Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love...
Based on Richard Gordon's best selling novels, this hilarious collection of seven classic British comedies stars a wealth of talent and screen legends. Set in St. Swithins hospital, it follows the antics and mishaps of a group of medical students and their quest to become doctors.
Before spinning cinematic gold from sharks, dinosaurs and homesick aliens, a young Steven Spielberg directed this high-velocity thriller about an innocent motorist terrorised by an evil truck. Spielberg's first full-length movie, Duel, helped jumpstart the director's big-screen career, with a gripping, action=packed story hailed by critics as a film that '...belongs on the classics shelf reserved for top suspensers' (Daily Variety). Dennis Weaver stars as the travelling salesman waging a desperate battle for survival after he is mysteriously singled out for destruction. Praised for its deft use of relentlessly mounting psychological tension, Duel features one of the most uniquely terrifying characters in movie history: a massive, roaring 40-ton truck with more sheer menace than most flesh-and-blood villains. But Steven Spielberg was, literally, just getting started. A few years later, the action of Spielberg's blockbuster hit Jaws would echo Duel's tale of a lone hero in a heart-stopping fight to the finish against a monstrous, inhuman foe. Special Features A CONVERSATION WITH DIRECTOR STEVEN SPIELBERG STEVEN SPIELBERG AND THE SMALL SCREEN RICHARD MATHESON : WRITING OF DUEL TRAILER PHOTOGRAPH AND POSTER GALLERY Exclusive to this release : ALL NEW GRAHAM HUMPHREYS SLEEVE DESIGN Exclusive to this release: CONTAINS FOLD-OUT DOUBLE-SIDED GRAHAM HUMPHREYS ARTWORK POSTER
The legend begins... Released to coincide with the film's 50th anniversary - the original unexpurgated uncut and subtitles version of the film has rarely seen by British audiences. After American nuclear testing in the Pacific Ocean several ships are sunk in mysterious circumstances. The Japanese authorities close in on the neaby Odo island where natives relate tales of a devastating monster whom they call 'Gojira'. An expedition to the island by Professor Kyohei Yamane (Shi
Celebrate the 40th anniversary of Steven Spielberg's sci-fi blockbuster, now fully restored in 4K. Richard Dreyfuss stars as cable worker Roy Neary, who experiences a close encounter of the first kind - witnessing UFOs soaring across the sky. Meanwhile, government agents have close encounters of the second kind - discovering physical evidence of extraterrestrial visitors in the form of a lost fighter aircraft from World War II and a stranded military ship that disappeared decades earlier only to suddenly reappear in an unusual place. Roy and the agents follow the clues that have drawn them to reach a site where they will have a close encounter of the third kind - contact. Special Features: Three Kinds of Close Encounters Featurette Steven's Home Videos & Outtakes Close Encounters of the Third Kind Making-Of Documentary Steven Spielberg: 30 Years of Close Encounters 1977 Featurette Watch the Skies Deleted Scenes Extensive Photo Gallery Storyboard Comparisons Theatrical Trailers Includes all 3 versions of the film Theatrical Version Special Edition Director's Cut
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh
In the 1960s, director Robert Hartford-Davis (The Black Torment, The Fiend) teamed up with producer/cameraman Peter Newbrook (The Asphyx) to make a series of low-budget films capitalising on the cinematic crazes of the day. In 1968, the duo stridently ventured into the surgical horror subgenre with Corruption, a grim update of Eyes Without a Face, transposed into the scenic south-coast seaside town of Seaford, via Swinging Sixties London. In a surprising performance, Peter Cushing (Captain Clegg, The Revenge of Frankenstein) stars as a high-class plastic surgeon who is driven to murder as part of a demented quest to rebuild the decaying visage of his fashion model wife (Sue Lloyd, The Ipcress File), who has been severely scarred at a party. Product Features 2K restoration from the original negative Three feature presentations: the censored UK theatrical cut (92 mins), the US theatrical cut (92 mins), and the graphic continental version (91 mins) Original mono audio Audio commentary with Peter Cushing biographer David Miller and English Gothic author Jonathan Rigby for the US cut and continental version (2013) The BEHP Interview with Peter Newbrook (1995, 92 mins): archival audio recording of the producer and cameraman in a career-spanning conversation with Alan Lawson and Roy Fowler, made as part of the British Entertainment History Project The Guardian Interview with Peter Cushing (1986, 72 