Years after Europe was ravaged by the Maze virus, transforming people into cannibalistic monsters, a cure is finally found. In 75% of cases the treatment is successful but the cured remember everything they did while infected. Amongst them is Senan Browne (Sam Keeley), a man haunted by the memories of his actions. As he returns to the home of his brother's widow, Abbie (Ellen Page), fear and suspicion threaten to plunge the world back into chaos.
An astounding array of talent came together for the big-screen adaptation of John Fowles's novel The French Lieutenant's Woman, a postmodern masterpiece that had been considered unfilmable. With an ingenious script by the Nobel Prizewinning playwright HAROLD PINTER (Betrayal), British New Wave trailblazer KAREL REISZ (Saturday Night and Sunday Morning) transforms Fowles's tale of scandalous romance into an arresting, hugely entertaining movie about cinema. In Pinter's reimagining, JEREMY IRONS (Dead Ringers) and MERYL STREEP (Sophie's Choice) star in parallel narratives, as a Victorian-era gentleman and the social outcast he risks everything to love, and as the contemporary actors cast in those roles and immersed in their own forbidden affair. The French Lieutenant's Woman, shot by the consummate cinematographer FREDDIE FRANCIS (Glory) and scored by the venerated composer and conductor CARL DAVIS, is a beguiling, intellectually nimble feat of filmmaking, starring a pair of legendary actors in early leading roles. Special Edition Features New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray New introduction by film scholar Ian Christie New interviews with actors Jeremy Irons and Meryl Streep, editor John Bloom, and composer Carl Davis Episode of The South Bank Show from 1981 featuring director Karel Reisz, novelist John Fowles, and screenwriter Harold Pinter Trailer PLUS: An essay by film scholar Lucy Bolton
Set in the Second World War when Nazi Germany occupied Italy. This film deals with the Vatican's involvement in the entire movement during the occupation of Rome.
In his breakout television role, multiple award winner Clive Owen stars as the talented, devious and utterly charming Derek 'Dex' Love - a City business analyst whose brilliant career, strategised under the pseudonym 'Stephen Crane', is stalked by a shady past. This complete-series release revisits the fast-paced and emotionally compelling scripts that made Chancer such a critical success, brilliantly capturing the heady atmosphere - and the pitfalls - of the late '80s and early '90s' financi...
The wolfblood universe has changed and Kafe is now a trendy hang-out for humans and wolfbloods alike. Fed up with the publicity, Jana is now staying in the den and, with fear of her powers waning, Jana worries that her presence puts her pack in jeopardy. Imara has been forced to downsize, with Matei there now and sharing a bedroom with TJ, while Jeffries has had much success with his best seller books. Katrina has employed ex-Segolia agent Robyn, and at school, the wolfbloods are facing all sorts of new rules.
Based on the true story of the 1983 mass breakout of 38 IRA prisoners from HMP Maze high-security prison in Northern Ireland. As Larry Marley (Tom Vaughan-Lawlor), the chief architect of the escape, schemes his way towards pulling off this feat, he comes into contact with prison warder, Gordon Close (Barry Ward). Initially Larry and Gordon are confirmed enemies, born on opposite sides of Northern Ireland's political divide, but when Larry realises that Gordon may be unwittingly useful for his escape plan, a slow seduction begins. Larry intends to use and manipulate Gordon in order to get closer to his goal but what follows is a tense, and intriguing drama in which an unlikely relationship is forged between two enemies that will have far reaching consequences for both of them.
How To Marry A Millionaire (1953) Marilyn delivers one of the finest comedic performances of her career in this outrageously funny film co-starring Betty Grable and Lauren Bacall! Three beautiful models plan to snag rich husbands by pooling their funds and renting a posh Manhattan penthouse in which to lure their victims. What follows is a series of near-marital mishaps where love prevails over money proving that even gold-diggers sometimes have hearts of gold! There's N
With Time Bandits, only his second movie as director, Terry Gilliam's barbed humour and hyperactive visual imagination got themselves gloriously into full gear. Sketched out in a matter of weeks over Michael Palin's kitchen table while Gilliam struggled to get his dream project Brazil off the ground, this is a children's film made by a director who "hates kid films" and all the "mawkish sentimental crap" that goes with them. The 11-year-old hero, Kevin, finds himself lugged out of his suburban bedroom and off through a series of wormholes in time and space by a gang of rapacious, bickering midgets in search of loot, en route encountering (and casually despoiling) a gallery of eminent historical figures that include Agamemnon, Napoleon and Robin Hood, along with assorted ogres, giants and monsters. As co-screenwriters, Gilliam and Palin cheerfully filch ideas from everyone from Homer and Jonathan Swift to Lewis Carroll and Walt Disney, while the sets--as always with Gilliam--ingeniously work towering miracles on puny budgets. "The whole point of fairy tales", according to Gilliam, "is to frighten the kids" and Time Bandits taps into some archetypal nightmare imagery. But