The searing classic of paradise lost. The 24-year old idol-to-be James Dean plays Cal a wayward Salinas Valley youth who vies for the affection of his hardened father (Raymond Massey) with his favored brother Aron (Richard Davalos). Playing off the haunting sensitivity of Julie Harris Dean's performance earned one of the film's four Academy Award nominations. Among the movie's stellar performers Jo Van Fleet won the Oscar for Best Supporting Actress.
Four classic Gregory Peck films are featured on this fantastic box set. Gentleman's Agreement: Director Elia Kazan and producer Darryl F. Zanuck caused a sensation with ""the most spellbinding story ever put on celluloid"" (Hollywood Reporter) recipient of three Academy Awards including Best Picture. One of the first films to directly tackle racial prejudice this acclaimed adaptation of Laura Z. Hobson's bestseller stars Gregory Peck as a journalist assigned to write a series
Giant (1956): George Stevens' sweeping Oscar-winning epic about the cataclysmic effect the discovery of oil in Texas has on the lifestyle of the former cattle barons. Dean is Jett Rink a sullen-farm hand who becomes a millionaire overnight. Tough always angry restless bewildered and reckless Rink's animal charm and tycoon's magnetism means he always gets his way. But when he fails in love with Leslie he loses his way with an equal violence... East Of Eden (1955): James Dean plays Cal a wayward Salinas Valley youth who vies for the affection of his hardened father (Raymond Massey) with his favored brother Aron (Richard Davalos). Playing off the haunting sensitivity of Julie Harris Dean's performance earned one of the film's four Academy Award nominations. Among the movie's stellar performers Jo Van Fleet won the Oscar for Best Supporting Actress. Rebel Without A Cause (1955): In one of cinemas most influential and gripping roles James Dean plays Jim Stark the new kid in town whose loneliness frustration and anger mirrored those of most postwar teens - and reverberates more than 40 years later. Natalie Wood (as Jim's girlfriend Judy) and Sal Mineo (in his screen debut as Jim's tag-along pal Plato) were Academy Award nominees for their achingly true performances. Director Nicholas Ray was also an Oscar nominee for this landmark film chosen as one of the Top-100 American Films by the American Film Institute.
Based on the unfinished novel by F. Scott Fitzgerald celebrated actor Robert De Niro heads a powerhouse cast as ruthless motion-picture studio head Monroe Stahr. Tony Curtis Robert Mitchum Jeanne Moreau Theresa Russell Anjelica Huston and Jack Nicholson contribute supporting performances in this richly detailed 1930's epic.
This ultimate collector's edition includes three of James Dean's landmark films. This box set includes Giant East of Eden and Rebel Without a Cause. GiantTexan rancher Bick Benedict visits a Maryland farm to buy a prize horse. Whilst there he meets and falls in love with the owner's daughter Leslie. They are married immediately and return to his ranch. The story of their family and its rivalry with cowboy and (later oil tycoon) Jett Rinkunfolds across two generations. Special Features: Introduction by George Stevens Jr. Commentary by George Stevens Jr. Ivan Moffat and Stephen Farber George Stevens: Filmmakers Who Knew Him Rebel Without a CauseDean stars as the ultimate juvenile delinquent. A lonely misunderstood bad boy from a good family who will do anything to get his parents' attention even if it ends in tragedy. Special Features: Commentary by Douglas L. Rathgeb James Dean Rembered featurette Rebel Without a Cause: Defiant Innocents Dennis Hopper: Memories from the Warner lot Screen tests Wardrobe tests 16 deleted scenes Behind the cameras: Natalie Wood Behind the cameras: Jim Backus Behind the cameras: James Dean Theatrical trailer East of EdenTwo brothers rival for the love of their stern over-bearing widowed father. However when Cal (James Dean) the rejected 'rebel' son discovers that his mother is not dead but running a nearby brothel he decides to tell his brother. This spiteful decision soon leads to the destruction of his relationship with his brother who in a drunken frenzy runs off to enlist in an army unit being shipped overseas to the battlefields of France. Special Features: Commentary by Richards Schickel Forever James Dean (1987 Documentary) East of Eden: Art in Search of Life Screen tests 4 Wardrobe testsDeleted scenes 3/9/1955 NYC premiere Theatrical trailer Collector's Edition Includes: 6-disc Digipack Blu-ray collection featuring all 3 of James Dean's iconic movies: East of Eden Giant and Rebel Without A Cause 3 movie posters 10 photo cards 6 memos 48-page booklet
The life and times of the legendary Mexican revolutionary Emiliano Zapata are brought to the screen in this powerful production of John Steinbeck's screenplay. Marlon Brando gives a stunning portrayal of the outlaw turned revolutionary leader with the film also boasting Anthony Quinn's Oscar-winning performance as Zapata's brother and intelligent direction by Elia Kazan.
