The Lakes brought writer Jimmy McGovern and actor John Simm a great deal of critical praise in 1997. Following a particularly dry period for British TV drama, the show's realistic characterisations and their painfully honest decisions hit audiences hard. Simm is a twentysomething trapped in a life of compulsive gambling, theft and being on the dole in Liverpool. On a whim he heads north to the Lake District. He expects to find the countryside quietude where his hidden poetical leanings might find a home, but instead gets caught up in a community like any other. Lies, temptation and tragedy beset every household just as much as the big city. The focus of Series 1 is Danny's relationship with Emma (Emma Cunniffe) and the consequences of having a child. As time races by, his link to the Lakes becomes an exercise in torment when the eyes of blame fall easily upon him after the accidental deaths of four schoolgirls. Stoking the flames of a series of secondary explosions in waiting are a pair of affairs, one adulterous, the other complicated by religion. In the far longer sequel series that came two years later, these back-stories would come to the fore. Although exploring Danny's tortured soul might have been the obvious continuation, instead an almost Hitchcockian murder scenario occupies far more screen time. But by stretching things out, this second series does not have the same self-contained impact of the original. Additional writers only served to drag out Danny's boy-to-man journey. Ultimately, lessons are learned, including the realistic conclusion that life is without a poetical status quo. Despite the tail-off in overall quality, you'd be hard pressed to identify a better British drama in the years since. On the DVD: The Lakes complete series 1 and 2 box set comes with two separate commentary tracks for the very first episode. In interviews, John Simm fondly recalls how cold the lake water was and director David Blair recalls putting him in it. It's a shame the two weren't recorded together. It's also a shame that's all there is in this package. Even a few cast biographies would have been welcome. Picture is 4:3 and stereo sound is as you'd expect from 1990s UK TV. --Paul Tonks
Space 1999 is a Gerry Anderson cult classic as unmissable today as it was when first conceived in 1973. Starring husband and wife team Martin Landau and Barbara Bain Space 1999 revolves around the crew of Moonbase Alpha where scientific experiments are conducted and space data gathered. Disaster strikes and the Moon is blown out of the Earth's orbit by a huge explosion emanating from man-made nuclear waste pits causing it to drift endlessly through the void of space where the real adventures begin. Episodes comprise: 1. Breakaway 2. Force Of Life 3. Collision Course 4. War Games 5. Death's Other Dominion 6. Voyager's Return 7. Alpha Child 8. Dragon's Domain 9. Mission Of The Darians 10. Black Sun 11. Guardian Of Piri 12. End Of Eternity 13. Matter Of Life And Death 14. Earthbound 15. The Full Circle 16. Another Time Another Place 17. The Infernal Machine 18. Ring Around The Moon 19. Missing Link 20. The Last Sunset 21. Space Brain 22. The Troubles Spirit 23. The Testament Of Arkadia 24. The Last Enemy
For the time, there had never been a more lavishly produced science-fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.comOn this DVD: Presented in production order (not the sequence they were transmitted in), this first volume from Space: 1999's first year nonetheless begins with the all-important "Breakaway". Commander Koenig arrives at Moonbase Alpha as planet Meta is passing Earth. He's there to investigate why people are dying of what seems to be radiation poisoning and ensure the Meta Probe is launched in time. Everything is tied into what's wrong with their nuclear waste disposal. Then on September 13, 1999, the unthinkable happens, and the Moon with its 311 inhabitants is catapulted out of Earth's orbit. Some time later they pass planet Terra Nova which seems too good to be true. When Dr Russell's supposed dead husband (Richard Johnson) re-appears from the long-lost Astro 7 mission, it becomes a "Matter of Life and Death" in determining whether to settle on a Paradise populated by parrots! Another passing stellar body accidentally drags them towards a "Black Sun" in the next episode. Given three days to live, there's a graceful acceptance of fate by the team that is paid off by what seems to be some sort of guiding hand watching over them all. Finally an orange eye appears and emits a "Ring Around the Moon", a mysterious enveloping beam that exerts mind-control over various crew members. After a warning from the mythic planet Triton, Dr Russell is taken as their "conduit" (much like Ilia in Star Trek: The Motion Picture). Three publicity stills, 15 production drawings and eight character biographies may seem a little stingy as extra features. The neat CGI-animated menus make up for that a little though: an Eagle has never looked so agile. --Paul Tonks
The Italian adventurer and libertine Giovanni Jacopo Casanova lived from 1725 to 1798 but in this six-part series Dennis Potter attempted to find a contemporary relevance through his central themes of sex and religion. He commented that Casanova ""was concerned with religious and sexual freedom and these are the things we have to address ourselves to now."" Casanova was imprisoned in Venice in 1755 and Potter used that event as a central device constantly inter-cutting to contrast C
Kids will love this sweeping story of two brothers whose plane crashes on a mysterious island called Dinotopia, where human beings live in harmony with dinosaurs--the herbivores, anyway. The carnivores present a problem, as the humans' defences against them--a mystical power source called sunstones--are losing strength. As they try to save the island, Carl and David (Tyron Leitso and Wentworth Miller) struggle not only with tyrannosaurs and prehistoric crocodiles, but also with repressive Dinotopian traditions and a scheming malcontent (David Thewlis) who stirs up all kinds of trouble. Meanwhile, they also wrestle with each other over the lovely daughter of the mayor of Waterfall City (Katie Carr). The pacifist ideals of Dinotopia are refreshing, but it's the special effects that will hook viewers: riding on the backs of brachiosaurs, flying atop pteranadons, arguing in court with triceratops and ankylosaurs. Anyone fascinated with dinosaurs (and who isn't?) will enjoy this whimsical fantasy. A host of British character actors also helps keep the human side of this four-hour mini-series lively; Alice Krige (also known as the Borg Queen in Star Trek: First Contact) gets a much more benevolent role here. --Bret Fetzer
Two brothers find themselves castaways on Dinotopia a secret world where dinosaurs and humans coexist in harmony until their sources of power the sunstones begin to fail. The boys are key to Dinotopia's survival and must journey to a dangerous forbidden territory in a last attempt to save their new home.