the whole farrago is much too good-humoured to be seriously scary. Not least of the movie's pleasures are a series of ripe cameos from the likes of Ian Holm as an irascible Bonaparte, Sean Connery good-humouredly spoofing his own image as Agamemnon, John Cleese's version of Robin Hood as inanely condescending minor royalty ("So you're a robber too! Jolly good!"), David Warner hamming it up gleefully as the Evil Genius, and the great Ralph Richardson playing the Supreme Being as a tetchy public-school headmaster. On the DVD: Time Bandits on disc comes with a generous wealth of extras. Along with the expected trailer--sent up Python-style by a disaffected voice-over--we get excerpts from Gilliam's storyboard and notated script, filmographies for Gilliam, Palin, Connery and David Rappaport (the leader of the vertically challenged gang), stills, production shots, a scrapbook with cast photos and drawings, notes on the film and plenty more background data, plus a cheerfully relaxed 27-minute interview with Gilliam and Palin. There's also an informative and appealingly unpretentious full-length commentary shared between Gilliam, Palin, Cleese, Warner and Craig Warnock, who played Kevin. The transfer, clean and crisp, is in the original full-width ratio, and there's a choice of Dolby Stereo or Dolby 5.1 sound. --Philip Kemp
Being a teenage girl is tough. Being an uncool 15 year old lesbian who's completely infatuated with the most outrageous and popular girl in school is downright unfair! Sugar Rush explores the world of Kim and her earth-shattering lust for the gorgeous and sassy Maria Sweet otherwise known as Sugar. And if Sugar wasn't enough to blow Kim's mind there's also her dysfunctional embarrassing family; a mini-freak for a brother an obsessively house-proud dad and a
Based on Gordon M. Williams's novel The Siege Of Trencher's Farm and starring Dustin Hoffman and Susan George Straw Dogs is an unflinching and uncompromising study of primal barbaric brutality that is generally regarded as one of the strongest statements about violence ever put on screen. Quiet American mathematician David Sumner (Dustin Hoffman) and his British-born wife Amy (Susan George) relocate to Amy's rural English hometown in an attempt to flee the violent social unrest brewing in the US. When David hires some locals including a former boyfriend of Amy's to repair his barn the couple find themselves being subtly harassed and bullied by the workmen. The more the pacifist David ignores the problem the more the harassment intensifies leading to terrifying consequences as he ultimately finds himself forced to defend his home and his life discovering a frighteningly vicious side to himself as events escalate towards a bloody climax. Boasting outstanding performances from the two leads a brilliant support cast and Jerry Fielding's superb Oscar-nominated score Straw Dogs in the thirty-one years since its original release has lost none of its intense visceral power to thrill and shock in equal measure.
Legendary crooner Frankie Vaughan stars with George Baker Kenneth Cope John Le Mesurier and Thora Hird in this 1957 musical directed by Herbert Wilcox the renowned producer/director of a string of hit films throughout the first half of the twentieth century. The first of four films produced by Wilcox's wife Anna Neagle and starring Vaughan These Dangerous Days is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Dave a young Liverpudlian gang-leader and would-be rock 'n' roll star is conscripted into the army where to everyone's surprise the rebellious youth makes good. But then he is tricked by the camp bully into crossing a minefield causing the death of his best friend. Awaiting court-martial he learns how and by whom he was set up; during the ensuing fight a gun is accidentally fired and Dave is convinced he will be held responsible for wounding the bully... Special Features: Original Theatrical Trailer Image Gallery Original Pressbook PDF
The idea behind 'Orrible is easy to appreciate, even if the programme itself often wasn't. Take Johnny Vaughan--a supremely talented and likable broadcaster, one of very few ubiquitous television presences whose appearance does not drive the intelligent viewer to grim fantasies of revenge involving a baseball bat and a dark ally--and cast him as the lead in a sitcom. It was, at best, a partial success. The problem with 'Orrible is that Vaughan's forte is improvisation and association, not adhering to a script, not even one he cowrote. His character, a dimwitted, shell-suited West London minicab driver with Walter Mitty-ish fantasies of being an underworld player, has possibilities. But the potential is never fully realised, partly due to surprisingly leaden lines, but mostly due to Vaughan's limitations as an actor: he never quite manages to project anything other than a less-funny version of the screen persona audiences know and like. On the DVD: 'Orrible on disc has an episode selector, and a scene selector for each episode. Subtitles are available in English. There is also the option of listening to a running commentary by writers Ed Allen and Johnny Vaughan which, as it is isn't scripted, occasionally offers glimpses of the unrestrained, free-flowing Johnny Vaughan familiar from his other television work--as such, it's far funnier than anything in the actual programme. --Andrew Mueller
Can Emelia and Beth escape the ties of small town existence and free themselves of the Albatross around their necks?
