James Stewart gives one of his finest performances in Harvey, the lighthearted film based on the Pulitzer Prize-winning play. Stewart stars as the good-natured Elwood P. Dowd, whose constant companion is Harvey, a six-foot-tall rabbit that only he can see. To his sister, Veta Louise, Elwood's obsession with Harvey has been a thorn in the side of her plans to marry off her daughter. When Veta Louise finally decides to put Elwood in a mental hospital, a hilarious mix-up occurs, and she finds herself committed instead. It's up to Elwood to straighten out the mess with his kindly philosophy, and his imaginary friend, in this popular classic that features a Best Supporting Actress Academy Award®-winning performance by Josephine Hull. Special Features: Special Introduction by Film Star James Stewart with Photographic Montage Theatrical Trailer 100 Years of Universal: The Carl Laemmle Era 100 Years of Universal: The Lew Wasserman Era
From practically the first episode, broadcast in 1989, The Simpsons impacted on planet TV like a giant multi-coloured meteor. With a claim to being the defining pop cultural phenomenon of the 1990s--hip, fast, sharp and primary--there was nothing even in rock & roll to match this. The Simpsons is possibly the greatest sitcom ever made. Although the animation was initially primitive, never before had cartoon characters been so well drawn. There had been loveable middle-aged layabouts on TV before, but Homer Simpson successfully stole their crown and out-slobbed them all in every department ("The guys at the plant are gonna have a field day with this," he grumbles in "Call of The Simpsons" as he watches scientists on a TV news item who can't decide whether he is incredibly dense or a brilliant beast). However, in this first series he isn't quite yet the bloated man-child he would become in later series; instead he's a growling patriarch with a Walter Matthau-type voice. His sensible half Marge's croak, meanwhile, has yet to settle down, while the vast cast of minor Springfield characters have yet to find their place. Bart, however, was a smash from the start: dumb as Homer but spiky-haired and resourceful, he sets out his manifesto in "Bart the Genius"; while "Moaning Lisa" spotlights his over-achieving sister and is a good early example of the series' clever handling of melancholy bass notes. Throughout its life there's always been confusion as to whether The Simpsons is a show for kids or adults, but with allusions in these first 13 episodes to Kubrick, Diane Arbus, Citizen Kane and (in a very satisfyingly anti-French episode) Manon des Sources, it should already have been clear that this was a programme for all ages and all IQs from 0 to 200. Dysfunctional they may have been, but the Simpsons stuck together, and audiences stuck with them into the 21st century. --David Stubbs On the DVD: The packaging is good but the 13 episodes are spread very thinly here, with just five each on discs one and two . The commentary track is intermittently interesting though a tad repetitive, as creator David Groening is joined by various other members of the team. The third disc has some neat extra stuff, including outtakes, the original Tracey Ullman Show shorts and a five-minute BBC documentary, but is again fairly brief. The menu interfaces are pretty clunky, annoyingly forcing you to watch endless copyright warnings after each episode and with no facility to "play all". The content is wonderful, of course, but three discs looks like overkill. --Mark Walker
Diane (Diane Keaton) is recently widowed after 40 years of marriage. Vivian (Jane Fonda) enjoys her men with no strings attached. Sharon (Candice Bergen) is still working through a decades-old divorce. Carol's (Mary Steenburgen) marriage is in a slump after 35 years. Four lifelong friends' lives are turned upside down to hilarious ends when their book club tackles the infamous Fifty Shades of Grey. From discovering new romance to rekindling old flames, they inspire each other to make their next chapter the best chapter.
Sex. Clothes. Popularity. Is there a problem here? It's not easy being the most popular and glamorous girl at Beverly Hills High. Especially when you're the envy of scheming Betties (female babes) persistent Barneys (unattractive guys) and teachers who go postal (freak out) when you turn your homework in late! Yet somehow 15-year-old Cher (Alicia Silverstone) keeps it all together even finding time for extracurricular projects like finding a love match for her debate class teacher (Wallace Shawn) and giving a dowdy friend (Brittany Murphy) a fashion makeover. But Cher's tidy world starts to unravel with the sudden appearance of two total Baldwins (hunks): a sexy and stylish new classmate (Justin Walker) and Cher's square but cute ""ex-stepbrother"" (Paul Rudd). Now Cher is about to learn that when it comes to love she's... well Clueless.
