After a series of apparently motiveless murders are committed in New York detective Peter Nicholas (Tony Lo Bianco) discovers that an altogether sinister force links all the atrocious acts...
The complete first series of this hugely successful television series starring John Thaw as the legendary Jack Regan and Dennis Waterman as sidekick George Carter. This is first of four box sets featuring all 13 episodes from series 1. Most of these episodes are new to DVD and 2 episodes have never been previously released on any format. Episodes comprise: 1. Ringer 2. Jackpot 3. Thin Ice 4. Queen's Pawn 5. Jigsaw 6. Night Out 7. The Placer 8. Cover Story 9. Golden Boy 10. Stoppo Driver 11. Big Spender 12. Contact Breaker 13. Abduction
Complete Series Two
It is possible that Black Sabbath enjoy a higher global profile now that at any point in the group's long history. This, of course, is largely due to singer Ozzy Osbourne's undignified but profitable decision to allow MTV to portray him as a sort of heavy metal Grandpa Simpson. Possibly as a result of his immense celebrity, Osbourne didn't find the time to be interviewed for this retrospective documentary. However, Tony Iommi, Geezer Butler and Bill Ward are on hand to provide a telling of events which, while never as entertaining as Osbourne's familiar routine, is at least more coherent. Osbourne is irrepressibly present in the archive performance footage collected here, shot at various points between 1970 and 1978. The early stuff is especially interesting, proving beyond doubt that Sabbath--whether they realised it or not--had much more in common with the prototypical punks like The Stooges and the MC5, who were then starting to make waves in America, than they have with the uncountable long-haired and leather-trousered heavy metal bozos who have attempted to fill Sabbath's shoes since. On the DVD: The Black Sabbath Story is presented in widescreen. Sound is available in Dolby 5.1 Surround or Dolby Digital. The menu of extras is a little confusing to negotiate, but includes further interviews with band members, a gallery of Sabbath albums, and a long re-telling of Sabbath's very early history by former manager Jim Simpson.--Andrew Mueller
Jungle Book Rudyard Kipling's classic tale of the little boy who lives in the animal kingdom is a well-loved and enchanting tale that teaches honour and respect for all creatures. The Adventures Of Moby Dick There is nothing fishy about this tale - it's pure excitement from start to finish. A classic story with some new characters and some great sea songs too. Black Beauty This time-honoured tale follows a beautiful ebony horse on his journey through the ro
Complete Series 1
He came from outer space to save the human race. Part documentary part music film part sci-fi The Nomi Song is a 'non-fiction film' or maybe even an oral history. It's not just the tale it's the telling. But it is also visual partly because Klaus himself was so visual someone who's main concern was putting forth an image of himself in everything he did - literally illustrated by the photos films videos and artworks that go with it and featuring many never before seen live performances. However there are also the images that the stories conjure up images that no actual picture could capture that emerge out of impressions memories and even exaggerations fermenting in somebody's brain for twenty years. It's like a novel with a whole cast of characters and supporting players - revealing themselves as much as (and sometimes more than) they do Klaus - with subplots background stories flashbacks and contradictions.
The Screaming Skull: A scheming husband tries driving his wife to suicide so he can get his hands on her money. Eric marries Jenni a wealthy woman who was once institutionalized because of mental problems. The couple goes to live in a mansion that Eric inherited after the strange death of his first spouse. Soon mysterious things start happening at the estate that cause Jenni great emotional distress. What she doesn't know is that her husband wants her to go mad... and has b
In 'Relic Hunter' Tia Carrere plays Sydney Fox a risk-taking globe-trotter on a mission to recover precious items from the past. It's a dangerous business. Greedy rivals lethal opposition sometimes even the relics themselves make Sydney's life a whirlwind of adrenalin fuelled adventure! Episode titles: Eyes of Toklamanee Run Sydney Run M.I.A Don't Go into The Woods French Connection
Live By Request is a tribute concert, filmed for television in 1998, to celebrate the 50th anniversary of the first time Tony Bennett adorned a ballad. He is, of course, worthy of the tribute. Bennett remains a singer blessed with an immense, understated charm, and with the obvious exception of Sinatra himself, nobody has ever done this kind of thing better. Bennett looks like he's having a whale of a time throughout this recording, but the fun doesn't necessarily translate as well to the viewer at home. There's simply not enough here of Bennett doing what he has become famous for. Of the 16 songs featured, two are sung by other people (Clint Black performs "Cold, Cold Heart", Natalie Cole sings "Smile") and one is blighted by a duetting Muppet (an altogether unnecessary Elmo on "Little Things"). A great deal more time is taken up by pre-recorded tributes by an army of fellow entertainers (Elvis Costello, Kiss, George Clooney, Cameron Diaz, Madonna, Sting, among many others). While doubtless hugely gratifying if you are, in fact, Tony Bennett, the likelihood is that the overwhelming majority of people expected to buy this won't be. On the DVD: Live By Request includes Dolby Digital and PCM Stereo sound options. The menus enable the viewer to select individual songs or, should they wish to, individual celebrity tributes to Bennett. The only bonus features are a none-too-enthralling selection of still photographs of Bennett and links to a few officially sanctioned Web sites. --Andrew Mueller
