Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. In this box set: all 32 episodes on eight discs, plus a bonus DVD featuring "The Thunderbirds Companion", an action-packed compilation which features the very best Thunderbirds rescues and scenes and tells the whole story behind Gerry Anderson's legendary action adventure series. Includes behind-the-scenes footage and interviews with Gerry Anderson, David Graham (the voice of Parker, Brains and Kyrano), Thunderbirds directors Alan Patillo and Bob Bell, and puppeteer John Blundall. --Mark Walker
Gerry and Sylvia Anderson's famous supermarionette show still enjoys enormous awareness and a strong fan base around the world. This influential 1960's TV show is set in 2065 on a secret island base. The Tracy family along with their London agent, Lady Penelope and teenage genius, Brains, battle forces of evil as ˜International Rescue'. The original, iconic tv series of 32 episodes features strong characterisations, an iconic visual format and a timeless 60's backdrop tageting men 35+ and a new audience of geek chic fans 16+ who love the creative inspiration of Brains and the Thunderbirds brand. With the 50th anniversary in 2015, there are many adult licensing opportunities available for the classic Thunderbirds series. Coming soon, ITV Studios and Pukeko Pictures are bringing this iconic series back to TV screens after 50 years. Thunderbirds Are Go! is aimed at today's audience of tech savvy kids with Vivid Toys already on board as master Toy Licensee. Both TV and toys launch in 2015. Stay in touch with us for more news on this.
Security agency W.A.S.P. (World Aquanaut Security Patrol) has its headquarters at the top secret base of Marineville in the year 2065. Troy Tempest is the fearless Captain of the super-submarine Stingray. Stingray is the premier combat vessel of the World Aquanaut Security Patrol and the namesake of the television series. Stingray is a small nuclear powered submarine. Streamlined like a fish, it is capable of traveling at up to 600 knots submerged and 400 knots on the surface. Stingray's honeycomb laminated substructure is strong enough to withstand the pressures of the deepest areas of the ocean. The craft's nuclear power plant, high speed, and deep diving capabilities enable global range. It can truly operate anywhere in the ocean. Stingray is normally crewed by two crewmen - Captain Troy Tempest and Hydrophone Operator George Phones Sheridan. Often they are joined on missions by Marina, an amphibious woman from the undersea city of Pacifica who serves as a guide and an expert on undersea life. Overseen by Commander Shore, WA.S.P. agents do battle against evil. Shore's domain is a vast and threatening undersea world and the enemy, the Aquaphibians, Terror Fish and the pervasive and more terrifying power of the Titan, the evil undersea lord. Tempest's goal is to protect Earth from imminent destruction
Languishing in the vaults for decades, during which time it became a semi-legendary show among TV fans of a certain age, Fireball XL5 (1962) was Gerry Anderson's second puppet-animation science fiction series, the direct forerunner of Stingray (1963) and Thunderbirds (1964). This is the show on which Anderson established the formula for his later classics: a pseudo-military organisation engaged in desperate Earth-saving adventures against overwhelming odds; superb model work; puppets with very obvious strings but endearing personalities; iconic music by Barry Gray; and absolutely massive explosions. Colonel Steve Zodiac pilots the coolest spaceship then seen on British TV, the titular Fireball XL5, and is joined by medical officer Venus, a forerunner of Lady Penelope voiced by Sylvia Anderson, and comedy relief Prof Matt Matic (David Graham). Along for the ride is Robert the Robot, a thinner version of Robbie the Robot from Forbidden Planet (1956), a character who would soon turn up in Lost in Space (1965). The plots are ridiculous, with typically Cold War-era aliens routinely bent on planetary destruction for no reason, and there's zero attention to even rudimentary astronomy or anything else approaching actual science. Yet the gadgets, vehicles and puppetry are first-rate and the fast-paced, action-filled episodes are relentlessly entertaining. It's a cult just waiting to be reborn, and essential viewing for all Anderson fans. On the DVD: Fireball XL5 is presented with all 39 episodes (they run 25 minutes each) on five discs. Despite the colourful packaging, the episodes are all black and white, and the 4:3 picture is generally fine, though there are occasional instances of over-compression, which results in artefacting on smooth walls and the like. Some shots look a little soft, but detail is usually strong, making the models and puppets look better than ever. The mono sound is fine, if unremarkable. There are no extras beyond optional subtitles. --Gary S Dalkin
