If it can be written, or thought, it can be filmed. Stanley Kubrick. Own 7 ground-breaking films and a revealing documentary* in one stunning limited-edition collection. This collection contains The Shining for the first time in 4K Ultra HD, as well as 2001: A Space Odyssey in 4K Ultra HD, a 20-page exclusive booklet, and a collection of beautiful art cards. *This collection includes the following films: Lolita (Blu-ray), 2001: A Space Odyssey (4K Ultra HD and Blu-ray), A Clockwork Orange (Blu-ray), Barry Lyndon (Blu-ray), The Shining (4K Ultra HD and Blu-ray), Full Metal Jacket (Blu-ray), Eyes Wide Shut (Blu-ray), and Stanley Kubrick A Life in Pictures (Documentary on DVD).
Francis Ford Coppola took some of the deep background from the life of Mafia chief Vito Corleone--the patriarch of Mario Puzo's bestselling novel The Godfather--and built around it a stunning sequel to his Oscar-winning, 1972 hit film. Robert De Niro plays Vito as a young Sicilian immigrant in turn-of-the-century New York City's Little Italy. Coppola weaves in and out of the story of Vito's transformation into a powerful crime figure, contrasting that evolution against efforts by son Michael Corleone to spread the family's business into pre-Castro Cuba. As memorable as the first film is, The Godfather II is an amazingly intricate, symmetrical tragedy that touches upon several chapters of 20th-century history and makes a strong case that our destinies are written long before we're born. This was De Niro's first introduction to a lot of filmgoers, and he makes an enormous impression. But even with him and a number of truly brilliant actors (including maestro Lee Strasberg), this is ultimately Pacino's film and a masterful performance. --Tom Keogh
Humphrey Bogart (The Harder They Fall) and John Derek (The Family Secret) star in Knock on Any Door, a hard-hitting amalgam of film noir, social commentary, and courtroom drama. Nick Romano (Derek) is a young criminal whose motto is 'live fast, die young, and leave a good-looking corpse'. But, when Nick faces the death penalty for killing a police officer, hotshot lawyer Andrew Morton (Bogart) defends him, arguing that the killer is merely a product of his environment. Based on the controversial novel by Willard Motley and directed by the great Nicholas Ray (In a Lonely Place), Knock on Any Door is an often-shocking indictment of the poverty that blights America's slums. Product Features High Definition remaster Original mono audio Audio commentary with writer and film historian Pamela Hutchinson (2022) Nobody Knows How Anybody Feels (2022, 20 mins): appreciation by critic and film programmer Geoff Andrew Tuesday in November (1945, 17 mins): documentary short about the democratic process in America, made as part of the Office of War's The American Scene series and boasting Nicholas Ray as assistant director Theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
Humphrey Bogart (Dead Reckoning), Märta Torén (Deported), Lee J Cobb (The Family Secret), and Everett Sloane (The Lady from Shanghai) star in Sirocco, a thrilling tale of war and passion. Harry Smith (Bogart) is a black marketeer in colonial Syria, selling arms to the resistance movement against French rule. When he falls for beautiful nightclub singer Violetta (Torén), he becomes caught between her lover, Colonel Feroud (Cobb), and the leaders of the rebel movement. Directed by Curtis Bernhardt (A Stolen Life) and photographed by Burnett Guffey (Knock on Any Door), Sirocco is an exotic film noir classic in the vein of Casablanca. Product Features High Definition remaster Original mono audio Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson (2022) The South Bank Show: 'Bogart: Here's Looking at You, Kid' (1997, 52 mins): episode of the long-running British arts television series, featuring Humphrey Bogart's son, Stephen Bogart, looking back at his father's life and career Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
The 1956 screen adaptation of Carousel, like its immediate predecessor Oklahoma!, boasted then state-of-the-art widescreen cinematography, stereophonic sound, a starring romantic duo with on-screen chemistry, and the Rodgers & Hammerstein imprimatur. Adding to its promise was a source (the venerable Ferenc Molnar play Liliom) that had already been filmed three times. Contributing to the lustre are the coastal Maine locations where 20th Century Fox filmed principal photography. Yet unlike the original Broadway production, and despite evident craft, Carousel proved a box-office disappointment. Why? Hindsight argues that movie-goers of the 1950s may have been unprepared for its tragic narrative, the sometimes unsympathetic protagonist, and a spiritual subtext addressing life after death. Whatever the obstacle, Carousel may well be a revelation to first-time viewers. The score is among the composers' most affecting, from the glorious instrumental "Carousel Waltz" to a succession of exquisite love songs ("If I Loved You"), a heart-rending secular hymn ("You'll Never Walk Alone"), and the expectant father's poignant reverie, "Soliloquy". Top-line stars Shirley Jones (as factory worker Julie Jordan) and Gordon MacRae (as Billy Bigelow, the carnival barker who woos and weds her) achieve greater dramatic urgency here than in the more successful Oklahoma!. MacRae in particular attains a personal best as the conflicted Billy, whose anxiety and wounded pride after losing his job are crucial to the plot. It's Billy's impatience to support his new family that drives him to an ill-fated decision, which transforms the fable into a ghost story. --Sam Sutherland, Amazon.com
In this jazzy gangster film, reformed killer Phoenix Tetsu's attempt to go straight is squashed when his former cohorts call him back to Tokyo to help battle a rival gang. This onslaught of stylized violence and trippy colours got director Seijun Suzuki (Branded to Kill) in trouble with Nikkatsu studio heads, who were put off by his anythinggoes, inyourface aesthetic, equal parts Russ Meyer, Samuel Fuller, and Nagisa Oshima. Tokyo Drifter is a delirious highlight of the brilliantly excessive Japanese cinema of the sixties. Features: New highdefinition digital restoration, with uncompressed monaural soundtrack Video piece featuring new interviews with director Seijun Suzuki and assistant director Masami Kuzuu Interview with Suzuki from 1997 Original theatrical trailer New and improved English subtitle translation PLUS: A booklet featuring an essay by film critic Howard Hampton
In one of his best-loved films Elvis stars as Vince Everett a small-time convict introduced to the music business by his cellmate a former country music singer who also teaches Vince the guitar. On his release Vince tastes success as a performer but becomes disillusioned by the record industry until he is advised to set up his own label. He is a sensation but now that he is a superstar will he forget the people who helped to get him there?
