Zeus (voiced by Joey Lawrence) and the Bannisters have moved into a new house just in time for Halloween! Everything seems to be going well until they notice strange lights and sounds coming from neighbour Eli's (Lance Henriksen) house guarded by his dog Medusa (voiced by Mayim Bialik). When George (Gary Valentine) takes it upon himself to find out what is going on and enlists the help of a very unlikely pair (led by Dean Cain) a surprising partnership forms. After the trio and George's wife Belinda (Elisa Donovan) get trapped in the spooky house only Zeus is left to save Halloween! Curtis Armstrong also stars in this all new adventure from the creators of The Dog Who Saved Christmas and The Dog Who Saved Christmas Vacation.
This award-winning series was a gripping and authentic portrayal of the war waged by one group of Belgian resistance fighters against the German occupation during the Second World War....
Set within the steamy world of international show jumping Rupert Campbell-Black ad Jake Lovell are top riders and sworn enemies both in and out of the ring. Their bitter rivalry has been escalating until it ultimately erupts at the Los Angeles Olympics with devastating conclusions. The first of the Rutshire chronicles Riders is an explosive mix of romance sex and adventure.
John Thaw, Anthony Valentine and Edward Woodward take leading roles in this chilling, original and brilliantly compelling trio of thrillers based around the themes of retribution, jealousy, lust and sexual obsession. KILLER WAITING A voice on the telephone announces the start of a deadly game that will engulf an ex-Army man in a nightmare of appalling memories and horrifying reality Starring John Thaw and Diane Keen KILLER EXPOSED A charming, wealthy dentist becomes fascinated by one of his patients an attractive female detective whose appearance re-ignites a deadly fixation Starring Anthony Valentine and John Foregham KILLER CONTRACT An ambitious, self-made tycoon is forced to make a choice between launching an important new business, and risking the life of the daughter he adores Starring Edward Woodward and Wanda Ventham
All of the classic TV series featuring the debonair A J Raffles - the idol of society at the end of the nineteenth century who was also an accomplished jewel thief and safe-cracker.
From the acclaimed artist and filmmaker Issac Julien comes this powerful drama set on an East London housing estate in the summer of 1977. Focussing on Chris and Caz a pair of pirate radio DJs living amongst punks and skinheads Julien's film explores the social and sexual tensions that arise in a community following the murder of a local black gay man.
Clare Blake (Amanda Burton) has been promoted to the high rank of Serious Crime Group Commander and assumes control of her Murder Review Group. Commander Blake makes her top priority the police shooting of an unarmed civilian which was originally ruled a lawful shooting. Her team includes former D.I. George Hart (David Calder) and the sinister DCI Hedges (Matthew Marsh) who for his own reasons wants the case dropped for good. Simultaneously James Lampton (Hugh Bonneville) is rele
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From Walt Disney Pictures comes the magical retelling of Charles Dickens' beloved tale, Disney's A Christmas Carol, the high-flying, heart-warming adventure for the whole family, starring Jim Carrey.
A heretic priest (the legendary Christopher Lee in one of his finest Hammer performances) plots to use a teenage nun (Nastassja Kinski) in a depraved sexual pact with the forces of darkness. But when an American occult novelist uncovers the conspiracy he must battle an international cabal of evil for the body and soul of the Devil's child-bride. Can this black magic marriage be stopped before an innocent girl is defiled as the womb of Satan?
