Michael Bisping is one of the biggest personalities the UFC has ever known and the obstacles he faced to become UFC Middleweight Champion are unmatched. More than once the world of MMA thought Bisping was at the end of his career, and that was before they knew he lost sight in one of his eyes. His perseverance pushed him to fight through circumstances that no other UFC fighter has before. With a pure will to win, Bisping took on Silva, GSP, Belfort, Henderson, and Rockhold -- some of the greatest to ever fight in the octagon. Witness the full, behind-the-scenes story of how Bisping not only battled the best to become UFC Champion, but also the personal struggle and unwavering support of his family that propelled him to greatness.
Elizabeth Montgomery stars as Samantha Stephens a pretty typical America housewife who just happens to be a witch in this beloved comedy classic. Included in this magical DVD collection is the Emmy Award-winning series entire first season; 36 episodes (originally in black and white here colourised for DVD) that introduce one of the funniest ensemble casts in TV history. Dick York as Samantha's mortal husband Darin Agnes Moorehead as his witch of a mother-in-law Endora. Alice Pea
Taught to stalk. Trained to kill. Programmed to destroy.Dolph Lundgren is Nikolai - a killing machine - a deadly, highly skilled agent for the Russian army whose brutal efficiency and single minded determination to serve the motherland leaves behind a trail of battered bodies and bloodied enemies.Now Nikolai must infiltrate an African rebel army who seek to defy their new communist rulers and take out their leader, but as he gets to know his enemies and the dignified Bushmen he encounters, he begins to slowly realize that all he has been taught was a lie. This Cold War rebel is ready to turn the tables on his Soviet masters and kick all kinds of ass!With a body count that leaves jaws firmly on the floor and a healthy disregard for troublesome logic, Red Scorpion is a classic 80s action spectacular that doesn't let up for a second...
A rambunctious group of five college friends steals away for a weekend of debauchery in an isolated country cabin, only to be attacked by horrific supernatural creatures in a night of endless terror and bloodshed. Sound familiar? Just wait. As the teens begin to exhibit standard horror-movie behaviour, a group of technicians in a control room are scrutinizing, and sometimes even controlling, every move the terrified kids make! With their efforts continually thwarted by an all-powerful eye in the sky, do they have any chance of escape? Disc 1 4K Ultra HD (Movie + Special Features) AUDIO COMMENTARY WITH WRITER/DIRECTOR DREW GODDARD & WRITER/PRODUCER JOSS WHEDON WE ARE NOT WHO WE ARE: MAKING THE CABIN IN THE WOODS PRIMAL TERROR: VISUAL EFFECTS AN ARMY OF NIGHTMARES: MAKE-UP & ANIMATRONIC EFFECTS Disc 2 Blu-Ray (Movie + Special Features) THE SECRET SECRET STASH WONDERCON Q&A THEATRICAL TRAILER IT'S NOT WHAT YOU THINK: THE CABIN IN THE WOODS BONUSVIEW⢠MODE (BLU-RAY⢠ONLY)
Orin Boyd, a tough cop in an inner-city precinct discovers a web of dirty cops and corruption.
An all-access look into the life of a sporting icon featuring all new, neve before seen footage. Filmed over the course of several years, this feature documentary chronicles the astonishing rise of one of the most prolific, controversial, talented, outspoken and entertaining characters currently traversing the sporting and cultural landscape. From claiming benefits, a plumbing apprenticeship and small-scale fights in Dublin to Rolls Royces, casinos in Las Vegas and multi-million-dollar fight purses, this is the ultimate account of the incredible ascent of the Notorious Conor McGregor.
Tom Hanks is Chuck Noland, a man in a hurry. His job for Federal Express has him traveling the world on a moments notice, exhorting the company's employees to speed things up--never turn your back on the clock. When he's suddenly called away for business on Christmas night, his tolerant longtime girlfriend Kelly (Helen Hunt) drives him to the airport. They have their Christmas in the car--and Chuck plunks an engagement ring into her lap right before he gets on the plane, telling her, I'll be right back. But an unexpected storm cuts the plane's crew off from radio contact and blows them off course. Chuck is the sole survivor of the resulting crash, and washes up on a completely deserted island. Stranded there, he must give up everything that he once took for granted and learn how to survive all alone in the wilderness. From director Robert Zemeckis, CAST AWAY is a story of adventure and discovery surrounding one man's will to stay alive.