Drums pound, building excitement; the music bursts into life with a cry of "Stingray! Stingray!" Who can resist? Especially when a dramatic voice announces, "Anything can happen in the next half hour!". Stingray (1964) was the show Gerry Anderson made just before he really hit the big time with Thunderbirds (1965), producing 39 episodes of the 21st-century adventures of Troy Tempest--tall, dark and handsome (his voice was based on James Garner) captain of the titular submarine. His mission: to protect the seas on behalf of WASP (World Aquanaut Security Patrol). With complex underwater model and puppet effects, this was ground-breaking television, especially as it was the first UK series to be made in colour, though for years it was only seen in black and white. Special effects director Derek Meddings later graduated to the James Bond movies, while Moneypenny herself (actress Lois Maxwell) voiced Atlanta Shore. Here, just as in the Bond movies, she played second fiddle in our hero's affections, the mute Marina becoming Stingray's sex-goddess. The end-credits even featured a song in her honour, "Aqua Maria", which became an international hit. As for the bad guys: half-man, half-fish Titan and his Terror Fish wage dastardly war against humanity and the peaceful underwater citizens of Pacifica. Four decades on the model and underwater sequences still impress, and surely much of the inspiration for the underwater city in The Phantom Menace came from locations in Stingray. Whether as bizarre 60s nostalgia, or winning a new generation of fans, Stingray remains eccentric cult family entertainment. --Gary S Dalkin
When evil threatens International Rescue blasts-off to sort things out. Somewhere in the Pacific the rescue organisation is always on the lookout for trouble. The founder and co-ordinator of the group is astronaut Jeff Tracy whose sons serve as pilots of the group's five super-secret craft - the Thunderbirds. As the Tracys work for the good of mankind they must try to stop the villainy of The Hood who is determined to undermine the organisation and learn the secrets of the Thunderbirds aircraft. Thunderbirds delivers high-flying action and adventure through the imaginative use of Gerry Anderson's Supermarionation and the special effects of Academy Award' winner Derek Meddings.
Includes: Beethoven Beethoven's 2nd Beethoven's 3rd Beethoven's 4th Beethoven's 5th Beethoven's Big Break Beethoven's Christmas Adventure Beethoven's Treasure Tail
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Vault of Death", "The Mighty Atom", "City of Fire" and "The Imposters". Amazon.com
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "Edge of Impact", "Day of Disaster", Thirty Minutes After Noon" and "Desperate Intruder".
It travels through space and under the sea - and it can journey anywhere... Intrepid pilot Mike Mercury takes to the skies once more in the first series of Gerry Anderson's Supercar. With Professor Popkissmanning the console and the eccentric Dr. Beaker providing his customary - ah - blend of - em- erudition and genius the stage is set for an adventure series that blends adventure humour and charm in equal measure. Presented here is the entire series of 39 episodes digitally remastered and restored to a superb level of quality. This ground-breaking children's series will appeal to people who Gerry Anderson's other puppet series (Thunderbirds Captain Scarlet Stingray) and archive television fans.
Please Note: Some customers have experienced problems playing this disc on their Wharfdale and Samsung 709 DVD players. We advise that you do not make this purchase if you are unsure of playability. 2065 Marineville. The World Aquanaut Security Patrol (WASP) fight against the evil Titan and the Aquaphibians grotesque undersea warriors in the quest for world peace. WASP's most powerful asset is the sleek and deadly underwater craft STINGRAY captained by Intrepid Troy Tempes
Please Note: Some customers have experienced problems playing this disc on their Wharfdale and Samsung 709 DVD players. We advise that you do not make this purchase if you are unsure of playability. 2065 Marineville. The World Aquanaut Security Patrol (WASP) fight against the evil Titan and the Aquaphibians grotesque undersea warriors in the quest for world peace. WASP's most powerful asset is the sleek and deadly underwater craft STINGRAY captained by intrepid Troy Temp
Please Note: Some customers have experienced problems playing this disc on their Wharfdale and Samsung 709 DVD players. We advise that you do not make this purchase if you are unsure of playability. 2065 Marineville. The World Aquanaut Security Patrol (WASP) fight against the evil Titan and the Aquaphibians grotesque undersea warriors in the quest for world peace. WASP's most powerful asset is the sleek and deadly underwater craft STINGRAY captained by Intrepid Troy Temp
Please Note: Some customers have experienced problems playing this disc on their Wharfdale and Samsung 709 DVD players. We advise that you do not make this purchase if you are unsure of playability. 2065 Marineville. The World Aquanaut Security Patrol (WASP) fight against the evil Titan and the Aquaphibians grotesque undersea warriors in the quest for world peace. WASP's most powerful asset is the sleek and deadly underwater craft STINGRAY captained by intrepid Troy Tempes
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "The Duchess Assignment", "Brink of Disaster", "Attack of the Alligators!" and "Martian Invasion". Amazon.com
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "The Cham Cham", "Security Hazard", "Atlantic Inferno" and "Path of Destruction".
