Jon Pertwee stars as Worzel Gummidge, the lovable scarecrow of Scatterbrook Farm. When children John and Sue move to the countryside, they learn that life is never dull with Worzel around. The restless scarecrow dreams of a life away from his post in Ten Acre Field and often wanders off into mischief. Whether getting his heart broken by the creaking fairground doll Aunt Sally (Una Stubbs) or disobeying his maker, the eccentric old Crowman (Geoffrey Bayldon), Worzel is lucky to have his young friends on hand to help rescue him from trouble. Based on the stories of Barbara Euphan Todd, Worzel Gummidge was produced by Southern Television and ran for four series between 1979 and 1981, enchanting audiences of all ages. Enjoy the first time the entire series now fully restored from the original negatives and packed full of incredible bonus material, both old and new.... Product Features 9 All New Audio Commentaries with Cast and Crew Photo Galleries Outtakes Audio Outtakes Original TV Interviews All New Featurettes Audiobook of a Cancelled Script Isolated Tracks A Double-Sided Poster of the All- New Artwork and much more
Psychological thriller in which a man has a horrific nightmare in which he sees himself killing a complete stranger but when he wakes up he begins to suspect that his dream was real after all. Detective Vince Grayson agrees to investigate and the trail takes them to a sinister mansion where Cliff discovers a mirrored room exactly like the one in his dream. When they discover that the owner of the mansion is a hypnotist Grayson has to race against time to unravel the mystery before Cliff's fragile psyche breaks down completely.
Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the US president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens' character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon, Amazon.com --This text refers to another version of this video.
A widowed doctor of both Chinese and European descent falls in love with a married American correspondent in Hong Kong during China's Communist revolution.
Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson
An inspiring drama directed by the great John Ford (Stagecoach, The Searchers) starring Tyrone Power (The Mark Of Zorro, The Razor's Edge) as Marty Maher, a humble Irish man from a poor background who joins the US Army to make a career for himself. after a difficult beginning he attains the rank of cadet instructor at famed West Point Military Academy. Co-starring Maureen O'Hara (The Quiet Man, Only The Lonely), this is superb, and little known or seen, military drama.
Ships With Wings
Some of British cinema's best-loved stars were enlisted for this endearing wartime comedy featuring 'Old Bill' the memorably cantankerous, grittily determined Great War soldier created by cartoonist Captain Bruce Bairnsfather. Starring Morland Graham and John Mills as Bills senior and junior, Old Bill and Son is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.Old Bill has grumbled his way through the trenches of the First World War. Now it is the Second and, envious of his son, Young Bill, he decides to enlist. He finally enters the Pioneer Corps, which is based near his son. When Young Bill goes missing during a raid, Old Bill shows that there's still life in the old dog yet!SPECIAL FEATURE:Image Gallery
One of the masterworks of 1960s cinema La notte (The Night) marked yet another development in the continuous stylistic evolution of its director Michelangelo Antonioni - even as it solidified his reputation as one of the greatest artists of the 20th century. La notte is Antonioni's ""Twilight of the Gods "" but composed in cinematic terms. Examined from a crane-shot it's a sprawling study of Italy's upper middle-class; seen in close-up it's an x-ray of modern man's psychic desolation. Two of the giants of film-acting come together as a married couple living in crisis: Marcello Mastroianni (La dolce vita 8 1/2) and Jeanne Moreau (Jules et Jim Bay of Angels). He is a renowned author and ""public intellectual""; she is ""the wife."" Over the course of one day and the night into which it inevitably bleeds the pair will come to re-examine their emotional bonds and grapple with the question of whether love and communication are even possible in a world built out of profligate idylls and sexual hysteria. Photographed in rapturous black-and-white by the great Gianni di Venanzo (8 1/2 Giulietta degli spiriti) La notte presents the beauty of seduction then asks: ""When did this occur - this seduction of Beauty?"" The Masters of Cinema Series is proud to present Michelangelo Antonioni's haunted odyssey in a new digital restoration uncut for the first time ever on home video.
