Based on the short story by Pulitzer Prize-winning author E. Annie Proulx, 'Brokeback Mountain' is the tragic and moving story of two cowboys who unexpectedly fall in love while working together one summer in 1963.
Brought in to investigate the murder of a young girl, a celebrated cop accidentally kills his partner and is blackmailed by a sadistic killer who witnessed it.
In his film debut singing idol Elvis Presley stars in this action-filled romance set in the aftermath of the Civil War. After hearing his older brother (Richard Egan) has been killed in combat a young Texas farmer (Presley) marries the man's sweetheart (Debra Paget). But his brother returns sparking a bitter sibling rivalry and tragic confrontations with Union soldiers... Featuring four Presley hits on the film's soundtrack including the title track.
In his film debut, singing idol Elvis Presley stars in this action filled romance set in the aftermath of the Civil War. After hearing his older brother (Richard Egan) has been killed in combat, a young Texas farmer (Presley) marries the man's sweetheart (Debra Paget). But his brother returns, sparking a bitter sibling rivalry and tragic confrontations with Union soldiers...Featuring four Presley hits on the film's soundtrack, including the title track.
Batten down the hatches for unstoppable hilarity that takes 200 years of naval tradition...and throws it overboard! Veteran skipper John Dodge (Grammer) will never be a textbook officer but he's a brilliant seaman who's always wanted to command a nuclear submarine. Unfortunately Dodge is given the helm of a diesel powered WWII sub crewed by a collection of maladjusted and mistake-prone misfits. When he's tagged 'the enemy' in a crucial war game Dodge is ordered to take on the U.
This 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continued Hollywood's millennium-fuelled fascination with the destruction of our planet. There's no arguing that the successful duo understand what mainstream audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but, of course, lovable) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishising of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also try to lure the art-house crowd, raiding the local indie acting stable to populate the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humour and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable female characters--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'". Sadly, she's a hell of a lot more developed and unpredictable than all the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy
Once upon a time long ago but perhaps not far away there were two brothers. Hawk (John Terry) the younger brother destined for greatness possessing gifts of strength honour duty and justice. Voltan (Jack Palance) the elder a man of cruel perversion who bore the mark of Cain. Hideously deformed Voltan roamed the land under a black mask so none could look on his ghastly face. When their father is killed at the hands of his firstborn Voltan Hawk swears vengeance. Into Hawk's hand his dying father places the magic mind-sword and Hawk has not only his death to avenge...
""Space... The final frontier... These are the voyages of the Starship Enterprise. Its continuing mission: To explore strange new worlds... To seek out new life; new civilisations... To boldly go where no one has gone before!"" - Jean-Luc Picard (Patrick Stewart) The complete second season of Star Trek: The Next Generation one of the finest sci-fi shows of all-time. Episodes Comprise: 1. The Child 2. Where Silence Has Lease 3. Elementary Dear Data 4. The Outr
In I FEEL PRETTY a woman who struggles with feelings of insecurity and inadequacy on a daily basis wakes from a fall believing she is suddenly the most beautiful and capable woman on the planet. With this newfound confidence she is empowered to live her life fearlessly and flawlessly, but what will happen when she realizes her appearance never changed?
Presented in a high-definition director's cut, Francis Ford Coppola's Dementia 13 is quintessential gothic horror, wrapped in the twisted mysteries of a family's deepest, darkest secrets. A widow deceives her late husband's mother and brothers into thinking he's still alive when she attends the yearly memorial to his drowned sister, hoping to secure his inheritance. But her cunning is no match for the demented, axe-wielding thing roaming the grounds of the family's Irish estate in this cult favorite featuring Patrick Magee and Luana Anders. Special Features Introduction by Francis Ford Coppola Audio Commentary by director Francis Ford Coppola Prologue (Dementia 13 Test)
Submarine commander Duke Gifford feels guilty in the death of his former commanding officer, as well as about his failed marriage. These issues pull at him during a hazardous mission against the Japanese in World War II.
The latest movie taken from TV's Saturday Night Live is about a politically incorrect TV show host desperately tracking down a wealthy lost love.