Advertised in 1970 as "the first electric Western", Zachariah is an endearingly pretentious effort that prefigures such genre oddities as Jodorowsky's El Topo and Alex Cox's Straight to Hell. The story is the archetypal one about two friends who become gunslingers and must inevitably face off against each other in the finale, but it's treated here as if it Meant Something Deeper--which means that after enjoying 75 minutes of violence we can all agree that peace and love and harmony is on the whole better for children and other living things. Curly haired farmboy Zachariah (John Rubinstein) and eternally grinning apprentice blacksmith Matthew (Don Johnson) are the fast friends who run away from home to join up with a gang of outlaws known as the Crackers (played by hippie folk-rock collective Country Joe and the Fish). These apparent 19th-century Westerners tote electric guitars and are given to staging free festival freak-outs at one end of town to distract from the bank robbery at the other. The boys soon hook up with Job Cain (Elvin Jones), an all-in-black master gunfighter who is also an ace drummer (his solo is impressive), but then drift apart as Zachariah has a liaison with Old West madame Belle Starr (Pat Quinn) in a town that consists of fairground-style brightly painted wooden cut out buildings (a gag reused in Blazing Saddles), then gets rid of his outrageous all-white cowboy outfit to settle down on a homestead and grow his own dope and vegetables. Matthew, of course, goes for the black leather look after outdrawing Cain, and comes a gunning for the only man who might be faster than him, but the hippie-era message is once these kids have killed everyone else they can still make peace with each other and the desert or something, man. Aside from a Beatle-haired teenage Johnson making a fool of himself by over-emoting to contrast with Rubinstein's non-performance, the film offers a lot of beautiful "acid Western" scenery and excellent prog rock and bluegrass music from the James Gang, White Lightnin' and the New York Rock Ensemble. Comedy troupe the Firesign Theatre (huge on album in 1970) provided the script, which explains satirical touches like the horse-and-buggy salesman (Dick Van Patten) spieling like a used car dealer and the madame's claim to have had affairs with gunslingers from Billy the Kid to Marshal McLuhan. The DVD extras are skimpy, but the print quality is outstanding. --Kim Newman
American horror comedy based on the 1968 Hanna-Barbera TV series. On his birthday, young Harley (Finlay Wojtak-Hissong) and his family attend a live recording of 'The Banana Splits' TV show. However, when it is announced that the show is going to be cancelled, the fun-filled afternoon turns to one of horror as the show's fuzzy robotic characters take over the studio and embark on a gruesome killing spree.
"I fell in the family way when I was 18 and I got married to a right bastard". Ken Loach's debut feature tells the story of Joy, a young mother (Carol White) whose chauvinistic thug of a husband is thrown into prison. She takes up with one of his friends, lovable, kind-hearted burglar Terence Stamp, but he too ends up in jail.It's intriguing to compare Poor Cow with Cathy Come Home, which Loach made for TV with the same actress at around the same time. Both are about mums trying to make a go of their lives in adverse circumstances. Cathy Come Home, shot in black and white, is an altogether tougher film. Poor Cow, with its Donovan music, gaudy colour photography, star names, and incongruously bawdy humour, seems lightweight by comparison. Certain sequences--Joy making love in the hay or posing half-naked for lecherous amateur photographers--must surely make Loach grimace now. There are some powerful moments--Joy desperately looking for her son who has wandered off, unattended, onto a building site, or trying to escape from her abusive husband--which anticipate such later Loach films as Ladybird, Ladybird or Raining Stones. The scenes between Joy and Stamp are played with real tenderness and humour. Don't be surprised if you think you've seen them before--some of the footage of Stamp was used in Steven Soderbergh's recent thriller, The Limey. --Geoffrey Macnab
Fanny Hill (Lisa Raines) is a buxom country maiden who arrives in the big city and quickly begins an affair with the scion of a wealthy family in this softcore version of an old British tale. When the clan patriarch dies, Fanny is ready to marry her lover until she discovers he has been unfaithful, that sets her on a course of erotic adventures that begins in protest and ends in great wealth.
The fractured Europe post-World War II is perfectly captured in Carol Reed's masterpiece thriller, set in a Vienna still shell-shocked from battle. Holly Martins (Joseph Cotten) is an alcoholic pulp writer come to visit his old friend Harry Lime (Orson Welles). But when Cotton first arrives in Vienna, Lime's funeral is under way. From Lime's girlfriend and an occupying British officer, Martins learns of allegations of Lime's involvement in racketeering, which Martins vows to clear from his friend's reputation. As he is drawn deeper into post-war intrigue, Martins finds layer upon layer of deception, which he desperately tries to sort out. Welles' long-delayed entrance in the film has become one of the hallmarks of modern cinematography and it is just one of dozens of cockeyed camera angles that seem to mirror the off-kilter post-war society. Cotten and Welles give career-making performances and the Anton Karas zither theme will haunt you. --Anne Hurley
Public schoolmaster Crocker-Harris has become a bitter disillusioned man. Stuck in a loveless marriage with a wife who openly cheats on him the enthusiasm he once showed for his career and his pupils has long since vanished and `The Crock has become a figure of disdain among the students whose life he has made a misery. With ill-health forcing him to resign his long-standing post a simple act of kindness from one boy has a profund impact on the seemingly heartless master.
