With elements of screwball comedy, this sparkling thriller has been called the best Hitchcock movie Hitchcock never made. Stanley Donen's 1963 Academy Award-nominated and BAFTA-winning feature Charade is a romantic suspense thriller starring Cary Grant and Audrey Hepburn. Filmed on location in Paris, the story centres on a young woman who meets a charming stranger on a skiing holiday. She returns home, planning to ask her husband for a divorce, but finds all of their possessions gone. The police notify her husband has been murdered and when she discovers that he was responsible for stealing from the US government, an elaborate charade begins, in which nothing is what it seems to be.
Schoolteacher and family man Ed Avery who's been suffering bouts of severe pain and even blackouts is hospitalized with what's diagnosed as a rare inflammation of the arteries. Told by doctors that he probably has only months to live Ed agrees to an experimental treatment: doses of the hormone cortisone. Ed makes a remarkable recovery and returns home to his wife Lou and their son Richie. He must keep taking cortisone tablets regularly to prevent a recurrence of his illness. But the miracle cure turns into its own nightmare as Ed starts to abuse the tablets causing him to experience increasingly wild mood swings...
Regina Lambert (Audrey Hepburn) returns to Paris from a holiday in Switzerland to find that her husband Charles has been murdered and her house ransacked. She is later told by a CIA agent that her husband was involved in robbing $250 000 of gold from the U.S. government during World War II and the government wants it back. Later that day she is visited by Peter Joshua (Cary Grant) whom she had met briefly whilst on holiday. When her husband's ex-partners in crime who were double-crossed by Charles start harassing her about the missing money Peter offers to help find it. Thus begins an elaborate charade in which nothing is what it seems to be...
Robin And Marian (Dir. Richard Lester 1976): Robin Hood (Connery) is an old man when he returns with his best friend Little John to England after the Crusades. Maid Marian (Hepburn) has entered a nunnery King Richard is a raving lunatic his Brother John a moron and the age of great adventure has seemed to have passed Robin by. But when The Sheriff of Nottingham (Shaw) once again threatens Sherwood Robin gathers his faithful men and band of peasants to fight oppression in
Episodes Comprise: 1. That Touch of Mink (1962) 2. The Grass Is Greener (1960) 3. Indiscreet (1958) 4. Father Goose (1964) 5. Mr Blandings Builds His Dream House (1948) 6. Bringing Up Baby (1938) 7. None But The Lonely Heart (1944) 8. Mr Lucky (1943) 9. Once Upon A Honeymoon (1942) 10. In Name Only (1939) 11. Gunga Din (1939) 12. The Toast Of New York (1937) 13. Sylvia Scarlett (1935) 14. Charade (1963) 15. I'm No Angel (1939) 16. She Done Him Wrong (1933) 17. Blonde Venus (1932) 18. Operation Petticoat (1959) 19. My Favorite Wife (1940) 20. The Last Outpost (1935) 21. Suspicion (1941)
Beautiful high society wife Regina Lampert (Audrey Hepburn) has everything. And then her wealthy husband turns up dead, her apartment is stripped bare and several mysterious men start following her. Enter dapper gent Peter Joshua (Cary Grant). Can she trust him? And is that even his real name?Stanley Donen’s sexy and breezy screwball comedy thriller brought together European migr Hollywood royalty Audrey Hepburn and Cary Grant for the first time to create a caper with real chemistry. Featuring playful performances from Walter Matthau, George Kennedy and James Coburn, Charade is scored by the mighty Henry Mancini, shot by Some Like It Hot cinematographer Charles Lang and features gowns by Givenchy. It’s riotous, glamorous and glorious.
