Available for the first time on DVD! In the zany and outrageous tradition of Down and Out in Beverly Hills (also directed by Paul Mazursky) and Ruthless People (also starring Bette Midler) Scenes From a Mall teams up Midler with Woody Allen - a mix of combustible fun. During a spending spree in an upscale shopping centre this Beverley Hills couple's happy marriage takes an outlandish turn for the worst when they try to work out their marital differences... in public. You're sure to
Woody Allen's 1982 homage to Bergman and Shakespeare, A Midsummer Night's Sex Comedy is a delight from start to finish and must rate as one of his most joyous films. The period setting--Edwardian up state New York--gives the whole thing a misty, elegiac quality. Part Midsummer Night's Dream (the magic supplied by visions through a spirit glass) and part Smiles of a Summer Night (Bergman's source material provides the basic plot and ensuing couplings), it's a gentle satire on male sexuality and frustration. Allen handles the angst with the lightest of touches. He plays a Wall Street broker who spends his holidays inventing flying machines (they work, with telling consequences). He and his wife (Mary Steenburgen) are increasingly depressed by their ailing sex life. Cue the arrival of weekend guests: crusty academic (Jose Ferrer) and beautiful blue-stocking fiancée previously in love with Allen (Mia Farrow, of course); and insatiable doctor (Tony Roberts) with his latest squeeze, a nurse (the excellent Julie Hagerty). Eighty minutes of unravelling, discovery and renewal follow, accompanied by a Mendelssohn sound track. This is one of Allen's most treasurable pictures. On the DVD: A Midsummer Night's Sex Comedy is presented in widescreen that recaptures the pleasure which greeted the setting of this most pastoral of Allen's films on its first release; it really does glow with summery light. The standard stereo soundtrack is perfectly acceptable. Extras include the original theatrical trailer and multiple language soundtracks.--Piers Ford
Elephants tigers dancing bears and even a boxing kangaroo join the jugglers high-flying trapeze artists and fire dancers from some of Europe's top circuses. Guest ringmasters include: Tony Randall Woody Allen Merv Griffin Trini Lopez Jimmy Dean and Allen Silverman. Includes: Disc 1: 1. Host Tony Randall - Fire Dancers Tight Rope Magic Act International Dancing Polar Bears Archery 2. Host Merv Griffin - Elephants Trapeze Artists Marching Band Jugglers Gymnasts 3. Host Trini Lopez - Mattress Diver Magic Act Lion Tamer Ladder Gymnasts Comedy Act Acrobats Disc 2: 1. Host Allen Sherman - Acrobats Tiger Tamer Trapeze Artists Marching Band Comedy Act Moni the Elephant Fire Breather 2. Host Jimmy Dean - Tight Rope Clown Lion Tamer Marching Band Fire Dancing Trapeze Comedy Act 3. Host Woody Allen - Woody Boxing A Kangaroo International Dancing Extraordinary Dog Trainer Trapeze Artists Marching Band Magic Act Motorcycle Riders Disc 3: 1. Host Jack Carter - Fire Diver Swinging Acrobats Lion Tamer Balancing Gymnast Duo Indian Dancer 2. Host Bill Dana - Acrobats Bear Tamer Marching Band Contortionist Rope Climber Comedy Act 3. Host Tony Randall - Dancers Elephants Tight Rope Walkers Trapeze Artists Marching Band Magic Act High Wire Act Strong Man
Woody Allen's latest comedy follows the misadventures of a couple who plan a daring robbery in New York.
