This loud and fast 1988 effort by director Tony Scott (Beverly Hills Cop 2, Top Gun) has much more style than substance but it does effectively depict the edgy and dangerous world of stock car racing. Tom Cruise plays yet another cocky loner trying to find success and happiness, this time as stock car racer Cole Trickle, a driver with raw talent but no discipline who is desperate for guidance and sponsorship. They both materialise in the visage of world-weary Robert Duvall, who despite his better instincts sees a second chance at victory in the young driver. Featuring supporting roles by Nicole Kidman, as Cruise's physician and love interest, and Randy Quaid, as a bombastic sponsor, and with a screenplay by Robert Towne (Chinatown), Days of Thunder is a slickly packaged entertainment best suited for die-hard Tom Cruise fans and those who want an intense visual experience. --Robert Lane
From David Simon creator and co-writer of HBO's triple Emmy-winning mini-series 'The Corner' this unvarnished highly realistic HBO series follows a single sprawling drug and murder investigation in Baltimore. Told from the point of view of both the police and their targets the series captures a universe of subterfuge and surveillance where easy distinctions between good and evil and crime and punishment are challenged at every turn. Episodes comprise: 1. The Target 2.
Physics Professor Dr Pederson (Kirk Douglas) and underground leader Straud (Richard Harris) must convince British Intelligence that the Nazis are planning to build the A-bomb. The Norse Hydro Plant at Telemark is central to enemy strategy and the Allies decide to send in a task force to destroy it. Legendary director Anthony Mann (Winchester 73 El Cid The Fall of the Roman Empire) tells the story of nine courageous and indomitable Norwegians without whom the Second World War may ha
Corruption is rife throughout The Wire: The Complete Third Season, which picks up the further adventures of the Baltimore Major Crimes Unit as they continue to wage war on drugs. Only as this is The Wire, thats just the beginnings of their problems. Once again, the show thats rightly being acclaimed as one of Americas finest and most intelligent dramas covers the story from all areas. Theres the investigating cops on one hand, their targets on the other, and the small matter of heavy political influence both with the Police Department itself, and from the Mayors Office too.
Welcome to the kingdom of Terry Gilliam: his solo-directing debut, a gonzo medieval comedy Amid the filth and muck of England in the Dark Ages, a fearsome dragon stalks the land, casting a shadow of terror upon the kingdom of Bruno the Questionable. Who should emerge as the town's only possible saviour but Dennis Cooper (Life of Brian's MICHAEL PALIN), an endearingly witless bumpkin who stumbles onto the scene and is flung into the role of brave knight? The first outing as a solo director by TERRY GILLIAM (Brazil)inspired by Lewis Carroll's poem Jabberwocky and made on the heels of Gilliam's success as a member of the iconic comedy troupe Monty Pytho - showcases his delight in comic nonsense, with a cast chock-full of beloved British character actors. A giddy romp through blood and excrement, this fantasy remains one of the filmmaker's most uproarious visions of society run amok. BONUS FEATURES DIRECTOR-APPROVED SPECIAL EDITION FEATURES New 4K digital transfer from a restoration by the BFI National Archive and The Film Foundation, approved by director Terry Gilliam 5.1 surround mix, supervised by Gilliam and presented in DTS-HD Master Audio Audio commentary from 2001 featuring Gilliam and actor Michael Palin New documentary on the making of the film, featuring Gilliam, producer Sandy Lieberson, Palin and actor Annette Badland New interview with Valerie Charlton, designer of the Jabberwock, featuring her collection of rare behind-the-scenes photographs Selection of Gilliam's storyboards and sketches PLUS: An essay by critic Scott Tobias