A comedy about an overbearing mother who becomes her son's partner in crime-fighting. Tutti Bomowski's visit to her policeman son Joe is extended when she witnesses a drive-by shooting and is required by the cops to remain in the area. Soon she's helping Joe apprehend criminals - and still finding plenty of time to interfere in his romantic affairs.
Hailed as one of the most successful adaptations of Shakespeare Derek Jarman's 'The Tempest' is also unsurprisingly one of the most unconventional. Though keeping the essence of the text the films greatness lies in Jarman's skill at creating a visually stunning erotically charged world of haunting imagery. Flamboyant highly atmospheric and full of Jarman's punk era attitude the famous finale in which Elizabeth Welch sings `Stormy Weather' surrounded by sailors is one of th
Fess Parker captured the hearts of millions with his strong confident portrayal of the legendary king of the wild frontier. There's never been a folk hero quite like Davy Crockett and you'll see why when you watch him 'grin' down a bear battle an Indian chief in a tomahawk duel and fight for freedom at the Alamo. Disney's popular action-adventure inspired millions of children to sport coonskin caps and sing 'The Ballad Of Davy Crockett' which topped the nation's hit list for 13
Legendary Hollywood director John Sturges breathed new life into the western and brought it to another level of greatness with landmark movies such The Magnificent Seven and Gunfight At The O.K Corral. He also proved himself to be master of action/drama with the equally iconic The Eagle Has Landed and The Great Escape. John Sturges expertly manages to bring all these elements together for Backlash a highly original unconventional western brimming with tense violent action and a plot riddled with mystery and suspense. Backlash features Richard Widmark the menacing and unforgettable star of film noir masterpieces such as Kiss Of Death and Panic In The Streets. Co-stars accomplished actress Donna Reed most renowned for her popular roles in It''s A Wonderful Life and From Here To Eternity. Backlash tells the story of one man''s journey in search of his estranged father and one woman''s attempt to discover the truth behind the disappearance of her husband both of whom were possibly the victims of a brutal Apache massacre. But the Arizona desert is a harsh merciless and unforgiving landscape filled with deadly secrets and few survivors.
The films of Roger Corman are often as well-known for their behind-the-scenes stories as they are the ones unfolding on the screen. He famously made Little Shop of Horrors in just two days using sets left over from A Bucket of Blood and shot The Terror over a long weekend because bad weather prevented him from playing tennis. But none of these tales is quite so complex, or quite so extraordinary, as the making of Blood Bath. The saga began when Corman invested in a Yugoslavian Krimi-like picture entitled Operation Titian just prior to it going into production. Insisting it be filmed in English, he sent actors William Campbell and Patrick Magee, and uncredited story editor Francis Ford Coppola (all fresh from Dementia 13), to Dubrovnik to make a US-friendly movie but wasn't satisfied with the end results. First it was re-cut and re-scored to create Portrait in Terror, a film more in line with drive-in tastes, then it was handed over to Jack Hill (Spider Baby), followed by Stephanie Rothman (Terminal Island), each undertaking reshoots that resulted in a vampire picture by the name of Blood Bath. One final twist was provided when a TV version was required, chopping scenes and adding others to create Track of the Vampire. For this release Arrow Video has searched through the vaults to bring you all four versions of Blood Bath, newly restored from the best materials available to provide a definitive release of one of Corman's craziest ventures.
In I FEEL PRETTY a woman who struggles with feelings of insecurity and inadequacy on a daily basis wakes from a fall believing she is suddenly the most beautiful and capable woman on the planet. With this newfound confidence she is empowered to live her life fearlessly and flawlessly, but what will happen when she realizes her appearance never changed? Features:
Every Which Way But Loose (Dir. James Fargo 1978): Clint Eastwood smashed box-office records as trucker Philo Beddoe the best bar-room brawler west of the Rockies who lives with a 165-pound orangutan named Clyde. With a fun country soundtrack and co-stars like Sondra Locke Geoffrey Lewis Beverly D'Angelo and the great Ruth Gordon it's in every which way possible a grand time for all. Any Which Way You Can (Dir. Buddy Van Horn 1980): They're back. Philo Beddoe th
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
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