The suspense of Miss Marple: The Body in the Library isn't the edge-of-your-seat variety; it's simply a perplexing puzzle that keeps niggling at the back of your mind. Just as one piece of the puzzle falls into place, another gap opens up, thanks to one of Agatha Christie's most intricate plots. Considering what a long film this is (150 minutes, lengthier than most Christie adaptations), it's impressive how tightly the mystery grips the viewer's attention. And not a second of Joan Hickson's marvellous performance as Miss Marple should be missed (the other performances, alas, fall short, except for Gwen Watford as Dolly Bantry, in whose library the body is found). To people meeting her for the first time, Jane Marple appears to be a sweet old dear, whose comments on the murder investigation are more likely to involve an obscure recollection of a frog jumping out of someone's coat than to have any direct bearing on the case. But as Christie fans know, beneath that dithery exterior lies one of the shrewdest minds in England. Hickson's understated portrayal reveals the humour in her character without ever making a mockery of Miss Marple and the results are delightful to watch. --Larisa Lomacky Moore, Amazon.com
Margaret Lockwood one of British film's greatest stars takes the role of a no-nonsense female barrister in this compelling courtroom drama series from the makers of Yorkshire Television's similarly themed The Main Chance. Introducing charming ambitious young barrister James Eliot – played by Anthony Valentine – this third and final series also includes guest appearances by Anton Rodgers Barbara Shelley and future Gentle Touch lead Jill Gascoine among others. Harriet Peterson is intuitive tenacious and highly principled – qualities that have helped her succeed spectacularly in a world still largely dominated by men. But while Harriet's commitment to her profession remains undiminished through a range of typically challenging cases her personal life grows ever more complicated... and this time it seems there's no going back.
Summer 1977 the week of the Queen's Silver Jubilee. Passion is in the air of the dark blue London sky. TJ is out cruising the park for love and is murdered. A beatbox lying in the bushes is the only clue... Soul mates since childhood Chris and Caz are two young black disc jockeys who run the coolest pirate radio station in town Soul Patrol. The skins on Chris's housing estate mock him and Caz; they envy their black soul boy style. However Chris has ambitions beyond the pirat
Spinning off from the legendary television pop show Six-Five Special this star-studded song-filled feature centres on an aspiring young singer taking her first step towards fame when she catches the 'Six-Five Special' to London. To her surprise she finds the train packed with an array of '50s showbiz talent – and as the musical artistes rehearse en route she gets a ringside seat to performances by Lonnie Donegan Cleo Laine and Johnny Dankworth Petula Clark The John Barry Seven and many more! Scripted by Carry On stalwart Norman Hudis and featuring comic relief from Mike and Bernie Winters Six-Five Special is presented here in a brand-new High Definition transfer from the original film elements. Also included is the edited 1962 re-release: Calling All Cats. Special Features: Original theatrical trailers Calling All Cats Promotional material PDF Film and Music Notes by Geoff Leonard and Pete Walker
1995 had already seen the box-office success of sword-wielding heroes in Rob Roy and Braveheart when along came this glossy revision of the Arthurian legend, in which Lady Guinevere (Julia Ormond) is torn between her love for the noble King Arthur (Sean Connery) and the passionate knight Sir Lancelot (Richard Gere). As the story opens, Guinevere's lands are under attack by the evil knight Malagant (Ben Cross), and she must choose between marriage to Arthur and the security of Camelot, or encouraging the affections of Lancelot, who has heroically rescued her from a potentially lethal attack. Anyone looking for meticulous medieval authenticity won't find it here, but director Jerry Zucker (Ghost) keeps the action moving with exuberant spirit and glorious production values. Even if you don't completely believe Richard Gere as a somewhat too-contemporary Lancelot, the performances of Ormond and especially Connery are effortlessly appealing. --Jeff Shannon
Two masterpieces of British cinema are paired here--Powell and Pressburger's first Technicolor triumph, The Life and Death of Colonel Blimp (1943) and their even more ambitious A Matter of Life and Death (1946). Both pictures are transcendent examples of the filmmakers' craft, and remain models of great cinema long after their original wartime propaganda brief has expired. Based on a famously satirical cartoon strip that mocked outmoded attitudes of fair play at a time of "total war", Blimp subsequently became notorious as the film Churchill tried to have banned. Because the War Office objected to the screenplay, they refused to allow P&P's first choice for the role, Laurence Olivier, and the duo cast unknown stage actor Roger Livesey in his place. It is Livesey's sympathetic performance that transforms Clive "Sugar" Candy from an object of satire