to be surpassed for some time. --Gary S Dalkin
A pilot lands work for the CIA and as a drug runner in the south during the 1980s. Click Images to Enlarge
Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind.
Quietly tucked away in a car-collection garage, Brum is only conspicuous by his size. When the owner turns his back at the start of the day however, Brum blazes into action; ready to fight crime and do good deeds in the "big town". TV has tried lots of ideas with cars that think for themselves, but never managed to convey the charm that this series offers. Whether it's thwarting the escape of some naughty bank robbers, or saving a newlywed bride who inadvertently steps on a runaway skateboard, the little car with the big heart is always the perfect gentleman. Each episode sets up a crime to solve or dilemma to resolve, and by way of handy ramps and elevators, Brum is cheerily applauded and waved at by the town's residents. Every so often there's an outburst of song that will unite good guys and bad guys alike, and then there's always the sing-along at the end to look forward to. Warning to parents: expect a look of abject disappointment on the face of the tot who discovers their toy cars won't do any of the tricks on TV. --Paul Tonks
The discovery of a dead female staffer in a White House restroom galvanizes a D.C. homicide cop (Wesley Snipes), but the results aren't hard to predict: the crime implicates the Oval Office, the presidential bureaucracy impedes the investigation, and so on. What isn't so predictable is that the whole thing leads to an improbable climax involving secret tunnels created by Abraham Lincoln. (Snipes's character, by the way, is a Civil War buff.) The creaky mystery feels a little anachronistic from the get-go, with some particularly corny and laughable dialogue. --Tom Keogh
When Harry Potter's name emerges from the Goblet of Fire he becomes a competitor in a grueling battle for glory among three wizarding schools - the Triwizard Tournament. But since Harry never submitted his name for the Tournament who did? Now Harry must confront a deadly dragon fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named. In this fourth film adaptation of J.K. Rowling's Harry Potter series everything changes as Harry Ron and Hermione leave childhood forever and take on challenges greater than anything they could have imagined.
Director Ridley Scott's new cut of his 1979 sci-fi classic about a lifeform that is perfectly evolved to annihilate mankind. In space no-one can hear you scream.
Set Comprises: Alien (1979): Alien is the first movie of one of the most popular sagas in science fiction history and introduces Sigourney Weaver as Ripley the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begins when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery a life form that breeds within a human host. Now the crew must fight not only for its own survival but for the survival of all mankind. Aliens (1986): In this action-packed sequel to Alien Sigourney Weaver returns as Ripley the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism until the mysterious disappearance of colonists on LV-426 lead her to join a team of high-tech colonial marines sent in to investigate. Personally supervised by director James Cameron this special edition includes scenes eliminated prior to the film's 1986 release which broaden the narrative scope and enrich the emotional impact of the film.
Forrest Gump is the movie triumph that became a phenomenon. Tom Hanks gives an astonishing performance as Forrest an everyman whose simple innocence comes to embody a generation. Winner of six Academy Awards including Best Picture Best Director (Robert Zemeckis) and Best Actor (Tom Hanks).
Three side-splittingly funny comedies including Anger Management Groundhog Day and So I Married An Axe Murderer. Anger Management: Dave Buznik (Adam Sandler) is usually a mild-mannered non-confrontational guy. But after an altercation aboard an airplane he is remanded to the care of anger management therapist Dr. Buddy Rydell (Jack Nicholson) who could probably use some anger management himself. Now Dave is really mad! Groundhog Day: Bill Murray is at his wisecracking best in this riotous romantic comedy about a weatherman caught in a personal time warp on the worst day of his life! Teamed with a relentlessly cheery producer (Andie MacDowell) and a smart aleck cameraman TV weatherman Phil Connors (Bill Murray) is sent to Punxsutawney Pennsylvania to cover the annual Groundhog Day festivities. On his way out of town Phil is caught in a giant blizzard - which he himself actually failed to predict - and finds himself stuck in a small town hell. Just when things couldn't get worse they do! Phil wakes the next morning to find that it's Groundhog Day all over again. And again. And again. During the recurring 24 hour nightmare Phil starts to realise that he can also use it to his advantage; to re-write the events of his day and to generally have a whale of a time. But manipulating his day to capture the one woman he really wants is not quite so easy... So I Married An Axe Murderer: Charlie Mackenzie (Mike Myers) is a love-shy poet living in San Francisco who frequents neighborhood coffee houses reciting his tortured odes to unrequited love. Burned by a string of failed relationships Mackenzie's fear of commitment has intensified into outrageous extremes of paranoia. When he finds himself falling for the sweet-faced butcher (Nancy Travis) at his local meat shop he sees it as a final chance for love to overcome his painful cynicism. Feeling he has squelched his nagging fears Mackenzie marries the woman. But his anxiety quickly manifests itself in the conviction that his wife is actually an infamous axe murderer whose antics are described in juicy detail in each week's issue of the Weekly World News...
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