Florence 1934. A diverse group of cultured ladies meet for tea each afternoon: Lady Hester Random widow of the British Ambassador to Italy Arabella an artist and singer Georgie the exuberant American archaeologist and the brash and uninhibited Elsa. One of their fold Mary becomes surrogate mother to a young boy Luca and he is soon virtually adopted and brought up by the group of ladies. But the shifting political climate begins to have serious consequences for this unconventional community and the maturing Luca must face up to a personal challenge of independence.
Imagine your worst fear a reality with this brand new 40th anniversary restoration of The Howling, approved by Director Joe Dante (Gremlins). With ground-breaking special effects by Rob Bottin (The Thing, The Fog, Total Recall), The Howling has been stunningly restored for a new generation of horror fans. Graphically violent, sexually explicit and nightmarishly intense, it remains one of the most original werewolf movies of the eighties. After an intense confrontation with a serial killer, news anchor Karen White (Dee Wallace) is left traumatised and suffering from amnesia. In need of recovery, Karen takes refuge within The Colony , a country retreat organised by her psychiatrist Dr Waggner (Patrick Macnee). But things at The Colony aren't as idyllic as they originally seemed and as blood curdling screams break the midnight silence, Karen's memories slowly begin to come into focus. Special Features Inside the Career of Joe Dante Brand new featurette that celebrates the incredible career of Joe Dante Welcome to Werewolfland A lookback into the special effects of The Howling Deleted Scenes Outtakes - These outtakes will leave you howling!
Relive the adventure and magic in one of the most beloved motion pictures of all-time E.T. The Extra-Terrestrial from Academy Award-winning director Steven Spielberg. Captivating audiences of all ages this timeless story follows the unforgettable journey of a lost alien and the 10-year-old boy he befriends. Join Elliott (Henry Thomas) Gertie (Drew Barrymore) and Michael (Robert MacNaughton) as they come together to help E.T. find his way back home. Bonus Features: Steven Spielberg & E.T. The E.T. Journals; A Look Back The Evolution and Creation of E.T. The E.T. Reunion; The Music of E.T.: A Discussion with John Williams The 20th Anniversary Premiere Designs Photographs and Marketing.
Set against the stunning scenery of the South African bush, this boxed set contains the complete Wild at Heart, the story of Danny Trevanion (Stephen Tompkinson), a widowed English vet and his new extended family. Sarah (Amanda Holden), Danny's second wife, decides they should all return a sick monkey to its natural habitat in Africa in an attempt to bring her family and Danny's closer together. The holiday becomes a permanent adventure when they agree to stay to run a game reserve, presenting life-changing opportunities beyond even their wildest expectations or greatest fears. When the wild takes a terrible toll, Danny is bereft, but newcomers bring new life and with it, new hope for the future. And by Danny s side there is always his friend, tracker, guide and partner Duplessis without whom life would never be the same. This is a television drama series like no other. Colourful, adventurous, rich in dreams and possibilities, celebrating a way of life few can ever know but which can be enjoyed and experienced here who wouldn't want to live their lives Wild at Heart.
Screenwriter William Goldman's novel The Princess Bride earned its own loyal audience on the strength of its narrative voice and its gently satirical, hyperbolic spin on swashbuckled adventure that seemed almost purely literary. For all its derring-do and vivid over-the-top characters, the book's joy was dictated as much by the deadpan tone of its narrator and a winking acknowledgement of the clichés being sent up. Miraculously, director Rob Reiner and Goldman himself managed to visualize this romantic fable while keeping that external voice largely intact: using a storytelling framework, avuncular Grandpa (Peter Falk) gradually seduces his sceptical grandson (Fred Savage) into the absurd, irresistible melodrama of the title story. And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity... The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. --Sam Sutherland
Pixar's latest pixel-perfect creation follows a family of undercover superheroes who are forced to leave their quiet suburban life to save the world.