Featured episodes include: Breakaway A Matter Of Life & Death Black Sun Ring Around The Moon Earthbound Another Time Another Place Missing Link Guardian of Piri Force Of Life Alpha Child The Last Sunset Voyager's Return
Many fans don't rate the second series of Space: 1999 as highly as the first. Responding to audience feedback, as well as the separation of producers Gerry and Sylvia Anderson, the programme makers drafted in new producer Fred Freiberger, the man responsible for the third and weakest season of the original Star Trek. Under his guidance the storylines drifted away from the hard sci-fi of the first season in favour of more action and a faster pace. The theme music, sets and costumes all changed, as did some key personnel. Out went professorial (and very dull) Barry Morse, in came dashing Tony Anholt as security officer Tony Verdeschi, while the glamour quotient was upped considerably by Catherine Schell as the shape-shifting Maya (a much-needed change, since the frosty Barbara Bain had reduced the show's sex appeal to nil in Series 1). Series 2 also introduced lots and lots more aliens kitted out in badly fitting costumes and dodgy glam-rock era makeup. Responding to yet more feedback from American TV executives the protagonists now had to encounter more highly unconvincing monsters than even Dr Who ever dared imagine: "The Beta Cloud", for example, is a classic rampaging-bloke-in-a-suit scenario. That said, this second season has more emphasis on characters other than the headline stars, as various stranded Alphans are allowed to come to the fore instead of just blankly following Commander Koenig's orders. It's all good fun in a silly, nostalgic sort of way, and fans of the more vintage Season 1 will find it hard to resist this second season as well.On the DVD: There aren't many extras here, although sundry interviews with principal cast and crew are scattered across the six discs in this complete box set. There's also a commentary on some episodes with special effects man Brian Johnson, a couple of deleted scenes, production stills and some text features. Each disc has a small booklet that gives some useful background information on the episodes. The remastered 4:3 ratio picture and mono sound are fine. --Mark Walker
Space 1999 is a Gerry Anderson cult classic as unmissable today as it was when first conceived in 1973. Starring husband and wife team Martin Landau and Barbara Bain Space 1999 revolves around the crew of Moonbase Alpha where scientific experiments are conducted and space data gathered. Disaster strikes and the Moon is blown out of the Earth's orbit by a huge explosion emanating from man-made nuclear waste pits causing it to drift endlessly through t
Dorzak: A spaceship lands on the moon. A beautiful young woman emerges from inside seeking medical attention for a colleague who was injured by a criminal that they had captured. The criminal turns out to be a man from Maya's home planet Psychon named Dorzac and persuades Maya that he was not responsible for the injury signalling the start of the troubles to come. Devil's Planet: Answering a distress signal Koenig and Blake Maine go to Entra. The first thing they see is a man being chased by three beautiful girls carrying long electric whips! Maine is killed and then Koenig imprisoned. Can he escape? The Immunity Syndrome: On a seemingly inhabitable planet a series of misfortunes befall Alpha's advance party. Tony Verdeschi is rendered insane by a piercing sound. The metal in the Eagle corrodes and the craft starts to fall apart. Two Alphans die after drinking spring water. Then a skeleton is found inside a geodetic structure with a video beside it explaining how any future visitors might survive. The Dorcons: A huge alien Dorcon ship materialises nearby. When the three leaders demand Maya be sent to them Koenig refuses. A leader comes aboard the spaceship and takes Maya and Alpha by force. But Koenig manages to come along too and using the power struggle between the three leaders tries to rescue Maya.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
When it was made there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm, which causes the moon to break away from Earth orbit and travel endlessly through space. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for the premise of the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to any physical laws. And in "Earthbound" aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are valid complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena the crew encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
