Clint Eastwood is Walt Coogan, a deputy sheriff from Arizona on the loose in the urban jungle of New York. Searching for a violent prisoner he has let slip ("It's got kinda personal now"), Coogan, in Stetson and cowboy boots, runs up against hippies, social workers and a bluntly hostile New York police chief played by Lee J. Cobb. It's a key film in the Eastwood oeuvre, the one in which his definitive persona first emerges, marrying the cool, laid-back westerner of the Rawhide TV series and the Italian westerns to the street-wise, kick-ass toughness which would be further developed in the Dirty Harryfilms. Directed by Eastwood's mentor, Don Siegel, Coogan's Bluff has pace, style and its share of typical Eastwood one-liners (to a hoodlum: "You better drop that blade or you won't believe what happens next"). Like all Eastwood's successful movies, it cunningly plays it both ways. Coogan represents the old-fashioned conservatism of the west in conflict with the decadence of city life. Yet he's the perennial outsider, hostile to authority, a radical loner who gets the job done where bureaucracy and legal niceties fail. The film was to be the inspiration behind the TV series McCloud, in which Dennis Weaver took the Eastwood role. --Edward Buscombe
There is a 5th dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension.Those were the first words that echoed when the Twilight Zone first aired in 1959. Its episodes featured stories of the bizarre and unexplained, blended with humour and often with an unexpected twist to the tale. Created by the legendary Rod Serling, its eclectic mix of fantasy and sci-fi has helped to define it as one of television's most original and celebrated series.
Michael Caine stars as an espionage agent whose young son is kidnapped. Complicating matters is the fact that the kidnappers (John Vernon and Delphine Seyrig) are Caine's own colleagues. They want to secure Caine's aid in rounding up a diamond smuggling ring and they don't care who they have to hurt to do so. He agrees to go along all the while searching for his missing son. Janet Suzman co-stars as Caine's estranged wife who is compelled to join him in his search.
Titles Comprise: Dirty Harry: Harry Callahan is a tough streetwise San Francisco cop whom they call Dirty Harry. In this action classic you'll see why - and also why Clint Eastwood's reputation as a premier film star and moviemaker is secure. A rooftop sniper (Andy Robinson) calling himself Scorpio has killed twice and holds the city ransom with the threat of killing again. Harry will nail him one way or the other no matter what the system prescribes. Filming on location director Don Siegel made the City by the Bay a vital part of Dirty Harry a practice continued in its four sequels. Thirty years after its arrival the original remains one of the most gripping police thrillers ever made. Magnum Force: Underworld figures are being murdered all over San Francisco. One by one criminals who have eluded prosecution are getting the justice they deserve justice you'd think Detective Harry Callahan might approve of with a tight-lipped smile. But if you think so you've misjudged Harry - and so have the killers. Written by future directors John Milius and Michael Cimino this Dirty Harry sequel stars Clint Eastwood in his signature role of Callahan here facing an unexpected kind of lawbreaker: one who carries a badge. Sharpshooting rookie motorcycle policemen have turned vigilante. Their real enemy is the system. But the system is what Harry is sworn to protect. And he does - with Magnum Force! The Enforcer: When detective Harry Callahan stops a liquor store hostage standoff in his own no-nonsense way he gets busted back to personnel. But not for long. When terrorists rob an arms warehouse and go on a blood-soaked extortion spree San Francisco's leaders quickly seek out Callahan: The Enforcer. Clint Eastwood takes dead aim again in this third of his five Dirty Harry films. Presaging her four-time Emmy-winning stint as half of TV's Cagney and Lacey Tyne Daly co-stars as Harry's new partner who has two jobs: nailing the terrorists - and winning hard-boiled Harry's confidence. Stoked with brisk humor and hard-hitting mayhem The Enforcer carves another winning notch in the handle of Harry's .44 magnum. Sudden Impact: Sensitive to outcries of police brutality the superiors of San Francisco Detective Harry Callahan have sent him on an out-of-town assignment until things cool down. But wherever Harry goes things just get hotter. Clint Eastwood hits the mark again in Sudden Impact. Callahan's older dirtier and the world hasn't gotten better. Which means this fourth Dirty Harry movie (which Eastwood also directs) is explosively exciting as Callahan tracks a traumatized rape victim (Sondra Locke) coldly gunning down her bygone attackers. Through the five Callahan films the lawman always struck a powerful chord. But Sudden Impact is particularly potent fueled by the line that became a national catchphrase: Go ahead. Make my day. The Dead Pool: Fame isn't detective Harry Callahan's style. He dislikes being grouped with a rock star a film critic and a TV host all slain celebrities in a macabre betting pool called the 'Dead Pool'. Another name just got added and it's his...