Not to be confused with the 2002 Matt Damon big-screen version, this adaptation of The Bourne Identity is a 1988 two-part TV miniseries based on the Robert Ludlum paperback bestseller. "How can I find out who I am if I've been turned into another person?", cries amnesiac Richard Chamberlain, fished out of the sea by drunken doc Denholm Elliott, who patches him up and discovers a Swiss bank account number sewn into his thigh. Coming to believe that he is Jason Bourne, international assassin, our hero is sought after by the CIA, several European police forces and the gang of an evil terrorist. He hooks up with unlikely economist Jaclyn Smith to get to the bottom of the mystery, stay alive and face the big baddie. Stretched over three hours, this has room for a lot of the complex plot dropped from the big-screen movie, but it also means that the thrills are often interrupted by soap opera scenes. Chamberlain is perhaps too aptly cast as a man without an identity, but Smith matches him for lack of expression without any excuse given in the script. Aside from Donald Moffatt and Shane Rimmer in the CIA, the supporting cast mostly consists of distinguished Brits delivering value-for-money ham, mostly with cod-French accents, especially Anthony Quayle as a DeGaulle-style General, Jacqueline Pearce as a dress-designing spy and Peter Vaughan as a heavy Swiss banker. On the DVD: The Bourne Identity, though made for TV, is presented in widescreen, which sometimes chops off the tops of actors' heads like breakfast eggs but mostly looks fine. There are optional English subtitles. --Kim Newman
Geoffrey Rush plays the famous actor and founding member of The Goons in this brave and unusual biopic.
Bob Rafelson's Mountains Of The Moon based on William Harrison's biographical novel 'Burton and Speke' tells the story of 19th century explorers Captain R.F. Burton (Patrick Bergin) and Lt. John Hanning Speke's (Iain Glen) 1854 expedition to Africa to find the source of the river Nile. Shot in the actual locations where the events unfolded the protagonists sustain injuries and illness and encounter animosity from tribes as they struggle with the uncompromising African wilderness. T
Released to mark the 40th anniversary of her death in 1962, The Diamond Collection brings together all of Marilyn Monroe's films for 20th Century Fox. This handsome box set stands as a salutary reminder of the considerable achievements of an actress who still reigns supreme as the greatest screen goddess of them all. The uninitiated might be surprised at the versatility of someone whose legend is founded so much on her image as a sex symbol. In particular, her touching performance as the abused second-rate bar singer Cherie in Bus Stop (1956) is a rounded study of a woman still capable of dreaming when life has done everything to dull her. The box set as a whole offers plenty of evidence that while she certainly specialised in a unique and complex variation on the blonde bombshell stereotype--embodied in her timeless performances as Lorelei Lee (Gentlemen Prefer Blondes) and short-sighted Pola in How to Marry a Millionaire, both 1953--she could certainly diversify. The documentary, Marilyn Monroe: The Final Days, provides a sympathetic take on the troubles and behaviour which led to her being sacked from her final picture, Something's Got to Give. The presentation of the restored footage from that movie is less successful, though, as the glimpses of Monroe's incandescent screen presence, belying her illness and depression, leave a palpable sadness in their wake. Better by far to focus on her earlier work. Whatever the role, her luminous beauty and statuesque figure, combined with an unselfconsciously joyful sexuality and an on-screen vulnerability, were always at their best under the careful guidance of directors like Billy Wilder and Otto Preminger. These qualities continue to give her an enduring appeal. On the DVD: The Diamond Collection has been digitally restored using, for the most part, the original negatives, making this a sumptuous package for any Monroe fan. Niagara and Gentlemen Prefer Blondes are both presented in standard 4:3 ratio but the rest--filmed in Cinemascope and presented here in letterbox format--are certainly better-served by widescreen viewing. The colours, like Monroe, come alive. The sound quality is crisp and Monroe's singing--she had limited but genuine musical talent--has polished up well. Multiple extras include before-and-after restoration comparisons, trailers from various countries, stills and posters, and newsreel footage. Eleven discs of Marilyn in one box, this is a veritable feast indeed. --Piers Ford
As a Christmas treat in the late 1960s and 70s, the BBC produced adaptations of ghost stories based on the works of MR James, the Cambridge academic and author of some of the most spine-tingling tales in the English language, which were broadcast to terrified viewers in the dead of winter. This was a tradition that was briefly revived by the BBC between 2007 and 2010.These adaptations, which have a subtlety and style all of their own, have been a major influence on many contemporary British horror filmmakers and have come to be some of the most sought after British TV titles of all time by their legions of eager fans.Volume Two of the BFI's BBC Ghost Stories collection includes the DVD premiere release of 1971's The Stalls of Barchester, starring Robin Hardy, and 1972's A Warning to the Curious (previously released on DVD by the BFI), starring Peter Vaughan.
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
The Salem witch hunts are given a new and nasty perspective when a vengeful teenage girl uses superstition and repression to her advantage, creating a killing machine that becomes a force unto itself. Pulsating with seductive energy, this provocative drama is as visually arresting as it is intellectually engrossing. Arthur Miller based his classic 1953 play on the actual Salem witch trials of 1692, creating what has since become a durable fixture of school drama courses. It may look like a historical drama but Miller also meant the work as a parable for the misery created by the McCarthy anti-Communist hearings of the 1950s. This searing version of his drama delves into matters of conscience with concise accuracy and emotional honesty. Three passionate cheers for Miller, director Nicholas Hytner and costars Daniel Day-Lewis and Winona Ryder. --Rochelle O'Gorman
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