Back in 1927, The Jazz Singer entered the history books as the first true, sound-on-film talking picture, with Al Jolson uttering the immortal words, "You ain't heard nothing yet!" But even then it was a creakingly sentimental old yarn. By the time this second remake showed up in 1980 (there was a previous one in 1953) it looked as ludicrously dated as a chaperone in a strip club. Our young hero, played by pop singer Neil Diamond in a doomed bid for movie stardom, is the latest in a long line of Jewish cantors, but secretly moonlights with a Harlem soul group. When his strictly Orthodox father (Laurence Olivier, complete with painfully hammy "oya-veh" accent) finds out, the expected ructions follow. Though the lad makes it big in showbiz, it all means nothing while he's cut off from family and roots. But in the end--well, you can guess, can't you? Diamond comes across as likeable enough in a bland way, but unencumbered by acting talent, and the music business has never looked so squeaky clean--nary a trace of drugs, and precious little sex or rock 'n' roll. As for anything sounding remotely like jazz, forget it. This is one story that should have been left to slumber in the archives. --Philip Kemp
Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense! Lover Come back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! It Happened To Jane: Jane Osgood (Day) is a widowed mother who runs a struggling lobster business in coastal Maine while Harry Malone (Kovacs) is a wealthy businessman who has bought out the local railroad. He harbors big plans for it aiming to transform it into a luxury passenger train replacing the freight train the residents of the area depend upon. When a large lobster shipment of Jane's is rerouted and returned to her dead she decides to fight back and sues Malone with the help of her longtime friend and lawyer George Denham. This instigates a battle of increasingly epic proportions as Malone uses every trick in the book--as well as his massive bank account--to quell the resolve of the spitfire businesswoman; Jane for her part has public sympathy on her side. A reporter for the national news doing a story on Jane (Steve Forrest) begins to fall in love with her and she is forced to decide between the romantic journalist and her childhood friend George. The magical pairing of Lemmon and Day is augmented by the beautiful location photography in Maine and a stellar supporting cast including Mary Wickes Russ Brown and a rare film appearance from Kovacs.
Musical morality tale about prejudice directed by Francis Ford Copolla and starring Fred Astaire. Based on a Broadway show from the late 40's. Astaire plays an Irishman who's moved to a small southern town. His plan is to bury a leprechaun's pot of gold that he's brought with him - so that it will grow faster. But his plans go awry when his daughter makes the wrong wish while Astaire stands over the magical pot...
Edward G Robinson (The Whole Town's Talking, Tight Spot) and John Lund (A Foreign Affair) lead the cast of this tense and disturbing thriller from director John Farrow (A Bullet Is Waiting). When clairvoyant John (Robinson) tells wealthy heiress Jean (Gail Russell, The Uninvited) that she will die within a week, her lover, Elliot (John Lund), is sceptical, believing John to be a con artist who is only after money. But, as the foretold night arrives, Jean waits in fear for her life... Based on a novel by Cornell Woolrich (Rear Window), Night Has a Thousand Eyes is a pioneering fusion of film noir and psychological horror. Product Features High Definition remaster Original mono audio Audio commentary with authors and critics Glenn Kenny and Farran Smith Nehme (2023) Tony Rayns on 'Night Has a Thousand Eyes' (2023): the writer and film programmer discusses the career of director John Farrow and his distinctive noirs Screen Directors Playhouse: 'Night Has a Thousand Eyes' (1948): radio play adaptation introduced and directed by Farrow, and starring Edward G Robinson and William Demarest, reprising their film roles Suspense: 'The Man Who Thought He Was Edward G. Robinson' (1946): playful original radio play tapping into Robinson's distinctive persona, starring the man himself Image gallery: promotional and publicity materials New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Jill Blake, archival interviews with actors John Lund and Gail Russell, an archival profile of screenwriter Jonathan Latimer, an overview of contemporary critical responses, and full film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All extras subject to change
A group of music students decide to share a flat together which results in a series of amusing adventures.
