By transplanting the classic haunted house scenario into space, Ridley Scott, together with screenwriters Dan O'Bannon and Ronald Shusett, produced a work of genuinely original cinematic sci-fi with Alien that, despite the passage of years and countless inferior imitations, remains shockingly fresh even after repeated viewing. Scott's legendary obsession with detail ensures that the setting is thoroughly conceived, while the Gothic production design and Jerry Goldsmith's wonderfully unsettling score produce a sense of disquiet from the outset: everything about the spaceship Nostromo--from Tupperware to toolboxes-seems oddly familiar yet disconcertingly ... well, alien.Nothing much to speak of happens for at least the first 30 minutes, and that in a way is the secret of the film's success: the audience has been nervously peering round every corner for so long that by the time the eponymous beast claims its first victim, the release of pent-up anxiety is all the more effective. Although Sigourney Weaver ultimately takes centre-stage, the ensemble cast is uniformly excellent. The remarkably low-tech effects still look good (better in many places than the CGI of the sequels), while the nightmarish quality of H.R. Giger's bio-mechanical creature and set design is enhanced by camerawork that tantalises by what it doesn't reveal.On the DVD: The director, audibly pausing to puff on his cigar at regular intervals, provides an insightful commentary which, in tandem with superior sound and picture, sheds light into some previously unexplored dark recesses of this much-analysed, much-discussed movie (why the crew eat muesli, for example, or where the "rain" in the engine room is coming from). Deleted scenes include the famous "cocoon" sequence, the completion of the creature's insect-like life-cycle for which cinema audiences had to wait until 1986 and James Cameron's Aliens. Isolated audio tracks, a picture gallery of production artwork and a "making of" documentary complete a highly attractive DVD package. --Mark Walker
A romantic comedy about an Englishman brought in to help unmask a possible swindle. Personal and professional complications ensue.
A likable guy pursues his office crush with the help of his evil talking pets but things turn sinister when she stands him up for a date.
All seven films together for the first time! Films Comprise: 1. Alien (Dir. Ridley Scott 1979) 2. Aliens (Dir. James Cameron 1986) 3. Alien 3 (Dir. David Fincher 1992) 4. Alien Resurrection (Dir. Jean-Pierre Jeunet 1997) 5. Predator (Dir. John McTiernan 1987) 6. Predator 2 (Dir. Stephen Hopkins 1990) 7. Alien vs Predator (Dir. Paul W.S. Anderson 2004)
From the creators of "Super Troopers" comes the comic tale of a booze-soaked island resort owned by a rock star has-been. But the non-stop party takes a turn for the weird when dead bodies start turning up...
The most fun you'll ever have being scared! Two macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns each a virtuoso exercise in the ghouls-and-gags style of classic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything... grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their necks in terror. A malevolent millionaire with an insect phobia becomes the prey of a cockroach army. Add the spirited performances of a fine cast (Hal Holbrook Adrienne Barbeau Leslie Nielsen Ted Danson E.G. Marshall and King himself) and the ghoulish makeup wizardry of Tom Savini. Let the Creepshow begin!
After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton
The fairy tale is over.If you thought Snow White was only a fairy tale, you're about to discover the truth, but lock up your children first. The real tale of Snow White, is a tale of relentless terror and unimaginable horror. When young Lillian's mother dies during childbirth, the father soon remarries the well-intentioned Lady Claudia. However, Claudia's heart is ruled not by her husband, but by an evil mirror with the power to make Claudia Queen over all living things until they are dead.A failed attempt to murder young Lillian leaves her wandering lost in a deep dark forest where she comes across seven dwarfs - but wait, you think you know the rest of this story? Far from it. Handsome princes and dwarfs cannot always save the day.This movie will prove once and for all that blood is thicker than water, and evil, like an apple, comes around!
Ellen Ripley (Sigourney Weaver) died fighting the perfect predator. Two hundred years and eight horrific experiments later she's back. A group of scientists have cloned her along with the alien queen inside her hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her creators as are the aliens. And soon a lot more than all hell breaks loose! To combat the creatures Ripley must team up with a band of smugglers including a mechanic named Call (Winona Ryder) who holds more than a few surprises of her own.
More fun with the Tweenies in four individual episodes which look at the orchestra. Includes percussion instruments strings brass and woodwind.
