Young Candy is a college girl who seeks truth and meaning in life encountering a variety of kookie characters and humorous sexual situations in the process... Based on Terry Southern's satirical novel a sendup of Voltaire's 'Candide'.
An all-star cast, including Robert Shaw (Jaws) and Oscar-Winners Walter Matthau and Martin Balsam delivers sure-fire entertainment that's gripping and exciting from beginning to end. Based on the sizzling best seller by John Godey, this pulse-pounding picture is guaranteed to give you the ride of your life! Somewhere underground, in New York's subway system, just outside the Pelham Station, a gang of armed men hijack a train, threatening to kill one hostage per minute unless their demands are met. Forced to stall these unknown assailants until a ransom is delivered or a rescue is made, transit chief Lt. Garber (Matthau) must ad-lib, bully, con and shrewdly outmanoeuvre one of the craftiest and cruellest villains (Shaw) in a battle of wits that will either end heroically or tragically.
JFK Oliver Stone's powerful film about the shots heard round the world and the mystery that still surrounds them is one of the most provocative movies of our time. In addition to its box office success critical acclaim and awards it played a major role in the national debate that led to the passage of the 1992 Assassination Materials Disclosure Act.
Elvis Presley brings a new beat to Bourbon Street in KING CREOLE; presented here newly remastered from a 4K film transfer. Directed by Michael Curtiz (Casablanca, White Christmas), Elvis plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like he'll shake off his past and head for the top. But a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) could snare him into a life of crime. Product FeaturesFilmmaker focus: Leonard Maltin discusses King Creole Play the Songs directly by selecting the scenes
Charley Varrick and his friends rob a small town bank. Expecting a small sum to divide amongst themselves they are surprised to discover a very large amount of money. Quickly figuring out that the money belongs to the MOB they must now come up with a plan to throw the MOB off their trail.
Beat The Devil (Dir. John Huston 1953): Beat the Devil is a wacky comedy that's played as straight as any film noir and is even funnier as a result. Five men (Bogart Lorre Morley Barnard and Tulli) are out to garner control over East African land which they believe contains a rich uranium ore lode. Billy Dannreuther (Bogart) is married to Maria (Gina Lollobrigida) the other four are their ""business associates"" and Jones and Underdown are added to the mix for some interes
Miles Kendig is a veteran CIA agent who finds himself reduced to a desk job after the arrival of new boss Myerson. Refusing to take it lying down he disappears and begins to write his memoirs threatening to lift the lid on the world's top intelligence agencies. He soon has both the CIA and the KGB in hot pursuit but Kendig is a hard man to keep up with. Walter Matthau and Glenda Jackson are the perfect comic partnership in this classic spy caper from celebrated director Ronald Neame.
Bring home this essential collection of 8 Paramount Pictures classics starring the one and only King Of Rock & Roll, Elvis Presley. Including Blue Hawaii; King Creole; Roustabout; G.i. Blues; Girls! Girls! Girls!; Paradise, Hawaiian Style; Fun In Acapulco; Easy Come, Easy Go. Blue Hawaii The year was 1961. Fallout shelters dot suburban backyards. Ken joins Barbie. Roger Maris slugs 61 home runs. And Elvis Presley is in paradise, playing an ex-G.I. who comes home to Blue Hawaii. His mother (Angela Lansbury) expects him to climb the corporate ladder. But Elvis would rather wear an aloha shirt than a white collar, so he goes to work as a tour guide. Lucky Elvis: his first customers are a careful of cuties. Elvis, lovely scenery, lovelier girls and rock-a-hula songs - now that's paradise! Fun in Acapulco The year was 1963. The hot line links the White House and the Kremlin. The first major pop art exhibition stirs up a major buzz. The Whisky-A-Go-Go opens. And in Fun In Acapulco, Elvis heads south of the border, where he's fired as a boat hand, hired as a lifeguard and singer, admired by local beauties (including Ursula Andress) and inspired to jump off a 136-foot cliff. Put another way: he overcomes a fear of heights in spectacular fashion. Spectacular, too, are the scenic vistas and Latin-beat tunes. Dive in! King Creole The year was 1958. Everybody's datin' at the drive-in. America launches its first satellite. The novel Lolita stirs up controversy. And Elvis Presley gives Bourbon Street a new beat in King Creole. He plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like Elvis will shake off his past and head for the top. But will a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) snare him in a life of crime? Roustabout The year was 1964. The miniskirt is in. If you can't Watusi, you can't dance. Cassius Clay (soon to be Muhammad Ali) claims the heavyweight crown. And Elvis is a karatechopping biker who's hired as a carnival Roustabout. At first he just provides muscle and a diversion for the beautiful carny girls. Then he picks up a guitar and gets the midway