There have been many film and TV adaptations of Oliver Twist but this 1948 production from director David Lean remains the definitive screen interpretation of the Charles Dickens classic. From the ominous symbolism of its opening storm sequence (in which Oliver's pregnant, ill-fated mother struggles to reach shelter before childbirth) to the mob-scene climax that provokes Bill Sikes's dreadful comeuppance, this breathtaking black-and-white film remains loyal to Dickens while distilling the story into its purest cinematic essence.Every detail is perfect--Lean even includes a coffin-shaped snuffbox for the cruel Mr. Sowerberry--and as young Oliver, eight-year-old John Howard Davies (who would later produce Monty Python's Flying Circus for the BBC) perfectly expresses the orphan's boyish wonderment, stern determination and waifish vulnerability. Best of all is Alec Guinness as Fagin, so devious and yet so delightfully appealing under his beak-nosed (and, at the time, highly controversial) make-up. (Many complained that Fagin's huge nose and greedy demeanour presented an anti-Semitic stereotype, even though Lean never identifies Fagin as Jewish; for this reason, the film wasn't shown in the US until three years after its British release.) Likewise, young Anthony Newley is artfully dodgy as Fagin's loyal accomplice, the Artful Dodger. Guinness's performance would later provide strong inspiration for Ron Moody's equally splendid portrayal of Fagin in the Oscar-winning Oliver! and while that 1968 musical remains wonderfully entertaining, it is Lean's film that hews closest to Dickens' vision. The authentic recreation of 19th-century London is marvellous to behold; Guy Green's cinematography is so shadowy and stylised that it almost qualifies as Dickensian film noir. Lean is surprisingly blunt in conveying Dickens's theme of cruelty but his film never loses sight of the warmth and humanity that Oliver embodies. --Jeff Shannon
In Scary Movie 5 happily-married couple Dan and Jody begin to notice some bizarre activity once they bring their newborn baby Aiden home from the hospital. But when the chaos expands into Jody's job as a ballet dancer and Dan's career as an Ape researcher they realize their family is being stalked by a nefarious demon. Together with the advice of certified experts and the aid of numerous cameras they must figure out how to get rid of it before it's too late.
The complete five seasons of Lost Girl follows the life of a succubus named Bo, as she learns to control her abilities, and discovers the truth about her origins. Starring Anna Silk as sexy succubus Bo, Ksenia Solo as perky sidekick Kenzi, and Kris Holden-Ried as light fae hunk Dyson.
Ghostbusters makes its long-awaited return with Director Paul Feig's unique and hilarious take on the classic, supernatural comedy, led by the freshest minds in comedy today: Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, and Chris Hemsworth. Together they team up to save Manhattan from a sudden invasion of spirits, spooks and slime that engulfs the city. Special Features: Theatrical and Extended Cut of the film Two Filmmaker Commentaries Over 15 Minutes of Hilarious Bloopers! 30 Minutes of Laugh Out Loud Alternate Takes! 4 Deleted Scnes Slime Time Behind the Scenes Featurettes
Although it eventually runs out of smart ideas and resorts to a typically explosive finale, this above-average thriller rises above its formulaic limitations on the strength of powerful performances by Samuel L Jackson and Kevin Spacey. Both play Chicago police negotiators with hotshot reputations, but when Jackson's character finds himself falsely accused of embezzling funds from a police pension fund, he's so thoroughly framed that he must take extreme measures to prove his innocence. He takes hostages in police headquarters to buy time and plan his strategy, demanding that Spacey be brought in to mediate with him as an army of cops threatens to attack, and a media circus ensues. Both negotiators know how to get into the other man's thoughts, and this intellectual showdown allows both Spacey and Jackson to ignite the screen with a burst of volatile intensity. Director F Gary Gray is disadvantaged by an otherwise predictable screenplay, but he has a knack for building suspense and is generous to a fine supporting cast, including Paul Giamatti as one of Jackson's high-strung hostages, and the late JT Walsh in what would sadly be his final big-screen role. The Negotiator should have trusted its compelling characters a little more, probing their psyches more intensely to give the suspense a deeper dramatic foundation, but it's good enough to give two great actors a chance to strut their stuff. --Jeff Shannon
