International sex symbol Jane Birkin (BLOW-UP) stars as Corringa, a beautiful young girl who returns from a convent school to her family s ancestral castle. But within these walls seethes unspeakable evil, including religious fervor, depraved desires, and sudden, sadistic murder. Now, someone with a taste for terror is slaughtering the castles demented guests. Six have already met their deaths... and for delicious Corringa, the ultimate torment is still to come!
Anne Baxter plays a manipulative young woman who moves in with the family of her betrothed - who also happens to be her psychiatrist. She gradually turns the house full of happy loving people against each other and they are powerless to stop her.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
A series of now-legendary stage comedies from the 1920s and '30s the Aldwych Farces broke theatre box-office records and made the transition to celluloid with a run of hit films – making stars of Tom Walls Ralph Lynn and Robertson Hare. Most were penned by leading comic playwright Ben Travers and peopled by a regular cast of silly-ass aristocrats battleaxe wives and put-upon husbands; nimble wordplay and finely crafted buffoonery were their hallmarks and the public loved them. Though only ten adaptations were made on film the influence of these enduringly popular films was great and can be seen in some of the key British comedies from the first half of the 20th century. This ongoing range will include not only the Aldwych Farces themselves but those films that they influenced. They are presented here as brand-new transfers from original film elements in their original aspect ratio. A CUP OF KINDNESS (1934) A tale of two feuding families whose offspring cause uproar when they announce their marital plans. Black and White / 76 mins / 1.33:1 / Mono / English DIRTY WORK (1933) Two assistants at a high-class jeweller's devise a cunning plan to attempt to catch a gang of jewel thieves. Black and White / 69 mins / 1.33:1 / Mono / English
Filmed in 1968 and set in British India in 1895, Carry On Up the Khyber is one of the team's most memorable efforts. Sid James plays Sid James as ever, though nominally his role is that of Sir Sidney Ruff-Diamond, the unflappable British Governor who must deal with the snakelike, scheming Khasi of Khalabar, played by Kenneth Williams. A crisis occurs when the mystique of the "devils in skirts" of the 3rd Foot and Mouth regiment is exploded when one of their numbers, the sensitive-to-draughts Charles Hawtrey, is discovered by the natives to be wearing underpants. Revolt is in the offing, with Bernard Bresslaw once again playing a seething native warrior. Roy Castle neatly plays the sort of role normally assigned to Jim Dale, as the ineffectual young officer, Peter Butterworth is a splendid compromised evangelist, while Terry Scott puts his comedic all into the role of the gruff Sergeant. Most enduring, however, is the final dinner party sequence in which the British contingent, with the Burpas at the gates of the compound, plaster falling all about them, demonstrates typical insouciance in the face of imminent peril. The "I'm Backing Britain" Union Jack hoist at the end, however, over-excitedly reveals the streak of reactionary patriotism that lurked beneath the bumbling double entendres of most Carry On films. On the DVD: Sadly, no extra features except scene selection. The picture is 4:3 full screen. --David Stubbs
Digitally remastered from original film elements. In May 1941, RKO Pictures released a controversial film by a 25-year-old first-time director. That premiere of Orson Welles' Citizen Kane was to have a profound and lasting effect on the art of modern motion pictures. Through its unique jigsaw puzzle storyline, inventive cinematography, brilliant ensemble acting and direction by Welles, the story of Charles Foster Kane is a fascinating portrait of American's love of power and materialism and the corruption it sometimes fosters. Like all great films, Citizen Kane is a memorable fusion of cinematic art and marvellous entertainment, winning an Oscar for Best Writing, Original Screenplay in 1942. Special Features: Anatomy of a Classic - A 50 minute feature presented by Barry Norman Audio Commentary by Film Historian Ken Barnes The Original Film Budget Welles Off-Screen (The original 1938 radio broadcast of The War of the Worlds and Welles' 1945 commerical recording of Oscar Wilde's The Happy Prince) Blu-ray Exclusive - The Restorarion of Citizen Kane
She Wolf Of London
Sir Walter Raleigh overcomes court intrigue to win favor with the Queen in order to get financing for a proposed voyage to the New World.
