Three young children live on a remote farm in the North of England; their mother is dead and their father is too busy to look after them. Kathy (Hayley Mills) is the eldest Nan (Diane Holgate) is the quiet child of the family while six year old Charles (Alan Barnes) is the most outspoken. The children wage constant guerrilla warfare against farmhand Eddie and the traps he sets for wild animals. They rescue three kittens that Eddie believes he has drowned. Charles tries to give
You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
The Slipper and the Rose is Brian Forbes' classic Oscar-nominated musical that re-tells the much-loved story f Cinderella and features a wonderful score by the renowned Sherman Brothers whose numerous credits include Mary Poppins, Chitty Chitty Bang Bang and The Jungle Book.Richard Chamberlain plays Prince Edward, the heir to throne of Euphrania, who is expected to find a wife. His parents the King and Queen plan a Royal Ball to which all the princesses in the land will be invited so that he can find his bride. Meanwhile Cinderella live in misery, her father has died and her wicked stepmother and awful sisters have made her house servant. But with the arrival of her fairy Godmother comes three wishes and the chance for Cindrella to go to the ball.
Ira Levin's scary novel about forced conformity in a small Connecticut town made the Stepford Wives a compelling 1975 thriller. Katharine Ross stars as a city woman who moves with her husband to Stepford and is startled by how perpetually happy many of the local women seem to be. Her search for an answer reveals a plot to replace troublesome real wives with more accommodating fake ones (not unlike the alien takeover in The Invasion of the Body Snatchers). The closer she gets to the truth, the more danger she faces--not to mention the likelihood that the men in town intend to replace her as well. Screenwriter William Goldman (Butch Cassidy and the Sundance Kid) and director Bryan Forbes (King Rat) made this a taut, tense semi-classic with a healthy dose of satiric wit. --Tom Keogh, Amazon.com
Bruce (Malcolm McDowell, If, A Clockwork Orange) is a lively young man with an irrepressible sense of fun and a sharp eye for a pretty girl. Returning home slightly the worse for wear after a wedding, he suddenly collapses. When he wakes the next day he finds himself in hospital unable to walk and the Doctors cannot diagnose his condition. When his family is unable to house him, Bruce is forced to move to a convalescence home. Here he becomes bitter about his situation and resents the intrusion of the other inmates upon his melancholy state. After a while Bruce strikes up a friendship with fellow inmate Jill (Nanette Newman) and under her influence, he begins to enjoy life again. Falling deeply in love, Bruce and Jill decide to get married against the wishes of the home's owners. Faced with the prospect of having to move out of the home and seek work, will Bruce's and Jill's love survive? Sensitively directed by Bryan Forbes (Whistle Down the Wind, The Stepford Wives), THE RAGING MOON is a tender love story featuring strong performances from Newman and McDowell
Kim Stanley and Richard Attenborough give outstanding performances in this classy British thriller, with Attenborough winning a BAFTA for Best British Actor and Stanley scoring an Oscar nomination. Written and directed by Bryan Forbes - who also won a Writers Guild award, an Edgar and a BAFTA nomination - Seance on a Wet Afternoon is presented here as a brand-new transfer from original film elements in its original theatrical aspect ratio. Myra Savage, a highly-strung spiritual medium, convinces her weak-willed husband to fake a child kidnapping so she can offer her services to the parents when all seems lost. Though horrified at the prospect, he reluctantly goes along with the plan - but becomes more convinced than ever that Myra is losing her grip on reality
The L-Shaped Room, adapted by writer-director Bryan Forbes from Lynne Reid Banks' novel, unfolds in a dank, depressing London boarding house. Leslie Caron plays Jane Fosset, a 27-year-old French woman, down on her luck, who takes a room. There are bugs in her mattress. The taps drip. The landlady ("the lovely Doris") is a drunken, malicious busybody. Forbes doesn't paint the English in a flattering light. They're covetous, eccentric and xenophobic. "I never close my door to the nigs," Doris tells Fosset, as if to prove that she is no racist. When Fosset reveals that she's pregnant and unmarried, everybody turns against her. The one real friend Fosset makes is Toby (Tom Bell), an impoverished would-be writer who lives in the room downstairs. She starts an affair with him, but for all his protestations to the contrary, he too turns out to be moralistic and conservative--he can't accept the idea that she is having another man's baby.Forbes' dialogue sometimes grates, the film risks running into a dead end (Fosset is stuck with nowhere to go and no prospects), but this is compelling fare all the same. Cameraman Douglas Slocombe (who went on to shoot Raiders of the Lost Ark) makes the boarding house seem as gloomy and oppressive as a Gothic mansion. Forbes doesn't sentimentalise at all. The London he portrays is nothing like the swinging, hedonistic city shown in later British movies of the 60s. --Geoffrey Macnab
