Still Open All Hours returns for a fourth series and sees David Jason reprising his role as shopkeeper Granville, who has inherited the small corner shop from his beloved but miserly Uncle Arkwright. Now running the business with his cheerful and good-looking son, Leroy the result of a brief romantic encounter a couple of decades ago Granville continues to serve the local community in his own inimitable fashion! With a keen eye on making a profit, Granville comes up with all kinds of hair-brained schemes to encourage his customers to part with their money, but things rarely turn out as he expects.
Arkwright's, the nation's favourite corner shop, opens its doors again for series three of Roy Clarke's follow up to Open All Hours. The series begins with a Christmas special where Granville (David Jason) and Gastric (Tim Healy) find themselves playing marriage counsellors and Kath (Sally Lindsay) attempts to get everyone into the Christmas spirit. In other episodes Granville finds ever more ingenious ways to winkle out a small profit from customers like the ever-gullible Cyril (Kulvinder Ghir) and Granville's courtship of Mavis (Maggie Ollerenshaw) continues with more fish and chip dinners and trips out in Gastric's mini, but he's got to keep an eye out for Mrs. Featherstone (Stephanie Cole) who doesn't seem quite satisfied with Mr Newbold (Geoffrey Whitehead), her current candidate for the position of husband number four Meanwhile Granville's son, Leroy (James Baxter) still yearns for a delivery vehicle that won't spoil his success with dating; love-sick Gastric, full of heart but low on grey matter, is still trying to impress Mavis's formidable sister Madge (Brigit Forsyth); local gossip Mrs Hussein (Nina Wadia) continues her quest to catch Leroy's eye; and arch pessimist Eric (Johnny Vegas) is still looking for improvements in his own married life, which takes a turn for the worse when a mystery woman starts asking for him round the neighbourhood
Joe 90 was Gerry Anderson's penultimate puppet show of the 1960s, following Captain Scarlet (1968) and preceding the little-known The Secret Service (1969). In 2112 professor Ian McClaine has invented the BIG RAT (Brain Impulse Galvanoscope, Record And Transfer), a machine for copying knowledge and experiences from person to person. WIN (World Intelligence Organisation) uses this to prime their top undercover agent before sending him into the field on missions which range from foiling international terrorists to recovering a nuclear weapon from beneath the polar ice. So far so good, but in perhaps the most mind-boggling concept ever to reach children's TV, that agent is McClaine's nine-year-old adopted son, Joe. Somehow even as it stays true to the Gerry Anderson techno-fantasy formula of secret organisations, gadgetry, and action-packed adventure full of spectacular explosions and violent death, Joe 90 remains blithely unconscious of its own implications. The missions are as globe-trotting as anything in Anderson's classic Thunderbirds series, and sometimes Joe does save lives, performing a risky brain operation or rescuing trapped astronauts. Yet even then his criminally irresponsible father brainwashes the lad each episode before placing him in a highly dangerous adult situation. Though the production values remain way ahead of anything else being done on British TV at the time, the question remains how did this ever seem like a good idea? On the DVD: Joe 90 comes complete in a five-disc box set of the entire 30-episode series. Each disc contains six 25-minute episodes presented, as usual with Gerry Anderson DVDs, behind a lovingly crafted menu. As expected the 4:3 picture quality is superb and the mono sound is full, detailed and without a trace of distortion. Each disc contains several pages of character biography and background information on the show, a photo gallery and varied extras such as location stills or a gallery of promotional images. --Gary S Dalkin
The twist of private-eye show Randall & Hopkirk Deceased is that in the first episode, gumshoe Marty Hopkirk (Kenneth Cope) is killed off by the villains, only to pop up in an immaculate white suit as a ghost visible only to his hardboiled partner Jeff Randall (Mike Pratt). In theory, the supernatural streak--which meant a complex set of rules about Marty's appearances and effects on the physical world--should lead the show into wilder territory, but most episodes squander the team's unique abilities on ordinary cases about blackmail and murder-for-profit. A persistent subplot has the living Jeff getting cosy with the dead Marty's widow Jean (Annette Andre) to the discomfort of her late husband. The elementary effects and the nice underplaying of the leads have a certain period charm, and the show could afford a high calibre of special guest villains and dolly birds. A 1990s remake with Vic Reeves and Bob Mortimer hasn't obliterated memories of the original. --Kim Newman
A young woman desperate for help enlists the aid of Sherlock Holmes and his assistant Watson. Drawn in by her intriguing tale the game is afoot and they begin to delve deeper into the case of a missing army captain in India, secret pacts and a king's ransom in stolen jewels, all the while shadowed by a mysterious peg-legged man and his dangerous associate.