Episodes Comprise: 1. Boys of Summer 2. Soft Eyes 3. Home Rooms 4. Refugees 5. Alliances 6. Margin Of Error 7. Unto Others 8. Corner Boys 9. Know Your Place 10. Misgivings 11. A New Day 12. That's Got His Own 13. Final Grades
A medieval comedy-adventure starring Michael Palin and directed by Terry Gilliam, Jabberwocky is an episodic adaptation of Lewis Carrolls surreal poem. Having previously directed Monty Python and The Holy Grail (1975) with Terry Jones, Jabberwocky marked Gilliams solo directorial debut--is it coincidental that Jones is killed by the titular monster in the opening scene? Palin plays the naive Dennis Cooper, a man seeking his fortune just as the Jabberwocky is laying waste to the country. Its much the same world as Holy Grail, with all the trappings of the romantic Hollywood epic being liberally coated with literal and metaphorical muck. Palins character causes unwitting mayhem wherever he goes--one stand-out scene involves the destruction of a maintenance shop for damaged knights-in-armour--though as much humour comes from exposing the foibles of the people he meets. And those people constitute a roll call of contemporary British comedy: Harry H Corbett as a sex-mad squire, Warren Mitchells Mr Fishfinger, plus Annette Badland, Max Wall, John Le Mesurier, Rodney Bewes, John Bird, Neil Innes and John Gorman. Jabberwocky lacks the hilarity of Holy Grail, but is a consistently amusing, exceptionally atmospheric, gleefully gory yarn which points the way to Gilliams Time Bandits (1981) and The Adventures of Baron Munchausen (1988). On the DVD Jabberwocky is distinguished by an engaging and enthusiastic commentary from Gilliam and Palin, in which they delight in the amazing cast and ponder how such a handsome film was made. Otherwise the extras are a short sketch-to-screen comparison, three posters and three trailers (only one for Jabberwocky). Transferred anamorphically enhanced at 1.77:1, the picture is variable, with many beautifully lit indoor scenes looking fine, while other exterior, daylight shots appear washed out. There is some minor print damage. The sound is a revelation for a low-budget 1970s film originally released in mono. Given a full Dolby Digital 5.1 remix the tremendously detailed, rich and involving soundscape really brings Gilliams world alive and puts many much more recent and expensive titles to shame. --Gary S Dalkin
Dawson (James Van Der Beek) returns to Boston after working as an assistant director in Los Angeles over the summer and reunites with Joey (Katie Holmes) who has spent a relatively angst-free summer in Capeside. However there are plenty of obstacles to overcome for the long-time star-gazers. Meanwhile Pacey is trying to make it in the world of business without selling his soul; Jack worries that Professor Freeman might be aware of his crush; and could Audrey have developed a drin
The most unvarnished uncompromising and realistic police drama ever returns for another hard hitting season. McNolty has been demoted to harbor patrol Daniels is in the police archive dungeon Prez is chafing in the suburbs and Gregs is stuck behind a desk. Meanwhile on the docks of the Baltimore harbor the rank and file scrounge for work and the union bosses take illegitimate measures to reinvigorate business but a horrific discovery is about to blow the whole port inside out. W
A prequel to Missing In Action this explosive adventure shows the capture of no-nonsense Colonel Braddock (Chuck Norris) during the Vietnam war in the 1970s and his captivity with other American POWs in a brutal prison camp and his daring plan to escape....