There Is More Than One Way To Kill A Man... I gotta find out what makes a man decide not to run. Why all of a sudden he'd rather die. So muses hitman Charlie (Lee Marvin) after his high-priced victim Johnny North (John Cassavetes) gives in without a fight. Obsessed with the answer Charlie and his hot-headed associate Lee (Clu Gulager) track down Johnny's associates and uncover a complex web of crime and deceit involving his femme fatale girlfriend Sheila (Angie Dickinson) and ruthless mob boss Jack Browning (Ronald Reagan in his last screen role). Loosely inspired by the Ernest Hemingway story and directed by Don Siegel (whose many other taut efficient thrillers include Dirty Harry and the original Invasion of the Body Snatchers) The Killers was commissioned as the very first 'TV movie' but was given a cinema release because of its violence - although a cast like that really belonged on the big screen in the first place. Special Features: High Definition digital transfer of the film by Universal Pictures presented in alternative 'television' and 'cinema' aspect ratios Original uncompressed 2.0 mono PCM audio Optional English SDH subtitles for the deaf and hearing impaired Reagan Kills: interview with New York Times bestselling writer Marc Eliot author of 'Ronald Reagan: The Hollywood Years' Screen Killer: interview with Dwayne Epstein author of 'Lee Marvin: Point Blank' Archive interview with Don Siegel (1984) from the French television series 'Cinéma Cinémas' Gallery of rare behind-the-scenes images Reversible sleeve featuring the original poster and newly commissioned artwork by Nathanael Marsh Booklet featuring new writing on the film by Mike Sutton extracts from Don Siegel's autobiography and contemporary reviews illustrated with original lobby cards
In the cactus-studded Mexican backcountry of the 1860s, a surly drifter who could easily be mistaken for the Man with No Name becomes protector and lethal helpmate to a red-haired nun wanted by the French for aiding the Juarista revolutionaries. Essentially a two-character showcase for the newly stellar Clint Eastwood and what was beginning to seem the poststellar Shirley MacLaine (subbing for Elizabeth Taylor), this sardonic study in testy collaboration, mutual deception and distrust, and slightly creepy sexual attraction is highly rated by a fairly small number of critics--chiefly, one suspects, for the dual-auteur cachet of having been directed by Don Siegel and based on a story by Budd Boetticher. Others deem it an undersauced spaghetti Western and find that the stars grate on the viewer as well as each other. Cinematography by the great Gabriel Figueroa is some consolation, but... if only Boetticher had been allowed to direct. --Richard T. Jameson
Charley Varrick and his friends rob a small town bank. Expecting a small sum to divide amongst themselves they are surprised to discover a very large amount of money. Quickly figuring out that the money belongs to the MOB they must now come up with a plan to throw the MOB off their trail.
High Plains Drifter (1973): Eastwood portrays a mysterious stranger who emerges out of the heat waves of the desert and rides into the guilt-ridden town of Lago. After committing three murders and one rape in the first 20 minutes The Stranger is hired by the town to protect it from three gunmen just out of jail. The Stranger then paints the entire town bright red renames it ""Hell "" and supplies Divine retribution in a fiery climax. Joe Kidd (1972): Concerning a land war in New Mexico at the turn of the century marks Clint Eastwood at the top of his form as a western hero. Filmed in 1971 Kidd brings together a veteran western Director John Sturges the classic backdrop of the High Sierras the top notch acting skills of Robert Duvall and the rugged Eastwood as a ""hired gun"" who takes action based on his own particular sense of justice. And like a very classic western it has gunfights conflicts and a slam-bang finale which has a locomotive being driven through a saloon where the bad guys are hiding. The Beguiled (1971): Set in the Deep South during the Civil War The Beguiled stars Eastwood as John McBurney a severely wounded soldier who is near death when discovered by a teenage girl. She takes him to the mansion that serves as her boarding school where he slowly begins to regain his health under the care of headmistress Martha Farnsworth (Geraldine Page) and the dozen or so girls who live there. As McBurney gets better he begins to charm the girls all of whom are starved for affection because of the war's claim on their men. At length powerful undercurrents of jealousy saturate the atmosphere as the girls and even the headmistress begin to vie for McBurney's attention. He first becomes involved with one of the oldest of the girls Edwina Dabney (Elizabeth Hartman) but ultimately finds it difficult to resist the charms of some of her schoolmates. His promiscuity becomes his undoing.