The Incident
Director Gene Kelly demonstrates wonderful style and sophistication in this adult farce that stars Walter Matthau and Robert Morse as two husbands with one thing on their minds. Matthau is Paul Manning, a happily married 'typical suburban male.' Wanting other women but having no idea how to go about it, he turns to his friend, Ed (Morse), for a few tips on infidelity. An Ed willingly dishes up some of the funniest advice and anecdotes ever seen - brought to life by a top cast that includes Lucille Ball, Jack Benny, Joey Bishop, Side Caesar, Art Carney, Phil Silvers and Jayne Mansfield. Despite its delicate subject matter, this wild, wicked comedy is executed with such charm and affection that is won strong critical praise and was one of the top money-makers of its year. Special Features: Walter Matthau - Diamond in the Rough documentary Picture Gallery Original Theatrical Trailer Jayne Mansfield Documentary Trailer
California Street' is a classic Neil Simon comedy that takes place at the Beverly Hills Hotel during the weekend of the Academy Awards celebration. Herb Ross's film follows the misadventures of four groups of guests including a divorced couple battling over the custody of their daughter (Jane Fonda and Alan Alda) a husband who gets caught with a hooker in his room by his wife (Walter Matthau and Elaine May) a British actress nominated for an Oscar and her straying gay husband (Maggie Smith and Michael Caine) and two competing doctors and their wives forced to share a hotel room (Bill Cosby and Richard Pryor).
Kotch is a gentle comedy that reunites Walter Matthau with Jack Lemmon (this time behind the camera) in a wry look at the alienation of the elderly. Matthau's character of the title is a retired man who lives with his son and increasingly stressed daughter-in-law, as well as the grandson he dotes on. Finding himself pushed more and more into the sidelines, Kotch sets off on a journey that brings him into contact with pregnant teenager Erica (Deborah Winters), a relationship that re-introduces purpose into his life. Matthau is perfect as the eccentric Kotch, stealing every scene with his rambling monologues, although Winters brings out the caring, paternal side perfectly. It is a little schmaltzy in parts (the opening credits are particularly off putting), but Koch is ultimately an effective work that makes you wonder just why Lemmon never took the director's chair again. On the DVD: Given the wealth of potential material, the half-hearted effort at providing some extra insight is pretty woeful. There are no visual images, just a few production and biographical notes--a huge opportunity missed. --Phil Udell
Dan Aykroyd (Ghostbusters) is running the asylum - and ruling the airwaves - as a mental patient turned talk-radio shrink in this comedy of loony proportions co-starring Charles Grodin (Midnight Run), Donna Dixon (Spies Like Us), Walter Matthau (The Odd Couple) and Chevy Chase (Fletch). When asylum inmate John Burns (Aykroyd) intercepts a call to his psychiatrist, he brashly impersonates the good doctor. And he does such a good job that he's given an offer to fill in for a stressed-out Beverly Hills celebrity psychologist (Grodin) as the host of a call-in radio advice show. Escaping the hospital, Burns is soon gleefully crossing swords with his predecessor's beautiful colleague (Dixon), crossing paths with a crafty crackpot (Matthau) and crossing the line into complete hilarity as his offbeat psychobabble takes ultra-trendy La-La Land by storm!
After his mother's death Collin Fenwick goes to live with his father's cousins the wealthy avaricious and controlling Verena Talbo and her compliant earthy sister Dolly...
At the height of urban paranoia and the birth of survivalist movement in the 1980s, director Michael Ritchie decided to team Robin Williams and Walter Matthau in The Survivors. Talk about an odd couple; yet it actually might have worked, with Matthau's hang-dog deadpan and Williams' manic energy, were it not for a limp script by Michael Leeson. Williams and Matthau play two victims of Reaganomics, unemployed acquaintances who witness a robbery and identify one of the participants to the police, an act that turns them into targets for the robber in question who comes looking for them. Williams' response: become a one-man arsenal and join a training camp for militant survivalists. But the comedy is neither sharp enough nor sufficiently smart to pull it off; Matthau is the calm centre while Williams' comedy rockets all around him, to surprisingly little effect. --Marshall Fine, Amazon.com
Albert Einstein helps a young man who's in love with Einstein's niece to catch her attention by momentarily pretending to be a great physicist...