Some pundits called it a flawed, exploitative action film that glamorised drug dealing and the luxury of a lucrative criminal lifestyle, spawning a trend of films that attracted youth gangs and provoked violence in cinemas. Others hailed it as a breakthrough movie that depicted drug dealers as ruthless, corrupt, and evil, leading dead-end lives that no rational youth would want to emulate. However you interpret it, New Jack City is still one of the first and best films of the 1990s to crack open the underworld of cocaine and peer inside with its eyes wide open. It's also the film that established Wesley Snipes as an actor to watch, with enough charisma to bring an insidious quality of seduction to his role as coke-lord Nino Brown, and enough intelligence to portray a character deluded by his own sense of indestructible power. Director Mario Van Peebles stretched his otherwise-limited talent to bring vivid authenticity and urgency to this crime story, and subplots involving a pair of tenacious cops (Ice-T, Judd Nelson) and a recovering coke addict (Chris Rock) provide additional dramatic tension. Although some critics may hesitate to admit it, New Jack City deserves mention in any serious discussion about African American filmmakers and influential films. --Jeff Shannon
Director Jamie Babbit's assured first feature But I'm a Cheerleader is subversive, smart and extremely funny, but not entirely original. Megan Williams (Natasha Lyonne) is a good Christian cheerleading girl. She doesn't think it at all strange that she can't get the image of tumbling cheerleaders out of her mind while her football player boy friend is trying to French kiss her. But her parents, played respectively by Bud Cort (Brewster McCloud) and John Water' s regular Mink Stole, have noticed Megan's odd behaviour and arrange an intervention. They send her off to New Directions, a sexual rehabilitation camp run by a straight-laced school madam, Mary (Cathy Moriarty), where she is forced to come to terms with her lesbian tendencies. But while on a strict regime of corrective therapy, Megan falls head over heels f or surly dyke, Graham--played by Clea DuVall (The Astronaut's Wife)--and is forced to reassess whether straight really is great. The zany script and over-the-top characterisations have the feel of a John Waters comedy; The day-glo sets and costumes give the film a surreal Pee Wee's Playhouse feel and Lyonne is charmingly dizzy and bewildered throughout. RuPaul excels as Mike, a former gay exercise trainer, and Moriarty out-camps them all. On the DVD: The main feature is presented in letterboxed widescreen with Dolby Digital sound. Extra features are limited to a theatrical trailer and a 10-minute behind-the-scenes look at the film in which director Jamie Babbit explains the genesis of the film followed by hastily assembled footage of random scenes being shot. --Chris Campion
Journeying on a fun-filled, family adventure, a motley group of wild animals; made up of a leopard cub and mother, a monkey, a bear and a parrot, head to Delhi to find the people in power who can protect their jungle from destruction.
A romantic drama, this John Madden film looks at the relationship between Queen Victoria and John Brown, a commoner who, though a servant, becomes her closest friend and confidant. As such, he proves the catalyst to bring her back into public life and out of her private mourning for the late Prince Albert. But the closeness of their friendship sets tongues wagging about the impropriety of what appears to be an affair between queen and commoner (an issue the film never directly addresses). Mrs Brown's charm lies in the flinty give-and-take between the wonderfully starchy Judi Dench as Victoria and the robust Scottish comedian Billy Connolly, here playing it straight as a strong-willed Scotsman who comes to enjoy the power he wields by virtue of having the queen's ear. Antony Sher is also striking as Prime Minister Disraeli, in a performance that all but shimmers with unspoken malice. --Marshall Fine
An intense, compelling series from the early '70s, Man at the Top stars Kenneth Haigh in the continuing story of Joe Lampton, the aggressively ambitious anti-hero of John Braine's bestselling novel Room at the Top. Haigh won a BAFTA nomination for his portrayal of Lampton, and a strong supporting cast includes Zena Walker, Paul Eddington, George Sewell and Colin Welland. This set contains both series and the hit film sequel from Hammer Films. Thirteen years on from his marriage to the pregnant Susan, Joe is now a father of two with a stockbroker-belt home and a career in management consultancy. As tenacious and pushy as ever, his attentions rarely remain fixed; with plenty of candidates eagerly forming the 'other woman' queue, Joe will seize any opportunity, be it personal or professional, to further his climb to the top in the world of big business and beyond...