A true British dance classic in the tradition of 'The Red Shoes' Dance Little Lady is a bittersweet drama with a devastating and unforgettable sting in the tail. Prima Ballerina Nina Gordon's (Mai Zetterling) life is shattered. First she discovers that her husband Mark (Terence Morgan) has a mistress. Then a tragic car crash ends her dancing career.
A fantastic 8 disc special edition box set featuring some of the finest Bing Crosby movies going. Rhythm On The River (Dir. Victor Schertzinger 1940): Bing Crosby and Mary Martin play a pair of star-crossed ghostwriters he of melody and she of lyrics who discover that the man they write for is a fake but their love for each other is real. Rhythm On The Range (Dir. Norman Taurog 1936): Bing plays a singing cowboy out where the b-b-b-buffalo roam in this lighthearted musical western. Birth Of The Blues (Dir. Victor Schertzinger 1941): Bing Crosby is Jeff Lambert a clarinet player who is out to start a band called the Basin Street Hot-Shots. When Betty Lou (Martin) joins as vocalist romance ensues between everyone involved stirring things up a bit. The film pays homage to Dixieland greats such as Duke Ellington and Louis Armstrong and contains many musical numbers filled with cool clarinets and sizzling jam sessions such as: ""Birth of the Blues"" ""Melancholy Baby"" ""St. Louis Blues"" and ""St. James Infirmary."" Blue Skies (Dir. Stuart Heisler 1941): The owner of a nightclub (Crosby) and a dancing star (Astaire) play friends turned romantic rivals in this musical featuring the songs of Irving Berlin. A nostalgic loosely constructed musical that follows the years-long rivalry between two musical stars who love the same woman. Paul Draper rather than Astaire was originally cast in the role of the disk jockey. The Emperor Waltz (Dir. Billy Wilder 1948): Bing Crosby stars as Virgil H. Smith a phonograph salesman plying his wares in turn-of-the-20th-century Vienna. Believing that if he's able to sell a phonograph to Emperor Franz Joseph I the rest of Austria will soon follow his example Virgil attempts to gain access to the man. After he's refused admission to the palace by guards who believe the phonograph to be a bomb he meets Countess Johanna Augusta Franziska (Joan Fontaine) when his mutt gets into a fight with her pedigreed poodle which has just been chosen to mate with that of the emperor and the owners part on bad terms. When Virgil again tries to approach the emperor while he's hunting in the Australian Tyrol the vindictive Johanna happens to be present and sees to it that Virgil is deported. However the Countess' dog Scheherazade soon suffers a nervous breakdown and the attending veterinarian a strict Freudian insists that Virgil's dog must return to re-enact their conflict. A Connecticut Yankee (Dir. Tay Garnett 1949): The musical version of Mark Twain's 1889 novel. Bing plays a blacksmith who is knocked out and wakes up in the days of King Arthur. He is proclaimed a wizard and experiences many knightly adventures. Songs crooned include ""Busy Doing Nothing"" and ""Once and For Always."" Going My Way (Dir. Leo McCarey 1944): Youthful Father Chuck O'Malley (Bing Crosby) led a colorful life of sports song and romance before joining the Roman Catholic clergy but his level gaze and twinkling eyes make it clear that he knows he made the right choice. After joining a parish O'Malley's worldly knowledge helps him connect with a gang of kids looking for direction and handle the business details of the church-building fund winning over his aging conventional superior (Barry Fitzgerald). The Bells Of St. Mary's (Dir. Leo McCarey 1945): Bing Crosby reprising his role as worldly-wise Father Chuck O'Malley and introduces Crosby's beloved song ""Aren't You Glad You're You?"" Father O'Malley is transferred to the soon-to-be-condemned school run by Sister Benedict (Ingrid Bergman) and the two quickly match wits and stubbornness eventually finding a middle ground.