AvatarThe widely-acclaimed film that ushered in a new generation of 3D filmmaking, it's unsurprising that, come its Blu-ray release, Avatar remains one of the finest proponents of the technology. Whilst the 3D obviously doesn't have quite the impact it had on a massive cinema screen, it nonetheless still works strikingly well on Blu-ray. It's surprising, considering the number of films that have attempted to surpass Avatar's visual feats since it was released just how few have come close. Such is the standard of director James Cameron's visual work. Parts remain as jaw-dropping as they always were. The film itself smashed records on its release, and it's easy to see why. It's perhaps not the masterpiece it was initially proclaimed at, but this is intense, exhilarating blockbuster entertainment nonetheless. Ambitious, too. It's hard to think of too many other films that have so convincingly put across a fictional alien world as Avatar manages, and particularly in the intense final half hour, it looks simply glorious. James Cameron is a notorious perfectionaist too when it comes to the presentation of his work, and this disc release is a real testament to that. The Blu-ray presentation is exquisite, and Avatar stands up as a reference disc. Not just on the visual side, either. The audio quality the Blu-ray offers is quite brilliant. It all adds up to a strong film, on one of the best discs on the market for a home cinema workout. --Jon Foster TitanicWith eleven Oscars on its mantelpiece, star-making turns from Kate Winslet and Leonardo DiCaprio, and a soundtrack that continues to sell, Titanic's place in movie history has long since been assured. However, director James Cameron, one of the biggest advocates of 3D technology, invested a heavy amount of time, resources and hard cash in adapting his hugely popular film. And this 3D release is the end result. The film itself needs little introduction. Epic in ambition and scale, Titanic tells the story of the sole voyage of the infamous ship, focusing its story on a young couple from different walks of life. It's a feature whose merits have been vigorously debated since its release, but the consensus remains hugely positive. The spectacle alone, especially in this crystal-clear, effective 3D Blu-ray transfer, is something to behold. But there's both a compelling drama and a modern day disaster movie classic also mixed in. The 3D Blu-ray Titanic is an example of how to present a film superbly well. --Jon Foster
Producer Sam Raimi brings us a twisted new take of the horror classic .Directed by Nicolas Pesce, THE GRUDGE stars Andrea Riseborough, Demián Bichir, John Cho, Betty Gilpin with Lin Shaye and Jacki Weaver. With a screenplay by Nicolas Pesce and a story by Nicolas Pesce and Jeff Buhler, THE GRUDGE is based on the film Ju-On: The Grudge written and directed by Takashi Shimizu. THE GRUDGE is produced by Sam Raimi, Rob Tapert and Taka Ichise and is executive produced by Nathan Kahane, Erin Westerman, Brady Fujikawa, Andrew Pfeffer, Roy Lee, Doug Davison, John Powers Middleton and Schuyler Weiss.
Sigourney Weaver more than earned her Oscar nomination for Best Actress in Gorillas in the Mist, dominating every frame of Michael Apted's biopic about primatologist Dian Fossey. Tenderly mothering an orphaned gorilla infant or terrorising an African poacher with a staged lynching, the statuesque star is never less than fiercely focused, a glamorous warrior for animal rights. As the amateur scientist who researched and spotlighted Rwanda's endangered mountain gorillas in National Geographic, Weaver is the passionate heart that keeps an otherwise flaccid film alive. Unfortunately, the film's stodgy script and direction simply document Fossey's magnificent obsession, offering no insight into what lonely impulse of the soul led this extraordinary woman to climb up an African mountain to bond so strongly with gorillas. Cardboard characters include an eternally smiling, sexless African soulmate (John Omirah Miluwi), a perfect boyfriend (Bryan Brown) who has to be dumped in favour of gorilla-love, and stereotypical villains. Still, the African scenery is spectacular, and who can resist the cross-species thrill when the huge dark hand of Digit, Fossey's favourite, first rests in her outstretched palm? Gorillas in the Mist will please those who savour Sigourney Weaver's Amazonian fervour and the pure fire of her physical and spiritual passion--and harbour a slightly misanthropic fondness for liaisons between beauties and beasts. --Kathleen Murphy