You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
The L-Shaped Room, adapted by writer-director Bryan Forbes from Lynne Reid Banks' novel, unfolds in a dank, depressing London boarding house. Leslie Caron plays Jane Fosset, a 27-year-old French woman, down on her luck, who takes a room. There are bugs in her mattress. The taps drip. The landlady ("the lovely Doris") is a drunken, malicious busybody. Forbes doesn't paint the English in a flattering light. They're covetous, eccentric and xenophobic. "I never close my door to the nigs," Doris tells Fosset, as if to prove that she is no racist. When Fosset reveals that she's pregnant and unmarried, everybody turns against her. The one real friend Fosset makes is Toby (Tom Bell), an impoverished would-be writer who lives in the room downstairs. She starts an affair with him, but for all his protestations to the contrary, he too turns out to be moralistic and conservative--he can't accept the idea that she is having another man's baby.Forbes' dialogue sometimes grates, the film risks running into a dead end (Fosset is stuck with nowhere to go and no prospects), but this is compelling fare all the same. Cameraman Douglas Slocombe (who went on to shoot Raiders of the Lost Ark) makes the boarding house seem as gloomy and oppressive as a Gothic mansion. Forbes doesn't sentimentalise at all. The London he portrays is nothing like the swinging, hedonistic city shown in later British movies of the 60s. --Geoffrey Macnab
Bruce Pritchard is paralysed in a soccer game and is confined to a wheelchair in a convalescence home.
A woman who masquerades as a medium has her husband kidnap a girl so that she can gain celebrity by holding seances and helping the police to 'find' the victim...
A "tontine" is drawn up on behalf several young British boys. Each of the boys' parents had placed 1000 pounds in a pool, to be invested and expanded upon. The resultant fortune will go to the last surving member of the tontine. A series of montages depicts the various demises of the heirs. Finally, only two of the tontine participants are left: aged brothers Ralph Richardson and John Mills. On his last legs, Mills is determined that Richardson will not outlive him, and to that end attempts to kill his brother; each attempt fails spectacularly, with the doddering Richardson none the wiser. Standing to benefit from the tontine are Mills' dimwitted med-student son Michael Caine and Richardson's greedy nephews Peter Cook and Dudley Moore. When Richardson is supposedly killed in a train wreck, Cook and Moore don't want the authorities to find out, so they appropriate what they think is their uncle's corpse and ship it home in a box. Thus it is that Caine finds the body of a perfect stranger on his doorstep. The farcical complications begin flying about thick and fast from this point onward. Among the participants in this wacky film are such formidable talents as Peter Sellers, Tony Hancock, Wilfred Lawson, Thorley Walters, Norman Rossington, Irene Handl and Cicely Courtenedge. Based on a novel by Robert Louis Stevenson, The Wrong Box is a delightful harkback to the glory days of Britain's Ealing comedies.
Michael Caine stars as a cat burglar in this 1960s suspense thriller directed by Bryan Forbes. When jewel thieves Richard and Fe Moreau (Eric Portman and Giovanna Ralli) invite former alcoholic cat burglar Henry Clarke (Caine) to join their ranks for a daring robbery things quickly become complicated. Finding himself increasingly attracted to Fe Henry soon realises that the couple's relationship is far from what it seems a fact that has a bearing on events when the trio decide to relieve Spanish playboy Salinas (David Buck) of his jewels.
They made him the toughest among them..... The Japanese prisoner of war camp Changi in Singapore which houses Allied prisoners of war is a living hell. The great mass of prisoners that are living at sub-human subsistence level. US Army Corporal King has been living up to his surname through his control of the camp's black market and by scamming the officers and other POWs. Nominated for 2 Academy Awards.
A young woman faces life in a shabby London boarding house after being jilted and left pregnant. Sharing her desperation with an assortment of neighbours they help her to decide whether to have an abortion...