United Kingdom released, Blu-Ray/Region A/B/C DVD: LANGUAGES: Polish ( Mono ), English ( Subtitles ), WIDESCREEN (1.66:1), SPECIAL FEATURES: Cast/Crew Interview(s), Interactive Menu, Remastered, Scene Access, SYNOPSIS: On the last day of World War Two in a small town somewhere in Poland, Polish exiles of war and the occupying Soviet forces confront the beginning of a new day and a new Poland. In this incendiary environment we find Home Army soldier Maciek Chelmicki, who has been ordered to assassinate an incoming commissar. But a mistake stalls his progress and leads him to Krystyna, a beautiful barmaid who gives him a glimpse of what his life could be. Gorgeously photographed and brilliantly performed, Ashes and Diamonds masterfully interweaves the fate of a nation with that of one man, resulting in one of the most important Polish films of all time. SCREENED/AWARDED AT: BAFTA Awards, Venice Film Festival, ...Ashes and Diamonds (1958) ( Popiól i diament ) ( PopióB i diament (Ashes & Diamonds) ) (Blu-Ray)
In a futuristic state-run society controlled by ""Big Brother"" in which love is outlawed employee of the state Winston Smith falls for Julia and is tortured and brainwashed for his crime. This is the original Big Brother
There is not a single joke, sight-gag or one-liner in Monty Python's Life of Brian that will not forever burn itself into the viewer's memory as being just as funny as it is possible to be, but--extraordinarily--almost every indestructibly hilarious scene also serves a dual purpose, making this one of the most consistently sustained film satires ever made. Like all great satire, the Pythons not only attack and vilify their targets (the bigotry and hypocrisy of organised religion and politics) supremely well, they also propose an alternative: be an individual, think for yourself, don't be led by others. "You've all got to work it out for yourselves", cries Brian in a key moment. "Yes, we've all got to work it our for ourselves", the crowd reply en masse. Two thousand years later, in a world still blighted by religious zealots, Brian's is still a lone voice crying in the wilderness. Aside from being a neat spoof on the Hollywood epic, it's also almost incidentally one of the most realistic on-screen depictions of the ancient world--instead of treating their characters as posturing historical stereotypes, the Pythons realised what no sword 'n' sandal epic ever has: that people are all the same, no matter what period of history they live in. People always have and always will bicker, lie, cheat, swear, conceal cowardice with bravado (like Reg, leader of the People's Front of Judea), abuse power (like Pontius Pilate), blindly follow the latest fads and giggle at silly things ("Biggus Dickus"). In the end, Life of Brian teaches us that the only way for a despairing individual to cope in a world of idiocy and hypocrisy is to always look on the bright side of life. On the DVD: Life of Brian returns to Region 2 DVD in a decent widescreen anamorphic print with Dolby 5.1 sound--neither are exactly revelatory, but at least it's an improvement on the previous release, which was, shockingly, pan & scan. The 50-minute BBC documentary, "The Pythons", was filmed mainly on location in 1979 and isn't especially remarkable or insightful (a new retrospective would have been appreciated). There are trailers for this movie, as well as Holy Grail plus three other non-Python movies. There's no commentary track, sadly. --Mark Walker
The greatest actor of the 20th century presents five works by great 20th-century playwrights. Stars include Olivier Natalie Wood Robert Wagner Maureen Stapleton Alan Bates Malcolm McDowell Helen Mirren Joanne Woodward Carrie Fisher Greta Scacchi and Joan Plowright.. The Plays: Cat on a Hot Tin Roof (by Tennessee Williams): A rich plantation owner and his family come to grips with their greed envy and self-delusion. The Collection (by Harold Pinter): What did or did not take place in a Leeds Hotel ruffles the lives of four habitus of fashionable London. Hindle Wakes (by Stanley Houghton): An independent young mill worker refuses to bow to convention after an indiscretion with the boss's son. Come Back Little Sheba (by William Inge): Loss and regret bubble to the surface of a troubled marriage after a young boarder moves in. Saturday Sunday Monday (by Eduardo de Filippo): A monumental argument erupts smolders and subsides over a weekend in the life of a boisterous Italian family. The Ebony Towers (by John Fowles): Laurence Olivier portrays an elderly painter who has locked himself away from the world in a crumbling French chateau. Olivier is not quite a hermit; he enjoys the attentions of two nubile admirers played by Greta Scacchi and Toyah Willcox. This situation is disturbed by the arrival of young transient Roger Rees.