Broadway Danny Rose is vintage Woody Allen. Danny (Allen) is a down-at-heel theatrical agent whose regular clients include talking bird acts and a man who twists balloons into animal shapes. His faith in these eccentrics never fails, despite the fact that everyone leaves him for another agent in the end. Complications ensue when one of his clients, an overweight crooner, starts a romance with a mafia widow (excellently played by Allen's partner of the time, Mia Farrow). The mob think Danny is her boyfriend, forcing the two of them to take evasive action, at one point dodging bullets among giant floats for a forthcoming Fourth of July parade. The script is witty, the acting superb, the situations inventive. The film is shot in black and white and looks superb for it. On the DVD: The DVD is widescreen, with extremely clear sound so you won't miss a single wisecrack. Dialogue is available in French, German, Italian and Spanish as well as English. It's a pity, however--since the film is so short (84 minutes)--that there are no extras apart from the theatrical trailer. --Ed Buscombe
"Doesn't he know he's got the greatest gift anyone can have, the gift of laughter?" Woody Allen stars as filmmaker Sandy Bates, who, like John Sullivan in Preston Sturges's Sullivan's Travels, no longer wants to make comedies. As studio executives threaten to wrest control of his latest film, he reluctantly attends a weekend film-culture festival in his honour, where he is besieged by journalists ("I'm doing a piece on the shallow indifference of celebrities"), groupies ("I drove all the way from Bridgeport to make it with you"), and persistent oddballs ("Can I talk to you about my idea I have for a movie? It's a comedy based on the whole Guyana mass suicide"). After the exhilarating Manhattan, Stardust Memories was a dramatic departure that threw critics and fans for an outraged loop. But out of all of Allen's films, it is perhaps the one most ripe for rediscovery. It poses the same dilemma Stephen King would later tackle in Misery: What happens when a popular artist is held captive by an adoring audience that doesn't want him to change? The answer may come from an extraterrestrial, who in one of the many fantasy sequences advises the comedian, "You want to do mankind a real service? Tell funnier jokes." The film is impeccably cast with Charlotte Rampling, Jessica Harper, and Marie-Christine Barrault (of Cousin/Cousine) as the three women in Sandy's life. There are also choice bits by Sharon Stone as a fantasy woman on a train, Daniel Stern as an aspiring actor, Louise Lasser as Sandy's overwhelmed secretary, Laraine Newman as an unimpressed studio executive, and Tony Roberts as Tony Roberts. My own aunt, Victoria Zussin, utters the film's most famous line as the patron who tells Sandy she loves his movies, especially "your early funny ones." --Donald Liebenson
Woody Allen's second film as a director was a wild, unpredictable and unlikely comedy about a product-tester named Fielding Mellish (Allen), who can't quite connect with the woman of his dreams (Louise Lasser, Allen's ex-wife). He accidentally winds up in South America as a freedom fighter for a guerrilla leader who looks like Castro. Once he assumes power, the new dictator quickly goes insane--which leaves Fielding in charge to negotiate with the US. The film is chockfull of wonderfully bizarre gags, such as the dreams Fielding recounts to his shrink about dueling crucified messiahs, vying for a parking place near Wall Street. Look for an unknown Sylvester Stallone in a tiny role--but watch this film for Allen's surprisingly physical (and always verbally dexterous) humour. --Marshall Fine
In a scheme to make a quick couple of bucks a New York bookstore owner (Woody Allen) convinces his flower-arranger friend (John Turturro) that a fortune could be made by becoming a professional gigolo showing a good time to a number of beautiful and wealthy yet lonely local middle-aged women. Featuring an all-star cast including Sharon Stone Sofia Vergara (Modern Family) Vanessa Paradis and Liev Schreiber.
One of Woody Allen's strangest films, this studio-bound fantasy turned his Kafkaesque one-act play Death (1975) into a full-blown homage to German Expressionist filmmakers like Fritz Lang, F.W. Murnau and G.W. Pabst, brought to life by one of the starriest casts he ever assembled: Kathy Bates, John Cusack, Mia Farrow, Jodie Foster, Julie Kavner, Madonna, John Malkovich, Donald Pleasence and Lily Tomlin, plus Allen himself. He plays the cowardly Kleinman, reluctantly recruited by a vigilante mob in search of a serial killer. When he finds himself involved with a troupe of circus performers whose sword-swallower Irmy (Farrow) and clown Paul (Malkovich) want to leave to start a family, Kleinman thinks that this is a welcome distraction but the killer has other ideas... Described by the New York Times as a brazen, irrepressible originalÂ, Shadows and Fog is the most visually and narratively unpredictable of Allen's films. Carlo di Palma's dazzling cinematography makes full use of the title elements, but it's the richness of the multi-layered narrative, with its Shakespearean oscillation between burlesque comedy and poignant tragedy that really sticks in the mind.
A collection of vignettes, loosely based on the book by Dr. David Rueben, written and directed by Woody Allen, Everything contains some very funny moments. It's easy to forget that the cerebral Allen excelled at the type of broad, Catskill, dirty jokes and visual gags that run amok here. It's also remarkable how dirty this 1972 movie really was--bestiality, exposure, perversion and S&M get their moments to shine. The Woody Allen here, who appears in many of the sketches, is a portent of the seedy old Allen of Deconstructing Harry. Although the final bit, which takes place inside a man's body during a very hot date, is hilarious, most of Everything feels like the screen adaptation of a 70's bathroom joke book. Still, a must for Allen fans. --Keith Simanton
Puny New Yorker and gadget tester Fielding Mellish (Woody Allen) is in love with Nancy (Louise Lasser), a beautiful political activist who is herself obsessed by the battles being waged in San Marcos between the dictator General Vargas (Carlos Montalban) and his revolutionary opponents. Thus, in an attempt to impress his beloved, Mellish makes for San Marcos and in a bizarre and bewildering series of events, ends up the president of the country. An early spoof from Allen, in much the same vei...