The Metamorph: Koenig goes to rescue two captured pilots from the planet Psychon but comes to meet Mentor a man lording over a world of virtual zombies who work for him as miners. Koenig believes he is capable of defeating Mentor and preventing him using a biological computer that feeds on the minds and bodies of his slaves. The Exiles: Travelling through space are fifty cylinder-shaped objects. When Koenig recovers one inside is a young man named Cantar. This is the mark of the trouble to come as Cantar and his wife force their way into the power station and use its energy to transport them to their own planet from which they were exiled. One Moment of Humanity: Zamara a striking alien woman materialises aboard Moonbase and takes two people back to her own planet. However Zamara and her accomplice Zarl are in fact super-androids developed by successive generations of self-reproducing computers and want to wipe out the humans who invented them. All That Glisters: After scanning a planet which contains Milgonite a rare mineral vital to Alpha's life support system the Alphans are eager to visit it. However by the time that they discover that there is no Milgonite only a deceptive lethal drug it is too late. The deadly rock is already aboard Alpha.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds, an astounding amount, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. The moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, and has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound," aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
Seed of Destruction: Whilst exploring a bizarre asteroid Koenig is detained and replaced by a double. The fake Koenig returns to Moonbase with a crystal which is discovered will draw all the energy from Moonbase in order to revitalise its home the steroid where the real Koenig is still a prisoner. The Beta Cloud: After a cloud of space dust causes a mystery illness on Alpha an Eagle crew is sent to track the storm cloud. They return with a terrifying space creature which they discovered is their agent and wants the Moonbase life support system. Tony and Maya must fight to defeat the space creature. A Matter of Balance: When Koenig and Shermeen decide to explore an apparently lifeless planet Shermeen wanders into a temple and comes under the spell of a Vindrus. She wants to help Vindrus' doomed race but soon learns that for each Vindrus saved one Alphan will be doomed and that she is the first in line. Space Warp: Two crises strike the Alphans simultaneously. Koenig and Tony who are checking out a derelict spaceship in when Eagle One encounter a space warp and end up five light years away while Maya is stricken down by a fever and changes into a range of creatures. Before long she changes into a space animal and escapes to the moon surface. Koenig and Tony began to find a way back through.
Brian The Brain: A spaceship approaching the Moon identifies itself as one of the four 'Swift' ships that left Earth in 1996 and disappeared. Inside there is no crew; just a lively computer named Brian the Brain. Once aboard it kidnaps Helena and Koenig. New Adam New Eve: A man appears claiming to be God and selects two couple to begin a new Earth. The couples (Helena with Tony Verdeschi and Koenig with Maya) are mismatched but using his powers 'God' makes it seem alright. However it is discovered that God is not God but instead Magus a cosmic magician. The AB Chrysalis: After regular bombardments by enormous electrical waves one more such wave could spell final destruction for Moonbase Alpha. Koenig visits the source of the bombardments a nearby planet and discovers a civilisation where people are in a chrysalis stage protected only by their computer which sees Moonbase as a threat to them and is therefore attacking it. Catacombs of the Moon: In the Catacombs of the Moon engineer Patrick Osgood is searching for titanium to save his wife's life in heart surgery and because it is vital to the Moonbase Alpha's life support system. Osgood fails to find any metal and takes his wife into the catacombs only to go missing. Koenig decides to release some titanium from the store but now must find the Osgoods.
The Bringers of Wonder (Part One): After crashing his Eagle Koenig is dragged from the wreckage unconscious. Meanwhile a faster-than-light-ship arrives on the Moon (the 'superswift'). One of the crew Guido announces that transport will soon be coming from Earth to rescue the Alphans but when Koenig regains consciousness he sees hideous aliens who plan to kill him. The Bringers of Wonder (Part Two): Having survived Koenig suggests that it could have been the brain machine which kept him from being deceived. Meanwhile the aliens are planning to manipulate three Alphans into blowing up the Moon's nuclear waste dumps to create energy. It is soon left to Maya Helena and Koenig to defeat the aliens. The Lambda Factor: A pretty young Alpha technician dies a horrible death. Maya discovers that a huge gaseous cloud is giving off Lambda waves which could give some people paranormal powers. Carolyn takes over the Commander Centre and Moonbase. Koenig must fight a mental battle against her to decide the future of Moonbase. The Seance Spectre: The planet Tora is sighted but is on a collision course with the Moon. A small group of angered Alphans use their laser guns to take over the Command Center made off-limits by Koenig. They hold a seance and claim Tora would be habitable. Koenig regains control but is faced with the ever-impending crash with Tora and the rebel opposition which could jeopardise things further.
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