This Happy Breed (2 Discs)
EPISODE 1: HELPEx-Premier League Footballer, Robbie Nichols, is beaten to death with a tyre iron on a London street one evening in what looks like a robbery gone wrong. Investigations lead DS Matt Devlin (Jamie Bamber) and DS Ronnie Brooks (Bradley Walsh) to everyman, Mike Jones (Lorcan Cranitch). He was seen in the area at the time of the murder, has motive and, once arrested, has his DNA matched to the murder weapon. Proclaiming his innocence, Mike points the finger at a well known East End gangster who he says he saw at the scene of the crime on the evening in question. The police are at odds as to who to believe.Trying the accused is no mean feat for Senior Crown prosecutor James Steel (Ben Daniels) who is up against the eccentric defence barrister Jason Peters (Eddie Marsan). Witness intimidation, false plea bargaining and corruption stand in the way of the truth but in the end, will the decency of one good samaritan be enough to finally put a murderer where they belong? Michael Cochrane is Judge Burchville.EPISODE 2 : DENIALLove, betrayal and assisted suicide are the themes of this week’s episode when high court judge Rachel Callaghan (Juliet Stevenson) is shot in the underground carpark of her apartment building in what looks like a car robbery gone wrong. It soon becomes apparent that a hitman was hired to kill her. Despite being shot twice, the judge is left on life support in hospital with her husband (John McArdle) and daughter by her bedside. The question on everyone’s minds is who wanted the judge dead - a career criminal she’s been pursuing a case against? Or someone a little closer to home? As a woman used to putting up a fight, Judge Callaghan initially refuses to accept the doctor’s prognosis on her condition. However, as evidence begins to mount against the accused, her health slowly deteriorates and the judge decides to have the hospital stop her treatment which will bring about her death. In a poignant and tender climax, CPS Director George Castle (Bill Paterson) is torn between friendship and respecting a person’s right to die as he tries to get Rachel to accept the truth of what has happened. Diana Quick is Judge Mary Hall.EPISODE 3 : IDWhen a pregnant junior doctor is found beaten to death in the carpark of the hospital where she works, the prime suspect becomes her boyfriend, Joe Nash (Matthew McNulty), who cannot provide a solid alibi for where he was at the time of the killing. Mobile phone traces put him in the right place at approximately the right time but when his therapist Daniela Renzo (Nicola Walker) provides him with an alibi for that evening, DS Matt Devlin (Jamie Bamber)and DS Ronnie Brooks (Bradley Walsh) begin to suspect they are having an affair. On arrest, a more harrowing truth emerges. What initially seems like a crime of passion soon unravels into a conspiracy involving senior level government officials. Risking their careers and defying the instruction of the Director of Public Prosecutions, Crown prosecutors James Steel (Ben Daniels) and Alesha Phillips (Freema Agyeman)must get to the bottom of this case before another life is destroyed. EPISODE 4 : DUTY OF CAREWhen a fire at his home leads to the death of Ian Parnell - a teenager with severe disabilities - DS Matt Devlin (Jamie Bamber)and DS Ronnie Brooks (Bradley Walsh) soon discover the fire was no accident. The investigation draws our cops in many different directions by a multitude of potential perpetrators capable of having started the fire including the victim himself. But the finger of blame soon points towards the last person one would have expected. Complications develop in prosecuting the defendant when Crown prosecutors James Steel (Ben Daniels) and Alesha Phillips (Freema Agyeman) find themselves up against ‘win-at-all-costs’ defence lawyer Dominic Peck (Oliver Dimsdale) whose outrageous ego threatens the fair outcome of the trial. With Peck constantly shifting the goalposts and misinforming his client, Megan Parnell (Beatie Edney,) James finds himself acting as defence and prosecution at the same time. In an emotionally heart-rending climax, the consequences of Peck’s behaviour are brought to a crashing conclusion. Diana Quick is Judge Mary Hall.EPISODE 5 : SHAKENThe unfolding tragedy of this