A young woman desperate for help enlists the aid of Sherlock Holmes and his assistant Watson. Drawn in by her intriguing tale the game is afoot and they begin to delve deeper into the case of a missing army captain in India, secret pacts and a king's ransom in stolen jewels, all the while shadowed by a mysterious peg-legged man and his dangerous associate.
John Thaw stars in this critically acclaimed BBC drama based on the wartime career of Sir Arthur 'Bomber' Harris the Commander in chief of Bomber Command from 1942-1945.
This riveting mystery is a whodunit at its best. The legendary British sleuth Sherlock Holmes accompanied by his loyal sidekick Watson become wrapped up in yet another jewel-centered mystery when a beautiful young woman finds herself the surprised recipient of the world's second largest diamond. The master detective is summoned to figure out just who sent her the jewel and why.
An account of the defiant actions of perhaps Britain's greatest leader. This authorised documentary chronicles Sir Winston Churchill's war years.
After cheating the Mafia out of a fortune comedy conman Dick Emery trusts his partner to stash the loot in a Swiss bank. As the number of the account is tattooed on the rear of one of his girlfriends a cheeky undercover operation begins. The bottom line is to photograph the evidence for posterity or he'll make a complete ass of himself. And Dick Emery butting in with all his other impersonations could mean another bum rap!
After serving time for murder Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did and so as the town gossips tales of Josh's part spiral out of control!
The twist of private-eye show Randall & Hopkirk Deceased is that in the first episode, gumshoe Marty Hopkirk (Kenneth Cope) is killed off by the villains, only to pop up in an immaculate white suit as a ghost visible only to his hardboiled partner Jeff Randall (Mike Pratt). In theory, the supernatural streak--which meant a complex set of rules about Marty's appearances and effects on the physical world--should lead the show into wilder territory, but most episodes squander the team's unique abilities on ordinary cases about blackmail and murder-for-profit. A persistent subplot has the living Jeff getting cosy with the dead Marty's widow Jean (Annette Andre) to the discomfort of her late husband. The elementary effects and the nice underplaying of the leads have a certain period charm, and the show could afford a high calibre of special guest villains and dolly birds. A 1990s remake with Vic Reeves and Bob Mortimer hasn't obliterated memories of the original. --Kim Newman
Through the unholy rites of black magic the notorious female vampire Carmilla Karnstein is reincarnated as a luscious young debutant (Yutte Stensgaard). But when the depraved seductress is enrolled at an exclusive girl's school she begins to inflame the desires of her fellow students as wellias her weak-willed teacher (Ralph Bates). Can these perverse hungers be quenched by theimere taste of blood or will an entire village be unwittingly consumed by their lust for a vampire?