mins): archival audio recording of the legendary actor in conversation with David Castell at the National Film Theatre, London The Reluctant Beatnik (2021, 15 mins): actor Phillip Manikum revisits his time on the film What Ever Happened to Wendy Varnals? (2013, 16 mins): the actor and TV host remembers playing Terry Archival interview with actor Billy Murray (2012, 14 mins) Archival interview with actor Jan Waters (2012, 9 mins) Stephen Laws Introduces Corruption' (2021, 7 mins): appreciation by the acclaimed horror author Alternative Laser Killer opening titles (3 mins) Isolated music & effects track Original UK theatrical trailer Original US theatrical trailer Edgar Wright trailer commentary (2013, 3 mins): short critical appreciation TV spots Radio spots Image galleries: production stills and promotional material Director's shooting script gallery New and improved English subtitles for the deaf and hard of hearing
50th ANNIVERSARY EDITION BRAND NEW RESTORATION A complete sensation on its original release in 1967, THE GRADUATE was a one-of-a-kind cinematic portrait of America which captured the mood of disaffected youth seething beneath the laid-back exterior of 1960s California. It earned Mike Nichols a Best Director Oscar, introduced the music of Simon & Garfunkel to a wider audience and featured one of the most famous seductions in movie history and a truly iconic final scene. THE GRADUATE also introduced the world to a young actor named Dustin Hoffman, perfectly cast as the jaw-droppingly naïve Benjamin. Benjamin Braddock (Dustin Hoffman) has just finished college and is already lost in a sea of confusion as he wonders what to do with his life. He returns to his parents' luxurious Beverly Hills home, where he idles away the summer floating in the pool and brooding in silence. He is rescued from the boredom when he is seduced into a clandestine affair with a middle-aged married friend of his parents, Mrs Robinson (Anne Bancroft). That liaison is soon complicated by Benjamin's infatuation with her college-age daughter Elaine (Katharine Ross). Visually imaginative and impeccably acted, with a witty, endlessly quotable script by Calder Willingham and Buck Henry (based on the novel by Charles Webb), with a supporting cast that includes William Daniels, Murray Hamilton, Walter Brooke and Elizabeth Wilson, THE GRADUATE had the kind of cultural impact that comes along only once in a generation.
Last night, I dreamt I went to Manderley again..." From the first classic line of this unforgettable film, Rebecca casts its spell. David O. Selznick brought Alfred Hitchcock to the United States in order to give this adaptation of Daphne du Maurier's novel the proper atmosphere. The resulting film is a stunning marriage of their sensibilities. It paid off critically and financially as well. Like Gone with the Wind, which Selznick released a year earlier, Rebecca won the Academy Award for Best Picture.Laurence Olivier stars as Maxim de Winter, who, reeling from the recent and unexpected death of his glamorous wife Rebecca, impulsively marries a young and adoring governess (Joan Fontaine). The new Mrs de Winter tries to fit into her role as mistress of the great house Manderley, but every step she takes is haunted by Rebecca's spirit. The ghost's brooding presence is personified by the insanely meticulous Mrs Danvers, brilliantly portrayed by Judith Anderson. As Fontaine's character begins to uncover the dark secrets of the de Winter clan, the house seems to take on a life of its own.Passionate love and romance blend seamlessly with typically Hitchcockian emphases on guilt, sexuality and Gothic horror. The production values are stunning and the cast is excellent, down to the least of the supporting players. While Rebecca has enough surprises to captivate even the most jaded of moviegoers, it is also one of those rare films that improves with each viewing. --Raphael Shargel
With her Oscar-winning turn in Klute, Jane Fonda (9 to 5) arrived full-fledged as a new kind of movie star. Bringing nervy audacity and counterculture style to the role of Bree Daniels a call girl and aspiring actor who becomes the focal point of a missing person investigation when detective John Klute (Donald Sutherland) turns up at her door Fonda made the film her own, putting an independent woman and escort on-screen with a frankness that had not yet been attempted in Hollywood. Suffused with paranoia by the conspiracy-thriller specialist Alan J. Pakula (All the President's Men), and lensed by master cinematographer Gordon Willis (The Godfather), Klute is a character study thick with dread, capturing the mood of early-1970s New York and the predicament of a woman trying to find her own way on the fringes of society.
