America has become a society steeped in violence and most decent ordinary people are sick of it. Or are they? From two of the world’s most controversial filmmakers Quentin Tarantino and Oliver Stone comes one of the most controversial films ever made. Meet Mickey (Woody Harrelson) and Mallory (Juliette Lewis) - the most terrifying and relentless cold-blooded killers imaginable. Rejected by society these two lost souls embark on a murderous rampage. But as the body count soa
Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson
Director Robert Altman's final film looks at what goes on backstage during the last broadcast of America's most celebrated radio show.
Director Robert Altman's final film looks at what goes on backstage during the last broadcast of America's most celebrated radio show.
In this fun crime caper movie, a small-town bank robbery is botched in the most ironic of ways.
Includes: 1. The Almost Perfect Bank Robbery 2. Busted 3. Delivery Boys 4. Far Out Man 5. The Godson 6. I Am Waiting No More 7. In n' Out 8. Just Ask For Diamond 9. Just Looking 10. Miss Firecracker 11. The Perfectionist 12. Pretty Smart 13. Picking Up The Pieces 14. Prince Of Bel-Air 15. Teresa's Tattoo 16. Touch And Go 17. Uphill All The Way 18. The Wackiest Wagon Train In The West 19. Episode of 'At Last The 1948 Show' 20. Episode of 'Do Not Adjust Your Set'
Car crazy! Speed crazy! Boy crazy! Fay Spain is tunning in her role as a teenage femme fatal who has rich guy Fred Armstrong and poor but nice Jim Donaldson drooling over her. She plays them off against each other and as the hormones rise so does the violence. Fred is rich but not so nice and he keep slosing the fights and so decides to win the local hot rod race by fair means or foul. Thinking it would knock the very nice Jim out of the fight for the hand of Fay. This has dire consequences for all the characters involved.....
Scorched (Dir. Gavin Grazer 2003): Three bank tellers. One goal: knock the place over. Each has their own idea. Sheila (Silverstone) wants to break into the ATM. Stuart plans to ""borrow"" some money for the weekend and head to Vegas. And Woods (Harrelson) has a scheme involving a duck a dog and a safety deposit box. The ultimate inside jobs plotted by three people with nothing to lose. If only they were aware of each others plans! Monty Python's The Meaning Of Life (Dir. Terry Jones 1983): Those six pandemonium-mad Pythons are back with their craziest adventure ever! These naughty lads offer the usual tasteful sketches involving favorite bodily parts and functions the wonders of war the miracle of birth and a special preview of what's waiting for us in Heaven. Nothing is too sacred for the probing Python crew. After seeing them in action you'll never look at life in quite the same way again. It's far-out frank and jolly good fun!
America has become a society steeped in violence and most decent ordinary people are sick of it. Or are they? From two of the world’s most controversial filmmakers Quentin Tarantino and Oliver Stone comes one of the most controversial films ever made. Meet Mickey (Woody Harrelson) and Mallory (Juliette Lewis) - the most terrifying and relentless cold-blooded killers imaginable. Rejected by society these two lost souls embark on a murderous rampage. But as the body count soars so too does their notoriety and before long the greedy tabloid press has made them into cult heroes. In the media circus of life Mickey and Mallory have just become the main attraction...
Violence and mayhem ensue after a hunter stumbles upon some dead bodies, a stash of heroin and more than $2 million in cash.
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