Determined to remove her family from the superficial, high society world in which her husband Richard (Clifton Webb) is engrossed, Julia Sturges (Barbara Stanwyck) boards the R.M.S. Titanic in England on its maiden voyage to America, along with her two children. Learning of her plans, however, Richard purchases a steerage ticket aboard the ship in hopes of reconciling with his family. But when fate, ice and an overzealous ship captain step in, the Sturges family faces an unimaginable challenge - the possibility of separation from one another forever. This classic, based on the true-life history of the famed ocean liner, remains one of the most poignant, well-crafted films of all time.Winner of the 1953 Oscar for Best Screenplay.
Following the success of Karel Reisz's Saturday Night and Sunday Morning Alan Sillitoe adapted another of his works for the screen this time a short story of a disillusioned teenager rebelling against the system making Tony Richardson's The Loneliness of the Long Distance Runner one of the great British films of the 1960s. Newcomer Tom Courtenay is compelling as the sullen defiant Colin refusing to follow his dying father into a factory job railing against the capitalist bosses and preferring to make a living from petty thieving. Arrested for burglary and sent to borstal Colin discovers a talent for cross-country running earning him special treatment from the governor (Michael Redgrave) and the chance to redeem himself from anti-social tearaway to sports day hero. With Colin a favourite to win against a local public school tensions build as the day approaches...
South Pacific: Blessed with a treasure of timeless songs South Pacific combines the passionate heartwarming romance of a naive young Navy nurse (Mitzi Gaynor) and an older French plantation owner (Rossano Brazzi) with South Seas splendour and a world at war while the breathtaking score is highlighted by some of the most romantic songs ever written. Oklahoma!: Rodgers and Hammerstein's charming and vigorous tale of romance and adventure set in the Wild West. Songs include 'People Will Say We're In Love' 'Oh What A Beautiful Morning' and the title song 'Oklahoma!' Carousel: Gordon MacRae and Shirley Jones are reunited in this second classic Rodgers and Hammerstein musical. In this bittersweet love story Billy Bigelow (MacRae) a smooth-taking carny barker falls in love with a milworker (Jones) in a little town on the coast of Maine. Although Billy is killed during a robbery before the birth of his daughter years later he is allowed to return to earth for one day to redeem himself - and to teach his daughter one very important lesson. This the most poetic and lyrical of all the Rodgers and Hammerstein musicals features the classics If I Loved You and You'll Never Walk Alone.
The final film by the great Anthony Mann (Winchester '73, El Cid) A Dandy in Aspic is a stylish and complex cold-war thriller starring Laurence Harvey (Room at the Top, The Manchurian Candidate) as a Russian double-agent working for British Intelligence who is assigned to track down and kill an unusual target. Falling between the outlandish exploits of James Bond and the dour realism of John le Carré's circus of spies', this paranoid thriller is a dark and refined affair, with a superb supporting cast headed by Mia Farrow (Rosemary's Baby, See No Evil) and Tom Courtenay (The Loneliness of the Long Distance Runner, Otley), wonderful cinematography by regular Powell and Pressburger cameraman Christopher Challis, and with a terrific score by Quincy Jones. Extras High Definition remaster Original mono audio Audio commentary with author and critic Samm Deighan The BEHP Interview with Christopher Challis (1988, 107 mins): archival audio recording, made as part of the British Entertainment History Project, featuring the cinematographer in conversation with Kevin Gough-Yates A Time to Die (2019, 10 mins): members of the crew recall aspects of the film's production Pulling Strings (2019, 22 mins): titles designer Michael Graham Smith and puppeteer Ronnie Le Drew discuss the distinctive opening credit sequence Inside Mann (2019, 12 mins): appreciation by critic and broadcaster Richard Combs London to Berlin (2019, 6 mins): exploration of A Dandy in Aspic's British and German locations Berlin: The Swinging City (1968, 5 mins): original promotional film produced by Columbia Pictures Isolated music & effects track Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard of hearing