episode takes unexpected twists and turns as what initially looks like a cot death of 6 month old Alex Raines is later diagnosed as shaken baby syndrome leaving DS Matt Devlin (Jamie Bamber)and DS Ronnie Brooks (Bradley Walsh) with a murder investigation on their hands. But with many possible suspects - the neglectful mum, the absent dad, the resentful nanny or her short-tempered soldier boyfriend - who should our cops arrest? During the trial, some new evidence comes to light which casts doubt over the prosecution’s case. Pitted against the indefatigable Helena Marsden (Jemma Redgrave), the very framework of this family is pulled apart and Crown prosecutors James Steel (Ben Daniels) and Alesha Phillips (Freema Agyeman) are forced to do some investigating of their own. The heartbreaking tragedy of what is uncovered leaves us wondering if there is more than one victim in this case. Pooky Quesnel guest stars.EPISODE 6: SKELETONSThis explosive episode begins by the banks of the Thames with our cops searching for a missing child and, ultimately, takes us to very chilling and unexpected places. A body is found with a note reading “They Must be Destroyed” - a terrifying echo for DS Ronnie Brooks (Bradley Walsh) of an old case in which he was involved. Andrew Dillon (Peter McNamara) - an out and out racist - was convicted six years ago of killing three young boys with an ethnic background. With Dillon safely locked up in prison, it looks like there may be a copycat killer picking up where Dillon left off. Or could there be an alternative and more terrifying truth?Senior Crown Prosecutor, James Steel (Ben Daniels), is under intense scrutiny once it is uncovered that he not only successfully prosecuted Dillon for the killings but also that his success was by and large due to ‘selective prosecution’. Is James guilty of perverting the course of justice? Did he tamper with and bury key evidence in order to win a conviction and secure a promotion? Could it be a career ending mistake for James Steel? Tobias Menzies is Sam Cain, the prosecutor brought in to challenge James.
A somewhat contrived screenplay doesn't stop this thriller from serving up some of the most spectacular fire sequences ever committed to film. Like any Ron Howard production Backdraft is impressively slick and boasts a stellar cast, including Kurt Russell and William Baldwin. The actors play sibling rivals who have been at odds since the death of their firefighter father years earlier. Robert De Niro is the veteran fire inspector who is tracking a series of mysterious and deadly arsons and Donald Sutherland is effectively creepy as the former arsonist who understands the criminal psychology of pyromaniacs. Rebecca De Mornay, Scott Glenn and Jennifer Jason Leigh are featured in supporting roles. Backdraft is a triumph of stunt work and flaming special effects. --Jeff Shannon
Robert Towne is one of Hollywood's most celebrated screenwriters, but because his directorial efforts have been few and far between, anticipation was high when this star-powered crime story was released in 1988. Critical reaction was decidedly mixed, but there's plenty to admire in this silky, visually seductive film about a drug dealer (Mel Gibson) whose best friend from high-school (Kurt Russell) is now working for the Los Angeles sheriff's drug detail. Their personal and professional conflicts are intensified by their love for the same woman, a waitress (Michelle Pfeiffer) at the Italian restaurant they both frequent. There's a big deal going down with a drug lord (the late Raul Julia), but as it twists and turns, Towne's story is really more about personal loyalties and individual honour. And even if it doesn't quite hold together, the movie's got a fantastic look to it (courtesy of the great cinematographer Conrad Hall), and the three stars bring depth and dimension to their well-written roles. --Jeff Shannon
Ronald Neame directs this perceptive comic study of the struggle of artistic creation, based on the novel by Joyce Cary. Starring Alec Guinness, who also wrote the screenplay, the film tells the story of Gulley Jimson (Guinness), an ageing and impoverished London painter who is rude, uncouth, eccentric and obsessed with his work to the point where nothing and nobody can come between him and his artistic passion.
A combined CGI animation and live action family film about a zebra who grows up believing he's a racehorse who, with the help of his barnyard friends, sets out to race with the thoroughbreds!