Ira Levin's scary novel about forced conformity in a small Connecticut town made the Stepford Wives a compelling 1975 thriller. Katharine Ross stars as a city woman who moves with her husband to Stepford and is startled by how perpetually happy many of the local women seem to be. Her search for an answer reveals a plot to replace troublesome real wives with more accommodating fake ones (not unlike the alien takeover in The Invasion of the Body Snatchers). The closer she gets to the truth, the more danger she faces--not to mention the likelihood that the men in town intend to replace her as well. Screenwriter William Goldman (Butch Cassidy and the Sundance Kid) and director Bryan Forbes (King Rat) made this a taut, tense semi-classic with a healthy dose of satiric wit. --Tom Keogh, Amazon.com
Michael Caine stars as a cat burglar in this 1960s suspense thriller directed by Bryan Forbes. When jewel thieves Richard and Fe Moreau (Eric Portman and Giovanna Ralli) invite former alcoholic cat burglar Henry Clarke (Caine) to join their ranks for a daring robbery, things quickly become complicated. Finding himself increasingly attracted to Fe, Henry soon realises that the couple's relationship is far from what it seems, a fact that has a bearing on events when the trio decide to relieve Spanish playboy Salinas (David Buck) of his jewels. Extras: High Definition Transfer Interview with Chris Poggiali 28 Booklet by Michael Caine Expert Christopher Bray Still Gallery Theatrical Trailer
Bruce (Malcolm McDowell, If, A Clockwork Orange) is a lively young man with an irrepressible sense of fun and a sharp eye for a pretty girl. Returning home slightly the worse for wear after a wedding, he suddenly collapses. When he wakes the next day he finds himself in hospital unable to walk and the Doctors cannot diagnose his condition. When his family is unable to house him, Bruce is forced to move to a convalescence home. Here he becomes bitter about his situation and resents the intrusion of the other inmates upon his melancholy state. After a while Bruce strikes up a friendship with fellow inmate Jill (Nanette Newman) and under her influence, he begins to enjoy life again. Falling deeply in love, Bruce and Jill decide to get married against the wishes of the home's owners. Faced with the prospect of having to move out of the home and seek work, will Bruce's and Jill's love survive? Sensitively directed by Bryan Forbes (Whistle Down the Wind, The Stepford Wives), THE RAGING MOON is a tender love story featuring strong performances from Newman and McDowell
Legends Of The Fall: Colonel William Ludlow (Sir Anthony Hopkins) built a ranch in the remote foothills of the Montana Rockies where he brought up his three sons away from the carnage of the Indian wars. Alfred (Aidan Quinn) the eldest is dutiful and reserved Samuel (Henry Thomas) the beloved youngest is compassionate and idealistic while the middle brother Tristan (Brad Pitt) has a wild untameable spirit. Into this masculine world enters Susannah Finncannon (Julia Ormond) a beautiful intelligent woman who stirs a passion and rivalry in all three brothers that will change the course of their lives and shape their destinies forever. From the rugged prairie lands of 19th Century America to the trenches of World War I and the changing world beyond 'Legends of the Fall' is a sweeping star-studded epic - a passionate journey into the darkest secrets of love betrayal and the unbreakable bonds of blood. First Knight: Set in and around the city of Camelot First Knight is a sweeping epic about love honour betrayal and passion. Lancelot (Richard Gere) a nomadic rogue has no ties no enemies and no fear until that is he meets the beautiful Lady Guinevere of Leonesse (Julia Ormond). Guinevere has promised to marry King Arthur (Sean Connery) not only because his armies can protect her country but because she truly loves him. But her chance encounter with Lancelot as she prepares to enter Camelot stirs conflicting and powerful emotions within her. Arthur welcomes both into his city with open heart little foreseeing how his great capacity for love and trust opens the doors for his own betrayal... The Slipper And The Rose: In Euphrania live two unhappy people - a sad young girl called Cinderella (Gemma Craven) and a proud young prince (Richard Chamberlain) - trapped in two very different worlds. Following the death of her father poor Cinderella has been left in the care of her unfriendly step-mother (Margaret Lockwood) and her two spoilt step-sisters. Meanwhile the Prince of the land has come of age and the King (Michael Hordern) and the Queen want him to marry. His desperate parents hold a splendid ball and invite every noble girl in the land. Cinderella is shunned by her ugly sisters when they leave her behind and flounce off to the ball in their finery. Fortunately her Fairy Godmother (Annette Crosbie) intervenes transforming Cinderella and whisks her off to the ball - and so the love story blossoms in this exquistive movie with music by Richard and Robert Sherman.
Darling: (FS 4:3) Everyone calls Diana Scott (Julie Christie) 'Darling'. She is that kind of girl. As an ambitious model searching for new experiences she breathes in the sweet smell of success yet forget to exhale. Using a stream of famous and infamous men to sexaully manipulate her way to the top she becomes a prisoner of the jet-set lifestyle she herself conquered. Julie Christie won an Oscar for best Actress. Oscars also went to both Fredric Raphael for Best Original Story & Screenplay and to Julie Harris for her Costume Design The L-Shaped Room: (WS 1.66:1) In a sensitive study of social morals at the dawning of the 1960s sexual revolution a woman faces life in a shabby suburban bed-sit after being jilted and left pregnant. Sharing her desperation with an assortment of neighbours they help her to decide whether to have an abortion...
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