Charley Varrick (Walter Matthau) is a former stunt-pilot who makes his living robbing small banks in the American Southwest. His latest heist sees him unwittingly steal from the local mafia, setting a psychotic hit-man on his trail and unleashing a maelstrom of violence and destruction. Directed by the great Don Siegel (Invasion of the Body Snatchers, Dirty Harry), Charley Varrick is one of the best thrillers of the 70s: action-packed, memorably lurid and gleefully unsentimental Extras: Limited edition remaster Original mono audio Last of the Independents: Don Siegel and the Making of Charley Varrick' (2015, 72 mins): a feature-length documentary on the making of the film The Guardian Lecture with Don Siegel (1973, tbc mins): archival audio recording of an interview conducted by Tony Sloman at London's National Film Theatre The Guardian Lecture with Walther Matthau (1988, tbc mins): archival audio recording of an interview at London's National Film Theatre Super 8 version: original cut-down home cinema presentation Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by author and critic Richard Combs, an overview of contemporary critical responses, and historic articles on the film UK premiere on Blu-ray Limited Edition of 3,000 copies
The Man Who Shot Liberty Valance: Director John Ford brings us to the lawless frontier village of Shinbone, a town plagued by a larger-than-life nemesis, Liberty Valance (Lee Marvin). James Stewart plays the bungling but charming big-city lawyer determined to rid Shinbone of Valance, and he finds that he has an unlikely ally in the form of a rugged local rancher (John Wayne). The two men also share the same love interest (Vera Miles). But when the final showdown becomes inevitable, one...
One man... seven women... in a strange house! Set in the Deep South during the Civil War The Beguiled stars Eastwood as John McBurney a severely wounded soldier who is near death when discovered by a teenage girl. She takes him to the mansion that serves as her boarding school where he slowly begins to regain his health under the care of headmistress Martha Farnsworth (Geraldine Page) and the dozen or so girls who live there. As McBurney gets better he begins to charm the girls all of whom are starved for affection because of the war's claim on their men. At length powerful undercurrents of jealousy saturate the atmosphere as the girls and even the headmistress begin to vie for McBurney's attention. He first becomes involved with one of the oldest of the girls Edwina Dabney (Elizabeth Hartman) but ultimately finds it difficult to resist the charms of some of her schoolmates. His promiscuity becomes his undoing.
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
During the Civil War a wounded union soldier is sheltered by the headmistress and students of a girls' academy in the south. As his health returns his desire increases, but can he trust these enemy women not to turn on him? He takes his chances but soon realises that his benefactress can't be trusted...with his love or with his life! His lustful ambition turns quickly against him and the story follows him through a series of nerve shattering events, including realistic scenes that are among the boldest, most shocking ever witnessed on film.