From the makers of Downton Abbey - 1619, Virginia: on what feels like the edge of the world sits the first British colony of Jamestown. For 12 years, it has been populated only by men, but the settlement is shaken up when the first women, including Alice (Sophie Rundle), Verity (Niamh Walsh) and Jocelyn (Naomi Battrick), land in this breathtaking wilderness. Twisting storylines follow the disruptive new arrivals as they make an immediate impact and are thrust into a new world of love, desire, power and survival. While love triangles, bitter rivalries and fierce competition cause conflict for the residents, ultimately they are bound together by their resolute will to survive and thrive in their new lives. Written by Bill Gallagher, the eight part drama is set during a unique period of adventure and features an ensemble cast that also includes Max Beesley, Dean Lennox Kelly, Stuart Martin, Matt Stokoe, Jason Flemyng, Steven Waddington and Burn Gorman.
Addison Montgomery (Kate Walsh, Grey's Anatomy) leaves behind McDreamy, McSteamy, and McSeattle to join California's Oceanside Wellness Center, a private practice that was founded by two best friends from med school. But if she's expecting a drama-free existence, she's in the wrong place. Naomi (Audra McDonald) and Sam (Taye Diggs) Bennett are the perfect couple who aren't together anymore. Pediatrician Cooper Freedman (Paul Adelstein) is a horny Peter Pan looking for love on the Internet. Violet Turner (Amy Brenneman) is a psychiatrist who can dish out the advice, but can't get over her own breakup to a man who has clearly moved on. And then there's Pete Wilder (Tim Daly), an alternative-medicine practitioner so good-looking and charming that Addison can't stop crushing on him, even though she dismisses his brand of practice as New Age-y. Created by Grey's Anatomy's Shonda Rhimes to capitalize on Walsh's popularity, Private Practice has some screwy moments that don't fall in line with Addison's cosmopolitan character. Are we really to believe that Addison is so messed up that she really believes the elevator is talking to her? That conceit would've worked on Ally McBeal's titular heroine, but on Addison Montgomery? We don't think so. The show, which was affected by the writer's strike of 2007, lacks cohesiveness in the truncated 10 episodes on this DVD box set. But still, the series shows promise. Though some of the plot devises are melodramatic at best (Sam has to deliver the baby of a woman who had been robbing the store just moments before), viewers end up rooting for the quirky characters to get their personal lives in order. Though we're supposed to be longing for Addison and Pete to couple up, and for the Bennetts to realize that their divorce was a mistake, it's really Cooper and Violet who have all the makings to be the show's most intriguing couple. The debut season showed some interesting plot devices: two couples whose babies were mistakenly exchanged at birth; a senior citizen with unexplainable bruising on his body; and one of the female characters dealing with her own infertility issues. But the thrust of the show is how the doctors work and play together. Talking to one of her patients, Addison says, "Everyone screws up once in awhile." That can also be the motto for the Oceanside Wellness Center. --Jae-Ha Kim
Bridget Gregory (Linda Fiorentino) is a woman who knows what she wants and will stop at nothing to get it: including murder. After a drug deal goes wrong she cons her ineffectual husband Harlan (Bill Pullman) out of seven hundred thousand dollars. She hides in a small town where she takes up with young dumb lover Swale (Peter Berg) but soon Harlan is on her trail and he means business. John Dahl's modern take on the classic film noir is packed full of double-crosses sexual tensi
Life comes full circle for Dr. Addison Montgomery and the extraordinary doctors of Seaside Wellness in this complete final collection of the incredible ABC series Private Practice. As the group heals old wounds and faces fresh challenges their only constant is change. Addison and her colleagues embrace new passions rekindle old flames and are united by the challenges heartbreak love and laughter that they've shared over six unforgettable years. Relive every emotionally gripping moment of all 111 episodes in this long awaited DVD box set. Special Features: Season 1: Kate Walsh: Practice Makes Perfect - Journey with Kate through Her Acting Career to See How She Landed One of TV's Most Sought-After Roles Alternative Ensemble: Behind the scenes of Private Practice Two Extended Episodes Deleted Scenes Out-takes Commentaries Season 2: Extended Episodes Deleted Scenes and Bloopers Patient Confidentiality: Examining season 2 Life through the lens: The Pictures of Chris Powell Season 3: Kate's Top 8 - Kate Walsh's personal favourite moments Bloopers Deleted Scenes Season 4: An Inside Look: The Violation of Charlotte King Deleted Scenes Bloopers Season 5: The Practice of Parenthood - Filmakers and cast discuss the addition of children to the series this season the different kinds of family the show explores and how being a parent affects the cast both as actors and in their personal lives Deleted Scenes Bloopers Season 6: Deleted Scenes Gag Reel
As the New Year begins, a terrifying evil is stirring, from across the centuries of Earth's history. As the Doctor, Ryan, Graham and Yaz return home, will they be able to overcome the threat to planet Earth?