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
The Charge of the Light Brigade was an infamous battle in the Crimean War considered one of the greatest military blunders in history and immortalized in the poem by Alfred Lord Tennyson. The ill-conceived expedition to the Crimea was marked by an incredible lack of strategy and planning inadequate weapons camouflage food health care and communications. In the final battle all the soldiers had to protect them was their courage and blind faith. As Tennyson put it: Ours is not to question why/Ours is but to do and die. The film is a classic dissection of the pointlessness of war and the horrors inflicted on the common man who goes to fight in the name of his country. Directed by Tony Richardson and starring Trevor Howard Vanessa Redgrave (Atonement Howards End) and John Gielgud (Murder on the Orient Express Arthur The Charge of the Light Brigade was nominated for 6 BAFTAs.
Behind the great stone walls of an English castle the world's most powerful empire is in crisis. Three sons struggle to win their father's favor - as well as his crown. King Henry II (Peter O'Toole) and his queen Eleanor (Hepburn) engage in a battle of royal wits that pits elder son Richard (Anthony Hopkins) against his brothers while the cunning King Philip of France (Timothy Dalton) takes advantage of the internal fracturing in his bid to destroy their kingdom.
The Demoniacs (Les Démoniaques) sees director Jean Rollin eschew his regular subject of vampirism for a brutal nautical tale of ritual horror and supernatural vengeance. A gang of ruthless pirates, known as 'the wreckers', rape two survivors of a shipwreck. The women, now mute, are guided by a mysterious clown to a ruined castle, where they receive magical powers with which to exact their revenge on the gang. Starring Joëlle Coeur (Schoolgirl Hitchhikers), John Rico (Blood Orgy of the She-Devils), Willy Braque (Lips of Blood), and Mireille Dargent (The Iron Rose), The Demoniacs is one of its director's most shocking and violent tales of the fantastique. Product Features Brand-new 4K restoration from the original negative by Powerhouse Films Three presentations of the film: the original theatrical version; the longer, explicit export version; and Curse of the Living Dead, the alternative English-language cut Original mono audio Audio commentary with film expert Tim Lucas (2024) Selected scenes commentary with Jean Rollin (2005) Jean Rollin Introduces 'The Demoniacs' (1998) One of the Demoniacs (2024): new presentation of an interview with regular Rollin collaborator Jean-Pierre Bouyxou Newly edited archival interview with actor Willy Braque (2024) Critical appreciation by author and musician Stephen Thrower (2024) Outtake footage Original theatrical trailer Image gallery: promotional and publicity material, and behind the scenes New and improved English translation subtitles New and improved English subtitles for the deaf and hard of hearing for Curse of the Living Dead Limited edition exclusive 80-page book with a new essay by Alexandra Heller-Nicholas, an archival piece on the making of the film by Jean Rollin, an archival interview with Rollin, an archival interview with actor Monica Swinn, and full film credits. Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
After a chimpanzee gets loose in a pharmaceutical lab and randomly concocts a youth-restoring drug, staid scientist Dr. Barnaby Fulton (Cary Grant) unknowingly samples the potion and acquires the energy and tempement of a college student!
Nominated for two Academy Awards and considered one of [Woody] Allen's most enduring accomplishments (Box office) Manhattan is a wry touching and finely rendered portrait of modern relationships set against the backdrop of urban alienation. Sumptuously photographed in black and white (Allen's first film in that format) and accompanied by a magnificent Gershwin score Allen's aesthetic triumph is a prismatic portrait of a time and a place that may be studied decades hence (Time). Forty-two-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen year- old girlfriend Tracy (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginnings of Isaac's quest for romance and fulfilment in a city where sex is as intimate as a handshake - and the gateway to true love... is a revolving door.
God bless the late, and dearly missed, Joe D'Amato (Aristide Massaccesi). Not only did the censor-baiting Svengali of sleaze give us such video nasty masterpieces as ABSURD (1981) and ANTHROPOPHAGOUS (1980), as well as the sexploitation classic ELEVEN DAYS, ELEVEN NIGHTS (1987), he also unleashed one of Euro-horror's grisliest gore-fests in 1979's frequently-censored BEYOND THE DARKNESS! Focusing on a PSYCHO-style story of a young loner, under the authority of a besotted but blood-thirsty matriarch, who enjoys bouts of human taxidermy, bodily mutilation and cannibalism - this crimson-ridden splatter caper might just be D'Amato's crowning achievement. Starring the legendary Cinzea Monreale (THE BEYOND) as a beautiful blonde who is lured into the killer's premises, BEYOND THE DARKNESS also features a sublime score from prog-rockers Goblin (TENEBRAE) and a sick, but nonetheless satisfying, sense of humour. Also known as BURIED ALIVE, this D'Amato classic is finally making its UK HD premiere - uncut and uncensored! Extras: Restored in 2K From the Original 16mm Negative Uncompressed English Audio Uncompressed Italian Audio with Newly Translated English Subtitles Archive Interview with Cinzia Monreale Joe D'Amato retrospective Adrian Smith Booklet Promo Trailer Beyond the Darkness Locaions - Then and Now
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