“You're traveling through another dimension, a dimension not only of sight and sound but of mind; a journey into a wondrous land whose boundaries are that of imagination — Next stop, the Twilight Zone.” Rod SerlingThe final season of this genuinely iconic series features some of The Twilight Zone’s most renowned episodes and includes star appearances from William Shatner (Nightmare at 20,000 Feet), his Star Trek co-star George Takei (The Encounter) and Hollywood heavyweights Martin Landau (The Jeopardy Room), Telly Savalas (Living Doll) and Mickey Rooney (The Last Night Of A Jockey).Released digitally remastered for the first time in the UK, this 6 disc set contains all 36 episodes from this fifth season as well as special features;Special Features: 90 minute documentary on the life of The Twilight Zone creator Rod Serling: American Masters “Submitted For Your Approval” Commentaries and interviews featuring Mickey Rooney, Martin Landau, Michael Constantine, Bill Mumy, Carolyn Kearney, Mariette Hartley and Earl Hammer Jnr Disc 1 In Praise of Pip Steel Nightmare at 20,000 Feet: A Kind of Stop Watch The Last Night of A Jockey Living Doll The Old Man In The Cave Disc 2 Uncle Simon Probe 7, Over And Out The 7th is Made Up of Phantoms A Short Drink From A Certain Fountain Ninety Years Without Slumbering Ring-A-Ding Girl You Drive Disc 3 The Long Morrow The Self-Improvement of Salvadore Ross Number 12 Looks Just Like You Black Leather Jackets Night Cell From Agnes- With Love Spur of The Moment Disc 4 An Occurence At Owl Creek Bridge Queen of The Nile What's In The Box The Masks I Am The Night- Color Me Black Sounds and Silences Caesar and Me The Jeopardy Room Disc 5 Stopover in a Quiet Town The Encounter Mr. Garrity and The Graves The Brain Center at Whipple's Come Wander With Me The Fear The Bewitchin' Pool
A wandering American mercenary planning to help the Juaristas of Mexico take a French garrison at Chihuahua kills three men trying to rape a nun. But she is not all she seems and reveals a hatred for the Juaristas and a penchant for cigars liquor and swearing. A romance develops and the mercenary discovers the nun is really a prostitute! A violent climax comes with the storming of the well-protected fort.
His reputation precedes him but commander Fess Parker is in no position to be choosy when he learns that his tired platoon will not be shipping home as rumored but tossed into a ragged new offensive...
Set in Mexico a nun called Sara is rescued from three cowboys by Hogan (Clint Eastwood) who is on his way to do some reconnaissance for a future mission to capture a French fort. The French are chasing Sara but not for the reasons she tells Hogan so he decides to help her in return for information about the fort defences. Inevitably the two become good friends but Sara has a secret..
Titles Comprise: Dirty Harry: Harry Callahan is a tough streetwise San Francisco cop whom they call Dirty Harry. In this action classic you'll see why... A rooftop sniper (Andy Robinson) calling himself Scorpio has killed twice and holds the city ransom with the threat of killing again. Harry will nail him one way or the other no matter what the system prescribes. >Gran Torino:> Clint Eastwood returns to the big screen as Walt Kowalski a cantankerous veteran of the Korean War who catches his young Hmong neighbour attempting to steal his cherished 1972 Gran Torino urging him to try and reform the boy of his burgeoning criminal ways. >Unforgiven Clint Eastwood and Morgan Freeman play retired down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey: Richard Harris is an ill-fated interloper a colourful killer-for-hire called English Bob. Gene Hackman is the sly and brutal local sheriff whose brand of Law enforcement ranges from unconventional to ruthless. Big trouble is coming to Big Whiskey...
The original nightmare that threatened the world. Something evil has taken possession of the small town of Santa Mira California. Hysterical people accuse their loved ones of being emotionless imposters of not being themselves. At first Dr. Miles Bennell (Kevin McCarthy) tries to convince them they're wrong...but they're not. Plant-like extraterrestrials have invaded Earth replicating the villagers in giant seed ""pods"" and taking possession of their souls while they sleep. Soon the entire town is overwhelmed by the inhuman horror but it won't stop there. In a terrifying race for his life Dr. Bennell escapes to warn the world of the deadly invasion of the pod people!
Clint Eastwood is Walt Coogan, a deputy sheriff from Arizona on the loose in the urban jungle of New York. Searching for a violent prisoner he has let slip ("It's got kinda personal now"), Coogan, in Stetson and cowboy boots, runs up against hippies, social workers and a bluntly hostile New York police chief played by Lee J. Cobb. It's a key film in the Eastwood oeuvre, the one in which his definitive persona first emerges, marrying the cool, laid-back westerner of the Rawhide TV series and the Italian westerns to the street-wise, kick-ass toughness which would be further developed in the Dirty Harryfilms. Directed by Eastwood's mentor, Don Siegel, Coogan's Bluff has pace, style and its share of typical Eastwood one-liners (to a hoodlum: "You better drop that blade or you won't believe what happens next"). Like all Eastwood's successful movies, it cunningly plays it both ways. Coogan represents the old-fashioned conservatism of the west in conflict with the decadence of city life. Yet he's the perennial outsider, hostile to authority, a radical loner who gets the job done where bureaucracy and legal niceties fail. The film was to be the inspiration behind the TV series McCloud, in which Dennis Weaver took the Eastwood role. --Edward Buscombe
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