Another series from Lew Grade's ITC stable, The Protectors attracted high ratings on both sides of the Atlantic when screened during 1971-3. Combining the high-tech ingenuity of Mission: Impossible with the glamour of The Champions, the basic premise of jet-setting special agents going where governments fear to tread is typical of its era. As Harry Rule, Robert Vaughn develops the thinking man of action persona he perfected in The Man from U.N.C.L.E, complemented by Nyree Dawn Porter's stylish Contessa di Contini. The underrated Tony Anholt makes the most of his Mediterranean good looks as Paul Buchet. Ten episodes are included here, all following a well-honed formula of intrigue and strategy, but with enough variety in scenario and setting--a range of European cities and resorts--to offset routine. Look out for a host of soon-to-be-familiar faces. There's also Tony Christie's full-throated rendition of the "Avenues and Alleyways" theme to round off each episode. On the DVD: The Protectors on disc comes in a full-screen format that reproduces excellently for its age (Lew Grade's productions always seem to last well). Each episode is divided into four chapter headings, with English subtitles available. A detailed biography of Vaughn is included along with a gallery of captioned stills, some of which are curiously reproduced in black-and-white. Taken with a healthy dose of nostalgia, entertainment is assured. --Richard Whitehouse
Acclaimed director Rob Marshall re-invents the traditional variety special in this groundbreaking event with show-stopping dance numbers and breathtaking stage production. Marshall and his Academy-award-winning creative team take the viewer on an emotional musical journey re-creating seminal venues of Tony Bennett's music career from the 52nd Street Swing Club to the early Columbia recording studio from the ""rat pack"" stage in Las Vegas to the famous Carnegie Hall. Tony performs live duets of his greatest hits with the greatest artists of today. The show features special appearances by Robert De Niro Catherine Zeta-Jones John Travolta Bruce Willis and Billy Crystal! Track Listing 1. Smile - with Barbra Streisand 2. Sing You Sinners - with John Legend 3. Because of You - with K.D.Lang (featuring Chris Botti) 4. The Best Is Yet to Come - with Diana Krall 5. The Shadow of Your Smile - with Juanes 6. Rags to Riches - with Elton John 7. Just in Time - with Michael Buble 8. For Once in My Life - with Stevie Wonder 9. Steppin' Out - with Christina Aguilera 10. I Left My Heart in San Francisco
Curse the god. Slay the beast. In an Iron Age village eight youths must be sacrificed every five years to a bloodthirsty monster the Minotaur. Seen as a god the offerings are lowered into the Minotaur's vast labyrinth beneath the palace to face the beast... and their death. When his love is lost to the sacrifice Theo believes she is still alive and sets off to the palace intent on killing the evil bull-god.
Previous UK releases of Catchfire have listed the pseudonymous Allan Smithee as director, but this version proudly opens with "a Dennis Hopper film". Also known as Backtrack, it offers a plot that advances by illogical leaps and bounds while whole scenes seem to go astray. With prominently billed actors getting almost nothing to do while major players go un-credited, a bland music score that might have been laid in from another film entirely and an ending that makes a lot of noise without actually resolving much, the film certainly has its bad points. However, it's also one of Hopper's more eccentric films, and more fun than Colors or The Hot Spot (which he had no trouble owning up to), partly because the director also takes a quirky lead role and his own personal interests are stirred by the modern art frills of the chase plot. The film opens with LA-based conceptual artist Jodie Foster, looking chunkily terrific just before her adult career took off, suffering a minor breakdown on the freeway and happening on a gangland execution. Pint-sized mob boss Joe Pesci sets his killers on her but the crooks ineptly murder Foster's boyfriend (Charlie Sheen, taking a very early bath). Pesci calls in Hopper, a professional hitman who immerses himself in Foster's life and art in order to track her down only to develop an obsessive crush on the woman. When he finds her, he gives her the choice between getting rubbed out or becoming his property. Hopper retains the knack for finding odd-looking byways of rural America, but is uncomfortable with helicopter chases and shoot-outs. The leads, despite great chunks of missing story, are both interesting--Foster sexily vulnerable and Hopper doing a wry New York drawl as the sax-playing hit man. Catchfire also offers an amazing supporting cast of the director's friends, including Dean Stockwell, Vincent Price, Catherine Keener (Being John Malkovich), Tony Sirico (The Sopranos), Bob Dylan (with a chainsaw), Helena Kallianotes (Five Easy Pieces), Julia Adams (The Creature from the Black Lagoon), and John Turturro.On the DVD: the film itself comes in a good-looking widescreen transfer, but the lack of special features let the disc down, with only feeble notes for three cast members (and no Smithee filmography). --Kim Newman
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
In East Los Angeles a young man out for revenge seeks help from an experienced fighter 20 years his senior...
With The slash of a steel blade and the mark of a 'Z' he defends the weak and exploits and avenges the wrongs committed against them... It has been twenty years since Don Diego de la Vega (Anthony Hopkins) successfully fought Spanish oppression in Alta California as the legendary romantic hero Zorro. He transforms troubled bandit Alejandro (Antonio Banderas) into his successor in order to stop the tyrannical Don Rafael Montero (Stuart Wilson) who robbed him of his freedom his w
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