to one of warm affection, effectively reversing the film's intended message about old-fashioned decency versus wartime pragmatism. Anton Walbrook is a profound presence in a role that mirrored the actor's own plight as a German in Britain, while Deborah Kerr is a living leitmotif in the film, playing no fewer than three distinct but deliberately related roles. Briefed by the Ministry of Information to make a film that would foster Anglo-American relations in the post-war period, the duo, known as "the Archers", came up with A Matter of Life and Death, an extravagant and extraordinary fantasy in which David Niven's downed pilot must justify his continuing existence to a heavenly panel because he has made the mistake of falling in love with an American girl (Kim Hunter) when he really should have been dead. National stereotypes are lampooned as the angelic judges squabble over his fate. In a neat reversal of expectations, the heaven sequences are black and white, while earth is seen in Technicolor. Daring cinematography mixes monochrome and colour, incorporates time-lapse images, and even toys with background "time freezes" 50 years before The Matrix. Roger Livesey and Raymond Massey lead the fine supporting cast. On the DVD: The Life and Death of Colonel Blimp and A Matter of Life and Death are presented in reasonably sharp 4:3 ratio with good mono sound. Blimp comes with a 25-minute documentary feature that tells us nothing revelatory about making the film, but has good new interviews with cinematographer Jack Cardiff (then an apprentice) and eloquent admirer Stephen Fry. Text biographies and stills are also included. Life and Death has no extras. --Mark Walker
e'Lollipop is the extraordinary tale of two inseparable South African children - Tsepo (Muntu Ndebele) and his orphaned friend Jannie (Norman Knox). They meet when Jannie's parents die tragically in a car crash in the Lesotho mountains. Jannie is sent to a missionary station in Tsepo's village where they become best friends. Together with their dog Sugarball life is full of childhood fun and antics until tragedy strikes again: Jannie aged 13 is seriously injured when one of their games goes horribly wrong. Tsepo and his community pull together so that Jannie can receive emergency medical treatment. A daunting challenge lies ahead - and at what cost will Jannie survive? Tsepo and Jannie's inspirational story unfolds against the breathtaking backdrops of a dramatic African landscape and New York City in the mid-1970s. e'Lollipop is a life-changing story that reminds us of the true value of friendship family community and sacrifice - despite color or creed. e'Lollipop is a true South African classic of international stature that transcended the Apartheid boundaries of its day. First released in 1976 this extraordinary motion picture story of two South African children and their dog Sugarball touched the hearts of audiences around the world. Despite the fear hatred and brutality that plagued South Africa in the mid-1970's e'Lollipop told a story of friendship and commitment that transcended racial boundaries. After nearly being banned in South Africa under Apartheid it went on to become a cult classic. Shot in Southern Africa Lesotho and New York e'Lollipop was seen in over 40 countries and starred local and international talent including the late Ken Gampu Oscar and Golden Globe Award Winner Jos'' Ferrer and Golden Globe Nominee Karen Valentine.
A comedy drama about a group of lads on holiday in Greece who are looking for the simple things in life: sex, sun and getting smashed.
Introduced in "A Magnum for Schneider", the hour-long 1967 Armchair Theatre episode of Callan written by James Mitchell about a disillusioned British secret agent of the same name (starring Edward Woodward), went on to offer four popular (if downbeat) series, a spin-off movie remaking the original story and a some-years-later wrap-up play "Wet Job". Remembered for its very distinctive opening titles, with a swinging broken-light bulb and a memorable theme tune, the series adopted a Deighton-LeCarré approach to the grim, treacherous, grubby business of Cold War espionage and made a TV star of the intense Woodward as the sweaty, sometimes conscience-stricken, sometimes robotic Callan. Even in the 21st century this still seems as strong, its complex stories and impressive performances outweighing a low-budget mix of video and film in the production that makes it seem less "professional" than other shows of the time. A great deal of the series opener is devoted to bringing on new regulars. There's a fresh Mr Hunter who, like Number Two on The Prisoner--with which Callan shares series editor George Markstein--was a title not a name, so several actors held the position over the course of the show. There's also the trendily mulleted thug Cross (Patrick Mower), who would go spectacularly off the rails in the next series and a half. In a dramatic device that has long since fallen out of fashion in television, Callan episodes tend to wind up by leaving the audience to work out all the connections of the plot while Callan himself sits gloomily and ponders the wretchedness of his squalid world. --Kim Newman
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