An epic saga stretching from 1964 to 1995, Our Friends in the North follows the lives of four young people in North-East England. Nicky Hutchinson (Christopher Eccleston) is initially courting Mary Soulsby (Gina McKee) but the relationship cools when it takes second place to his campaigning for Harold Wilson's Labour Party. She weds Tory Tosker Cox instead, but their marriage is a miserable one, living in a rot-infested high rise block built following a dubious new housing scheme. Meanwhile, "Geordie" Peacock, finally tiring of his drunken, abusive father, headbutts him and hitches down to London, where he ends up working for a surrogate "family" led by Malcolm McDowell's flash Soho sex club baron. Over the years, the paths of these characters intertwine, diverge then cross again, albeit occasionally stretching the bounds of plausible coincidence. The drama takes place against the backdrop of local authority and police corruption in the 60s, the radical far-left militancy of the early 70s, Thatcher's election, the 1984 miner's strike and the subsequent "murder" of Northern communities. What's brilliant about Our Friends is its melding of the personal and the political, with the soap opera of family estrangement played out against a backdrop of social decline. Peter Vaughn, playing Nicky's Dad as a former Jarrow marcher stricken by Alzheimer's, is especially poignant. If you didn't see this the first time, do so now. On the DVD: Our Friends in the North has a bonus disc featuring a discussion with writer Peter Flannery and the producers and directors in which the making of the programme is revealed to have been as epic and protracted a saga as the drama itself. There are interviews also with stars Christopher Eccleston and Gina McKee. --David Stubbs
The Tomorrow People available as a complete series for the first time in this limited edition set. Featuring all the episodes from the original series running from 1973 to 1979. Episodes comprise: 1. The Slaves of Jedikiah Part One 2. The Slaves of Jedikiah Part Two 3. The Slaves of Jedikiah Part Three 4. The Slaves of Jedikiah Part Four 5. The Slaves of Jedikiah Part Five 6. The Medusa Strain Part One 7. The Medusa Strain Part Two 8. The Medusa Stra
Dickens was the master of Victorian social satire, ruthlessly exposing the cruelty and absurdity that supported the strictly hierarchical class-structure of the day. This superb production of Our Mutual Friend does full justice to his darkest, most complex novel, fleshing out the satirical bones of the plot with performances that eschew caricature in favour of psychological depth. Anna Friel's Bella is wonderfully complex, her innate goodness struggling with her love of money and desire for advancement. Paul McGann, as the lawyer Wrayburn, is also superb, wrestling with the implications of his feelings for Lizzie. And of course, this being Dickens and the BBC, there's a terrific supporting cast, including Timothy Spall as the melancholy articulator of skeletons, Mr Venus. As the fortunes of the characters rise and fall, the river Thames flows eternally on, the symbolic backbone of this remarkable story. At six hours, this version of Our Mutual Friend is a long production, but not a moment too long. A mystery, a love story, a critique of the pursuit of wealth and status, this is perhaps the best adaptation of Dickens ever to be committed to film. --Simon Leake, Amazon.com
An epic adaptation of Dava Sobel's best-selling book starring Michael Gambon and Jeremy Irons. Longitude is the fascinating story of John Harrison (Gambon) who in the 18th century believed he could make a clock that would work on board a ship - and so solve the problem of finding longitude at sea. Harrison has to struggle against a bigoted establishment in order to win recognition for his achievements. This story is intertwined with that of Rupert Gould (Irons) the former naval officer who in the 1920s discovered Harrison's clocks and - at the cost of his health his reputation and his marriage began the mammoth task of restoring them.