We Dive at Dawn (1943) tells of the encounter between a British submarine and a German warship in the Baltic Sea. John Mills gives a dependable performance as the submarine commander, with Eric Portman the pick of a strong supporting cast. Director Anthony Asquith finds the balance between action sequences and "in situ" dialogue, and there's an evocative score from Louis Levy. The film has long been underrated and deserves reappraisal.--Richard Whitehouse
It's goodbye to Capeside, hello to Boston in Dawson's Creek's fifth season (a.k.a.: Dawson's Creek: The College Years). While the end of the fourth season sent the five friends their separate ways--Dawson (James Van Der Beek) to USC Film School, Joey (Katie Holmes) to Wilmington College, Jen (Michelle Williams) and Jack (Kerr Smith) to Boston Bay College; and Pacey (Joshua Jackson) to the high seas--it doesn't take them long to find themselves together again. That's a good thing, especially when tragedy strikes a family member and threatens to tear the survivors apart. More than anything, the fifth season seems to be about falling into bad relationships. Jen dates a cute but sleazy musician (Chad Michael Murray), Pacey gets a job in a restaurant where he pursues a woman (Lourdes Benedicto) already having an affair with a married man, then fends off a vampish new boss (Sherilyn Fenn, Twin Peaks). Joey is drawn to her handsome English professor (Ken Marino). And Jack joins a frat, becomes a jerk, and starts a devoted relationship with his beer bottle. Dawson meets an eccentric young filmmaker (Jordan Bridges) which in turn leads to a meeting with his favorite Boston film critic (Meredith Salenger). And Joey's new roommate, the annoyance-with-a-heart-of-gold Audrey (Busy Phillipps), becomes the newest major addition to the cast. The irritation factor is high this season, a couple of "Joey is threatened" interludes don't have the punch that they could have, and in the season finale, the inevitable resolution of the show's central relationship doesn't really resolve anything at all. But viewers who have followed the Capeside crew for four seasons will still want to see what happens in the fifth. The fifth season is the first to have no DVD extras at all, and it continues the music-replacement strategy (which, since the second season has replaced much of the music, and since the third season has replaced Paula Cole's theme song, all due to licensing expenses). In addition to the usual background-music switches, some scenes have been edited (for example, the episode "Highway to Hell" has cut two of the performances on-stage at the Drunk & Dead). Also, the opening credits of "The Long Goodbye" and "Downtown Crossing" had originally used instrumental versions of "I Don't Want to Wait," which had underscored the emotion of those episodes. In the DVD set, those have been replaced by the standard version and an instrumental version, respectively, of "Run Like Mad." --David Horiuchi, Amazon.com
In Undisputed, Rocky gets a prison-block makeover and the generic combination packs a vicious one-two punch. Owing much to the macho, gut-busting B-movies of Hollywood's golden age, this no-nonsense drama gets right down to business, beginning when heavyweight champ "Iceman" Chambers (Ving Rhames) enters Sweetwater prison on a rape charge. The prison has a boxing programme, and convicted killer Monroe Hutchen (Wesley Snipes) is the 10-year undefeated champion. A challenge bout is coordinated by an aging mobster prisoner (Peter Falk) and the head guard (Michael Rooker), and Undisputed pummels its way to its brutal and unpredictable conclusion. Colourful characters abound (foul-mouthed Falk is the hilarious standout), and seasoned director Walter Hill (coscripting with his Alien partner David Giler) brings them together with invigorating focus. There's not an ounce of fat on this tough-minded movie, and even its inevitable outcome seems freshly unexpected. Obviously inspired by Mike Tyson's ill-fated escapades, Undisputed turns fact into potent cell-block fiction. --Jeff Shannon
There's a new kind of criminal on the streets - ruthless gangsters who have turned drug trafficking into highly lucrative inner-city corporations and who got a ""New Jack"" way of dress music and culture. There's a new kind of cop too. They're the tough young New Jack cops who grew up on the streets and who alone know how to bring these ruthless mobsters down...
Journeying on a fun-filled, family adventure, a motley group of wild animals; made up of a leopard cub and mother, a monkey, a bear and a parrot, head to Delhi to find the people in power who can protect their jungle from destruction.
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