Set in the year 2063 Fireball XL5 charts the interplanetary adventures of a spacecraft and its crew handsome blonde pilot Steve Zodiac and the glamorous blonde space doctor Venus a maths genius and a robot! Fireball XL5 was part of a World Space Fleet based at Space City an island in the Pacific Ocean run by Commander Zero and Lieutenant Ninety. Its mission to patrol sector 25 of the universe beyond the solar system. The biggest craft of its kind the 300 metre long XL5 had a detatchable nose cone called Fireball Junior used for landings while the mothership was in orbit. Colonel Steve Zodiac the dynamic pilot of Fireball XL5 is ably assisted by Professor Matthew 'Matt' Mattic XL5's bespectacled naviagtor and scientific officier Venus the crew's medical expert and Steve's romantic interest Zoonie a strange looking creature called a Lazoon who is Venus' pet Robert the Robot the transparent mechanical companion and co-pilot to Steve Commander Zero the head of Space City.
Titles Comprise: Joe 90: Joe 90 is the world's most audacious secret agent and he's only 9 years old! Thanks to Ian 'Mac' McClaine's machine the Brain Impulse Galvanoscope Record And Transfer (or BIG RAT) he is able to transfer the knowledge and experience of one person to Joe. BIG RAT becomes the World Intelligence Network's (W.I.N.) most guarded and secretive weapon in the organisation's missions. With the aid of a special pair of glasses Joe can now assume the knowledge of any individual and become an expert in any field of endeavour... Stingray: 2065 Marineville. The World Aquanaut Security Patrol (WASP) fight against the evil Titan and the Aquaphibians grotesque undersea warriors in the quest for world peace. WASP''s most powerful asset is the sleek and deadly underwater craft STINGRAY captained by intrepid Troy Tempest. Helping him are Phones the brave radio expert Commander Sam Shore his daughter Atlanta and Marina the voiceless tailless Mermaid. Captain Scarlet: Captain Scarlet is the indestructible hero of spectrum at war with the mysteron. Even though they managed to kill him with a self-made weapon the Mysterons rebuilt Scarlet as an invincible human replica to infiltrate Earth and lead their war against our planet. But Captain Scarlet's human psyche survived took control of his human body and now this indestructible hero leads the fight against the evil force.
""It travels through space and under the sea - and it can journey anywhere..."" Intrepid pilot Mike Mercury takes to the skies once more in the first series of Gerry Anderson's Supercar. With Professor Popkissmanning the console and the eccentric Dr. Beaker providing his customary - ah - blend of - em- erudition and genius the stage is set for an adventure series that blends adventure humour and charm in equal measure. Presented here is the entire series of 39 episodes digitally re
Featuring all 32 'Thunderbirds' episodes ever made plus a bonus CD this strictly limited edition box set is the collection of the classic TV series to own! Episode Titles Trapped In The Sky Pit of Peril Perils of Penelope Terror in New York City Edge Of Impact Day Of Disaster 30 Minutes After Noon Desperate Intruder End Of The Road The Uninvited Sun Probe Operation Crash-Dive Vault Of Death The Mighty Atom City Of Fire The Impostors The Man From MI5 Cry Wolf Danger At Ocean Deep Move and You're Dead The Duchess Assignment Brink Of Disaster Attack Of The Alligators Martian Invasion The Cham Cham Security Hazard Altantic Inferno Path of Destruction Alias Mr Hackenbacker Lord Parker's Oliday Ricochet Give or Take A Million.
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