Much less fun than its predecessor, this 1989 sequel starts off on a bleak note by telling us our heroes from Ghostbusters have been on the skids for five years and Bill Murray's lead character never did hook up with Sigourney Weaver's lovely symphony-musician character. What's more, she has a kid by somebody else. Everybody's on an uphill climb, and Ghostbusters II never soars the way the first film did, despite having the same director, Ivan Reitman (Dave, Kindergarten Cop). The lame plot finds the boys attempting to prevent a disaster on New York City caused by too many bad vibes in the Big Apple. Yikes! Fortunately, screenwriters Dan Aykroyd and Harold Ramis have penned enough good one-liners to keep Murray busy, and if the ghostly special effects no longer surprise as they did in Ghostbusters, they're at least inventive. -- Tom Keogh, Amazon.com
NEVER GIVE UP! NEVER SURRENDER! Celebrating 25 years, GALAXY QUEST comes to 4K Ultra-HD for the first time in spectacular HDR-10 and Dolby Vision and dynamic Dolby Atmos sound, a new Filmmaker Focus with director Dean Parisot, and hours of legacy special features. Years after cancellation, the stars of the television series Galaxy Quest cling to their careers. When a distressed interstellar race mistakes the show for historical documents, lead actor Jason Nesmith (Tim Allen) and his crew of has-beens are unwittingly recruited to save the alien race from a genocidal warlord. Featuring an all-star ensemble, including Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, Daryl Mitchell, Justin Long and Rainn Wilson, GALAXY QUEST is a hilarious adventure that boldly goes where no comedy has gone before.
The classic supernatural comedies that defined a generation: Ghostbusters and Ghostbusters 2, together in this special collector's edition Blu-ray set. Celebrate 30 years of the Ghostbusters franchise with remastered high-def picture & sound for both movies, plus all-new and never-before-seen special features. Plus, explore the history of the films with this deluxe collector's edition, loaded with production notes, character sketches, insider info and more. Bring home these spooktacularly successful films that captured the imagination of audiences around the worldand redefined the action-comedy genre in the process. Who you gonna call? UHD release: The classic supernatural comedies that defined a generation: GHOSTBUSTERS and GHOSTBUSTERS II, together in a limited edition 4K Ultra HD Steelbook® with never-before-seen special features! In the original GHOSTBUSTERS, Peter Venkman (Bill Murray), Ray Stantz (Dan Aykroyd), Egon Spengler (Harold Ramis) and Winston Zeddemore (Ernie Hudson)
Directed by stylemaster David Fincher, who went on to greater things with Seven and Fight Club, Alien 3 was the least successful of the Alien series at the box-office. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realises that not only has an alien got loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened life span that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine, Amazon.com On the DVD: The clarity of the digital picture throws light into some of Fincher's darker recesses, but is unkind to the primitive computer animation (the CGI alien is never convincing). Compared to the Alien DVD there are few extras, although a "making of" featurette that covers all three movies is included.
IS IT SAFE Three chilling words, spoken repeatedly by a sadistic exiled Nazi war criminal (Laurence Olivier), become a nightmare catchphrase for Thomas Babe Levy (Dustin Hoffman), a Manhattan graduate student who is innocently swept into a deadly international conspiracy involving a renegade U.S. government agent and a fortune in stolen diamonds.Director John Schlesinger (Midnight Cowboy, The Day of the Locust) builds terror and suspense in this thrilling adaptation of William Goldman's best-selling novel. The film's acclaimed cast also includes Roy Scheider, William Devane and Marthe Keller; Olivier garnered a Best Supporting Actor Oscar® nomination* for his terrifyingly unforgettable role of Christian Szell, a former concentration camp dentist. Product FeaturesThe Magic of Hollywood Is the Magic of People Going the Distance: Remembering Marathon Man Rehearsal Footage Theatrical Trailer
From acclaimed director Ridley Scott (Gladiator Prometheus) comes the epic adventure EXODUS: GODS AND KINGS the story of one man’s daring courage to take on the might of an empire. Using state of the art visual effects and 3D immersion Scott brings new life to the story of the defiant leader Moses (Christian Bale) as he rises up against the Egyptian Pharaoh Ramses (Joel Edgerton) setting 400 000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.
When President Ashton is shot moments after his arrival in Spain, chaos ensues and disparate lives collide. With a "Rashomon" narrative style, the attempted assassination is told from five different perspectives.
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