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. --Mark Walker
According to critic Pauline Kael Straw Dogs was "the first American film that is a fascist work of art". Sam Peckinpah's only film shot in Britain is adapted from a novel by Gordon M Williams called The Siege of Trencher's Farm which Peckinpah described as a "lousy book with one good action-adventure sequence". The setting is Cornwall, where mild-mannered US academic David Sumner (Dustin Hoffman) has bought a house with his young English wife Amy (Susan George) in the village where she grew up. David is mocked by the locals (one of whom is Amy's ex-boyfriend) and treated with growing contempt by his frustrated wife, but when his house comes under violent siege he finds unexpected reserves of resourcefulness and aggression. The movie, Peckinpah noted, was much influenced by Robert Ardrey's macho-anthropological tract, The Territorial Imperative. Its take on Cornish village life is fairly bizarre--this is a Western in all but name--and many critics balked at the transposition of Peckinpah's trademark blood-and-guts to the supposed peace of the British countryside. A scene where Amy is raped caused particular outrage, not least since it's hinted she consents to it. Not for the first time in Peckinpah's movies there are disquieting elements of misogyny, and it doesn't help that the chemistry between Hoffman and George is non-existent. (Impossible to believe these two would ever have clicked, let alone married.) But taken as a vision of irrational violence irrupting into a civilised way of life Straw Dogs is powerful and unsettling, and the action sequences are executed with all Peckinpah's unfailing flair and venom. Oh, and that title? A quote from Chinese sage Lao-Tze, it seems, "The wise man is ruthless and treats the people as straw dogs." The film was long withheld from home viewing in Britain by nervous censors, but this release presents it complete and uncut. --Philip KempOn the DVD: Straw Dogs is as jam-packed a disc as is possible for a film made before the days of obligatory "making of" features. Both the sound and visuals have transferred well, and, like the script, have aged well. There's a bumbling original interview in the style of Harry Enfield's Mr. Cholmondley-Warner, along with stills and original trailers. The new material includes a feature on the history of the film's censorship and commentaries by Peckinpah's biographers musing over interesting fan-facts (though none of the speakers have any first-hand experience of the making of the film). However, Katy Haber's commentary, and interviews with Susan George and Dan Melnick, offer a much more in-depth and intimate portrayal of the man and the making of the film. --Nikki Disney
What do you get when you combine three of Hollywood's most hysterical talents with a creaky old castle and a werewolf legend? An amiable, kinky blend of high jinks and horror that'll leave you howling with laughter! Starring Gene Wilder, Gilda Radner and Dom DeLuise, this ingenious, amusing horror comedy will put a smile on your face - and keep it there! At the mansion of his Great Aunt Kate (DeLuise), Larry Abbot (Wilder) is undergoing a psychological procedure designed to rid him of his irrational phobias...by frightening them right out of him! But the jolts and frights may turn out to be the least of his problems when Great Aunt Kate names him her sole heir. Suddenly, the entire family seems a little too vigorous in participating in his scare-apy , - leading Larry to believe that one of his jealous kin may be murderous...and that another may be werewolverous! Product Features Legendary laughs: slapstick memories of a comedy icon Eve Ferret interview (sylvia) Ruth Myers interview (costume designer)
It's the most keenly fought battle in cricket and for the first time in almost 20 years England had a realistic chance of victory! After the first Test at Lords - and an emphatic Australian win - the seeds of doubt spread for what seemed another summer of misery for English cricket. However England were to turn the aggressive style of cricket for which Australia had been so famed over the last decade to their advantage and turn the series around in some of the most dramatic Test matches ever played. At Edgbaston England survived a last ditch Australian fight back to complete a thrilling two run victory to bring the series level. Then it was up to Old Trafford for more high drama as Brett Lee and Ricky Ponting stoically batted out the day to deny England another victory. Then on to Trent Bridge where England - after yet again out-scoring the Australian's in the first innings and here making them follow on for the first time in 16 years - held there nerve in the form of Matthew Hoggard and Ashley Giles to knock off the remaining runs of a meagre 129 run winning total. So after memorable individual performances high drama and controversy it had come down to one game. One match to decide the Ashes. If England win or draw they are coming home if the Australians - still a world class team and surely due some big performances - win then they would retain the Ashes and the series would be drawn. With cricket fever gripping the country a nation waited... The rest - as they say - is history. Enjoy this action-packed triple disc DVD set with extended highlights from all the test matches with unseen material behind the scenes chat and footage of the amazing celebrations. The Ashes have been brought home and in what style!
Catherine Tate's iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie (Mathew Horne) to make amends with her estranged sister Nell (Katherine Parkinson). Militant vegan arsonists, raucous rugby teams, all-night raves, and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan's present with her past where we finally find out what's made her the cantankerous old b*****d she is today.