Intelligent casting, strong performances and the persuasive chemistry between Sean Connery and Michelle Pfeiffer prove the virtues in director Fred Schepisi's well-intended but problematic screen realization of this John Le Carré espionage thriller. At its best, The Russia House depicts the bittersweet nuances of the pivotal affair between a weary, alcoholic London publisher (Connery) and the mysterious Russian beauty (Pfeiffer) who sends him a fateful manuscript exposing the weaknesses beneath Soviet defence technology. Connery's Barley is a gritty, all-too-human figure who's palpably revived by his awakening feelings for Pfeiffer's wan, vulnerable Katya, whose own reciprocal emotions are equally convincing. Together, they weave a poignant romantic duet. The problems, meanwhile, emanate from the story line that brings these opposites together. Le Carré's novels are absorbing but typically internal odysseys that seldom offer the level of straightforward action or simple arcs of plot that the big screen thrives on. For The Russia House, written as glasnost eclipsed the cold war's overt rivalries, Le Carré means to measure how old adversaries must calibrate their battle to a more subtle, subdued match of wits. Barley himself becomes enmeshed in the mystery of the manuscript because British intelligence chooses to use him as cat's paw rather than become directly involved. Such subtlety may be a more realistic take on the spy games of the recent past but it makes for an often tedious, talky alternative to taut heroics that Connery codified in his most celebrated early espionage role. If the suspense thus suffers, we're still left with an affecting love story, as well as some convincing sniping between British and US intelligence operatives, beautifully cast with James Fox, Roy Scheider and John Mahoney. Veteran playwright Tom Stoppard brings considerable style to the dialogue, without solving the problem of giving us more than those verbal exchanges to sustain dramatic interest. --Sam Sutherland
The Battle Of River Plate - Ten days before World War II Germany's crack battleship Admiral Graf Spee sails with orders to carry out action against Allied merchant shipping in the South Atlantic. Captained by Hans Langsdorff (Peter Finch) Graf Spee with her superior speed sinks ship after ship. Meanwhile the net is tightening round the German Killer. Outwitted by British Intelligence the Germans are convinced Graf Spee is trapped by a massive naval force. The captain eva
Though he gets solo above-the-title billing, Will Hay was no more a solo comedian than Groucho Marx--and Oh, Mr Porter!, one of his finest vehicles, finds him congenially teamed with sidekicks Moore Marriott and Graham Moffatt in one of the British cinema's greatest comedy gangs. Hay's William Porter, an inept railway worker, is shunted off to the dead-end job of stationmaster in Buggleskelly, Northern Ireland, arriving as the latest in a long line of doomed souls who have left their presentation clocks on the mantelpiece of the dilapidated office. The delight of the film is in the interplay between Hay and Marriott, the single-toothed dotty old-timer, and Moffatt, the chubby smart kid, as they fail the most basic requirements of their jobs but come up trumps when investigating the ghost of One-Eyed Joe and his haunted mill, discovering a branch line being used by cross-border gun-smugglers who are defeated in a spirited final chase. There's some slapstick with an escape from the mill in a high wind and the last ride of the venerable locomotive Gladstone, but Hay works best with character comedy, pompously reprimanding his subordinates for dodges he proceeds to pull himself, reacting to every ominous line with a perfect double-take and blithely surviving the chaos his character causes wherever he goes. --Kim Newman
The powerful and hard-hitting Law & Order: UK returns for series 5.
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