Peter Sellers Collection
Woody Allen roared back at his detractors with Deconstructing Harry, a bitterly funny treatise about the creative process. Known to mine his often tumultuous personal life for his movies, the embattled writer-director-star didn't bother to make his alter ego likable in this movie: Harry Block (Allen) pops pills, frequents prostitutes and cheats on the women in his life, then writes about their foibles in thinly disguised fiction. No wonder they're all furious with him. As Harry journeys to his alma mater with a hooker, ill pal and kidnapped son, a series of flashbacks unravel, juxtaposing Harry's relationships with their "slightly exaggerated" fictional counterparts. There are amusing cameos throughout, including a humorous turn by Demi Moore as a fictitious ex-wife who "became Jewish with a vengeance" and Billy Crystal as the devil who found Hollywood too nasty for his liking. The humour is dark and caustic but well worth it; Deconstructing Harry is a near-brilliant meditation on the sometimes queasy relationship between art, creator and critic.--Diane Garrett
A galaxy of cinema luminaries from Ken Loach and Ettore Scola to Wim Wenders and Bernardo Bertolucci pay tribute to the great Italian cinematographer Carlo di Palma, in a documentary that chronicles his extraordinary work for directors Visconiti, Antonioni, and Woody Allen. Directors and actors receive all the attention, but one of the key collaborators when making a film is the person behind the camera: the director of photography, or cinematographer. He cut his teeth as an assistant on some of the greatest films in cinema history: Visconti's Obsession, Rossellini's Rome, Open City De Sica's Bicycle Thieves.His eye for black-and-white film was masterful, but it was his innovations in colour with Antonioni's Red Desert and Blow-Up, in the mid-1960s, that set him apart as a genius of the medium. Director Fariborz Kamkari threads together stunning excerpts from the films, and interviews a galaxy of luminaries. The result is a glorious celebration of a humanist and an engaged artist of uncommon talent.
Before there was Dick Cavett the talk show host there was Dick Cavett the comedian. Cavett's early career as a writer for Jack Paar and Johnny Carson naturally led him into the world of stand-up comedy where his contemporaries were the likes of Woody Allen and Bill Cosby. Cavett would later welcome both to The Dick Cavett Show. Cavett's comedian guests were by no means limited to his contemporaries. Cavett developed warm personal relationships with people like Groucho Marx Bob Hope and Jack Benny. These great raconteurs and storytellers had some of their finest moments in Cavett's studio where they found a unique forum that didn't necessarily require them to be funny. But of course they simply couldn't be anything else. On this fantastic four disc box set we feature 12 episodes of this timeless show featuring some of the biggest legends in American comedy featuring: Woody Allen Lucille Ball Jack Benny Carol Burnett Mel Brooks George Burns Bill Cosby Bob Hope Jerry Lewis Groucho Marks The Smothers Brothers plus an all new interview with Dick himself.
Neil Simon's ""The Sunshine Boys"" is recognised as one of the great comedy plays of modern times. Now Simon himself has updated the script with new lines and jokes and has re-written the characters of Lewis and Clark to suit the superb comic styles of Peter Falk and Woody AllenVaudeville comedy duo Lewis and Clark were the comic heroes of the 1950s. Now long forgotten Warner Brothers attempts to bring them back together for cameos in a movie that's ""funnier than Home Alone"". Offer
Includes: 1. The Almost Perfect Bank Robbery 2. Busted 3. Delivery Boys 4. Far Out Man 5. The Godson 6. I Am Waiting No More 7. In n' Out 8. Just Ask For Diamond 9. Just Looking 10. Miss Firecracker 11. The Perfectionist 12. Pretty Smart 13. Picking Up The Pieces 14. Prince Of Bel-Air 15. Teresa's Tattoo 16. Touch And Go 17. Uphill All The Way 18. The Wackiest Wagon Train In The West 19. Episode of 'At Last The 1948 Show' 20. Episode of 'Do Not Adjust Your Set'
With the centennial of the invention of Motion Pictures comes a program with all the laughs that can be crammed into 100 minutes of non-stop merriment. Journey on a rip-roaring trip through the world of cinema comedy with the funniest moments in the history of Hollywood from the slapstick of the silents through the screwball comedies of the 1930s and '40s to the hi-jinks of Hollywood's most recent comedies. All the great movie comics are here from the great comic actors of the past to the laughmakers of today. Here are profiles of favorite comedy stars plus revealing looks at some of the 'forgotton' comics of the silent and talkie era. From past greats such as Laurel & Hardy The Marx Brothers and Buster Keaton through to modern day stars as Eddie Murphy Leslie Nielsen and Jim Carrey. Enjoy rare early movie comedy behind the scenes footage foreign film fun mockumentaries musical comedies and the unintentional hilarity of movies like Reefer Madness. 100 stars provide hundreds of laughs for a century's worth of a fun-filled film feast. This is one comedy kaleidoscope you'll watch again and again!
Featuring an all-star cast including Woody Allen Robert Downey Jr. Mike Tyson Harvey Keitel Neve Campbell and Woody Harrelson The Outsider is an intriguingly dark look at the obsessive world of filmmaking. Shot over 8 months the film follows legendary filmmaker James Toback during the making of his critically acclaimed film When Will I Be Loved starring Neve Campbell.
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