Writer Harold Pinter (Betrayal) and director Karel Reisz (Isadora) take an experimental spin with John Fowles's magnificent novel set in Victorian England, and come up with something puzzling. Jeremy Irons and Meryl Streep play the forbidden lovers in Fowles's story, but in a parallel story line they also play contemporary actors performing those characters in a movie production and having an affair of their own during off-hours. Got that? Considering that Fowles himself presents alternative endings in his novel, something equally eccentric is called for here. But little is accomplished by this intertwining of a fictional past and present, and the opportunity to do justice to a great story is lost. On the plus side, Irons and Streep are instantly striking as a natural couple on screen, and their presence makes watching The French Lieutenant's Woman easy enough despite the larger problems. --Tom Keogh
The movie that started it all. Killing time at High School takes on a whole new meaning when Buffy (Kristy Swason) a fully accessorised cheerleader is told by a mysterious old man (Donald Sutherland) that she is the appointed one - a vampire slayer of the highest order. But when the chief vampire and his sidekick vow to get their vengeance Buffy finds herslf up to her neck in trouble and battling against the undead with only the help of a seriously gorgeous drifter.
This collection features three of Anthony Trollope's highly regarded works brilliantly adapted for the small screen. With over 15 hours of timeless film from one of the nineteenth-century's greatest writers visit the fascinating world of Victorian England as the prolific and respected novelist illustrates the penetrating conflicts of the day. He Knew He Was Right: Louis Trevelyan's refusal to believe in his wife Emily's fidelity destroys a perfect marriage and drives him literally insane. Suspicious beyond reason that she is having an affair with Colonel Osbourne a man of dubious reputation he forces his wife out of their house hires the seedy private detective Bozzle to spy on her and organises the kidnapping of their son with devastating consequences. Throughout Emily's protestation of her innocence and the couple's enduring love for each other despite their estrangement render the story moving and tragic. The Way We Live Now: Set in the railway boom of the 1870s Anthony Trollope's epic tale of Victorian power and corruption captures the turmoil as the old order is swept aside by the brash new forces of business and finance. It is packed with the trials and tribulations of young love the enduring values of honourable men the raw energy of one of the most powerful cities in the world and the greed and corruption that lay below its glittering surface. The Barchester Chronicles: The acclaimed 1982 BBC adaptation of Anthony Trollope's novels. The community of Barchester is shaken from its cosy complacency when a newspaper's crusade against the Church of England's practice of self-enrichment misfires. Overnight Rev. Harding (Donald Pleasence) becomes a pawn in a battle between his younger daughter's beau John Bold (David Gwillim) and his older daughter's husband. Little do they realise that the worst is yet to come until a regime change delivers Barchester into the hands of a most unholy trinity: the weak-willed Bishop Proudie (Clive Swift) the domineering Mrs. Proudie (Geraldine McEwan) and the insufferable Rev. Obadiah Slope (Alan Rickman).
Written by legendary Sci Fi scribe Ray Bradbury the internationally acclaimed author of The Martian Chronicles and Fahrenheit 451 as our world suffers the ravages of humankind scientists look for ways to sustain life. When one of them falls ill and a chrysalis forms around him a tug of war ensues about the future of the stricken scientist... What is growing inside him will not only threaten his life but ultimately the fate of the Earth!
Based on the best-selling anthologies of Victorian and Edwardian detective fi ction, The Rivals of Sherlock Holmes features the world-famous consulting detective's fictional rivals in the fog-shrouded crime capital of London. Set in the three decades before the Great War, each story dealt with an individual and perplexing case (and a different detective). This top-flight, BAFTA-winning series attracted an incredible array of talent, including John Neville, Robert Stephens, Peter Vaughan, Roy Dotrice, Donald Pleasence, Ronald Hines, Peter Barkworth and Donald Sinden. This set contains the 13 high quality episodes that made up the complete first series