Henry Fonda, Lee J. Cobb, Ed Begley and Jack Klugman lead the distinctive cast of jurors whose character portrayals are perfect in every detail (The Hollywood Reporter). With its star-powered cast and three Oscar Nominations including Best Picture, 12 Angry Men is a powerful, suspenseful and fascinatingly entertaining film (Los Angeles Examiner). Eleven jurors are convinced that the defendant is guilty of murder. The twelfth has no doubt of his innocence. How can this one man steer the others toward the same conclusion? It's a case of seemingly overwhelming evidence against a teenager accused of killing his father in one of the best pictures ever made (The Hollywood Reporter).
A classic suspense-filled thriller from some of British cinema's greatest talents. The Fallen Idoltells the story of Philippe (Bobby Henrey), the young son of a diplomat who, trying to understand the adult world as seen through the eyes of a child, lies to defend those closest to him. When his butler friend Baines (Ralph Richardson) is suspected of murdering his wife, the vital information that Philippe holds falls on deaf ears Director Carol Reedand Graham Greene collaborated, as they did on The Third Man, to create this exquisitely crafted, intelligent thriller, which once more demonstrates the unique spark that these two mavericks brought to British cinema. With magnificent performances from Richardson and the child actor Henrey, and evoking comparisons with, among others, Alfred Hitchcock, this classic thriller garnered Academy Award® nominations for Best Director and Best Screenplay.
Jon Pertwee stars as Worzel Gummidge, the lovable scarecrow of Scatterbrook Farm. When children John and Sue move to the countryside, they learn that life is never dull with Worzel around. The restless scarecrow dreams of a life away from his post in Ten Acre Field and often wanders off into mischief. Whether getting his heart broken by the creaking fairground doll Aunt Sally (Una Stubbs) or disobeying his maker, the eccentric old Crowman (Geoffrey Bayldon), Worzel is lucky to have his young friends on hand to help rescue him from trouble. Based on the stories of Barbara Euphan Todd, Worzel Gummidge was produced by Southern Television and ran for four series between 1979 and 1981, enchanting audiences of all ages.
Headstrong and passionate Bathsheba Everdene (Julie Christie) unexpectedly inherits a large farm in rural Dorset. Struggling to manage the farm herself she captivates the hearts and minds of three very different men: an honest and hardworking sheep farmer (Alan Bates) a wealthy but tortured landowner (Peter Finch) and a reckless and violent swordsman (Terence Stamp). But as emotions become entangled free spirited and innocent folly soon leads to devastating tragedy. The restoration process of Far From the Madding Crowd was overseen by the film’s cinematographer and acclaimed director Nicolas Roeg. The Digital Film restoration was funded by STUDIOCANAL in collaboration the BFI’s Unlocking Film Heritage programme Awarding funds from the National Lottery.
The Ealing Studios classic now digitally restored!Ealing Studios' output from the 1940s and 1950s helped define what was arguably the golden age for British cinema. Written by Ealing regular T.E.B. Clarke, Passport To Pimlico was nominated by BAFTA in the Best British Film category and stars Stanley Holloway, Hermione Baddeley, Margaret Rutherford and Paul Dupuis.When an unexploded WWII bomb is unexpectedly detonated in Pimlico, it reveals a buried cellar full of treasures, including an ancient document proving that the area is in fact part of Burgundy, France and thus foreign territory. In an attempt to regain control, the British Government set up borders and cut off all services to the area, but the 'Burgundians' are determined to fight back!