A collection of classic and unusual Marlon Brando movies including The Wild One One The Waterfront The Ugly American and The Appaloosa. The Wild One (1954) An angry young Marlon Brando scorches the screen as The Wild One in this powerful 50s cult classic. Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a 'good-girl' w
Man On A Tightrope
All About Eve (Dir. Joseph L. Mankiewicz 1950): From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only
Titles Comprise: Gypsy Splendour In The Grass Inside Daisy Clover Sex And The Single Girl Cash McCall Bombers B-52
This box set features the following films: The Fugitive Kind (Dir. Sidney Lumet) (1959): Oscar winners Marlon Brando Anna Magnani Joanne Woodward and Maureen Stapleton lead the stellar cast of this Southern Gothic ""sizzler"" (Los Angeles Times) based on the Tennessee Williams play Orpheus Descending. Thanks to ""brilliant"" (The Film Daily) performances The Fugitive Kind ""sets one's senses to throbbing"" (The New York Times). Valentine ""Snakeskin"" Xavier (Brando) is a handsome drifter with a guitar and a past. Taking a job as a store clerk in Two Rivers Mississippi his strong and silent demeanor attracts not only the local party girl (Woodward) but also the shopkeeper's exotic wife (Magnani). Soon this explosive love triangle will ignite a powder keg of fury that could rock this small town to its very core. The Young Lions (Dir. Edward Dmytryk) (1958): Academy Award-winning actor Marlon Brando captures the extraordinary contradictions and complexity of a decent man who winds up as a Nazi officer. The Young Lions tells the story of World War II from both sides. The American represented by Montgomery Clift and Dean Martin. And the German made tragically vivid by Brando. Based on the novel by Irwin Shaw. The Young Lions is a provocative insightful movie. It is also one of Brando's all-time best. Morituri (Dir.Bernhard Wicki) (1965): World War II espionage adventure and human lives have never before been combined so explosively... Forced to pose as a SS officer German war deserter Robert Crain (Brando) must seize a German freighter booby-trapped to explode upon capture. Complicating the situation is the fact that sixteen prisoners of war are also brought on board including a beautiful young concentration camp survivor (Janet Margolin)... A captivating espionage thriller fronted by outstanding performances from Marlon Brando and Yul Brynner this criminally little-seen World War II film also features a devastating appearance by veteran British hand Trevor Howard and will keep you riveted until the very final scene... Viva Zapata (Dir. Elia Kazan) (1952): The life and times of legendary Mexican revolutionary Emiliano Zapata are brought to the screen in Darryl F. Zanuck's powerful production of John Steinbeck's screenplay. Marlon Brando fresh from his success in A Streetcar Named Desire gives a stunning portrayal of the outlaw turned revolutionary leader. The film also boasts Anthony Quinn's (Best Supporting Actor 1952) Academy Award winning performance as Zapata's brother.
Director Elia Kazan and producer Darryl F. Zanuck caused a sensation with ""the most spellbinding story ever put on celluloid"" (Hollywood Reporter) recipient of three Academy Awards including Best Picture. One of the first films to directly tackle racial prejudice this acclaimed adaptation of Laura Z. Hobson's bestseller stars Gregory Peck as a journalist assigned to write a series of articles on anti-semitism. Searching for an angle he finally decides to pose as a Jew - and soon
Titles Comprise: The Wild One: Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a good-girl whose father happens to be a cop. Unfortunately for Johnny his one shot at redemption is threatened by a psychotic rival Chino (Lee Marivn) plus the hostility and prejudice of the townspeople. All their smouldering passions explode in an electrifying climax. On The Waterfront: Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint is the girl with whom Brando falls in love. The Ugly American: Harrison MacWhite has just been named ambassador to the (fictional) Southeast Asian country of Sarkhan but may regret taking the job. When he arrives there MacWhite discovers a country in turmoil and he can't help becoming involved in the nation's incendiary politics. Furthermore MacWhite's naivete -- and cockiness -- only make things worse... The Appaloosa: Marlon Brando star as Matt Fletcher a Mexican-American buffalo hunter who sets out to get revenge on the local bandit (played by John Saxon) that steals his beloved horse.