rockin'. Looks like this talented tough guy may be what the good-hearted owner (Barbara Stanwyck) needs to save her travelling show from bankruptcy. Easy Come, Easy Go The year was 1967. It's Packers vs. Chiefs in the first Super Bowl. Twiggy is a supermodel sensation. America's 100,000,000th telephone is installed. And Elvis dives for dollars in Easy Come, Easy Go. On his last day in the Navy, frogman Elvis discovers a sunken treasure ship. On his first day as a civilian, Elvis starts his new job-self-employed treasure hunter! Fans will dig these treasures, too: Rockin' tunes, romance with a go-go dancer, underwater action, and The King twisted like a human pretzel at a groovy 60's yogafest Costarring Elsa Lanchester (Bride of Frankenstein). GI Blues The year was 1960. A payola scandal shocks the music world. Movie fans are introduced to glorious Smell-O-Vision. The 50-star flag is adopted. And in G.I. Blues, Elvis adopts an on-screen persona he knows well in real life-a singin' G.I. in West Germany. Eager to open a stateside nightclub after his hitch in khakis, he takes part in a wager to raise the dough he needs. The bet: he can melt the iceberg heart of a willowy dancer (Juliet Prowse). But all bets may be off when real love intervenes Girls! Girls! Girls! The year was 1962. Teens twist at the Peppermint Lounge. John Glenn orbits Earth. Wilt Chamberlain scores 100 points in a single game. And Elvis digs the possibilities of Girls! Girls! Girls! This time he's a charter-boat skipper who helps tourists land the big ones. Of course, plenty of beautiful girls (including Stella Stevens) want to land Elvis. But there's something Elvis likes almost as much as romance-a boat! He yearns for a sleek sailboat with a $10,000 price tag. Let's see, that makes him about $9,999 short. Paradise, Hawaiian Style The year was 1966. A little-known series called Star Trek⢠beams up. Valley of the Dolls is the hot book. Half of all TVs sold are color sets. And in Paradise, Hawaiian Style, Elvis takes to the skies over the island paradise of Kauai. He's a partner in a helicopter charter service. Romance, naturally, is in the air for the King but his business may be grounded. A threatened suspension of his pilot's license means he may have to kiss his assets goodbye.
A trio of sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
Sequels might be the lifeblood of mainstream Hollywood film production but it took 30 years for The Odd Couple 2 to reunite Jack Lemmon, Walter Matthau and writer Neil Simon for a follow-up to their scintillating 1967 success. Now Felix (Lemmon) and Oscar (Matthau), once mismatched flatmates, are forced to renew their old friendship when their respective children get married. Cue all the ingredients for a disaster-riddled journey to California for the wedding: lost luggage, allergies, dangerously wanton women (and their husbands), illegal immigrants and repeat visits to the same police station. All the old irritations rise quickly to the surface, Simon's dialogue is as sharp as ever and the vocal sparring skills of these two magnificent comedy players are undiminished, though there's a certain poignancy in their physical frailty: "I'm too old to hit but I could spit you to death", threatens Matthau at one point. Crumpled and puffy, neither of them looks in great shape. But the film gives a neat symmetry to two of the finest cinematic careers. As Matthau says towards the end, it's "the biggest goddamndest déjà vu anyone's ever had". On the DVD: The Odd Couple 2 on disc has no extras apart from the original theatrical trailer. The film is presented in 2.35:1 anamorphic widescreen with a Dolby Digital Surround soundtrack. It looks and sounds good. Alan Silvestri's score borrows the Neal Hefti theme from the 1967 original from time to time. --Piers Ford
Charley Varrick (Walter Matthau) is a former stunt-pilot who makes his living robbing small banks in the American Southwest. His latest heist sees him unwittingly steal from the local mafia, setting a psychotic hit-man on his trail and unleashing a maelstrom of violence and destruction. Directed by the great Don Siegel (Invasion of the Body Snatchers, Dirty Harry), Charley Varrick is one of the best thrillers of the 70s: action-packed, memorably lurid and gleefully unsentimental Extras: Limited edition remaster Original mono audio Last of the Independents: Don Siegel and the Making of Charley Varrick' (2015, 72 mins): a feature-length documentary on the making of the film The Guardian Lecture with Don Siegel (1973, tbc mins): archival audio recording of an interview conducted by Tony Sloman at London's National Film Theatre The Guardian Lecture with Walther Matthau (1988, tbc mins): archival audio recording of an interview at London's National Film Theatre Super 8 version: original cut-down home cinema presentation Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by author and critic Richard Combs, an overview of contemporary critical responses, and historic articles on the film UK premiere on Blu-ray Limited Edition of 3,000 copies
Sparkling comedy about the strange relationship of a bachelor dentist (Matthau) with his nutty mistress (Oscar-winning Hawn) and his rather stoic receptionist (Bergman)...