In Charade Audrey Hepburn plays a Parisienne whose husband is murdered and who finds she is being followed by four men seeking the fortune her late spouse had hidden away. Cary Grant is the stranger who comes to her aid, but his real motives aren't entirely clear--could he even be the killer? The 1963 film is directed by Stanley Donen, but it has been called "Hitchcockian" for good reason: the possible duplicities between lovers, the unspoken agendas between a man and woman sharing secrets. Charade is nowhere as significant as a Hitchcock film, but in terms of suspense it holds its own; and Donen's glossy production lends itself to the welcome experience of stargazing. You want Cary Grant to be Cary Grant and Audrey Hepburn to be no one but Audrey Hepburn in a Hollywood product such as this, and they certainly don't let us down. --Tom Keogh, Amazon.com
Director Oliver Stone is celebrated in this four-film, six-disc box set collection that includes two-disc "director's cut" versions JFK and Any Given Sunday respectively, plus Heaven and Earth and the documentary Oliver Stone's America. JFK is that rarest of things, a modern Hollywood drama which credits the audience with intelligence. Epic in length--this 198-minute director's cut runs 17 minutes longer than the cinema version--Oliver Stone's film has the archetypal story, visual scale and substance to match; not just a gripping real-life conspiracy thriller, but a fable for the fall of the American dream. Stone's DVD commentary is thoughtful, eloquent and considered. The Dolby Digital 5.1 soundtrack and the anamorphically enhanced 2.35:1 picture are both first-class. The second disc contains 53 minutes of deleted and extended versions of scenes, all of which are available with or without commentary by Stone, a 10-minute video interview with the real "X", and a half-hour examination of documents only declassified in the wake of the film's release. Any Given Sunday is a massive 150-minute American football drama which, for all its ferocity and cynicism, is as soft-centred and clichéd as any Rocky-style underdogs-make-good crowd-pleaser. This is the director's cut with Stone's commentary ranging far and wide: he is far more interesting and thought-provoking to listen to than his film is to watch. The anamorphically enhanced 2.35:1 image and Dolby Digital 5.1 soundtrack are both flawless. The loaded second DVD includes Jamie Foxx's audition video, a routine 27-minute making-of documentary, music videos, outtakes set to music, and 33 minutes of deleted/alternative scenes with optional commentary from Stone. DVD-ROM and other features complete an exceptional package. Heaven and Earth follows Platoon (1986) and Born of the Fourth of July (1989) to conclude Stone's Vietnam War trilogy. Where Stone won Best Director Oscars for both previous films, Heaven and Earth proved a box-office disaster and went unrecognised by the Academy. It's hard not to think that racism underlay the commercial failure, for where the hit movies addressed the sufferings of white American soldiers played by Hollywood stars, Heaven and Earth focused on the fundamental victims, adapting the true story of a young Vietnamese woman, Le Ly, who goes from village girl to freedom fighter to wife of a US marine struggling to adjust to life in America to reconciliation in Vietnam. Superbly made, with a stunning performance by Hiep Thi Le as Le Ly, and powerful support from Tommy Lee Jones, this is intelligent, harrowing filmmaking which attempts to understand and bridge the divide between nations traumatised by war. Unfortunately heavily cut to bring it down to a multiplex-friendly running time, the often brilliant 135 minutes on show suggest a longer modern classic ended-up on the cutting room floor. The DVD features an incisive commentary by Stone, who alone of major Hollywood directors fought in Vietnam. Confirming that Heaven and Earth was heavily cut is the inclusion of 48 minutes of deleted/extended scenes, including a vastly extended 22-minute opening, Dolby Digital 5.1 sound and anamorphically enhanced 2.35:1 picture are excellent. Oliver Stone's America is a 53-minute interview in which Stone talks candidly about his films, concentrating on the trio included in the Oliver Stone Collection, firing off considered opinions at a rapid rate. Also included is Stone's student film, Last Year in VietNam, clearly influenced by the French New Wave in general and L'Année dernière à Marienbad (1961) in particular. --Gary S Dalkin
Walter Matthau was barely three when his father deserted the family. Poverty and New York street smarts produced a self-deprecating humor that never left. The G.I. Bill let him study acting and by 1951 he earned a New York Drama Critics Award. Television dramas followed and then came Hollywood. When director Billy Wilder cast him opposite Jack Lemmon a classic partnership was created. In Lemmon Matthau found an enduring friend and frequent co-star. Matthau's real-life combination of cynicism and gruff sentimentality was reflected in the performances that brought him to major stardom.
Neil Simon has a special genius for finding great hilarity in ordinary people doing everyday things. Like two divorced men who decide to share a New York apartment. That's the premise of The Odd Couple although there's nothing odd in the casting of two Oscar-winning talents like Jack Lemmon and Walter Matthau. The two veteran funnymen work together with the precision timing of a vaudeville team but always with bright spontaneity. Lemmon plays fussy Felix fastidious to a fault. He p
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