Titles Comprises: The Man In The Grey Flannel Suit (Dir. Nunnally Johnson) (1956): An ex-soldier faces ethical questions as he tries to earn enough to support his wife and children well. Twelve O'Clock High (Dir. Henry King) (1949): Convinced an Air Force Commander is at breaking point Brigadier General Savage (Gregory Peck) takes over his struggling bomber group. At first resentful and rebellious the flyers gradually change as Savage guides them to amazing feats. But the stress of command soon takes its toll and the weary general reaches his own breaking point. Gentleman's Agreement (Dir. Elia Kazan) (1947): One of the first films to directly tackle racial prejudice this acclaimed adaptation of Laura Z. Hobson's bestseller stars Gregory Peck as a journalist assigned to write a series of articles on anti-Semitism. Searching for an angle he finally decides to pose as a Jew - and soon discovers what it is like to be a victim of religious intolerance. The Bravados (Dir. Henry King) (1958): When four men who Jim Douglas (Gregory Peck) believes raped and killed his wife escape from their death sentences Jim sets out to track the men down and enact his own vengeance. An honest man Jim sees his actions as just and brave but as he crisscrosses Mexico to exact an eye for an eye he comes to realize that he has lost something of himself in his self-absorbed quest for revenge. The Gunfighter (Dir. Henry King) ()1950: Gregory Peck stars as Jimmy Ringo one of the fastest draws in the West but desperately sick of killing and lonely traveling. This gripping tale surrounds Ringo's efforts to build a new life. Throughout encounters with old friends new enemies his estranged wife and his first meeting with his only child Peck offers an intricate portrait of a man harboring deep regrets about his own past.
An outstanding but obscure film from classic director Elia Kazan detailing the difficulties in building a dam on the Tennessee river with opposition from locals across the colour divide...
One of the most noteworthy pictures. - Los Angeles Times Director Elia Kazan and producer Darryl F. Zanuck caused a sensation with the most spellbinding story ever put on celluloid (Hollywood Reporter) recipient of three Academy Awards including Best Picture. One of the first films to directly tackle racial prejudice this acclaimed adaptation of Laura Z. Hobson's bestseller stars Gregory Peck as a journalist assigned to write a series of articles on anti-Semitism. Searching for an angle he finally decides to pose as a Jew - and soon discovers what it is like to be a victim of religious intolerance. Dorothy McGuire John Garfield Dean Stockwell and June Havoc also star in this post-World War II classic .
On The Waterfront (Dir. Elia Kazan 1954): ""You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am let's face it."" - Terry Malloy (Marlon Brando) Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough new York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint is the girl with whom Brando falls in love. Winner of 8 Oscars including Best Picture Best Actor Best Support Actress Best Director and Best Screenplay this devastating film has since its first screening become one of the movie greats. The Wild One (Dir. Laszlo Benedek 1954): An angry young Marlon Brando scorches the screen as The Wild One in this powerful '50s cult classic. Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a ""good-girl"" whose father happens to be a cop. Unfortunately for Johnny his one shot at redemption is threatened by a psychotic rival Chino (Lee Marvin) plus the hostility and prejudice of the townspeople. All their smouldering passions explode in an electrifying climax.
You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am let's face it. - Terry Malloy (Marlon Brando) Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint is the girl with whom Brando falls in love. Winner of 8 Oscars including Best Picture Best Actor Best Support Actress Best Director and Best Screenplay this devastating film has since its first screening become one of the movie greats.
Looking for a benchmark in movie acting? Breakthrough performances don't come much more electrifying than Marlon Brando's animalistic turn as Stanley Kowalski in A Streetcar Named Desire. Sweaty, brutish, mumbling, yet with the balanced grace of a prize-fighter, Brando storms through the role--a role he had originated in the Broadway production of Tennessee Williams's celebrated play. Stanley and his wife, Stella (as in Brando's oft-mimicked line, "Hey, Stellaaaaaa!"), are the earthy couple in New Orleans's French Quarter whose lives are upended by the arrival of Stella's sister, Blanche DuBois (Vivien Leigh). Blanche, a disturbed, lyrical, faded Southern belle, is immediately drawn into a battle of wills with Stanley, beautifully captured in the differing styles of the two actors. This extraordinarily fine adaptation won acting Oscars for Leigh, Kim Hunter (as Stella) and Karl Malden (as Blanche's clueless suitor), but not for Brando. Although it had already been considerably cleaned up from the daringly adult stage play, director Elia Kazan was forced to trim a few of the franker scenes he had shot. In 1993, Streetcar was re-released in a "director's cut" that restored these moments, deepening a film that had already secured its place as an essential American work. --Robert Horton
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