California Street is a classic Neil Simon comedy that takes place at the Beverly Hills Hotel during the weekend of the Academy Awards celebration. Herb Ross's film follows the misadventures of four groups of guests including a divorced couple battling over the custody of their daughter (Jane Fonda and Alan Alda) a husband who gets caught with a hooker in his room by his wife (Walter Matthau and Elaine May) a British actress nominated for an Oscar and her straying gay husband (Maggie Smith and Michael Caine) and two competing doctors and their wives forced to share a hotel room (Bill Cosby and Richard Pryor).
Dan Aykroyd is running the asylum and ruling the airwaves as a mental patient turned talk-radio shrink in this Michael Ritchie comedy of loony proportions co-starring Charles Grodin Donna Dixon Walter Matthau and Chevy Chase. When asylum inmate John Burns (Aykroyd) intercepts a call to his psychiatrist he brashly impersonates the good doctor. And he does such a good job that he's given an offer to fill in for a stressed-out Beverly Hills celebrity psychologist (Grodin) as the hos
In Charade Audrey Hepburn plays a Parisienne whose husband is murdered and who finds she is being followed by four men seeking the fortune her late spouse had hidden away. Cary Grant is the stranger who comes to her aid, but his real motives arent entirely clear--could he even be the killer? The 1963 film is directed by Stanley Donen, but it has been called "Hitchcockian" for good reason: the possible duplicities between lovers, the unspoken agendas between a man and woman sharing secrets. Charade is nowhere as significant as a Hitchcock film, but in terms of suspense it holds its own; and Donens glossy production lends itself to the welcome experience of stargazing. You want Cary Grant to be Cary Grant and Audrey Hepburn to be no one but Audrey Hepburn in a Hollywood product such as this, and they certainly dont let us down. --Tom Keogh, Amazon.com
Burt Lancaster's one and only feature as star and director, The Kentuckian, has a bedrock American folk tale at its core, but scarcely a clue how to tell it. For all his balletic control as an actor-athlete, Lancaster shows no sense of how a film should move and breathe over an hour and a half, or how to make the characters' growth or changes of mind credible. It's the early 18th century--Monroe is president--and buckskin-clad Lancaster and his son (Donald MacDonald) are lighting out for Texas. "It ain't we don't like people--we like room more." They plan briefly to visit Lancaster's tobacco-dealer brother (John McIntire) in the river town of Humility, and then move on. But there are complications from a long-running feud, and some nasty baiting from a whip-cracking storekeeper (Walter Matthau in his film debut); the need to replace their "Texas money" after buying freedom for a bondservant (Dianne Foster); also the matter of deciding who's prettier, her or the local schoolmarm (Diana Lynn). Lancaster aims for some quaint Americana--a sing-along to the tinkling of a pianoforte, a jaw-dropping riverside production number--and there's one nifty bit of action based on how long it took to reload a flintlock rifle. But mostly this film just lies there in overlit CinemaScope. --Richard T Jameson
Showing why he will forever rank among Hollywood's most virile leading men Kirk Douglas gallops fights and woos his way across the danger-filled prairie in this Western from director Andre DeToth. Douglas plays a frontier scout responsible for a wagon train of settlers headed for Oregon Territory. Though known as an Indian fighter he falls head over moccasins for a proud young Sioux girl. Thus sidetracked he's unaware of the bad blood caused by two gold hungry crooks who trade wh
'Know what a loner is? He's a born cripple. He's a cripple because the only person he can live with is himself. It's his life, the way he wants to live. It's all for him. A guy like that, he'd kill a woman like you. Because he couldn't love you, not the way you are loved.' - Jack Burns Oscar winner Kirk Douglas ignites the screen with one of his most personal roles as a cowboy on a collision course with the modern world. After landing himself in jail trying to break out his friend, Jack Bu...
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