Irene Handl and Wilfred Pickles star as two senior citizens who fall in love in this gentle sitcom written by Vince Powell and Harry Driver (Nearest and Dearest Never Mind the Quality Feel the Width). Produced by Ronnie Baxter and boasting theme music by Ron Grainer this release contains the complete second series originally transmitted in 1970. Londoner Ada Cresswell and Yorkshireman Walter Bingley - the gravedigger who buried Ada's husband - return as a newly engaged couple. But saving enough to get married on an old-age pension isn't easy particularly when Walter gets his cards and Ada has to give up her new part-time job. And when Ada gregariously invites all 48 members of the Over Sixties' Club it looks as though the happy day will have to be indefinitely postponed...
The Story of Adele H is Francois Truffaut's dramatisation of the true story of Adele Hugo, the daughter of French author-in-exile Victor Hugo, and her romantic obsession with a young French officer. It's a cinematically beautiful and emotionally wrenching portrait of a headstrong but unstable young woman. Adele (Isabelle Adjani, whose pale face gives her the quality of a cameo portrait) travels under a false name and spins half-a-dozen false stories about herself and her relationship to Lieutenant Pinson (Bruce Robinson), the Hussar she follows to Halifax, Nova Scotia. Pinson no longer loves her, but she refuses to accept his rejection. Sinking further and further into her own internal world, she passes herself off as his wife and pours out her stormy emotions into a personal journal filled with delusional descriptions of her fantasy life. Beautifully shot by Nestor Almendros in vivid colour, Truffaut's re-creation of the 1860s is accomplished not merely in impressive sets and locations but in the very style of the film: narration and voiceovers, written journal entries and letters, journeys and locations established with map reproductions, and a judicious use of stills mixing old-fashioned cinematic technique with poetic flourishes. The result is one of Truffaut's most haunting portraits, all the more powerful because it's true. --Sean Axmaker
Black Sunday was such a huge hit that a follow-up was swiftly demanded, and horror maestro Mario Bava duly devised this three-part horror anthology blending modern and period stories. In the giallo-style The Telephone', a woman is terrorised by her former pimp after his escape from prison, and tries to escape him with the help of her lesbian lover, who has a dark secret of her own. In the Victorian-era The Drop of Water', a nurse steals a ring from the corpse of a dead spiritualist, which naturally tries to get it back. But it's the 19th-century Russian story The Wurdalak' that comes closest to Bava's earlier classic, with the great Boris Karloff as a much-loved paterfamilias who might not be entirely what he seems. Features: Bava's direction is as stylish as ever, and Black Sabbath is almost a compendium of his favourite themes. High Definition Blu-ray (1080p) and Standard Definition DVD presentation of two versions of the film; I tre volti della paura' the European version with score by Roberto Nicolosi & Black Sabbath' the re-edited and re-dubbed AIP version with Les Baxter score, on home video for the first time English SDH subtitles for English Audio and a new English subtitle translation of the Italian audio Audio Commentary with Bava biographer and expert Tim Lucas
One of the most popular and well produced US yoga franchises with over 1.5 million units sold. Total Yoga: Fire is the most advanced session in The Flow Series and combines both classical and contemporary postures in a rigorous workout with a higher level of refinement toning and aerobic activity. Taught by Ganga White and Tracey Rich internationally renowned yoga teachers and founders of the White Lotus Foundation Fire uses over thirty poses with three types of sun salutations to warm up seven major standing poses plus backbends forward bends twists and tonic inversion poses. Students will achieve a high level of endurance strength and flexibilty from this dynamic workout.
Odd teaming of man-of-integrity A-list studio director Sidney Lumet (Twelve Angry Men, Serpico, The Verdict) with muckraking, lively independent screenwriter Larry Cohen (It's Alive, God Told Me To, Q: The Winged Serpent), the court-room drama Guilty As Sin relies rather heavily on the plot of Jagged Edge. Jack Warden reprises Robert Loggia's grumpy but decent private-eye role exactly, while ice-maiden lawyer Rebecca De Mornay is ensnared in a web of duplicity and violence by her client (Don Johnson), accused of murdering his wife. It hasn't got the gravitas of Lumet's best or the maniacal energy of top-rate Cohen film, but as a no-brain thriller it offers a couple of edgy, interesting star performances, with Johnson in particular cutting loose from his image with a display of razor-edged smiling charm as the killer gigolo. --Kim Newman
The fifth film in the American Pie Pantheon features the Stifler's younger cousin Adam. Much like his anarchic relatives Adam soon finds himself drawn into a smutty plot involving a naked campus run...
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