This newly re-packaged and expanded Ghost Stories for Christmas 6-DVD box set from the BFI includes a total of 20 spine-tingling adaptations of the stories of M R James plus three additional Ghost Stories for Christmas broadcast by the BBC between 1968 and 2010. Highlights include Jonathan Miller’s Whistle and I’ll Come to You (1968) Lawrence Gordon Clark’s A Warning to the Curious (1972) and the Andrew Davies adaptation of Charles Dickens’ The Signalman (1976). These adaptations which have a subtlety and style all of their own have been a major influence on many contemporary British horror filmmakers and have come to be regarded as some of the most acclaimed and brilliant British TV titles of all time. Contents: Disc One: Whistle and I’ll Come to You (1968); Whistle and I’ll Come to You (2010) Disc Two: The Stalls of Barchester (1971); A Warning to the Curious (1972) Disc Three: Lost Hearts (1973); The Treasure of Abbot Thomas (1974); The Ash Tree (1975) Disc Four: The Signalman (1976); Stigma (1977); The Ice House (1978) Disc Five: A View from a Hill (2005); Number 13 (2006); Disc Six: Classic Ghost Stories (1986) – Robert Powell reads ‘The Mezzotint’ ‘The Ash Tree’ ‘Wailing Well’ ‘The Rose Garden’ and ‘Oh Whistle and I'll Come to You My Lad’ Extras Three episodes of Ghost Stories for Christmas with Christopher Lee (2000): ‘The Stalls of Barchester’. ‘A Warning to the Curious’ and ‘Number 13’ Three episodes of Spine Chillers (1980): ‘The Mezzotint’ ‘A School Story’ and ‘The Diary of Mr Poynter’ Filmed introductions with director Lawrence Gordon Clarke Extensive booklet with essays biographies film notes and full credits
Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher (Ronnie Barker). The new prison officer Beale makes Mackay (Fulton Mackay) look soft and what's more an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it. The breakout is set for the day of a morale-raising football match between a ""celebrity"" football team and the inmates of Slade. Everything is going to plan until Godber (Richard Beckinsale) is injured on th
A film by José Ramón Larraz The official British Palme d'Or entry at the 1974 Cannes Film Festival, Symptoms is a sophisticated modern gothic horror film exploring the themes of sexual repression and psychosis. Larraz's dark and stylish film tells of a young woman (Lorna Heilbron) who is invited by her girlfriend (Angela Pleasence) to stay at her remote English country mansion. Events take a disturbing turn when a menacing groundkeeper (Peter Vaughan) interrupts their time together, and a woman's body is found in the mansion's lake. Other than a limited theatrical release and a late-night screening on British television in the early 80s, Larraz's film has slipped into obscurity, and the original negative was long thought lost, assuring it a place in the BFI's Most Wanted' list. Following the rediscovery of the original negatives in 2014, the dark delights of Symptoms can finally be experienced again in this new restoration, undertaken by the Belgian Cinematek. Extras: Newly restored in 2k On Vampyres and other Symptoms (Celia Novis, 2011, 74 mins): Feature-length documentary about director José Ramón Larraz focusing on two of his most acclaimed films, Vampyres and Symptoms From Barcelona to Tunbridge Wells: The Films of José Larraz (Andrew Starke & Pete Tombs, 1999, 24 mins) Interview with Angela Pleasence (2016): Interview with the film's star Interview with Lorna Heilbron (2016): Interview with the film's co-star Interview with Brian Smedley-Aston (2016): Interview with the film's editor Original theatrical trailer Illustrated booklet with new writing by Vanity Celis and full film credits
If you have even a passing interest in Stevie Ray Vaughan's peerless mastery of urban blues guitar, you must own Live at Montreux 1982 & 1985. Spaced almost exactly three years apart, these concerts (60 and 93 minutes, respectively) represent the Texan blues god at his fiery best, with Double Trouble (drummer Chris Layton and bassist Tommy Shannon) laying the solid foundation upon which SRV built a Fender-driven sound as fierce as it was perfectly refined. The '82 show was truly "success in disguise," because despite booing from a festival audience lulled by a day of acoustic blues, and the stunned dejection that SRV felt after persevering through a uncompromising set, this was the turning point in SRV's career, leading to post-show encounters with Jackson Browne and David Bowie, who proved instrumental in bringing Stevie's music to an appreciative global audience. When Stevie, Chris, and Tommy returned to Switzerland three years later, with organist Reese Wynans adding rich new dimension to the Double Trouble sound, the Montreux crowd was primed for a rip-snorting set, and SRV's jubilant response is a joyous thing to witness. One of SRV's favorite bluesmen, Johnny Copeland, appears for a three-song triumph in a set that's uniformly superior and ecstatically energized. Basic three-camera coverage is all you need, although guitar students--for whom this DVD is a godsend--will surely wish for more emphasis on SRV's picking and fretwork. Recording quality is superb in the Montreux tradition, with 5.1-channel remixes that surpass the original masters. A splendid 23-minute documentary features retrospective interviews with Layton, Shannon, Browne, and John Mayer, and the accompanying booklet includes a heartfelt reminiscence from Bowie. Stevie Ray may be gone, but Live at Montreux ensures that his gold-standard legacy will endure. --Jeff Shannon
The Doombolt Chase: The Complete Series
Please wait. Loading...
This site uses cookies.
More details in our privacy policy