Alicia Silverstone won everyone over with her portrayal of a Beverly Hills teen, Cher, whose penchant for helping others with their relationships and self-esteem is a cover for her own loneliness. Director Amy Heckerling (Fast Times at Ridgemont High) made a smart, funny variation on Jane Austen's novel Emma, sweetly romantic and gently satirical of 90210 social manners. The cast is unbeatable: Dan Hedaya as Cher's rock-solid dad, Wallace Shawn as a geeky teacher, Paul Rudd as the boy who has always been Cher's surrogate brother--and the true holder of her most secret wishes. --Tom Keogh
There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--you smile at the spell it puts you into and are refreshed, and not a word needs to be spoken. This kind of entertainment is what they used to call "movie magic" and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys on the cover of Toy Story looks intriguing as it reawakens the kid in us. Filmmaker John Lasseter's shorts (namely Knickknack and Tin Toy, which can be found on the Pixar video Tiny Toy Stories) illustrate not only a technical brilliance but also a great sense of humour--one in which the pun is always intended. Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney. Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favourite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar "For the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas
Experience a hilarious fantasy about the lives toys lead when they're left alone. Woody, an old-fashioned coyboy doll, is Andy's favourite. But when Andy get Buzz Lightyear for his birthday, the flashy new space hero takes Andy's room by storm! Their rivalry leaves them lost with a toy's worst nightmare - Sid, the toy-torturing boy next door. Woody and Buzz must work together to escape, realising along the way that they've got a friend...in each other! Bonus: Toy Story 3 Trailer Buzz Lightyear Mission Logs: Blast Off 3 Animated Studio Stories Buzz Takes Manhattan Making Toy Story Filmmakers Reflect Deleted Scenes & Design Galleries And Over 90 Minutes More Bonus!
The world is a carnival of criminality, corruption, and psychosexual strangeness in the twisted pre-Code shockers of Tod Browning. Early Hollywood's edgiest auteur, Browning drew on his experiences as a circus performer to create subversive pulp entertainments set amid the world of traveling sideshows, which, with their air of the exotic and the disreputable, provided a pungent backdrop for his sordid tales of outcasts, cons, villains, and vagabonds. Bringing together two of his defining works (The Unknown and Freaks) and a long-unavailable rarity (The Mystic), this cabinet of pre-Code curiosities reveals a master of the morbid whose ability to unsettle is matched only by his daring compassion for society's most downtrodden.
The creators of the beloved Toy Story films re-open the toy box and bring moviegoers back to the delightful world of our favorite gang of toy characters in TOY STORY 3.
The Pink Panther is - paws down - the world's grooviest cartoon star. In 1964 the pink-inked feline slinked onto the opening credits of a live action film comedy and not only stole the show... but also the hearts of critics audiences and sophisticated cinephiles alike! And though the cartoons continue to this day the earlier entries are considered classics. Collected here for the first time are all of the original cartoon favourites - including the Oscar®-winning ThePink Phink (1964: Animated Short Subject) - that captured a world of fans... and will undoubtedly continue to do so for decades to come!
Imagine your worst fear a reality with this brand new 40th anniversary restoration of The Howling, approved by Director Joe Dante (Gremlins). With ground-breaking special effects by Rob Bottin (The Thing, The Fog, Total Recall), The Howling has been stunningly restored for a new generation of horror fans. Graphically violent, sexually explicit and nightmarishly intense, it remains one of the most original werewolf movies of the eighties. After an intense confrontation with a serial killer, news anchor Karen White (Dee Wallace) is left traumatised and suffering from amnesia. In need of recovery, Karen takes refuge within The Colony , a country retreat organised by her psychiatrist Dr Waggner (Patrick Macnee). But things at The Colony aren't as idyllic as they originally seemed and as blood curdling screams break the midnight silence, Karen's memories slowly begin to come into focus. Special Features Inside the Career of Joe Dante Brand new featurette that celebrates the incredible career of Joe Dante Welcome to Werewolfland A lookback into the special effects of The Howling Deleted Scenes Outtakes - These outtakes will leave you howling!
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