Presented from a glorious new 4K restoration, Second Run are delighted to follow their hugely popular releases of The Fabulous Baron Munchausen and Invention for Destruction by the visionary Czech animator and filmmaker Karel Zeman, with his groundbreaking work of fantasy Journey to the Beginning of Time. A joyous adventure that celebrates science and nature, Journey to the Beginning of Time sends four schoolboys on an epic and perilous voyage through prehistory encountering mammoths, monsters and dinosaurs along the way. Using a variety of innovative techniques (cel animation, stop-motion, puppetry and animatronics) Zeman evokes worlds of wonder and discovery to produce his most beguiling and magiclwork. Described as the Czech Méliès', Zeman has been a profound influence on generations of film artists from Jan Švankmajer to Tim Burton, the Quay Brothers to Terry Gilliam and Wes Anderson. His innovations in the use of live-action and animation mark him as one of the great masters of 20th Century fantasy cinema, alongside his more celebrated Western counterparts Willis O'Brien, George Pal and Ray Harryhausen. An opportunity to succumb to the unique enchantment of Zeman's purity of spirit, his boundless imagination and artistic vision - Karlovy Vary International Film Festival BLU-RAY SPECIAL EDITION CONTENTS: Journey to the Beginning of Time (1955) presented from a brand new 4K restoration of the film from original materials. The alternative English-dubbed version: a feature-length reconstruction of the US release cut with different credits, opening and end sequences. A new filmed appreciation by John Stevenson, director of Kung Fu Panda The Making of Journey to the Beginning of Time. Restoring the World of Fantasyfeaturette. Image gallery. Trailers. 20-page booklet featuring new writing on the film by film historian Michael Brooke. Region free Blu-ray
An inspirational story of one man's journey.Born into a life of privilege, passion and extravagance, Francis of Assisi would become one of the most beloved and revered saints in history. Bradford Dillman delivers a gripping performance as the lusty adventurer who hears the voice of God and answers by abandoning his secular life. Trading in his sword for a cross, he rises to glory...only to see his life's work threatened by a corrupt and jealous church hierarchy. Helmed by famed Casablanca director, Michael Curtiz, this epic tale of courage and sacrifice will inspire the entire family.
A concert that is testament to the raw power that makes Chuck Berry the true king of rock & roll. His enormous personality has stamped itself on three decades of rock music. He embarked on a world tour throughout 2008 including several performances in London and is currently touring the world again this year. Filmed at Toronto's Rock & Roll Revival in 1969 by D. A. Pennebaker and Chris Hegedus titles include Johnny B. Goode Maybelline Sweet Little Sixteen Hoochie Koochie Man Rock & Roll Music and Carol.
While Gene Morrison's band (the Glenn Miller Band) is on tour, trumpet player Bill Abbot (George Montgomery) falls for a girl in the audience, Connie Ward (Ann Rutherford). When they elope, no one's more surprised than Abbot's girlfriend, Jaynie Stevens (Lynn Bari). As the musicians blow hot on the bandstand, their wives are engulfed in enough flammable jealousy and dirty tricks to break up the band. Now, Connie must prove her love for Bill, as well as try to get the band back together.o
The Carry On Collection DVD box set contains the following 17 films in Special Edition versions, complete with a selection of commentaries, documentaries or other features on each disc, plus That's Carry On, a celebration of 20 years of the series hosted by Kenneth Williams and Barbara Windsor. The individual films are: Don't Lose Your Head; Follow That Camel; Doctor; Up the Khyber; Camping; Again Doctor; Up the Jungle; Loving; Henry; At Your Convenience; Matron; Abroad; Girls; Dick; Behind; England; Emmanuelle and That's Carry On.
From playful romantic comedies to variety extravaganzas, the pre-war British musical films offered audiences a source of much-needed escapism throughout the decade haunted by the Great Depression and the growing menace of war. Often adapting much-loved hits of the music hall as well as serving as vehicles for the era's composers, performers and band leaders, they showcased home-grown talent alongside some of Hollywood's most bankable stars. This ongoing, multi-volume collection makes available a wealth of rare gems from the very earliest days of the British talkies, many of which have remained unseen since their original release; each film is presented uncut, in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. DANCE BAND (1935) Life gets complicated for bandleader Buddy when he falls for his greatest rival the leader of an all-girl dance band! KATHLEEN MAVOURNEEN (1937) A hugely popular, much-adapted comedy in which a Liverpool lass visits family in rural Ireland and finds she has several rivals for her affections. HOLD MY HAND (1938)Eddie Marston is wealthy and kind, but his affairs are rapidly descending into chaos. Who can help him? YES, MADAM? (1938) The hilarious tale of two cousins who must complete a period in domestic service in order to receive an inheritance.
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