In celebration of the 100th Anniversary of the birth of one of Ealing's greatest directors, Alexander Mackendrick, StudioCanal are releasing the restored version of the DVD and the first ever Blu-Ray of The Man In The White Suit starring Alec Guinness, Joan Greenwood, Cecil Parker. Ealing Studios' output from the 1940s and 1950s helped define what was arguably the golden age for British cinema. It fostered great directors such as Alexander Mackendrick and Robert Hamer, while giving stars such as Alec Guinness and Peter Sellers the chance to shine. Sidney Stratton (Alec Guinness), a humble inventor, develops a fabric which never gets dirty or wears out. This would seem to be a boon for mankind, but the established garment manufacturers don't see it that way; they try to suppress it. Nevertheless, Sidney is determined to put his invention on the market, forcing the clothing factory bigwigs to resort to more desperate measures. Special Features: Exclusive 'Revisiting The Man In The White Suit' Featurette Stills Gallery Restoration Comparison Trailer
Regina Lambert (Audrey Hepburn) returns to Paris from a holiday in Switzerland to find that her husband Charles has been murdered and her house ransacked. She is later told by a CIA agent that her husband was involved in robbing $250 000 of gold from the U.S. government during World War II and the government wants it back. Later that day she is visited by Peter Joshua (Cary Grant) whom she had met briefly whilst on holiday. When her husband's ex-partners in crime who were double-crossed by Charles start harassing her about the missing money Peter offers to help find it. Thus begins an elaborate charade in which nothing is what it seems to be...
Still the most expensive movie ever made, Cleopatra nearly bankrupted 20th Century Fox. It also scandalised the world with the very public affair of its two major stars, Elizabeth Taylor and Richard Burton. But Joseph L Mankiewicz's 1963 epic deserves to be remembered for more than its off-screen troubles. An extravagantly elaborate production, the sets and costumes alone are awe-inspiring; Mankiewicz's own literate screenplay draws heavily on the classics and Shakespeare; while the supporting cast, led by Rex Harrison as Caesar and Roddy McDowall as his nephew (and future emperor) Octavian, are all first-rate thespians and generally put in more convincing performances than either of the two leads. Mankiewicz's original intention was to make two three-hour films: the first being Caesar and Cleopatra, the second Antony and Cleopatra. But before the films completion, and following a boardroom coup worthy of Ancient Rome itself, legendary mogul Darryl F Zanuck took back control of Fox and insisted that Cleopatra be cut to a more economical length. A heartbroken Mankiewicz was forced to trim his six-hour vision down to four. This was the "roadshow" version shown at the films premiere and now restored here. Then following adverse criticism and pressure from cinema chains Zanuck demanded more cuts, and the final released version ran a mere three hours--half the original length. Capitalising on the feverish publicity surrounding Burton and Taylor, the shortened version played up both their on- and off-screen romance. This longer four-hour roadshow version allows for a broader view of the film, adding some depth to the politics and manipulation of the characters. But the directors original six-hour edit has been lost. Perhaps one day it will be rediscovered in the vaults and Mankiewiczs much-maligned movie will finally be seen the way it was meant to be. Until then, Cleopatra remains an epic curiosity rather than the complete spectacle it should be.
Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film", Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political and societal anxiety. Robert De Niro, as the tortured, ex-Marine cab driver Travis Bickle, made movie history with his chilling performance as one of the most memorably intense and vividly realised characters ever committed to film. Bickle is a self-appointed vigilante who views his urban beat as an intolerable cesspool of blighted humanity. He plays guardian angel for a young prostitute (Jodie Foster), but not without violently devastating consequences. This masterpiece, which is not for all tastes, is sure to horrify some viewers, but few could deny the film's lasting power and importance. --Jeff Shannon
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