Joe 90 was Gerry Anderson's penultimate puppet show of the 1960s, following Captain Scarlet (1968) and preceding the little-known The Secret Service (1969). In 2112 professor Ian McClaine has invented the BIG RAT (Brain Impulse Galvanoscope, Record And Transfer), a machine for copying knowledge and experiences from person to person. WIN (World Intelligence Organisation) uses this to prime their top undercover agent before sending him into the field on missions which range from foiling international terrorists to recovering a nuclear weapon from beneath the polar ice. So far so good, but in perhaps the most mind-boggling concept ever to reach children's TV, that agent is McClaine's nine-year-old adopted son, Joe. Somehow even as it stays true to the Gerry Anderson techno-fantasy formula of secret organisations, gadgetry, and action-packed adventure full of spectacular explosions and violent death, Joe 90 remains blithely unconscious of its own implications. The missions are as globe-trotting as anything in Anderson's classic Thunderbirds series, and sometimes Joe does save lives, performing a risky brain operation or rescuing trapped astronauts. Yet even then his criminally irresponsible father brainwashes the lad each episode before placing him in a highly dangerous adult situation. Though the production values remain way ahead of anything else being done on British TV at the time, the question remains how did this ever seem like a good idea? On the DVD: Joe 90, Volume 1 contains the first six 25-minute episodes presented, as usual with Gerry Anderson DVDs, behind a lovingly crafted menu. As expected the 4:3 picture quality is superb and the mono sound is full, detailed and without a trace of distortion. There are also several pages of character biography and background information on the show, a photo gallery and a variety of other extras. --Gary S Dalkin
Joe McClaine is a seemingly ordinary 9 year old boy. However his father has developed a marvellous method of transferring special brain patterns into his son's mind that allows Joe to acquire incredible skills. Soon Joe becomes an agent for the World Intelligence Network and uses his extraordinary enhancements to serve justice around the world... Another stunning Supermarionation series from the Gerry Anderson team that brought you 'Thunderbirds' 'Captain Scarlet' and 'Stingray'.
Joe 90 was Gerry Anderson's penultimate puppet show of the 1960s, following Captain Scarlet (1968) and preceding the little-known The Secret Service (1969). In 2112 professor Ian McClaine has invented the BIG RAT (Brain Impulse Galvanoscope, Record and Transfer), a machine for copying knowledge and experiences from person to person. WIN (World Intelligence Organisation) uses this to prime their top undercover agent before sending him into the field on missions which range from foiling international terrorists to recovering a nuclear weapon from beneath the polar ice. So far so good, but in perhaps the most mind-boggling concept ever to reach children's TV, that agent is McClaine's nine-year-old adopted son, Joe. Somehow even as it stays true to the Gerry Anderson techno-fantasy formula of secret organisations, gadgetry, and action-packed adventure full of spectacular explosions and violent death, Joe 90 remains blithely unconscious of its own implications. The missions are as globe-trotting as anything in Anderson's classic Thunderbirds series, and sometimes Joe does save lives, performing a risky brain operation or rescuing trapped astronauts. Yet even then his criminally irresponsible father brainwashes the lad each episode before placing him in a highly dangerous adult situation. Though the production values remain way ahead of anything else being done on British TV at the time, the question remains how did this ever seem like a good idea? On the DVD: Joe 90, Volume 2 contains the second set of six 25-minute episodes presented, as usual with Gerry Anderson DVDs, behind a lovingly crafted menu. As expected the 4:3 picture quality is superb and the mono sound is full, detailed and without a trace of distortion. There are also several pages of character biography and background information on the show, a photo gallery and a variety of other extras. --Gary S Dalkin
Joe McClaine is a seemingly ordinary 9 year old boy. However his father has developed a marvellous method of transferring special brain patterns into his son's mind that allows Joe to acquire incredible skills. Soon Joe becomes an agent for the World Intelligence Network and uses his extraordinary enhancements to serve justice around the world... Another stunning Supermarionation series from the Gerry Anderson team that brought you 'Thunderbirds' 'Captain Scarlet' and 'Stingray'
Joe McClaine is a seemingly ordinary 9 year old boy. However his father has developed a marvellous method of transferring special brain patterns into his son's mind that allows Joe to acquire incredible skills. Soon Joe becomes an agent for the World Intelligence Network and uses his extraordinary enhancements to serve justice around the world... Another stunning Supermarionation series from the Gerry Anderson team that brought you 'Thunderbirds' 'Captain Scarlet' and 'Stingra
Sergeant Gerry Boyle (Brandon Gleeson) is a small-town Irish cop with a confrontational personality and absolutely no interest in the international cocaine-smuggling ring that has brought FBI agent Wendell Everett (Don Cheadle) to his door.
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