Sumptuous in every way, visually magnificent, with grandiose sets, panoramic Spanish vistas and intricately detailed costumes, possessor of one of cinema's greatest music scores, boasting vast and astonishingly kinetic battles, and breathing heroic virtue in every scene, El Cid is the very epitome of epic. For this reworking of the medieval legend of the Cid (Arabic for "Lord") who united warring factions and saved 11th-century Spain from invasion, producer Samuel Bronston and director Anthony Mann insisted every set had to be created from scratch, every costume specially made for this movie alone; they also shot entirely on location in La Mancha and along the Mediterranean coast of Spain to enhance the film's authenticity. The cinematography is saturated with the burnished hues of the Spanish landscape, as are the palatial sets and rich costumes; Miklos Rozsa's resplendent score is also the result of painstaking research into medieval Spanish sources. The screenplay is imbued with knightly gravitas and more than a little salvation imagery, from the opening scene of the young Rodrigo rescuing a cross from a burning church, to the movie's indelible finale as The Cid rides "out of the gates of history into legend".Charlton Heston is at his most indomitable as Rodrigo, "The Cid", a natural leader of men and the embodiment of every manly virtue (note that he fathers twins--a sure token of his virility); Sophie Loren is ravishing as Chimene, the woman whose love for Rodrigo conflicts with her filial instincts after he kills her father, the king's champion, over a point of honour. Their scenes together create a humane warmth at the heart of this vast movie: the moment when Chimene finally declares her love (beneath a shrine of three crosses--more symbolism) to the exiled Rodrigo forms a pivotal and very intimate centrepiece. Shortly thereafter he must rise from their rural marriage bed to lead his followers into battle, and the tension between his public and private lives adds a piquancy to the film's stunning battle sequences. The international supporting cast sometimes look like makeweights, especially when chewing on the occasionally stilted dialogue, but any such faults are easily forgiven as the scale and spectacle of El Cid carries the viewer away on a tide of chivalry.On the DVD: This disc is a sadly missed opportunity to present a classic epic in its original form. Although formatted for 16:9 widescreen TVs, which initially gives hope that this might be an anamorphic widescreen presentation, only the opening and closing titles appear in the correct cinematic ratio. Otherwise this is essentially the same picture as the pan & scan VHS version with the same poor print quality. Since a restored 35mm print of El Cid has been shown at cinemas and on TV in recent years there seems to be no excuse for this cut-down presentation. Add some decidedly minimal extras and the result is a disappointing disc. --Mark Walker
Some people don't give a damn about your daughter's welfare.... Broderick Crawford takes the role of Augusto in this finely sculpted drama about an ageing con man and his two young sidekicks Roberto and Picasso who swindle the local's out of their money. But Augusto's young accomplices have dreams dreams that are far removed from the lives they lead now. Augusto however still sees his future as a petty theif swindling enough to pay for his nightlife and a better lifestyle. Little could he know though that his own existance would take an unexpected twist as he accidentally bumps into his daughter someone he hasn't seen for some time and who he discovers is having a tough time trying to make ends meet to finish her studies. Surprisingly he finds his attitude changing as it becomes apparent that for the first time in his life his daughter needs his help and maybe he can do something for someone else! In the absence of his partners in crime he joins another group of swindlers but events turn sour and his new partners prove less than charitable toward Augusto when their money goes missing and in retribution leave him a broken and beaten man....
Painstakingly recreated on actual World War II battlefield locations and boasting a remarkable cast that includes Sean Connery Anthony Hopkins Robert Redford and Laurence Olivier A Bridge Too Far accurately recaptures the monumental scope excitement and danger behind Operation Market Garden - one of the biggest military gambles in history.
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